The Rediscovery of the Greek Sanctuaries
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Gallery Text That Accompanies This Exhibition In
Steeped in the classical training of an English gentleman, Edward Dodwell (1777/78– 1832) first traveled through Greece in 1801. He returned in 1805 in the company of an Italian artist, Simone Pomardi (1757–1830), and together they toured the country for fourteen months, drawing and documenting the landscape with exacting detail. They produced around a thousand illustrations, most of which are now in the collection of the Packard Humanities Institute in Los Altos, California. A selection from this rich archive is presented here for the first time in the United States. Dodwell and Pomardi frequently used a camera obscura, an optical device that made it easier to create accurate images. Beyond providing evidence for the appearance of monuments and vistas, their illustrations manifest the ideal of the picturesque that enraptured so many European travelers. The sight of ancient temples lying in ruin, or of the Greek people under Turkish rule as part of the Ottoman Empire, prompted meditation on the transience of human accomplishments. As Dodwell himself wrote: “When we contemplated the scene around us, and beheld the sites of ruined states, and kingdoms, and cities, which were once elevated to a high pitch of prosperity and renown, but which have now vanished like a dream . we could not but forcibly feel that nations perish as well as individuals.” Dodwell’s own words accompany the majority of images in this exhibition. His descriptions are drawn from his Classical and Topographical Tour through Greece, during the Years 1801, 1805, and 1806 (London, 1819). The author’s original spelling, capitalization, and punctuation have been retained. -
Athens, Central Greece & Peloponnese
Athens, Central Greece & Peloponnese Athens – Olympia – Delphi 6 Days / 5 Nights Day 1 – Arrival in Athens Upon arrival at Athens International Airport, you will be met by our representative and transferred to your hotel. Balance of the day at leisure. If time permits depending on your arrival time to Athens, you may enjoy one of our optional tours. (Cape Sounion or Athens By Night Tour with Traditional Greek show). Day 2 – Athens After breakfast at hotel, pick up for our Athens Sightseeing Tour. Our Athens Half Day Tour begins with a panoramic drive around Syntagma square, passing by many sightseeing hot spots such as National Garden, Hadrian’s Arch, St. Paul’s Church, Parliament, Tomb of the Unknown Soldier, Catholic Cathedral and Schliemann’s House. We will then drive past the Athens Trilogy which includes the University of Athens, the Academy of Athens, and the National Library. Our licensed guide will make you feel as if you are experiencing firsthand Athens’s old and new history as you look at these stately buildings. We continue for a photo stop at Panathenaic Stadium, otherwise known as Kallimarmaro Stadium, where the first Olympic Games took place in 1896. As we proceed, we pass by Zappeion and the Temple of Olympian Zeus. Last but not least, we make our way to the archaeological site of Acropolis, an UNESCO’S world heritage monument and we visit Propylae, as well as the small Temple of Athena Nike. Of course, our visit shall not be completed without the Parthenon and Erechtheion. The expert guided Athens sightseeing and museum tour continues with a pleasant short walk passing by Herodion and Dionysos Theater, in order to visit the New Acropolis Museum. -
OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven
karen taylor fine art OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven Front cover: William Page, Temple of Olympian Zeus, Athens. Catalogue no. 6 Back cover: William Page, Temple of Cybele, Sardis. The drawings are available for viewing by appointment Catalogue no. 12 Inside front cover: William Page, The harbour baths, Ephesus. Catalogue no. 14 Inside back cover: William Page, Thrasyllos monument from the west. Catalogue no. 7 © KAREN TAYLOR FINE ART 2017 karen taylor fine art +44 (0)20 8743 9207 +44 (0)7881 581275 [email protected] www.karentaylorfineart.com KAREN TAYLOR FINE ART I am delighted to present this recently rediscovered group of drawings by William Page, with whose work I first became familiar in the 1980s when I built up the Sotheby’s Greek and Turkish topographical sales. Little is known about Page’s life, but the freshness of his approach impressed me, as did his evident pleasure in drawing ruins. His relationship with his patron and probable pupil, Mary Hamilton Campbell, Lady Ruthven, an amateur archaeologist who appears to have taken him to Greece, was previously unknown, as was Page’s involvement with her brother William Campbell, with whom he travelled to Turkey. There is more work to be done on Page, but in the meantime I hope this catalogue will add a little to our understanding of the Enlightenment fascination with classical Greece. My own longstanding interest in the Ottoman period remains undimmed, and it has been a pleasure to revisit it. -
Cult of Isis
Interpreting Early Hellenistic Religion PAPERS AND MONOGRAPHS OF THE FINNISH INSTITUTE AT ATHENS VOL. III Petra Pakkanen INTERPRETING EARL Y HELLENISTIC RELIGION A Study Based on the Mystery Cult of Demeter and the Cult of Isis HELSINKI 1996 © Petra Pakkanen and Suomen Ateenan-instituutin saatiO (Foundation of the Finnish Institute at Athens) 1996 ISSN 1237-2684 ISBN 951-95295-4-3 Printed in Greece by D. Layias - E. Souvatzidakis S.A., Athens 1996 Cover: Portrait of a priest of Isis (middle of the 2nd to middle of the 1st cent. BC). American School of Classical Studies at Athens: Agora Excavations. Inv. no. S333. Photograph Craig Mauzy. Sale: Bookstore Tiedekirja, Kirkkokatu 14, FIN-00170 Helsinki, Finland Contents Acknowledgements I. Introduction 1. Problems 1 2. Cults Studied 2 3. Geographical Confines 3 4. Sources and an Evaluation of Sources 5 11. Methodology 1. Methodological Approach to the History of Religions 13 2. Discussion of Tenninology 19 3. Method for Studying Religious and Social Change 20 Ill. The Cults of Demeter and Isis in Early Hellenistic Athens - Changes in Religion 1. General Overview of the Religious Situation in Athens During the Early Hellenistic Period: Typology of Religious Cults 23 2. Cult of Demeter: Eleusinian Great Mysteries 29 3. Cult of Isis 47 Table 1 64 IV. Problem of the Mysteries 1. Definition of the Tenn 'Mysteries' 65 2. Aspects of the Mysteries 68 3. Mysteries in Athens During the Early Hellenistic Period and a Comparison to Those of Rome in the Third Century AD 71 4. Emergence of the Mysteries ofIsis in Greece 78 Table 2 83 V. -
SPECIALE MURA POLIGONALI La Casa Editrice E.S.S
Rivista fondata da Luciano Pasquali Anno XXIV•N. 10/11/12•Ottobre/Novembre/Dicembre 2019 Mensile Tecnico Scientifico € 4,50 E.S.S. Editorial Service System In edicola 27 dicembre 2019 Sped. Abb. Post - D.L. 353/2003 Fondazione Dià Cultura (conv. In L. 27/02/2004 n.46) art.1 comma 1, Aut. N.C/RM/036/2010 SPECIALE MURA POLIGONALI La casa editrice E.S.S. Editorial Service System Srl e la Fondazione Dià Cultura presentano: Trame di storia Metodi e strumenti dellʼarcheologia sperimentale Archeofest 2017 a cura di Massimo Massussi, Sonia Tucci, Romina Laurito 17x24 cm, 408 pp., 25.00 euro ISBN 978-88-8444-194-2 1 2 Insieme per l’Archeologia Forma Urbis Media partner della Fondazione Dià Cultura. La Fondazione Dià Cultura collabora con System Graphic Srl alla realizzazione di Forma Urbis, di cui cura dal 2013 il piano editoriale, i contenuti scientifici e l’impianto grafico. Fondata nel 1995 con l’intento di far conoscere la Roma sotterranea e il mondo romano monumentale a un pubblico ampio, nel corso degli anni la rivista ha ampliato il suo piano editoriale ed è diventata un punto di riferimento anche per gli specialisti. www.formavrbis.com [email protected] [email protected] Fondazione Dià Cultura Siaed S.p.A. La Fondazione Dià Cultura realizza attività culturali e È l’azienda informatica che ha fondato e sostiene tutti i progetti di valorizzazione (tra cui RomArché – Il Salone progetti e le attività della Fondazione Dià Cultura. dell’Editoria Archeologica) con l’obiettivo di connettere Nata nel 1977, la Siaed pensa, sviluppa e realizza saperi e storie del passato al dibattito culturale soluzioni di gestione e processo inerenti il trasferimento contemporaneo. -
The Primal Greece : Between Dream and Archaeology
The primal Greece : between dream and archaeology Introduction The Aegean civilisations in the French National Archaeological Museum « This unusual form […] reveals an unknown Greece within Greece […] as solemn, profound and colossal as the other is radiant, light and considered; […] all here meets the reputation of the Atrids and brings back the horror of the Achaean fables », wrote on 1830 in front of the walls of Mycenae, the traveller Edgard Quinet, who was passionate about Greek tragedies. Like other travellers before him, he was aware of approaching the memory of an unknown past, of a primal Greece, but he would never have believed that this Greece dated from prehistoric times. It will be the end of the 19th century before the pioneers of archaeology reveal to the world the first civilisations of the Aegean. The « Museum of National Antiquities» played then a key role, spreading the knowledge about these fabulous finds. Here, as well as in the Louvre, the public has been able to meet the Aegean civilisations. The Comparative Archaeology department had a big display case entirely dedicated to them. The exhibition invites visitors back to this era of endless possibilities in order to experience this great archaeological adventure. Birth of a state, birth of an archaeology As soon as it becomes independent (1832), Greece is concerned with preserving its antiquities and creates an Archaeological Service (1834). Shortly afterwards, Ephemeris Archaiologike, the first Greek archaeological review, is founded, at the same time as the Archaeological Society at Athens. The French School at Athens is founded in 1846 in order to promote the study of antiquities, and is followed by a German study Institute in 1874; many other countries will follow the example of France and Germany. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
Greece • Crete • Turkey May 28 - June 22, 2021
GREECE • CRETE • TURKEY MAY 28 - JUNE 22, 2021 Tour Hosts: Dr. Scott Moore Dr. Jason Whitlark organized by GREECE - CRETE - TURKEY / May 28 - June 22, 2021 May 31 Mon ATHENS - CORINTH CANAL - CORINTH – ACROCORINTH - NAFPLION At 8:30a.m. depart from Athens and drive along the coastal highway of Saronic Gulf. Arrive at the Corinth Canal for a brief stop and then continue on to the Acropolis of Corinth. Acro-corinth is the citadel of Corinth. It is situated to the southwest of the ancient city and rises to an elevation of 1883 ft. [574 m.]. Today it is surrounded by walls that are about 1.85 mi. [3 km.] long. The foundations of the fortifications are ancient—going back to the Hellenistic Period. The current walls were built and rebuilt by the Byzantines, Franks, Venetians, and Ottoman Turks. Climb up and visit the fortress. Then proceed to the Ancient city of Corinth. It was to this megalopolis where the apostle Paul came and worked, established a thriving church, subsequently sending two of his epistles now part of the New Testament. Here, we see all of the sites associated with his ministry: the Agora, the Temple of Apollo, the Roman Odeon, the Bema and Gallio’s Seat. The small local archaeological museum here is an absolute must! In Romans 16:23 Paul mentions his friend Erastus and • • we will see an inscription to him at the site. In the afternoon we will drive to GREECE CRETE TURKEY Nafplion for check-in at hotel followed by dinner and overnight. (B,D) MAY 28 - JUNE 22, 2021 June 1 Tue EPIDAURAUS - MYCENAE - NAFPLION Morning visit to Mycenae where we see the remains of the prehistoric citadel Parthenon, fortified with the Cyclopean Walls, the Lionesses’ Gate, the remains of the Athens Mycenaean Palace and the Tomb of King Agamemnon in which we will actually enter. -
The Romanization of Attic Ritual Space in the Age of Augustus
The Romanization of Attic Ritual Space in the Age of Augustus Item Type text; Electronic Thesis Authors Benavides, Makayla Lorraine Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 14:30:47 Link to Item http://hdl.handle.net/10150/633170 THE ROMANIZATION OF ATTIC RITUAL SPACE IN THE AGE OF AUGUSTUS by Makayla Benavides ____________________________ Copyright © Makayla Benavides 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 1 7 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certify that we have read the thesis prepared by Makayla Benavides titled The Romanizationof Attic Ritual Space in the Age ofAugustus and recommend that it be accepted as fulfillingthe dissertation requirement for the Master's Degree. Date: .r- / - :.?CJ/ 5f David Soren Date: S - I - 2..o I � Mary E Voyatzis David Gilman Romano Date: ----- [Committee Member Name} Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfillingthe Master's requirement. -
Ceramic Production and Exchange in the Late Mycenaean Saronic Gulf
Ceramic Production and Exchange in the Late Mycenaean Saronic Gulf William D. Gilstrap A Thesis Submitted for the Degree of Doctor of Philosophy Department of Archaeology University of Sheffield February 2015 Abstract This thesis examines the production, exchange and consumption of pottery around the Saronic Gulf, Greece, during Late Mycenaean period, specifically Late Helladic IIIB1 to Late Helladic IIIC Phase 1, roughly 1300-1130 BC. While the focus of many studies of Mycenaean political economy has fallen on Messinia and the Argolid, the choice of the Saronic Gulf offers the chance to examine ceramic crafting, movement and use in an area which hosts no accepted ‘palatial’ centres. It aims to examine the role of pottery in everyday social and economic transaction, taking a ‘bottom-up’ approach to shedding light on Mycenaean society and economy. Pottery from a wide range of sites has been studied: urban centres such as Athens; harbours at Kanakia on Salamis and Kalamianos in coastal Corinthia; small settlements of Stiri in Corinthia, Myti Kommeni on Dokos and Lazarides on Aegina; sanctuary sites of Eleusis and Ayios Konstantinos, Methana; and finally the settlement and pottery production site of Kontopigado, Alimos near the Attic coast. Based on typological and macroscopic fabric studies, a large number of samples have been chosen for examination by an integrated programme of petrographic, chemical (by neutron activation analysis) and microstructural analysis (by scanning electron microscopy), in order to group and characterise to pottery according to composition, to reconstruct key aspects of ceramic manufacture and, where possible, to suggest the area or location of their production. -
With Archaeologist Kathleen Lynch
THE LEGACY OF Ancient Greece October 13-25, 2021 (13 days | 16 guests) with archaeologist Kathleen Lynch Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur Archaeological Institute of America xperience the glories of Greece, from the Bronze Age to the Classical era and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Kathleen Lynch Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient is Professor history and to witness how integral mythology, religion, drama, and literature of Classics at the University are to their understanding. This well-paced tour, from city to mountains to of Cincinnati seaside, spends a total of four nights in the modern yet historic capital, Athens; and a classical two nights in the charming port town of Nafplion; one night in Dimitsana, archaeologist with a medieval mountain village; two nights in Olympia, home of the original a focus on ancient Olympic Games; and two nights in the mountain resort town of Arachova, Greek ceramics. She earned her near Delphi. Ph.D. from the Highlights include: University of Virginia, and has worked on archaeological projects at sites in • SIX UNESCO World Heritage Sites: Greece (Athenian Agora, Olynthos, ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion Corinth, Pylos), Turkey (Gordion, temples, plus the nearby Acropolis Museum; Troy), Italy (Morgantina), and Albania (Apollonia). Kathleen’s research considers ˚ the greatest ancient oracle, Delphi, located in a spectacular what ancient ceramics can tell us mountain setting; about their use and users. -
The Art and Archaeology of Ancient Greece Judith M
Cambridge University Press 978-1-107-00123-7 - The Art and Archaeology of Ancient Greece Judith M. Barringer Frontmatter More information The Art and This richly illustrated, color textbook introduces the art and Archaeology of archaeology of ancient Greece, from the Bronze Age through the Roman conquest. Suitable for students with no prior knowledge of Ancient Greece ancient art, this book reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what “messages” they transmitted, and how the surrounding environment shaped their meaning. The book includes more than 500 illustrations (with over 400 in color), including specially commissioned photographs, maps, fl oorplans, and reconstructions. Judith Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta fi gurines, reliefs, jewelry, armor, and wall paintings. Numerous text boxes, chapter summaries, and timelines, complemented by a detailed glossary, support student learning. • More than 500 illustrations, with over 400 in color, including specially commissioned photographs, maps, plans, and reconstructions • Includes text boxes, chapter summaries and timelines, and detailed glossary • Looks at Greek art from the perspectives of both art history and archaeology, giving students an understanding of the historical and everyday context of art objects Judith M. Barringer is Professor of Greek Art and Archaeology in Classics at the University of Edinburgh. Her areas of specialization are Greek art and archaeology and Greek history, myth, and religion.