John Garstang's Footsteps Across Anatolia Anadolu'da John Garstang

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John Garstang's Footsteps Across Anatolia Anadolu'da John Garstang John Garstang’s Footsteps Across Anatolia Anadolu’da John Garstang’ın Ayak İzleri Koç University Koç Üniversitesi Research Center for Anatolıan Cıvılızatıons | Anadolu Medeniyetleri Araştırma Merkezi Archaeology • Hıstory of Art • Photography | Arkeoloji • Sanat Tarihi • Fotoğraf John Garstang’s Footsteps Across Anatolia | Anadolu’da John Garstang’ın Ayak İzleri Edited by | Derleyen ALAN M. GREAVES Project Manager | Proje Yöneticisi Buket Coşkuner Project Coordinator | Proje Koordinatörü Şeyda Çetin, Ebru Esra Satıcı Project Editor | Proje Editörü Çiçek Öztek Translation | Çeviri Yiğit Adam Copy–Editing | Redaksiyon Lisa Mer Lenker, Çiçek Öztek Book Design | Kitap Tasarımı Sinan Kılıç, Alef Yayınevi Editoryal Tasarım Cover Image John Garstang and his colleagues taking tea at their © Koç Üniversitesi Anadolu Medeniyetleri Araştırma Merkezi, 2015 • sertifika no: 18318 camp during the excavation of Sakçagözü in 1911. 978-975-97802-7-2 1st Edition: Istanbul, September 2015 | 1. Baskı: İstanbul, Eylül 2015 © All images are copyrighted to the Garstang Museum of Archaeology, University of Liverpool unless otherwise stated. Kapak Resmi: © Aksi belirtilmediği sürece bütün görsellerin telifleri Garstang Museum of Archaeolgy, University of Liverpool’a aittir. John Garstang ve meslektaşları, 1911 Sakçagözü kazısı sırasında kampta çay içerken. Baskı: Yılmaz Ofset • sertifika no: 15878 Nato Caddesi No: 14/1 Seyrantepe Kâğıthane/İstanbul • tlf. (212) 284 0226 © Garstang Museum of Archaeology, University of Liverpool (I/SG/3) Koç Üniversitesi Anadolu Medeniyetleri Araştırma Merkezi İstiklal Cad. No: 181 Merkez Han 34422 Beyoğlu/İSTANBUL The authors of this book acknowledge that the www.rcac.ku.edu.tr work is their original creation and that all the opinions are their own and no one else can be Koç University Suna Kıraç Library Cataloging−in−Publication Data held accountable for them, and that there are no Antioch on the Orontes : early explorations in the city of mosaics =Asi’deki Antakya : mozaikler şehrinde ilk araştırmalar / parts in their work that could infringe upon the Edited by Scott Redford ; translation Azer Keskin, Tuna Şare.– İstanbul : Koç Üniversitesi,2014. rights of third parties. 272 pages; 23 x 28 cm Includes bibliographical references. Bu kitabın yazarları, eserlerinin kendi orijinal ISBN 978–605–5250–26–3 yaratımı olduğunu ve eserlerde dile getirilen tüm 1. Antioch (Turkey). 2. Antioch (Turkey)–Antiquities. 3. Excavations (Archaeology)–Turkey−Hatay−Antakya. 4. görüşlerin kendilerine ait olduğunu, bunlardan Antakya (Hatay, Turkey). 5. Mosaic floors−Turkey−Antioch. 6. Mosaics−Turkey−Antioch. 7. Mosaics, Roman−Turkey− dolayı kendilerinden başka kimsenin sorumlu Antioch−Catalogs. 8. Mosaics−Turkey−Antioch−Catalogs. I.Redford, Scott. II.Keskin, Azer. III. Şare, Tuna. IV. Title. tutulamayacağını; eserde üçüncü şahısların haklarını DS99.A6 A58 2014 ihlal edebilecek kısımlar olmadığını kabul ederler. John Garstang’s Footsteps Across Anatolia Anadolu’da John Garstang’ın Ayak İzleri Edited by | Derleyen ALAN M. GREAVES John Garstang’s Footsteps Across Anatolia Anadolu’da John Garstang’ın Ayak İzleri This book is published within the framework of the Bu kitap 16 Eylü–10 Aralık 2015 tarihleri arasında exhibition John Garstang’s Footsteps in Anatolia held at Koç Üniversitesi Anadolu Medeniyetleri Araştırma Koç University’s Research Center for Anatolian Civiliza- Merkezinde açılan Anadolu’da John Garstang’ın Ayak tions between 16 September–10 December 2015. İzleri sergisi kapsamında yayımlanmıştır. Contents Foreword 9 ARTICLES ALAN M. GREAVES — FRANÇOISE RUTLAND 1. John Garstang: A Biographical Sketch 17 ALAN M. GREAVES — FRANÇOISE RUTLAND 2. The Anatolia Survey of 1907 and the Land of the Hittites 33 PHIL FREEMAN 3. John Garstang and the Archaeology of the Near East1 45 BOB MILLER 4. The Garstang Photography Archive from Asia Minor 1907–11 61 BÜLENT GENÇ — ALAN M. GREAVES 5. John Garstang and Sakçagözü in the Ottoman Archives 103 B. NILGÜN ÖZ 6. From Sakçagözü to Ankara: The Story of Garstang’s Gateway 115 ALAN M. GREAVES 7. John Garstang and the Foundation of the British Institute at Ankara1 127 J.R. PETERSON — KATIE WARING 8. Cataloguing and Digitising Garstang’s Photographic Archives 141 GARSTANG’S JOURNEY ACROSS ANATOLIA 153 Bibliography 217 Timeline 221 Notes 225 Contributors 231 İçindekiler Önsöz 9 YAZILAR ALAN M. GREAVES — FRANÇOISE RUTLAND 1. John Garstang: Bir Yaşam Öyküsü Eskizi 17 ALAN M. GREAVES — FRANÇOISE RUTLAND 2. 1907 Anadolu Yüzey Araştırması ve Hitit Ülkesi 33 PHIL FREEMAN 3. John Garstang ve Yakındoğu Arkeolojisi1 45 BOB MILLER 4. Garstang’ın 1907–11 Küçük Asya Fotoğraf Arşivi 61 BÜLENT GENÇ — ALAN M. GREAVES 5. Osmanlı Arşivlerinde John Garstang ve Sakçagözü 103 B. NILGÜN ÖZ 6. Sakçagözü’nden Ankara’ya Garstang Kapısının Hikâyesi 115 ALAN M. GREAVES 7. John Garstang ve Ankara İngiliz Arkeoloji Enstitüsünün Kuruluşu1 127 J.R. PETERSON — KATIE WARING 8. Garstang’ın Fotoğraf Arşivinin Kataloglanması ve Dijitalleştirilmesi 141 GARSTANG’IN BÜYÜK ANADOLU SEYAHATI 153 Kaynakça 217 Zaman Çizelgesi 221 Notlar 225 Katkıda Bulunanlar 231 Foreword Önsöz his book, and the accompanying exhibition, u kitap ve ona eşlik eden sergi, Profesör John aim to highlight the international contributions Garstang’ın Türkiye ve Yakındoğu’daki arkeolojik Tof Professor John Garstang to the study of ar- Bçalışmalara yaptığı uluslararası katkıları vurgulamayı chaeology in Turkey and the Near East. Garstang is an amaçlamaktadır. Türkiye arkeolojisinde önemli bir şahsiyet important figure in the archaeology of Turkey but is rel- olan Garstang, akademik çevreler dışında çok fazla tanın- atively unknown outside of academia. Two of his most maz. Yapmış olduğu en önemli iki katkı 1907 yılı Anado- significant contributions were his 1907 Anatolia Survey lu Yüzey Araştırması ve arkeolojik keşiflerin kayıtlarında fo- and his use of photography as a means of recording ar- toğraf kullanmasıdır, bu kitabın odağını da bu araştırma ve chaeological discoveries, which are the foci of this book. fotoğraflar oluşturmaktadır. Bu kitaba alınan, Garstang’ın The photographic collections from Garstang’s survey Anadolu ve Kuzey Suriye yüzey araştırmalarında çekti- of Anatolia and North Syria that are featured here es- ği fotoğraflardan oluşan koleksiyonlar, ilk defa eski Hitit tablished for the first time the full extent of the ancient İmparatorluğu’nun tam kapsamını tespit etmiş, buna bağlı Hittite Empire and effectively laid the foundation for olarak da bugün bildiğimiz anlamıyla tarihi Hitit coğrafya- Hittite historical geography as we know it today. sı araştırma alanının temellerini atmıştır. This book, and the exhibition that accompanies it, Bu kitap ve sergi, Liverpool Üniversitesinde beş yıl are the fruition of five years of research at the Univer- boyunca yürütülen bir araştırma sonucunda ortaya çı- sity of Liverpool, where a team of technicians, using the kan bulgular üzerine inşa edilmiştir. Bir araştırma ekibi latest digital technology, digitised thousands of images Garstang’ın fotoğrafik arşivlerinde bulunan binlerce gö- from Garstang’s archives of delicate glass photographic rüntüyü en son dijital teknolojileri kullanarak dijitalleş- negatives. The captured images were of a very high res- tirdi ve narin cam negatifler üzerindeki görüntüleri çok olution and were catalogued using international stand- yüksek çözünürlükte fotoğraflayarak içerdikleri bilgile- ards of archival description. These images, and the cata- ri uluslararası arşiv kaynakları tanımlama standartlarına logue data that accompanies them, are not just beautiful uygun şekilde katalogladı. Bu görüntüler ve onlara eşlik or interesting—they will serve as an important source of eden katalog verileri güzel ya da ilginç olmakla kalmayıp, primary research data for the academic community for akademik topluluğun yıllar boyunca faydalanacağı başlıca years to come. araştırma veri kaynağı olarak hizmet edecektir. John Garstang’S Footsteps Across Anatolia Anadolu’da John Garstang’ın Ayak İzleri 9 Once the images held on the delicate glass plate neg- Narin cam plaka negatifler üzerindeki görüntülerin fo- atives have been captured, their “digital surrogates” can toğraflanmasıyla, bu “dijital suretler” hassas orijinalleri kul- be made widely available without the need handle the lanmaya gerek kalmadan geniş kitlelerin erişimine sunulabi- fragile originals. They can be digitally enhanced to re- lir. Bunların dijital olarak daha iyi hale getirilmesiyle daha veal details not previously visible, or studied for evi- önce görülemeyen ya da incelenmemiş ayrıntıların görül- dence of buildings, artefacts and landscapes that have mesi mümkün olmakta, bu sayede Garstang’ın fotoğrafla- been irrevocably changed or lost in the intervening cen- masından bu yana geri dönülmez şekilde değiştirilmiş veya tury since Garstang photographed them. They can also yok olmuş binalar, eserler ve manzaralara kanıt teşkil etmek- be digitally restored to undo the damage caused by re- tedirler. Bu görüntülerin tekrar tekrar kullanılmalarının ve peated handling and the passage of time. However, aradan geçen zamanın yol açtığı hasarları ortadan kaldıra- when compiling this book, the decision was made not bilmek amacıyla dijital olarak onarılmaları da mümkündür. to crop or retouch the images in any way (except where Ancak, bu kitap derlenirken, okuyucunun her resmi, çekil- stated) so that the reader can appreciate the original dikleri anda düşünülen kompozisyonyla değerlendirebilme- composition of each image as it was intended to be seen.
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