DOCSLIB.ORG

Best Fine Art in Rome"

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Best Fine Art in Rome "Best Fine Art in Rome" Realizado por : Cityseeker 7 Ubicaciones indicadas Museo nazionale del Palazzo di Venezia "When Art Was Everything" One of the most important collections of medieval and Renaissance art is housed at Museo di Palazzo Venezia. There are Renaissance paintings, painted wooden sculptures and chests from all over Italy, tapestries from elsewhere in Europe, Neapolitan ceramics, silverware, suits of armor, and by Peter1936F 17th and 18t Century paintings. One of the most dramatic pieces is a 13th Century enameled Byzantine Christ. There are also terracotta studies by Bernini for construction of the Triton fountain and the decoration of Castel Sant'Angelo. +39 06 6999 4284 www.museopalazzovenezi [email protected] Piazza di S. Marco 49, Roma a.beniculturali.it/ ulturali.it Galleria Colonna "Just Like Versailles" This gallery is attached to Palazzo Colonna and is made up of six rooms, richly decorated with ceiling frescoes and a host of beautiful paintings like Annibale Carracci's il Mangiafagioli. There are also two writing desks, which are marvelous works of art and well worth seeing. The first desk is decorated in semi-precious stone with bronze statuettes and the second is decorated with inlaid ivory. Unfortunately, this splendid gallery is only open once a week, but it is definitely worth visiting in order to see these unique pieces. +39 06 678 4350 www.galleriacolonna.it/gal [email protected] Piazza dei Santi Apostoli 66, leria-colonna/ Palazzo Colonna, Roma Doria Pamphilj Gallery "Art & Refinement" Palazzo Doria Pamphilj built in the 17th Century was once the home to Roman royalty. It now houses one of the most prestigious art collections in the city. This collection features some of the most iconic artworks from Renaissance era. Amongst the most celebrated masterpieces found here are - Titian's Salomé with Head of John the Baptist (1515), Raphael's by GiacomoReturned Saletta del Cinquecento and Mary Magdalene by Caracci, to name a few. Other artists showcased here are Caravaggio, Guercino, Duquesnoy among others. +39 06 679 7323 www.doriapamphilj.it/ Via del Corso 305, Palazzo Doria Pamphilj, Roma by CarlottaSilvestrini Galleria dell'Accademia di San Luca "Prestigious Art Academy" Accademia Nazional di San Luca was established as an artists' guild in 1577, back when it was known as just Accademia di San Luca. Even today, its aim is the appreciation of art, and to create an atmosphere in which artists and craftsmen may flourish. To this end, the association has put together a collection of fine art, commonly known as Galleria dell'Accademia di San Luca. The gallery, situated on the third floor, is home to some beautiful sculptures and paintings, and the collection even includes numerous portraits. +39 06 679 8850 www.accademiasanluca.e galleria@accademiasanluc Piazza dell'Accademia di San u/it/galleria_accademica a.it Luca 77, Accademia Nazionale di San Luca, Palazzo Carpegna, Roma The National Gallery of Ancient Art (Galleria Nazionale d'Arte Antica) "Three Great Baroque Architects" The National Gallery of Ancient Art (Galleria Nazionale d'Arte Antica) houses works by Caravaggio, Raffaello, Tintoretto, and Holbein, among many others. These paintings belong to the Barberini family's massive by Jean-Pierre Dalbéra from collection, most of which is scattered all over the world. Baroque Paris, France architects Maderno, Bernini, and Borromini designed the palace. Two grand staircases lead to the main floor: the larger one was designed by Bernini and the smaller, oval construction by Borromini. On the first floor, the large ceiling of the Salone (main hall) was covered in frescoed by Piertro da Cortona and depicts the triumph of Pope Urban VIII. You'll notice the Bernini family symbol, a bee, painted or sculpted almost everywhere in the building. +39 06 3 2810 www.barberinicorsini.org/en/ Via delle Quattro Fontane 13, Roma Galleria Nazionale d'Arte Antica di Palazzo Corsini "History on Stage" Galleria Nazionale d'Arte Antica di Palazzo Corsini is a slice of Roman history. Bramante and Michelangelo stayed here, and Queen Cristina of Sweden died in one of the palazzo's apartments in 1689. In 1736, the palace was completely transformed into a residence for Cardinal Corsini. by AlexanderVanLoon Works by Rubens, Van Dyck and Murillo are on display, as well as Caravaggio's Narcissus. Other artists include Guercino and Fra Angelico. The Palazzo is also the seat of the Accademia dei Lincei, a cultural training center that started in the 15th Century. Galileo Galilei was among one of its members. The palazzo was the backdrop for the clash between the papalists and the Republicans in 1797 that saw the death of General Francese Duphot. +39 06 6880 2323 www.barberinicorsini.org/ Via della Lungara 10, Roma Galleria Borghese "Soñando a Paolina" Ésta colección se encuentra en un edificio construido en 1613 para el Cardenal Scipione Borghese, uno de los mayores mecenas de Bernini. De hecho, este gran escultor ha expuesto algunas de sus más famosas esculturas aquí, entre ellos es el famoso Apolo y Dafne. Cuando uno piensa en el Museo Borghese, la escultura que, inmediatamente viene a la by Andrea Puggioni mente es Paulina Borghese de Canova, en la que ella posó como Venus, vistiendo sólo una cortina en torno a su estómago. Hay seis grandes obras de Caravaggio en la galería, incluyendo el muchacho con una canasta de frutas y la Madonna della Serpe. Tiziano también está representado con Amor sagrado y profano, Rafael con El Depósito, y hay importantes obras de Correggio. La galería puede tener sólo 300 visitantes por vez, por lo que es aconsejable reservar con antelación. +39 06 841 3979 www.galleriaborghese.it/ [email protected] Piazzale del Museo Borghese 5, Roma UNIRSE A NOSOTROS A: cityseeker.com Condiciones generales | POLíTICA DE PRIVACIDAD | API | PóNGASE EN CONTACTO CON NOSOTROS | Derechos de autor 2021 CITYSEEKER Powered by TCPDF (www.tcpdf.org).
Load more

Recommended publications
  • An Art Lover's
    INSIGHT DELICIOUSLY TRAVEL AND SMALLER SEAMLESS, EXPERIENCES AUTHENTIC STAY IN STYLE GROUP STRESS-FREE DINING CAMARADERIE TRAVEL AN ART LOVER’S TASTE OF EUROPE 15 DAYS | Departing 26 September 2021 A cultural journey, visiting some of the best art galleries and museums in Europe while enjoying the sights and tastes of a selection of Europe’s most loved cities. INSIGHTVACATIONS.COM #INSIGHTMOMENTS An Art Lover’s Taste of EuropeThe Louvre, Paris Itinerary DAY 1: ARRIVAL ROME DAY 3: GALLERIA BORGHESE DAY 5: RENAISSANCE FLORENCE Welcome to Rome! On arrival AND FREE TIME With a Local Expert, visit the Uffizi Gallery, complimentary transfers are provided to A highlight for art lovers today, a visit one of the oldest and most famous art your hotel, departing the airport at 09.30, to the Galleria Borghese, which houses museums in Europe. Admire works by 12.30 and 15.30hrs. Later, meet your a substantial part of the Borghese Michelangelo, Botticelli and Raphael Travel Director for a Welcome Dinner in a collection of paintings, sculptures and amongst other masterpieces. Then local restaurant. (DW) antiquities, begun by Cardinal Scipione embark on a sightseeing trip to see the Hotel: Kolbe, Rome – 3 nights Borghese, the nephew of Pope Paul V who multi coloured marble cathedral, bell reigned from 1605 to 1621. The rest of the tower and baptistry, adorned by Ghiberti’s “Gate of Paradise”. This evening is yours DAY 2: ROME SIGHTSEEING day is yours to explore before joining for dinner at a local restaurant this evening. to enjoy the ambience of this timeless The day is devoted to the Eternal City.
    [Show full text]
  • Rome: Portrait of a City 2019
    Rome: Portrait of a City 2019 28 OCT – 9 NOV 2019 Code: 21941 Tour Leaders Em. Prof. Bernard Hoffert Physical Ratings Explore the treasures of the Eternal City, from the Etruscans through to the 21st century, with art history expert Emeritus Professor Bernard Hoffert. Overview Join Emeritus Professor Bernard Hoffert in Rome on a program that explores the enduring yet ever- changing nature of this extraordinary city. In Tarquinia, north of Rome, discover the exquisite beauty of Etruscan wall painting at the UNESCO site of the Necropoli dei Monterozzi and view fine Etruscan sculpture at the Villa Giulia. Marvel at the extraordinary ancient Roman architectural and engineering feats like the Pantheon and the revolutionary Roman documentary realism in the sculpture of Augustus’ Ara Pacis Augustae. Admire the glistening Early Christian and medieval mosaics that convey a sense of a transcendent world in churches such as Santa Prassede, Santa Maria Maggiore, San Clemente and Santa Maria in Trastevere. View Michelangelo’s awesome God of Creation on the Sistine Ceiling and his terrifying Just Christ of the Last Judgement, as well as Raphael’s superb frescoes in the Vatican Stanze and the Villa Farnesina. Outside Rome, wander through the exquisite pentagonal Villa Farnese at Caprarola with its extensive park adorned with fountains, walled gardens and a casino; and explore the garden masterpiece of the Renaissance, Vignola’s Villa Lante at Bagnaia. Contemplate Caravaggio’s portrayal of deep spiritual awakening in his St Matthew cycle in the church of San Luigi dei Francesi, and his Crucifixion of Saint Peter and Conversion of St Paul at Santa Maria del Popolo, and witness the revolutionary illusionism and high drama of Gian Lorenzo Bernini’s sculptures at the Villa Borghese.
    [Show full text]
  • Ist. Arts & Culture Festival First Global Edition Kicks
    IST. ARTS & CULTURE FESTIVAL FIRST GLOBAL EDITION KICKS OFF IN ROME, ITALY ON MAY 31 ISTANBUL ’74 C o - Founders Demet Muftuoglu Eseli & Alphan Esel i to Co - curate IST.FEST.ROME With Delfina Delettrez Fendi and Nico Vascellari Demet Muftuoglu Eseli & Alphan Eseli , Co - Founders of ISTANBUL’74 launch the first global edition of IST. Arts & Culture Festival i n the city of Rome , the artistic an d cultural center of the world that has played host to some of the most impressive art and architecture achieved by human civilization , on May 31 st - June 2 nd 2019. Co - c urated by Demet Muftuoglu Eseli, Alphan Eseli, with Delfina Delettrez Fendi and Nico Vascellari , the IST.FEST. ROME will bring together some of the world’s most talented and creative minds , and leading cultural figures around an inspiring program of panels, talks, exhibitions, performances, screenings and workshops while maintaining its admission - free format. IST. FEST. ROME will focus on the theme: “Self - Expression in the Post - Truth World.” This edition of IST. F estival sets out to explore the ways in which constant changes in our surrounding habitats affect crea tive minds and artistic output. The core mission of the theme is to invoke lively debate around the struggle between reality and make - believe while acknow ledging digital technology and its undeniable power and vast reach as the ultimate tool for self - expression. IST.FEST.ROME will be presented in collaboration with MAXXI, the National Museum of 21st Century Arts , the first Italian national institution dev oted to contemporary creativity designed by the acclaimed architect Zaha Hadid , and Galleria Borghese , one the most respected museums over the world with masterpieces by Bernini and Caravaggio in its collection.
    [Show full text]
  • Rome and Beyond for the Cognoscenti May 6 – 16, 2019
    ROMTravel – World Cultures Tour Let our experts be your guides Rome and Beyond for the Cognoscenti May 6 – 16, 2019 Whether you have been to Rome before or Quartiere Coppedè. Afternoon visit to the Hotels this will be your first visit, our trip to the ancient churches of Santa Costanza and Rome Fortyseven Hotel 7 nights Eternal City contains sights specially chosen Sant’Agnese and its catacombs. Orvieto Hotel La Badia 3 nights to delight you by our Resource Person Ken Day 6 Rome Bartlett. By the end of this tour, you will Visit the Palazzo Doria Pamphilj (optional). Resource Person indeed be one of the “cognoscenti”, those “in Tour of the Palazzo Colonna. Included lunch. Dr. Kenneth Bartlett is Professor of History & the know” about Rome! Walking tour of the Qurinale, including the Renaissance Studies at Victoria College, U of Our journey will take us through time churches of Sant’Andrea, San Carlino, Santa T. He is author of A Short History of the from the Etruscans, through the ancient Maria Vittoria and Santa Maria degli Angeli. Italian Renaissance, The English in Italy: A Romans, the artists and architects of the Day 7 Rome Study in Culture and Politics and The th Morning walking tour of the Roman Forum. Renaissance, the 20 century and up to today, Civilization of the Italian Renaissance as well Afternoon visit to the Capitoline Museum. and will feature sumptuous palaces, idyllic as five video series, including the most Day 8 Rome – Tivoli – Orvieto gardens, magnificent paintings and sculpture, recent, The Guide to Essential Italy, with the Depart Rome and drive to Tivoli.
    [Show full text]
  • The Virtuoso of Compassion Ingrid D
    The Virtuoso of Compassion Ingrid D. Rowland MAY 11, 2017 ISSUE The Guardian of Mercy: How an Extraordinary Painting by Caravaggio Changed an Ordinary Life Today by Terence Ward Arcade, 183 pp., $24.99 Valentin de Boulogne: Beyond Caravaggio an exhibition at the Metropolitan Museum of Art, New York City, October 7, 2016–January 22, 2017; and the Musée du Louvre, Paris, February 20–May 22, 2017 Catalog of the exhibition by Annick Lemoine and Keith Christiansen Metropolitan Museum of Art, 276 pp., $65.00 (distributed by Yale University Press) Beyond Caravaggio an exhibition at the National Gallery, London, October 12, 2016–January 15, 2017; the National Gallery of Ireland, Dublin, February 11–May 14, 2017 Catalog of the exhibition by Letizia Treves and others London: National Gallery, 208 pp., $40.00 (distributed by Yale University Press) The Seven Acts of Mercy a play by Anders Lustgarten, produced by the Royal Shakespeare Company, Stratford-upon- Avon, November 24, 2016–February 10, 2017 Caravaggio: The Seven Acts of Mercy, 1607 Pio Monte della Misericordia, Naples Two museums, London’s National Gallery and New York’s Metropolitan Museum of Art, mounted exhibitions in the fall of 2016 with the title “Beyond Caravaggio,” proof that the foul-tempered, short-lived Milanese painter (1571–1610) still has us in his thrall. The New York show, “Valentin de Boulogne: Beyond Caravaggio,” concentrated its attention on the French immigrant to Rome who became one of Caravaggio’s most important artistic successors. The National Gallery, for its part, ventured “beyond Caravaggio” with a choice display of Baroque paintings from the National Galleries of London, Dublin, and Edinburgh as well as other collections, many of them taken to be works by Caravaggio when they were first imported from Italy.
    [Show full text]
  • Return International Airfares 3-4 Star Accommodation Professional
    D aily Breakfast & dinner R eturn International Ai rfares 3 - 4 star accommodation P rDoafeilsys ional loca&l guide AiRrpeoturrtn T Irnatnesrfneartsi onal TrAiainrf atircekse ts 3-4 star accommodation Professional local guide Airport Transfers Train tickets Day 1: Melbourne - - Rome Departure from Melbourne, begin your journey of Italy. Day 2: Rome Arrive in Rom e , a C ity of 3 00 0 yea rs histor y. Italy ’ s capital is a sprawling , cosmopolitan city with nearly 3,000 years of globally influential art , architecture and culture on display . Ancient ruins such as the Roman Forum and the Colosseum evoke the power of the former Roman Empire .Up on arrival , your tour gu ide will meet you at the airport with the warmest greeting. Transfer to hotel . Day 3: Rome Empire Explore Rome after breakfast . You ’ll understand soon why it is defined an “open air mu seum”: as you walk aroun d the ci ty center, yo u’ll s ee the remains of it s glorio us past all around y ou, as you’re making a time travel back to the ancient Rome empire era. Visit C olosseum *, Arch of Constantine, Roman Forum*. Walk over to Venice Square and way up the Campidoglio Hill you will visit Capitoline Museums*. opened to the public since 1734.The Capitoline Museums are considered the first museum in the world including a large number of ancient Roman statues , inscriptions , and other artifacts ; a collection of medieval and Renaissance art ; and collections of jewels , coins and other items . Transfer ba c k to ho t el after din ner .
    [Show full text]
  • Hans Op De Beeck in Silent Conversation with Correggio
    CONTEMPORARY ASSIGNMENTS Third Show to Open in Rome Hans Op de Beeck In Silent Conversation with Correggio Made possible by the Borghese Gallery, MAXXI and UniCredit Group Rome, Uccelliera di Villa Borghese May 29 to October 4, 2009 Press release (April 24, 2009) – Following the successful exhibitions of vedovamazzei in conjunction with Raphael (2007) and Giulio Paolini with Canova (2008), this year the Borghese Gallery is featuring Belgian artist Hans Op de Beeck reflecting on the work of Correggio. The show is structured as a silent conversation with Correggio and forms a part of the Contemporary Assignments project (Committenze Contemporanee), which invites the public to explore the great wealth of the Borghese Gallery’s collection. Launched on the tenth anniversary of the gallery’s reopening, Contemporary Assignments is part of the Ten Great Shows series of programs (Dieci Grandi Mostre). Accordingly, it consists of ten exhibitions, each highlighting a great artist whose work is prominent in the gallery’s historic collection, including Correggio, Titian, Bernini and Caravaggio. The program intensifies the experience of viewing these masterpieces by incorporating the perspectives of contemporary artists. This approach facilitates a fresh perspective on historic artworks, while simultaneously promoting the work and broadening the audience of today’s artists. The works created for the program are commissioned by the Borghese Gallery in cooperation with MAXXI the National Museum of 21st Century Arts, and UniCredit & Art, UniCredit Group’s pan-European project to promote artistic creativity and the dissemination of contemporary languages. In the framework of this innovative partnership between public institutions and the private sector, a joint commission annually selects an artist to be featured in Contemporary Assignments.
    [Show full text]
  • Best Sculpture in Rome"
    "Best Sculpture in Rome" Créé par: Cityseeker 11 Emplacements marqués Wax Museum "History in Wax" Linked to the famed Madame Tussaud's in London, the Museo delle Cere recreates historical scenes such as Leonardo da Vinci painting the Mona Lisa surrounded by the Medici family and Machiavelli. Another scene shows Mussolini's last Cabinet meeting. There is of course a chamber of horrors with a garrotte, a gas chamber and an electric chair. The museum by _Pek_ was built to replicate similar buildings in London and Paris. It is a must visit if one is ever in the city in order to take home some unforgettable memories. +39 06 679 6482 Piazza dei Santi Apostoli 68/A, Rome Capitoline Museums "Le premier musée du monde" Les musées Capitoline sont dans deux palais qui se font face. Celui sur la gauche des marches de Michelange est le Nouveau Palais, qui abrite l'une des plus importantes collections de sculptures d'Europe. Il fut dessiné par Michelange et devint le premier musée public en 1734 sur l'ordre du pape Clément XII. L'autre palais, le Conservatori, abrite d'importantes peintures by Anthony Majanlahti comme St Jean Baptiste de Caravaggio et des oeuvres de titian, veronese, Rubens et Tintoretto. Une sculpture d'un énorme pied se trouve dans la cours, et faisait autrefois partie d'une statue de l'empereur Constantin. Une des ouvres fameuses est sans aucun doute la louve, une sculpture étrusque du 5ème siècle avant J-C à laquelle Romulus et Rémus furent ajoutés à la Renaissance. +39 06 0608 www.museicapitolini.org/s info.museicapitolini@comu Piazza Campidoglio, Rome ede/piazza_e_palazzi/pala ne.roma.it zzo_dei_conservatori#c Museo Barracco di Scultura Antica "Sculpturally Speaking" The Palazzo della Piccola Farnesina, built in 1523, houses the Museo Barracco di Scultura Antica, formed from a collection of pre-Roman art sculptures, Assyrian bas-reliefs, Attic vases, Egyptian hieroglyphics and exceptional Etruscan and Roman pieces.
    [Show full text]
  • Evidence That Leonardo Da Vinci Had Strabismus
    Confidential: Embargoed Until 11:00 am ET, October 18, 2018. Do Not Distribute Research JAMA Ophthalmology | Brief Report Evidence That Leonardo da Vinci Had Strabismus Christopher W. Tyler, PhD, DSc Supplemental content IMPORTANCE Strabismus is a binocular vision disorder characterized by the partial or complete inability to maintain eye alignment on the object that is the target of fixation, usually accompanied by suppression of the deviating eye and consequent 2-dimensional monocular vision. This cue has been used to infer the presence of strabismus in a substantial number of famous artists. OBJECTIVE To provide evidence that Leonardo da Vinci had strabismus. DESIGN, SETTING, AND PARTICIPANTS In exotropia, the divergent eye alignment is typically manifested as an outward shift in the locations of the pupils within the eyelid aperture. The condition was assessed by fitting circles and ellipses to the pupils, irises, and eyelid apertures images identified as portraits of Leonardo da Vinci and measuring their relative positions. MAIN OUTCOMES AND MEASURES Geometric angle of alignment of depicted eyes. RESULTS This study assesses 6 candidate images, including 2 sculptures, 2 oil paintings, and 2 drawings. The mean relative alignments of the pupils in the eyelid apertures (where divergence is indicated by negative numbers) showed estimates of −13.2° in David,−8.6° in Salvator Mundi,−9.1° in Young John the Baptist,−12.5° in Young Warrior, 5.9° in Vitruvian Man, and −8.3° in an elderly self-portrait. These findings are consistent with exotropia (t5 = 2.69; P = .04, 2-tailed). Author Affiliation: Division of Optometry and Vision Sciences, School of Health Sciences, City CONCLUSIONS AND RELEVANCE The weight of converging evidence leads to the suggestion University of London, London, that da Vinci had intermittent exotropia with the resulting ability to switch to monocular United Kingdom.
    [Show full text]
  • The Building of Palazzo Pamphilj
    The building of Palazzo Pamphilj Author: Stephanie Leone Persistent link: http://hdl.handle.net/2345/bc-ir:107932 This work is posted on eScholarship@BC, Boston College University Libraries. Published in Palazzo Pamphilj: Embassy of Brazil in Rome, pp. 15-67, 2016 These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publicat PALAZZO PAMPHILJ Embassy of Brazil in Rome UMBERTO ALLEMANDI The Building of Palazzo Pamphiij STEPHANIE LEONE he Palazzo Pamphilj overlooks the Piazza Navona, one of the largest and most celebrated public spaces in T Rome that is situated at the heart of the historical centre (fig. I). The monumental palace stretches for eighty ,five metres along the Western flank of the piazza from the Southern corner coward the Northern end. The exceptionally long fapde is organised into a symmetrical sequence of bays with a projecting central section and is buttressed, at the North end, by a distinct fapde with a large serliana win, dow (an arch with crabeaced sides). The exterior boasts a profusion of ornament that enlivens the surface and punctuates the horizontality of the building. Through sheer scale and abundance of form, the Palazzo Pamphilj bespeaks grandeur and authority. Architecture serves the rhetorical functions of communication and persuasion. In the early modem period (ca. 1500-1800), palaces in particular became synonymous with the statm of their owners. Today, the Palazzo Pamphilj houses the Embassy of Brazil in Rome, but until the government ofBrazil purchased the palace in 1960, it had belonged to the Pamphilj family.
    [Show full text]
  • The Encounter of the Emblematic Tradition with Optics the Anamorphic Elephant of Simon Vouet
    Nuncius 31 (2016) 288–331 brill.com/nun The Encounter of the Emblematic Tradition with Optics The Anamorphic Elephant of Simon Vouet Susana Gómez López* Faculty of Philosophy, Complutense University, Madrid, Spain [email protected] Abstract In his excellent work Anamorphoses ou perspectives curieuses (1955), Baltrusaitis con- cluded the chapter on catoptric anamorphosis with an allusion to the small engraving by Hans Tröschel (1585–1628) after Simon Vouet’s drawing Eight satyrs observing an ele- phantreflectedonacylinder, the first known representation of a cylindrical anamorpho- sis made in Europe. This paper explores the Baroque intellectual and artistic context in which Vouet made his drawing, attempting to answer two central sets of questions. Firstly, why did Vouet make this image? For what purpose did he ideate such a curi- ous image? Was it commissioned or did Vouet intend to offer it to someone? And if so, to whom? A reconstruction of this story leads me to conclude that the cylindrical anamorphosis was conceived as an emblem for Prince Maurice of Savoy. Secondly, how did what was originally the project for a sophisticated emblem give rise in Paris, after the return of Vouet from Italy in 1627, to the geometrical study of catoptrical anamor- phosis? Through the study of this case, I hope to show that in early modern science the emblematic tradition was not only linked to natural history, but that insofar as it was a central feature of Baroque culture, it seeped into other branches of scientific inquiry, in this case the development of catoptrical anamorphosis. Vouet’s image is also a good example of how the visual and artistic poetics of the baroque were closely linked – to the point of being inseparable – with the scientific developments of the period.
    [Show full text]
  • Credits Chart with No Captions 7-22-2021
    Note: This chart has revised figure numbers for most of the figures, starting after Figure 12. The revised numbers are indicated in red. Figure 1: Nolli Plan of Rome, 1748, Giambattista Nolli, 1748, architect and engraver, engraving on copper; 12 plates or sectors, original copper plates (12 in number) stored in the Palazzo della Calcografia, National Institute for Graphic Design, Rome, reproduction, MAXXI, Public domain Figure 2: Roma Interrotta, 1978, Sponsor: Incontri Internazionali d'Arte; invited participants: Sartogo, Dardi, Grumbach, Stirling, Portoghesi, Giurgola, Venturi, Rowe (w/ DiMaio, Littenberg, Peterson, Carl), Graves, L. Krier, Rossi, R. Krier, MAXXI, Rome, Museo Nazionale delle Arti del XXI Secolo, exhibited, Trajan's Market, Rome, 1978 Figure 3: Nolli Plan of Rome, 1748, Giambattista Nolli, 1748 Figure 4: Roma Interrotta, 1978, based on Colin Rowe's History for Sector 8, ROME: The Lost and Unknown City (Roma Ignota e Perduta), Colin Rowe, Judith DiMaio, Barbara Littenberg, Steven Peterson, Peter Carl, 1978-1978, ink on mylar, sector 8, MAXXI, Rome, Museo Nazionale delle Arti del XXI Secolo, exhibited, Trajan's Market, Rome, 1978 Figure 5: Villa Madama, Rome, Robert Hubert, ca.1760, wash drawing, State Hermitage Museum, Saint Petersburg, Russia, Public domain Figure 6: The Emperor Napoleon in His Study at the Tuileries, Jacques-Louis David, oil on canvas, 1812, National Gallery of Art, Washington DC, Public domain Figure 7: Portrait du Pape Pie VII, Jacques-Louis David, oil on panel, 1805, Musée du Louvre, Paris, Public domain Figure 8: La Girandola di Castel Sant'Angelo, Franz Theodor Aerni, painting, ca. 1874, Museo di Roma, Trastevere, Rome, Public domain Figure 9: The Grand Carousel in Honor of Christina of Sweden, Filippo Gagliardi and Filippo Lauri, oil on canvas, Museo di Roma, Palazzo Braschi, Rome, Public domain Figure 10: Grand Cascade, Peterhof Palace and Gardens, Detail of the Samson and the Lion Fountain, B.
    [Show full text]