Accredited Museums in Wales Updated 10.04.2021
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Beaulieu Wood, Monmouth: an Archaeological, Historic and Topographic Survey of a Picturesque Landscape
BEAULIEU WOOD, MONMOUTH: AN ARCHAEOLOGICAL, HISTORIC AND TOPOGRAPHIC SURVEY OF A PICTURESQUE LANDSCAPE Paratowyd gan Archaeoleg Cambria Ar gyfer Coed Cadw Prepared by Cambria Archaeology For the Woodland Trust CAMBRIA ARCHAEOLOGY RHIF YR ADRODDIAD / REPORT NO. 2006/14 Chwefror 2006 February 2006 BEAULIEU WOOD, MONMOUTH: AN ARCHAEOLOGICAL, HISTORIC AND TOPOGRAPHIC SURVEY OF A PICTURESQUE LANDSCAPE Gan / By K Murphy and N Ludlow Archaeoleg Cambria yw enw marchnata Ymddiriedolaeth Archaeolegol Dyfed Cyfyngedig. Cambria Archaeology is the marketing name of the Dyfed Archaeological Trust Limited. Paratowyd yr adroddiad yma at ddefnydd y cwsmer yn unig. Ni dderbynnir cyfrifoldeb gan Ymddiriedolaeth Archaeolegol Dyfed am ei ddefnyddio gan unrhyw berson na phersonau eraill a fydd yn ei ddarllen neu ddibynnu ar y gwybodaeth y mae’n ei gynnwys The report has been prepared for the specific use of the client. The Dyfed Archaeological Trust Ltd can accept no responsibility for its use by any other person or persons who may read it or rely on the information it contains. ARCHAEOLEG CAMBRIA CAMBRIA ARCHAEOLOGY Ymddiriedolaeth Archaeolegol Dyfed Cyf Dyfed Archaeological Trust Limited Neuadd y Sir, Stryd Caerfyrddin, Llandeilo, Sir The Shire Hall, Carmarthen Street, Llandeilo, Gaerfyrddin SA19 6AF Carmarthenshire SA19 6AF Ffon: Ymholiadau Cyffredinol 01558 823121 Tel: General Enquiries 01558 823121 Adran Rheoli Treftadaeth 01558 823131 Heritage Management Section 01558 823131 Ffacs: 01558 823133 Fax: 01558 823133 Ebost: [email protected] Email: [email protected] Gwefan: www.cambria.org.uk Website: www.cambria.org.uk Cwmni cyfyngedig (1198990) ynghyd ag elusen gofrestredig (504616) yw’r Ymddiriedolaeth. The Trust is both a Limited Company (No. -
First Draft June 2016
BRECONBRECON CONSERVATION CONSERVATION AREAAREA APPRAISAL APPRAISAL Review Brecon Beacons National Park First Draft June 2016 1 BRECON CONSERVATION AREA APPRAISAL Contents 1 Introduction 1 2 Review of the Conservation Area Boundary 1 3 Community Involvement 5 4 The Planning Policy Context 5 5 Location and Context 6 6 Historic Development and Archaeology 7 7 Character Assessment 11 7.1 Quality of Place 11 7.2 Landscape Setting 12 7.3 Patterns of Use 13 7.4 Movement 14 7.5 Views and Vistas 15 7.6 Settlement Form 16 7.7 Character Areas 19 7.8 Scale 19 7.9 Landmark Buildings 20 7.10 Local Building Patterns 21 7.11 Materials 24 7.12 Architectural Detailing 25 7.13 Landscape/ streetscape 28 8 Important Local Buildings 33 9 Issues and Opportunities 34 10 Summary of Issues 39 11 Local Guidance and Management Proposals 40 12 Contact Details 42 13 Bibliography 42 14 Glossary of Architectural Terms 43 Appendices 2 1. Introduction 1.1 Section 69 of the Planning (Listed Buildings and Conservation Areas) Act 1990 imposes a duty on Local Planning Authorities to determine from time to time which parts of their area are ‘areas of special architectural or historic interest, the character or appearance of which it is desirable to preserve or enhance’ and to designate these areas as conservation areas. The central area and historic suburbs of Brecon comprise one of four designated conservation areas in the National Park. The Brecon Conservation Area was designated by the National Park Authority on the 12th June 1970. 1.2 Planning authorities have a duty to protect these areas from development which would harm their special historic or architectural character and this is reflected in the policies contained in the National Park’s Local Development Plan. -
Amgueddfa Cymru: Inspiring Wales Contents
Amgueddfa Cymru: Inspiring Wales contents your national museums 3 introduction: bringing our museums to life 5 bringing the past to life 7 understanding our landscape 9 beyond buildings 11 reaching out 13 celebrating learning 15 highlights 19 supporters and donors 23 Published in 2010 by Amgueddfa Cymru – National Museum Wales Cathays Park, Cardiff, CF10 3NP, Wales. © the National Museum of Wales Text: Heledd Fychan Editing and production: Mari Gordon Design: A1 Design, Cardiff Printed by: Zenith Media All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without the prior permission in writing of the National Museum of Wales, or the copyright owner(s), or as expressly permitted by law. Enquiries concerning reproduction outside the scope of the above should be sent to the Publications Department, National Museum Cardiff, CARDIFF CF10 3NP. Printed on Challenger White Pulpboard made from ECF pulp from sustainable forests. Inspiring Wales Inspiring Wales 1 National Museum Cardiff Discover art, archaeology, natural history and geology. Explore our past in Origins: In Search of Early Wales, enjoy works from one of the finest art collections in Europe, find out how life evolved in Wales and which your national museums dinosaurs roamed the land. Entry is free to Wales’s seven national museums The National Roman Legion Museum The Museum lies within the ruins of the Roman fortress and offers the only remains of a roman legionary barracks on view anywhere in Europe plus Britain’s most complete amphitheatre. -
Managing Online Communications and Feedback Relating to the Welsh Visitor Attraction Experience: Apathy and Inflexibility in Tourism Marketing Practice?
Managing online communications and feedback relating to the Welsh visitor attraction experience: apathy and inflexibility in tourism marketing practice? David Huw Thomas, BA, PGCE, PGDIP, MPhil Supervised by: Prof Jill Venus, Dr Conny Matera-Rogers and Dr Nicola Palmer Submitted in partial fulfilment for the award of the degree of PhD University of Wales Trinity Saint David. 2018 i ii DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed (candidate) Date 15.02.2018 STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed (candidate) Date 15.02.2018 STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date 15.02.2018 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the University’s digital repository. Signed (candidate) Date 15.02.2018 iii iv Abstract Understanding of what constitutes a tourism experience has been the focus of increasing attention in academic literature in recent years. For tourism businesses operating in an ever more competitive marketplace, identifying and responding to the needs and wants of their customers, and understanding how the product or consumer experience is created is arguably essential. -
Executive Summary Prepared for Board of Trustees
Agendum 6 EXECUTIVE SUMMARY PREPARED FOR BOARD OF TRUSTEES April 2009 Purpose To update the Board on progress and achievements in December, January and February and the tasks and targets for March to May 2009. 1. Developing our museum spaces and bringing the visitor experience to life Masterplanning Masterplanning proposals for St Fagans continue to be developed in preparation for the June meeting and a number of benchmarking visits to other institutions, which are developing concepts in a similar way, have been undertaken. At the National Museum Cardiff we have now received the RIBA Stage D report for the Upper West Wing, and have undertaken discussions with CADW and the local planning authority to try and ensure that the new ceiling reflects the existing pyramidal shape in Gallery 24. This has been agreed informally although it is likely to have an implication for the final tender costs. The design team has now been mobilised to commence detail design work and will submit a planning and listed building consent application shortly. A quantity surveyor has been appointed to firm up costs for the Clore Duffield Learning Spaces project. The design of the spaces is currently being finalised by the Project Management Group. Buildings and Estates Work to replace the car park barrier at the National Museum Cardiff has commenced and is being implemented to programme. Tenders have been received for the renewal of the Building Management system which, once completed, will provide much greater control over the environmental conditions across our sites. Work will also commence shortly on the control of the gallery lighting system at the National Museum Cardiff. -
What Happy Museum Has Achieved Since Its Launch in 2011
Happy Museum (HM) stimulates and supports museum practice that places wellbeing within an environmental and future-facing frame, rethinking museums’ role in creating more resilient people, places and planet. Through academic research, thought leadership, peer networking, advocacy, training and action, HM works directly with over 70 UK museums and impacted many more through events and an online presence which stretches globally. The Community of Practice’s vision for HM is of: A space to experiment with museum practice, through principles of care, inclusion and collaboration, in a critical time of change. What Happy Museum has achieved since its launch in 2011 Since 2011, and with investment from PHF, ACE, CyMAL and the Wales Federation of Museums, HM has: Funded creative interventions in 22 museumsi leading to individual development and organisational change (2011 - 14). Undertaken evaluation using the Story of Change taking learning from creative interventions and research to develop a set of common principles - see below. Created a suite of case studies, evaluation tools and resources for use by the wider sector with a re- launched website (happymuseum.org) to guide practitioners in How to Be a HM. In 2015 brought together 6 museumsii in an in-depth 5-year study into the impact of action research and peer learning on individual, organisational and community resilience. In 2017-8, recruited 17 Affiliateiii organisations to form an expanded Community of Practice, engaging c 200 participants from museum teams, volunteers, partners and communities with the HM principles, developing new practice and sharing learning through facilitated workshops and pairings. Held regular symposia bringing the Community of Practice alongside representatives from think tanks, NGOs and academia in fields such as energy, public health, economics, psychology and neuroscience. -
Braids of Song Gwead Y Gân
Braids of Song Gwead y Gân by Mari Morgan BMus (Hons), MA. Supervised by: Professor Menna Elfyn and Dr Jeni Williams Submitted in partial fulfilment for the award of the degree of Doctor of Philosophy in Creative Writing University of Wales Trinity Saint David 2019 Er cof am fy nhad, Y Parchedig E D Morgan a ddiogelodd drysor. In memory of my father, the Reverend E D Morgan who preserved a treasure. iii ACKNOWLEDGEMENTS With grateful thanks for the generous support of: North America Wales Foundation (Dr Philip Davies and Hefina Phillips) Welsh Women’s Clubs of America (Barbara Crysler) Welsh Society of Philadelphia (Jack R. Williams, Jr.) Diolch o galon: for the experience and guidance of my supervisors, Professor Menna Elfyn and Dr Jeni Williams, for the friendship and encouragement of Karen Rice, for my siblings always, Nest ac Arwel, for the love and steadfast support of Lisa E Hopkins, and for the unconditional love of my mother, Thelma Morgan. Diolch am fod yn gefn. iv Abstract The desire to recognise the richness, humanity, and cross fertilisation of cultures and identities that built today’s America is the starting point for Braids of Song. Its overarching concerns trace the interrelation between immigration, identity and creativity within a Welsh Trans-Atlantic context. Braids of Song is a mixed-genre collection of stories that acknowledges the preciousness of culture; in particular, the music, which is both able to cross different linguistic boundaries and to breach those between melody and language itself. The stories are shared through four intertwined narrative strands in a mixture of literary styles, ranging from creative non-fiction essays and poems to dramatic monologues. -
First World War Commemorations in Wales: Planning for 2014- 2018
Updated in July 2013 First World War Commemorations in Wales: Planning for 2014- 2018 Feedback from the 3 events held in January and February 2013 Contents 1. Introduction 2. Initial Stakeholder Planning Discussions 3. Roles of CyMAL: Museums, Archives and Libraries Wales and the Heritage Lottery Fund 4. The First World War Centenary Programme Board 5. The View beyond Wales 6. The Discussion Framework 1 Updated in July 2013 1. Introduction 1.1 The next few years will see a particular public focus on the commemoration of the First World War. This was a period of history that had an impact on every town, village and community across Wales with the loss of so many young men. Organisations throughout the nation are already considering how they can tell the stories of such a turbulent time. 1.2 The Welsh Government has instigated a stakeholder discussion on the planning process for First World War commemorations. The aim will be to reach as many individuals, groups, communities and organisations which have an interest in taking part in their own commemorations or working in partnership to develop joint activities. 1.3 Carwyn Jones AM, First Minister, has appointed Prof Sir Deian Hopkin to advise him and the Government on how Wales should prepare an appropriate and interesting framework of commemorative activities, exhibitions and events which will result in a lasting digital legacy for Wales. 2. Initial Stakeholder Planning Discussions 2.1 Three initial events were held in Cardiff on 22 January 2013, Llandudno Junction on 28 January 2013 and Builth Wells on 15 February 2013. -
Myfanwy Mynyddog (Richard Davies), Joseph Parry
CANTABILE – THE LONDON QUARTET THE GREAT BRITISH A CAPPELLA SONGBOOK EIGENTUM DES VERLEGERS · ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED PETERS EDITION LTD A member of the Edition Peters Group FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 1 110/8/20120/8/2012 1:06:361:06:36 PPMM Cantabile − The London Quartet is managed by artist management A Foggy Day. Music and Lyrics by George Gershwin and Ira Gershwin. Arranged by Cantabile − The London Quartet. © 1937 (renewed) Chappell & Co Inc, USA. This arrangement © 2012 Chappell & Co Inc, USA. Warner/Chappell North America Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd. All Rights Reserved. Pomp and Circumstance by Edward Elgar. Words © 2012 by Margarete and Julian Forsyth. Lullaby (‘Hush Macushla’) by Cantabile − The London Quartet. © Copyright 2012 by Cantabile − The London Quartet. All other arrangements in this collection © Copyright 2012 by Cantabile − The London Quartet. Peters Edition Limited 2−6 Baches Street London N1 6DN Tel: +44 (0)20 7553 4000 Fax: +44 (0)20 7490 4921 Email: [email protected] Internet: www.editionpeters.com CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 2 110/8/20120/8/2012 1:07:041:07:04 PPMM CONTENTS Foreword . 4 Vorwort . 5 About the Songs . 6 Über die Stücke . 8 Pastime with Good Company King Henry VIII of England . 11 Greensleeves Traditional English . 14 Oranges and Lemons Traditional English . 22 Myfanwy Mynyddog (Richard Davies), Joseph Parry . 30 Danny Boy, ‘I Would be True’ Traditional Irish (Londonderry Air) Frederic E. Weatherly, Howard Walter . 35 A Man’s a Man for A’ That Traditional Scottish / Robert Burns (‘Lady McIntosh’s Reel’) . -
The Pit and the Pendulum: a Cooperative Future for Work in The
Pit and the Pendulum Prelims.qxd 02/03/04 13:34 Page i POLITICS AND SOCIETY IN WALES The Pit and the Pendulum Pit and the Pendulum Prelims.qxd 02/03/04 13:34 Page ii POLITICS AND SOCIETY IN WALES SERIES Series editor: Ralph Fevre Previous volumes in the series: Paul Chaney, Tom Hall and Andrew Pithouse (eds), New Governance – New Democracy? Post-Devolution Wales Neil Selwyn and Stephen Gorard, The Information Age: Technology, Learning and Exclusion in Wales Graham Day, Making Sense of Wales: A Sociological Perspective Richard Rawlings, Delineating Wales: Constitutional, Legal and Administrative Aspects of National Devolution The Politics and Society in Wales Series examines issues of politics and government, and particularly the effects of devolution on policy-making and implementation, and the way in which Wales is governed as the National Assembly gains in maturity. It will also increase our knowledge and understanding of Welsh society and analyse the most important aspects of social and economic change in Wales. Where necessary, studies in the series will incorporate strong comparative elements which will allow a more fully informed appraisal of the condition of Wales. Pit and the Pendulum Prelims.qxd 02/03/04 13:34 Page iii POLITICS AND SOCIETY IN WALES The Pit and the Pendulum A COOPERATIVE FUTURE FOR WORK IN THE WELSH VALLEYS By MOLLY SCOTT CATO Published on behalf of the Social Science Committee of the Board of Celtic Studies of the University of Wales UNIVERSITY OF WALES PRESS CARDIFF 2004 Pit and the Pendulum Prelims.qxd 04/03/04 16:01 Page iv © Molly Scott Cato, 2004 British Library Cataloguing-in-Publication Data. -
Judith Newton Visit Wales, Marketing Manager – Multi Market
Clare Dwight Visit Wales, Senior Tourism Marketing Manager (B2B) Judith Newton Visit Wales, Marketing Manager – Multi Market Shuna Williams Cadw, Commercial Manager Jenny Walford Amgueddfa Cymru - National Museum Wales, Brand Manager Laura Smart National Trust Wales, Visitor Journey Development Manager Luke Potter National Trust Wales, Assistant Director of Operations North Wales …and the wider industry. • Wales Guidance & Re-opening (latest) • Attractions re-opening: o Cadw o Amgueddfa Cymru - National Museum Wales o National Trust • What’s new in Wales • How Visit Wales can help you • Questions? Caerleon Roman Amphitheatre (gladiators fighting), near Newport, Wales TRAVEL RESTRICTIONS: There are currently no restrictions in place for travel into or out of Wales as long as you are travelling to or from a country within the UK or wider Common Travel Area (Ireland, Isle of Man and the Channel Islands); and there are no travel restrictions there. GUIDANCE FOR TRANSPORT OPERATORS WHICH BUSINESSES ARE ABLE TO OPEN RESTRICTIONS ON GATHERINGS (see organised activities/household rules) ANY HOSPITALITY RESTRICTIONS As well as anything arising in the Welsh Government regulations and guidance. Currently allowed to open (Wales is now at Alert Level 3): Self-contained accommodation Day visits to outdoor All retail – essential & non-essential attractions and retail Outdoor attractions (including funfairs and theme parks) (within guidance and regulations) Outdoor hospitality (rule of 6 outdoors) Children’s indoor activities; organised indoor activities for up to 15 adults Extended households (including in self-contained accommodation) Indicated, from 17 May (Alert Level 2): Multi-day tours and All remaining accommodation (to single/extended households) overnight stays Indoor hospitality & regulated premises (rule of 6 indoors & outdoors) (within guidance and Indoor visitor attractions regulations) Entertainment venues Number limits on organised activities for adults increase to 50 outdoors, 30 indoors. -
Cynon Valley
Cynon Valley Up to and including September 2020 121 organisations and businesses supported with funding of £2,066,908.56 (this included 5 COVID survival awards not included in list below) Type of Grant Loan Funding Organisation Name Project Name Awarded Awarded COVID Rhigos RFC Hall Ceiling and Loft £5,000.00 COVID SNAP Cymru COVID-19 Project Grant £12,670.00 COVID Hot Jam Music COVID-19 Project Grant £8,420.00 COVID Shelter Cymru COVID-19 Project Grant £13,886.00 COVID Follow Your Dreams COVID-19 Project Grant £6,557.00 COVID BPI Consultancy COVID-19 Project Grant £5,289.34 COVID Cwmdare OAP COVID-19 Project Grant £1,080.00 COVID Tantrwm COVID-19 Project Grant £3,892.00 £10,300.00 Penderyn Play and Sports COVID Association COVID-19 Project Grant £1,500.00 COVID Cylch Meithrin Penderyn COVID-19 Survival Fund £1,700.00 COVID Cynon Valley Museum Trust COVID-19 Survival Fund £28,080.44 MF Business Hot Jam Music Rock Pop Music Workshops £4,300.00 Scoobs Doggy Day Care MF Business Boarding and Grooming Scoobs Doggy Day Care £5,000.00 MF Business WCKA Rhigos Squad Equipment £927.00 MF Business The Falcon Inn Retreat The Chapel Café £4,744.77 MF Business Arc-Hive Arc-Hive £5,000.00 MF Business Dragons Academy Crash Bang Wallop £2,500.00 MF Business Powerhouse Gym Mats a Way to do it £740.63 MF Business APL Services Ltd Plant Machinery Purchase £4,900.00 MF Business Mindfulness for Minis Mindfulness for Minis £2,955.00 MF Business Managed Social Media Managed Social Media Growth £3,593.63 Aman Tavern Kitchen MF Business The Aman Tavern Developments