Harry B. Soria & 'Territorial Airwaves'
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An Here's What Transpired After Our Visit
Underwritten by U.S. Bureau of Ameri- Hawai'i. B. San Francisco, Sept. 1, 1918. can Ethnology, it provided first "defini- Educ. Stanford University (1940). Visited tive" examination of the ritual and types Hawai'i 1932 with parents, impressed by of dances performed in ancient Hawai'i. Bray troupe, revisited 1937, enrolled 'Hawaii, Some of his translations and point of summer classes University of view eventually were challenged, but 1938. Studied hula under Marguerite there is no other work that offers so much Duane, San Francisco, 1940s, dancing as or is so highly respected by modern kumu amateur in South Seas Club. Moved to bula.Firstpublished, 1909 in limited edi- Hawai'i 1947, continuing study with Bill tion, became rare and generally unavaila- Lincoln studio (several teachers), Alice ble, until 1955 when reprinted in inex- Keawekane, Koochie Kuhns (dancing in pensive paperback, Charles E. Tuttle her group a short while). Worked Rec- Co-pa.ry. Last great work, Pele and ords of Hawaii (\flaikrki record shop), Hf iaka : A Mytb from Hawai'1, published teaching first classes in the store to 1915, Honolulu Star-Bulletin Ltd., told school-aged girls; also Betty Lei Hula Hawai'i's most popular, and best, legend, Studio. Opened own Hula Nani Studio, offering Hawaiian texts and translations 1949, same year took group into NATHANIEL B. EMERSON of more than 300 songs, chants, prayers, Kapi'olani Park hula festival, then into Unfortunatel5 this too entered the Niumalu Hotel. Known for discipline 6c Historian, writer, translator, greatest etc. rare book category, until 1978 when it perfection of "Hawaiian" image-long collector of hula legend and chants. -
Testimony of Mufi Hannemann President & CEO Hawai'i Lodging & Tourism Association House Committee on Veteran, Military
HAWAl‘l LODGING & TOURISM ASSOCIATION Testimony of Mufi Hannemann President & CEO Hawai‘i Lodging & Tourism Association House Committee on Veteran, Military, & International Affairs, & Culture and the Arts House Concurrent Resolution 70 Requesting the United States Postal Service to issue a commemorative postage stamp in honor of Alfred Apaka. Aloha Chair Ito, Vice Chair Tokioka and members of the committee, on behalf of the Hawai‘i Lodging & Tourism Association and its 700-plus members we offer strong support for HCR 70 which would request of the US Postal Service to issue a commemorative postage stamp in honor of Alfred Apaka, legendary Hawaiian entertainer and showman. As a state we pride ourselves on our Native Hawaiian culture and our Aloha spirit, two very unique features that help set us apart from the rest of the world. One very important aspect of our culture is and has been our islands’ music, a genre that has helped set the stage for Hawai‘i as a global destination. We have seen the pioneers of our state’s music from Don Ho to Israel Kamakawiwo'ole and others who have made a name for themselves locally, nationally, and internationally. But before these gentlemen hit the scene there was another musical legend, Alfred Apaka, the pioneer who first introduced the world to Hawai‘i’s music. Alfred Apaka, frequently known as the Golden Voice of Hawai‘i, has created a legacy for himself as he headlined venues such as the Royal Hawaiian Hotel, the Moana Surfrider, Don at the Beachcomber, and Kaiser’s Hawaiian Village where he entertained thousands of visitors and locals alike. -
Hawaii Stories of Change Kokua Hawaii Oral History Project
Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga .............................................. -
Cultural Tourism and Post-Colonialism in Hawaii Leigh Nicole Schuler University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Anthropology Undergraduate Honors Theses Anthropology 5-2015 Cultural Tourism and Post-Colonialism in Hawaii Leigh Nicole Schuler University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/anthuht Part of the Social and Cultural Anthropology Commons Recommended Citation Schuler, Leigh Nicole, "Cultural Tourism and Post-Colonialism in Hawaii" (2015). Anthropology Undergraduate Honors Theses. 2. http://scholarworks.uark.edu/anthuht/2 This Thesis is brought to you for free and open access by the Anthropology at ScholarWorks@UARK. It has been accepted for inclusion in Anthropology Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Cultural Tourism and Post-Colonialism in Hawaii An Honors Thesis submitted in partial fulfillment of the requirements for Honors Studies in Anthropology By Nicole Schuler Spring 2015 Anthropology J. William Fulbright College of Arts and Sciences The University of Arkansas Acknowledgments I would like to graciously thank Dr. Kirstin Erickson for her encouragement, guidance, and friendship throughout this research. Dr. Erickson motivated me with constructive criticism and suggestions to make my work the best it could be. Under her tutelage, I feel I have matured as a writer and an anthropologist. Dr. Erickson was always available to me when I had questions. Without her help, I would not have received the Honors College Research Grant to travel to Hawaii to conduct my fieldwork. Dr. Erickson was always kind and understanding throughout the two years we have worked together on this research. She was always excited to hear the latest development in my work and supported me with each new challenge. -
~ RECEIVED PRIVATE/OTHER S~A6-..-- ~ Tl Zp Ir1 -L
House District ..2:2, THE TWENTY-NINTH LEGISLATURE APPLICATION FOR GRANTS Log No: Senate District -J/- CHAPTER 42F, HAWAII REVISED STATUTES Far~·· u.. °"" Type of Grant Request 1r GRANT REQUEST - OPERATING D GRANTREOUEST-CAPITAL ltGrant• means an award of slate funds by the legislature, by an appropriation to a specified recipient, to support the actlvitles of the recipient and pennlt the community to benefit from those adivitles. ·Recipienr means any organization or pe,son receiving a grant. STATE DEPARTMENT OR ACENCY RELATED TO Til1S REQUEST (LEAVEBLANKH' UNKNOWN): STATE PROGRAM LD. NO. (LEAVE BLANK IF UNKNOWN): ------ I. APPUCANrJNFORMAnON: 2. CONTACT PERSON FOR MATl'ERS INVOLVINC TIIIS APPLICATION: Legal Name of Requesting Organization or Individual: Name ~~~G~LO§la~"~-Bo==RlAND=..-=--------------- We Talk Story, Inc. Trt~ ~---P=res==~en~~t_&_·Pmcl_..__u_ce______________ _ Oba; ·earack Obama Made In Hawalr' documentary film Phone# 8()8.781-4472 Street Address: 3037 Kahaloa Drive Fax # __8()8.=:..a3:c.,56-0868'""-"="--------- Honolulu, Hawaii 96822 E-mail ____.,.q,,.lobo=r@,.,.,,a,,.o.,.,1.co=m.:.... ____ _ Mailing Address: 3, TYPE Of BUSI~ EN1Tl'Y: 6, Df.SCRJFTIVE t111..E OF APPUCANl''S REQUEST: COMPLETION FUNDING FOR DOCUMENTARY FILM NlNoN PROFIT CORPORATION INCORPORATED IN HAWAII DFOR PROFIT CORPORATION INCORPORATED IN HAWAII .. BARACK OBAMA r,.AM-.OE IN HA WAIi" D UMITED \JABIUTY COMPANY D soLE PROPR1ETORSH1PnNDMDUAL OOTIER $382,405. 7. AMOUNTOFSTAT£FUNDSREQUESTED: ~ FEDfllALTAXID# 5. STAT£TAXID#: FISCAL YEAR 2018: $ __3..__tf_").,-+)-y_o_s- ___ 8. STATIIS OF SERVICE Df.SC1t1B£D IN mlS REQtlF.Sr. mNEW SERVICE (PRESENTLY DOES NOT EXIST) SPECIFY lltE AMOUNT BY SOURCES OF FUNDS AVAILABLE .,.EXISTING SERVICE (PRESENTLY IN OPERATION) ATiHE TIME OF lltLS REQUEST. -
Honoring the Best of Traditional Hawaiian Music and Hula!
MEDIA RELEASE FOR IMMEDIATE RELEASE Thursday, April 9, 2015 Honoring the best of traditional Hawaiian music and hula! Contact: Ann Shinsato 808-392-3649 (HMHF Admin. Assistant) WHO: The Hawaiian Music Hall of Fame (HMHF) WHAT: Lei of Stars 2015, a gala event honoring our 2014 class of inductees: , Sonny Chillingworth, Edith McKinzie, Puakea Nogelmeier, Beverly Noa, Lani Custino and the Hawaii Calls radio program. Includes dinner, induction ceremony and tribute performances. WHERE: Pomaika’i Ballrooms (in the Hökülei Ballroom) at Dole Cannery (735 Iwilei Rd.) WHEN: May 1, 2015, Friday. Doors open at 4 pm; dinner served at 5 pm; concert begins at 5:45 pm. TICKETS: Tickets are $125/person for dinner and concert. For more info, call Admin. Assistant Ann Shinsato at 392-3649. Also see website at www.hmhof.org. ENTERTAINERS: Beverly Noa, Nina Kealiÿiwahamana, Haunani Apoliona, Kuÿuipo Kumukahi, Auntie Edith’s hula girls, Natalie Ai Kamauu, Aaron Sala, John Rodrigues, Ian Custino, and much more! Emcee: Kimo Kahoano. SPECIAL MÖÿÏ SPONSOR: Princess Abigail Kinoiki Kekaulike Kawänanakoa. SUSTAINING SPONSOR: ‘Ölelo Community Media will broadcast Lei of Stars live on ‘Ölelo Channel 53. Inductee Background Information: Sonny Chillingworth: A master slack key guitarist whose first hit recording was in 1964 playing “Waimea Cowboy.” In the 1970’s with the Hawaiian Renaissance, Sonny became part of the Gabby Pahinui Hawaiian Band for both album recordings and live performances. During this time, Sonny also began to share his knowledge with the next generation such as George Kuo and Ozzie Kotani and many more who were influenced by his recordings. -
Board-Packet-05282020.Pdf
HĀLĀWAI PAPA ALAKAʻI KŪMAU KEʻENA KULEANA HOʻOKIPA O HAWAIʻI REGULAR BOARD MEETING HAWAI‘I TOURISM AUTHORITY Poʻahā, 28 Mei, 2020, 9:30 a.m. Thursday, May 28, 2020 at 9:30 a.m. Hālāwai Kikohoʻe VIRTUAL MEETING Ma loko o kēia wā kūlanalana o ka maʻi COVID-19, ʻo ka hoʻopakele i ke ola a me ka nohona o ke kaiāulu ka makakoho nui. Hiki i ka lehulehu ke nānā mai i kēia hālāwai ma o ka ʻaoʻao Pukealo a ke Keʻena Kuleana Hoʻokipa O Hawaiʻi. In light of the evolving COVID-19 situation, protecting the health and welfare of the community is of utmost concern. This public meeting may be monitored remotely and will be streamed via the Hawaiʻi Tourism Authority’s Facebook Page. https://www.facebook.com/HawaiiHTA/ Papa Kumumanaʻo AGENDA 1. Ho‘omaka A Pule Call to Order and Pule 2. ʻĀpono I Ka Moʻoʻōlelo Hālāwai Approval of Minutes of the February 27, 2020 Board Meeting 3. Hō‘ike Lālā Report of Permitted Interactions at an Informational Meeting or Presentation Not Organized by the Board Under HRS section 92-2.5(c) 4. Hōʻike A Ka Luna Hoʻokele Report of the CEO Relating to Staff’s Implementation of HTA’s Programs During February – April 2020: - Major Market Management including Destination Marketing Management Services, Global Meetings, Conventions and Incentives (MCI) Program Management Services, Responsible Tourism, Support of State COVID-19 Mitigation Efforts 5. Hōʻike ʻIkepili Noiʻi ʻOihana Hoʻomākaʻikaʻi Presentation and Discussion of Current Market Insights and Conditions in Hawai‘i and Key Major Hawai‘i Tourism Markets, Including the United States, Japan, Canada, Oceania, Other Asia, Europe, and Cruise 6. -
530 CIAO BRAMPTON on ETHNIC AM 530 N43 35 20 W079 52 54 09-Feb
frequency callsign city format identification slogan latitude longitude last change in listing kHz d m s d m s (yy-mmm) 530 CIAO BRAMPTON ON ETHNIC AM 530 N43 35 20 W079 52 54 09-Feb 540 CBKO COAL HARBOUR BC VARIETY CBC RADIO ONE N50 36 4 W127 34 23 09-May 540 CBXQ # UCLUELET BC VARIETY CBC RADIO ONE N48 56 44 W125 33 7 16-Oct 540 CBYW WELLS BC VARIETY CBC RADIO ONE N53 6 25 W121 32 46 09-May 540 CBT GRAND FALLS NL VARIETY CBC RADIO ONE N48 57 3 W055 37 34 00-Jul 540 CBMM # SENNETERRE QC VARIETY CBC RADIO ONE N48 22 42 W077 13 28 18-Feb 540 CBK REGINA SK VARIETY CBC RADIO ONE N51 40 48 W105 26 49 00-Jul 540 WASG DAPHNE AL BLK GSPL/RELIGION N30 44 44 W088 5 40 17-Sep 540 KRXA CARMEL VALLEY CA SPANISH RELIGION EL SEMBRADOR RADIO N36 39 36 W121 32 29 14-Aug 540 KVIP REDDING CA RELIGION SRN VERY INSPIRING N40 37 25 W122 16 49 09-Dec 540 WFLF PINE HILLS FL TALK FOX NEWSRADIO 93.1 N28 22 52 W081 47 31 18-Oct 540 WDAK COLUMBUS GA NEWS/TALK FOX NEWSRADIO 540 N32 25 58 W084 57 2 13-Dec 540 KWMT FORT DODGE IA C&W FOX TRUE COUNTRY N42 29 45 W094 12 27 13-Dec 540 KMLB MONROE LA NEWS/TALK/SPORTS ABC NEWSTALK 105.7&540 N32 32 36 W092 10 45 19-Jan 540 WGOP POCOMOKE CITY MD EZL/OLDIES N38 3 11 W075 34 11 18-Oct 540 WXYG SAUK RAPIDS MN CLASSIC ROCK THE GOAT N45 36 18 W094 8 21 17-May 540 KNMX LAS VEGAS NM SPANISH VARIETY NBC K NEW MEXICO N35 34 25 W105 10 17 13-Nov 540 WBWD ISLIP NY SOUTH ASIAN BOLLY 540 N40 45 4 W073 12 52 18-Dec 540 WRGC SYLVA NC VARIETY NBC THE RIVER N35 23 35 W083 11 38 18-Jun 540 WETC # WENDELL-ZEBULON NC RELIGION EWTN DEVINE MERCY R. -
Stardigio Program
STAR digio 100 チャンネル：４７３ ＨＡＷＡＩＩ 放送日：２００９／４／２７～５／３ 「番組案内（６時間サイクル）」 開始時間：4：00～10：00～16：00～22：00～ 楽曲タイトル 演奏者名 HAWAIIAN MELLOW QUEEN'S JUBILEE Bill Kaiwa Redwood Slack Key STEPHEN INGLIS KEAWA'IKI HULA Keao PUA 'AHIHI FAITH AKO I Love you 'Cause You're You Bobby Ingano The Hukilau Song THE NEW HAWAIIAN BAND ALOHA IA O WAI'ANAE Hui Ohana GREEN LANTERN HULA Keao Poli Anuanu Robert Uluwehi Cazimero KHBC ATA DAMASCO Now Is the Hour [今し別れのとき] THE NEW HAWAIIAN BAND VENUS Auntie Agnes Malabey Weisbarth & The Makaha Serenaders MANUELA BOY '07 KEN EMERSON & FRIENDS Kalihi Waltz (Sunset) Bobby Ingano Manu Kapalulu Ku`uipo Kumukahi and The Hawaiian Music Hall of Fame Serenaders FIREMEN'S HULA FAITH AKO THE SLOPES OF MAUNA KEA Auntie Agnes Malabey Weisbarth & The Makaha Serenaders Kipu Kai ATA DAMASCO HAWAIIAN MELLOW Hoki Hoki Aloha Pumehana Serenaders feat. Darrell Lupenui Mele 'Ai Pohaku (Kaulana Na Pua) Auntie Ida Keli'i Chun LOA'A KO PUNI KAUeOHA Bill Kaiwa No Place Like Hawai'i Dennis Das Jr. BLUE HAWAIIAN MOONLIGHT THE GABBY PAHINUI HAWAIIAN BAND Ka'ahumanu / Kona Kai 'Opua Ho'omalie Pua O Ka Nahele KAUMAKAIWA KANAKA'OLE Pu'uanahulu Keoki Kahumoku Pupukea OWANA KA'OHELELANI SALAZAR Kaulana o Hilo Hanakahi OWANA SALAZAR HALEAKALA HULA LILA KOU MAKA UI GENOA KEAWE AND SONS: GARY AND SAM AIKO Mele Hi'i Pepe KAUMAKAIWA KANAKA'OLE HOLO HOLO KAA GENOA KEAWE AND SONS: GARY AND SAM AIKO Memories Of Old Hawai'i Auntie Ida Keli'i Chun Silver Strings LEDWARD KAAPANA HAWAIIAN MELLOW KOULA "WAIOPUNA" JESSE KALIMA with SONNY WAIAU Radio Hula Bryan Tolentino Freedom -
ORGANIZING REPRESENTATIONS of HAWAII Jonathan E. Schroeder
PACKAGING PARADISE: ORGANIZING REPRESENTATIONS OF HAWAII Jonathan E. Schroeder 1 Janet L. Borgerson 2 University of Exeter D R A F T Earlier version presented at Critical Management Studies conference Cambridge July 2005 University of Exeter Discussion Papers in Management Paper number 05/02 ISSN 1472-2939 1Professor of Marketing, School of Business and Economics, University of Exeter, Streatham Court, Rennes Drive, Exeter, EX4 4PU. Email [email protected] 2Dr Janet Borgerson, Lecturer in Marketing, School of Business and Economics, University of Exeter, Streatham Court, Rennes Drive, Exeter, EX4 4PU. Email [email protected] Packaging Paradise: Organizing Representations of Hawaii Jonathan E. Schroeder Janet L. Borgerson University of Exeter 2 The Hawaiian Islands are of volcanic origin and are edged with coral reefs. Generally fertile with a mild climate, they are sometimes called “the paradise of the Pacific” because of their spectacular beauty: abundant sunshine; acres of green plants and gaily colored flowers; coral beaches with rolling white surf and fringed with palms; and, rising with sober majesty to solitary heights, cloud covered volcanic peaks. (Columbia Encyclopedia, 5th ed., s.v “Hawaii”) Hawaii was packaged for promotion and plunder. The objective of this paper is to focus attention on the image of Hawaii – a state, an ethnic identity, a race, and a cultural form – as a compelling example of how representation by dominant groups enables a colonialist process of objectification and imperialism. Representation often requires political, economic, and ideological choices made by those in power. We present a case study of how narratives and images were deftly combined and organized in the popular culture artifact, the Hawaiian record album, which encapsulates intersecting colonial interests. -
Exhibit 2181
Exhibit 2181 Case 1:18-cv-04420-LLS Document 131 Filed 03/23/20 Page 1 of 4 Electronically Filed Docket: 19-CRB-0005-WR (2021-2025) Filing Date: 08/24/2020 10:54:36 AM EDT NAB Trial Ex. 2181.1 Exhibit 2181 Case 1:18-cv-04420-LLS Document 131 Filed 03/23/20 Page 2 of 4 NAB Trial Ex. 2181.2 Exhibit 2181 Case 1:18-cv-04420-LLS Document 131 Filed 03/23/20 Page 3 of 4 NAB Trial Ex. 2181.3 Exhibit 2181 Case 1:18-cv-04420-LLS Document 131 Filed 03/23/20 Page 4 of 4 NAB Trial Ex. 2181.4 Exhibit 2181 Case 1:18-cv-04420-LLS Document 132 Filed 03/23/20 Page 1 of 1 NAB Trial Ex. 2181.5 Exhibit 2181 Case 1:18-cv-04420-LLS Document 133 Filed 04/15/20 Page 1 of 4 ATARA MILLER Partner 55 Hudson Yards | New York, NY 10001-2163 T: 212.530.5421 [email protected] | milbank.com April 15, 2020 VIA ECF Honorable Louis L. Stanton Daniel Patrick Moynihan United States Courthouse 500 Pearl St. New York, NY 10007-1312 Re: Radio Music License Comm., Inc. v. Broad. Music, Inc., 18 Civ. 4420 (LLS) Dear Judge Stanton: We write on behalf of Respondent Broadcast Music, Inc. (“BMI”) to update the Court on the status of BMI’s efforts to implement its agreement with the Radio Music License Committee, Inc. (“RMLC”) and to request that the Court unseal the Exhibits attached to the Order (see Dkt. -
Learning About Hawaiian Music…
Ukulele UkuleleTonya.com • September 18, 2015 Learning about Hawaiian music… Many folks who are drawn to the ukulele may not be familiar with Hawaiian music. Perhaps they’ve heard “Tiny Bubbles” or “Aloha Oe,” but that may be the limit of their Hawaiian listening. Yet the ukulele’s heritage is island-based and so many wonderful songs utilizing ukuleles are Hawaiian that it’s a real loss when ukulele players aren’t familiar with at least some of the sounds of Hawaii. We tend to “like” the music we know best, so my goal in this short article is to get you listening to Hawaiian music more often so you can find songs and artists thatyou find yourself enjoying! Keep in mind that this is just a “bare bones” introduction to get you started—there are many sounds and styles of Hawaiian music, so if you don’t like the first ones you listen to, try others! Some Hawaiian music background: Hawaiian music reflects the many cultures of the immigrants to Hawaii as well as the native population. You’ll hear cowboy sounds from Mexican paniolos, Asian influences, Hawaiian chants, Western-style melodies/harmonies and Jamaican/reggae sounds. There’s even Hawaiian “rap/hip hop”—not my favorite, certainly, but you’ll hear it! You may be most familiar with tunes featuring a blend of English lyrics and perhaps some Hawaiian words in the “hapa haole” tunes; a lot of these became popular on the mainland during the 1930s. Think of “Sweet Leilani,” “Little Grass Shack” and “Lovely Hula Hands.” Popular performers of this style included Harry Owens and his Royal Hawaiian Hotel Orchestra, Johnny Noble’s Hawaiians and Alfred Apaka.