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James Gilfillan Vs. Christopher G. Ripley the Contest for the Republican Nomination for Chief Justice of the Minnesota Supreme Court, 1869
James Gilfillan vs. Christopher G. Ripley The Contest for the Republican Nomination for Chief Justice of the Minnesota Supreme Court, 1869. By Douglas A. Hedin ᴥ•ᴥ [ October 2018 ] Table of Contents Chapter Pages Preface..........................................................................................4 The Republican Party in 1869.......................................................4 The Appointment of James Gilfillan..........................................5-9 The Shadow of Attorney General Cornell and the Demands for Sectional Representation..................10-16 Enter Ignatius Donnelly.........................................................17-20 The Republican State Convention..........................................21-32 The Democrats Nominate Charles E. Flandrau.......................32-35 The Temperance Party Nominates Edward O. Hamlin...........35-38 The People’s Conventions......................................................38-40 The Campaign........................................................................41-43 The Election.................................................................................44 Ripley Closes His Law Practice...................................................45 Conclusion..................................................................................46 2 Appendix................................................................................47-74 Preface.........................................................................................48 1. Ripley is Nominated District -
A Whimsical Destiny: a Portrait of Mary Babcock Gore
THE NEWSLETTER OF GORE PLACE | SPRING 2019 | ISSUE NUMBER 6 IN THIS ISSUE A Whimsical Destiny Letter from our Board President Portrait of Robert Roberts A December Evening Reaching New Audiences with Accessibility Upcoming Programs Mrs. John Gore (Mary Babcock) about 1815, Warwick Castle by the River Avon GIlbert Stuart (American, 1755–1828), oil on canvas. Photo by DeFacto used under Creative Commons Attribution-Share Social Media Moment Museum of Fine Arts, Boston. Alike 4.0 International License. No changes were made. https://creativecommons.org/licenses/by-sa/4.0/deed.en A Whimsical Destiny: A Portrait of Mary Babcock Gore Mary Gore’s 1815 portrait hangs prominently at hearing this great and glorious people [the English] Gore Place on the formal staircase above those anathematized by scrubs unworthy of even the of her husband John and his uncle Christopher name of men. Now behold me, landed from an and aunt Rebecca Gore. The image, painted by English ship-of-war, my footsteps for the first time distinguished American portraitist Gilbert Stuart, pressing the soil of my Forefathers, supported by It’s not every day that master conveys Mary’s beauty, refinement and position. the arm of an English officer. Can anything be blacksmith Dean Rantz of Rock Few sources exist that can tell us more about Mary, more whimsical than my destiny?” Village Forge is here forging a but she did keep a diary during a family visit to The officer helping Mary off the ship was likely its handrail for our new staircase. England in 1813-1814.1 It is through this travel 30-year-old Commanding Officer Robert Rowley. -
The Clamor of Controversy: an Exile's Story
THE NEWSLETTER OF GORE PLACE | SPRING 2018 | ISSUE NUMBER 4 IN THIS ISSUE The Clamor of Controversy Letter from our Board President Development News Tot Time at the Nature Playscape Seal of the Commonwealth of Massachusetts attributed to John Gore, Boston, 1785-1790 (left). Get to Know our New Flock! Portrait of John Gore by John Johnson, c. 1790 (right). From the collection of Gore Place Society. A Star-Spangled Conflict At the Painter’s Arms The Clamor of Controversy: An Exile’s Story Upcoming Programs In the summer of 1777, Christopher Gore’s father, In 1774, John Gore was a signer of a letter John, found himself thousands of miles from home endorsing Thomas Hutchinson, acting governor writing a letter of condolence to his children in of the Province of Massachusetts and General Boston upon the death of their mother, Frances. He Thomas Gage, commander of the British troops Social Media Moment! wrote, in North America. Gage became responsible for enforcing the Intolerable Acts to punish people “...pray be loving to one another and as soon as God permits me I will come to you. I pray God grant it may be soon.” for the destruction of British imports. Signing this letter of support branded Gore as a Loyalist and Regarding the circumstances which brought him to was tantamount to treason. As tensions mounted, this unhappy place he wrote, conditions for Loyalists deteriorated. By March “...alas what desolation and mischief has the noise and 1776, John Gore left his family and fled to Halifax, Clamor of Controversy brought on us.” Nova Scotia. -
Open PDF File, 134.33 KB, for Paintings
Massachusetts State House Art and Artifact Collections Paintings SUBJECT ARTIST LOCATION ~A John G. B. Adams Darius Cobb Room 27 Samuel Adams Walter G. Page Governor’s Council Chamber Frank Allen John C. Johansen Floor 3 Corridor Oliver Ames Charles A. Whipple Floor 3 Corridor John Andrew Darius Cobb Governor’s Council Chamber Esther Andrews Jacob Binder Room 189 Edmund Andros Frederick E. Wallace Floor 2 Corridor John Avery John Sanborn Room 116 ~B Gaspar Bacon Jacob Binder Senate Reading Room Nathaniel Banks Daniel Strain Floor 3 Corridor John L. Bates William W. Churchill Floor 3 Corridor Jonathan Belcher Frederick E. Wallace Floor 2 Corridor Richard Bellingham Agnes E. Fletcher Floor 2 Corridor Josiah Benton Walter G. Page Storage Francis Bernard Giovanni B. Troccoli Floor 2 Corridor Thomas Birmingham George Nick Senate Reading Room George Boutwell Frederic P. Vinton Floor 3 Corridor James Bowdoin Edmund C. Tarbell Floor 3 Corridor John Brackett Walter G. Page Floor 3 Corridor Robert Bradford Elmer W. Greene Floor 3 Corridor Simon Bradstreet Unknown artist Floor 2 Corridor George Briggs Walter M. Brackett Floor 3 Corridor Massachusetts State House Art Collection: Inventory of Paintings by Subject John Brooks Jacob Wagner Floor 3 Corridor William M. Bulger Warren and Lucia Prosperi Senate Reading Room Alexander Bullock Horace R. Burdick Floor 3 Corridor Anson Burlingame Unknown artist Room 272 William Burnet John Watson Floor 2 Corridor Benjamin F. Butler Walter Gilman Page Floor 3 Corridor ~C Argeo Paul Cellucci Ronald Sherr Lt. Governor’s Office Henry Childs Moses Wight Room 373 William Claflin James Harvey Young Floor 3 Corridor John Clifford Benoni Irwin Floor 3 Corridor David Cobb Edgar Parker Room 222 Charles C. -
Walker Sisters and Collecting in Victorian Boston, on View from of Poses" Appears in an Inscription in the Rotunda Floor
+ The Walker Sisters and Collecting in Victorian Banister Hall, in memory of his mother. Sophia THE WALKER SISTERS Boston celebrates the renovation and expansion Wheeler Walker. This room was the College's AND COLLECTING in of the Bowdoin College Museum of Art's Walker first formal art gallery. Walker, however, found Art Building by honoring the vision and patron- the cramped second-floor space unsatisfactory VICTORIAN BOSTON age of the building's original benefactors. Maiy for the exhibition of paintings. Bowdoin officials Sophia Walker (1839-1904) and Harriet Sarah observed that Walker, during visits to the cam- Walker (1844—1898) (figures 1 and 2) commis- pus, formed an "unfavorable opinion" about the LAURA FECYCH SPRACUE sioned the Walker Art Building (figure 3) in care and exhibition of the pictures.- Walker Consulting Curator of Decorative Arts memory of their uncle, Theophilus Wheeler spoke of "providing a permanent home for the Bowdoin College Museum of Art Walker (1813—1890). He had held a deep, life- works of Art " but died in April 1890 before any long interest in the Old Master paintings, prints, plans were made.^ Within a year of his death, and drawings collected during the eighteenth however, Mary Sophia and Harriet Sarah Walker, century by James Bowdoin 111. the College's his heirs, announced they would fulfdl their founding patron. ' Walker first became involved uncle's intentions to build a new picture gallery. with the art collection in 1850 when his close The Walker sisters commissioned one of friend and cousin, the Beverend Leonard Woods, America's finest architects. Charles Follen Jr., college president from 18^9 to 1866, sought McKim of the New York firm McKim, Mead, and funds for the construction of a new chapel, White, for the design of a building "entirely On the cover and figure i designed by Bichard Upjohn in the German devoted to objects of art.""' Surviving correspon- Robert Gordon Hardie. -
Washington City, 1800-1830 Cynthia Diane Earman Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School Fall 11-12-1992 Boardinghouses, Parties and the Creation of a Political Society: Washington City, 1800-1830 Cynthia Diane Earman Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the History Commons Recommended Citation Earman, Cynthia Diane, "Boardinghouses, Parties and the Creation of a Political Society: Washington City, 1800-1830" (1992). LSU Historical Dissertations and Theses. 8222. https://digitalcommons.lsu.edu/gradschool_disstheses/8222 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. BOARDINGHOUSES, PARTIES AND THE CREATION OF A POLITICAL SOCIETY: WASHINGTON CITY, 1800-1830 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History by Cynthia Diane Earman A.B., Goucher College, 1989 December 1992 MANUSCRIPT THESES Unpublished theses submitted for the Master's and Doctor's Degrees and deposited in the Louisiana State University Libraries are available for inspection. Use of any thesis is limited by the rights of the author. Bibliographical references may be noted, but passages may not be copied unless the author has given permission. Credit must be given in subsequent written or published work. A library which borrows this thesis for use by its clientele is expected to make sure that the borrower is aware of the above restrictions. -
Massachusetts Art Commission
Massachusetts State House Art Collection Index of Artists, Foundries, and Carvers ARTIST TITLE OBJECT ~A ADAMS, Herbert Charles Bulfinch plaque – bronze, 1898 State House Preservation plaque – bronze, 1898 AMES, Sarah Fisher Clampitt Abraham Lincoln bust – marble, 1867 ANDERSON, Robert A. Edward King painting, 1990 William F. Weld painting, 2002 ANDREW, Richard Veterans of the Sixth Regiment Memorial mural series, 1932 Decoration of the Colors of the 104th Infantry mural, 1927 ANNIGONI, Pietro John A. Volpe painting, 1963 AUGUSTA, George Francis Sargent painting, 1975 ~B BACON, Henry William F. Bartlett statue base, 1905 Joseph Hooker statue base, 1903 Roger Wolcott/Spanish War Memorial statue base, 1906 BAKER, Samuel Burtis Curtis Guild, Jr. painting, c. 1919 BALL, Thomas John A. Andrew statue – marble, 1872 BARTLETT, George H. Arthur B. Fuller bust –plaster, c. 1863 BELCHETZ-Swenson, Sarah Jane M. Swift painting, 2005 BENSON, John John F. Kennedy plaque – slate, 1972 BENSON, Frank W. Levi Lincoln, Jr. painting, 1900 William B. Washburn painting, 1900 BERGMANN, Meredith Edward Cohen/Massachusetts Labor History plaque – bronze, 2009 BICKNELL, Albion H. Abraham Lincoln painting, 1905 BINDER, Jacob Esther Andrews painting, 1931 Gaspar Bacon painting, 1939 Charles F. Hurley painting, 1940 BLAKE, William S. Hancock House plaque – bronze, l. 19th c. BORGLUM, Gutzon Theodore Roosevelt bust - bronze, 1919 BRACKETT, Walter M. George N. Briggs painting, 1849 BRODNEY, Edward Columbia Knighting her War Disabled mural, 1936 The War Mothers mural, 1938 BROOKS, Richard E. William E. Russell bust – bronze, 1893 Gardiner Tufts bust – marble, 1892 Massachusetts State House Art Collection: Index of Artists, Foundries, and Carvers BRYANT, Wallace Rev. -
Guide to the Old Manse Book Collection: IMLS Selections
. .• ·... • •• ·•.;:: INS11TUTE oi • •••••• Museum and llbrary .-•~:• SERVICES .• •••• .• •: THE TRUSTEES OF RESERVATIONS ARCHIVES & RESEARCH CENTER Guide to The Old Manse Book Collection: 400 of 2,100 books selected for an IMLS grant, chosen for rarity & historical importance by Connie Colburn November 2017 Last updated: March 2018 Sarah Hayes Archives & Research Center 27 Everett Street, Sharon, MA 02067 www.thetrustees.org [email protected] 781-784-8200 Page 1 of 33 The Trustees of Reservations – www.thetrustees.org Extent: 2,100 books, 400 of which are described here. Copyright © 2018 The Trustees of Reservations ADMINISTRATIVE INFORMATION PROVENANCE Acquired in 1939 with the purchase of The Old Manse from the estate of Sarah Ripley Thayer Ames (1874-1939), facilitated by her husband and executor, John Worthington Ames (1871-1954). OWNERSHIP & LITERARY RIGHTS The Old Manse Book Collection is the physical property of The Trustees of Reservations. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. CITE AS The Old Manse Book Collection. The Trustees, Archives & Research Center. RESTRICTIONS ON ACCESS This collection is open for research. Restricted Fragile Material may only be consulted with permission of the archivist. Page 2 of 33 The Trustees of Reservations – www.thetrustees.org OVERVIEW This project was made possible in part by the Institute of Museum and Library Services (IMLS). This document represents some of the work that The Trustees was able to do at The Old Manse because of a 2017 IMLS grant. Funds generously awarded by IMLS made it possible for many books within the intact 2,100 volume library to receive conservation, protective book cases, and in-depth cataloguing and research. -
The Agrarian the Newsletter of Gore Place | Fall 2017 | Issue Number 3
THE AGRARIAN THE NEWSLETTER OF GORE PLACE | FALL 2017 | ISSUE NUMBER 3 IN THIS ISSUE Research— Even the Smallest Detail is Important Letter from our Board President News from the Development Office Landscape Master Planning Eric Workman | TMP Images Noteworthy Guide Miriam Boucher (center, in costume) leads visitors on a tour of Mr. Gore’s office, with the special eBay chair by the secretary on the left. Upcoming Programs Research—Even the Smallest Detail Is Important! Details are essential in telling the story of the totally different from floor colors elsewhere on the Gores. Our staff is continually searching through upper floor. They also investigated wallpaper in archival material and studying our historic the other bed chambers. They were disappointed buildings to uncover details about life in the to discover a fabulous green patterned wallpaper Gore era. Each find, no matter how small, brings fragment was found to date from the 1960s! excitement. This year our research has been Gore Place Guide and Historian Diann Strausberg particularly revealing. discovered the eBay find in 2007 when she How do we know so much about the Gores? stumbled upon a chair that the seller said was Primary sources, such as newspapers, letters, owned by the Gores. Lana Lewis studied the Sunrise on the north pasture. journals, maps, and government documents, provenance, or record of ownership, of this chair, Photo by Linda Drake help us build an understanding of life during the and found it to be part of a set of dining chairs Gore era. We also find the Gores’ history hidden owned by the Gores. -
College of the Holy Cross Archives and Special Collections P.O
College of the Holy Cross Archives and Special Collections P.O. Box 3A, Worcester, MA 01610-2395 College of the Holy Cross Archives and Special Collections Collection Inventory Accession Number: SC2000-75 Collection Name (Title): O’Connor, Patrick Collection Dates of Material: 1578- 20th Century Size of Collection: 1 Box, 39 Folders Arrangement: Restrictions: Related Material: Preferred Citation: Processed on: March 18, 2008 Biography/History: Patrick F. O’Connor was born in Cahirciveen, Ireland in 1909. He attended Boston College High School, and graduated from Holy Cross in 1932. He also attended University of Cambridge in Oxford, England. He was a veteran of World War II. O’Connor was the head of the English Department at Boston Technical High. He died November 5, 2001. Scope and Content Note: This collection was assembled by Patrick O’Connor. It consists of assorted documents, each with an autograph of a governor of Massachusetts. There are 36 governors autographs arranged chronologically with each autograph in its own folder. The collection begins with John Hancock who served from 1780-85 and ends with Ebenezer Draper who served, 1901-1911. There are two folders in the collection that contain miscellaneous paper and vellum documents that date to 1578 that were also collected by O’Connor. The final folder has information on the collection itself. http://holycross.edu/archives-and-special-collections 1 College of the Holy Cross Archives and Special Collections P.O. Box 3A, Worcester, MA 01610-2395 Box and Folder List: Box 1: Folder 1: Hancock, John, 1780-1785 Folder 2: Bowdoin, James – 1785-1787 Folder 3: Samuel Adams –1793 - 1797 Folder 4: Increase Sumner –1797 -1799 Folder 5: Moses Gill –1794-1799, 1799-1800 Folder 6: Caleb Strong –1800 -1807 Folder 7: James A. -
Historic Site
Lof-.:.(:; .i:.>Z,S 4o.3, 12 '~ CULTURAL LANDSCAPE REPORT FOR Longfellow National Historic Site VOLUME 2: ANALYSIS OF SIGNIFICANCE AND INTEGRITY CULTURAL LANDSCAPE REPORT FOR Longfellow National Historic Site VOLUME 2: ANALYSIS OF SIGNIFICANCE AND INTEGRITY by Shary Page Berg FASLA Olmsted Center for Landscape Preservation National Park Service Boston, Massachusetts 1999 This report is part of the Cultural Landscape Publication Series produced by the Olmsted Center for Landscape Preservation. This series includes a variety of publications designed to provide information and guidance on landscape preservation to managers and other preservation professionals. The Olmsted Center for Landscape Preservation promotes the stewardship of significant landscapes through research, planning and sustainable preservation maintenance. Based at the Frederick Law Olmsted National Historic Site, the Center perpetuates the tradition of the Olmsted firms and Frederick Law Olmsted, Sr.'s lifelong commitment to people, parks and public spaces. The Olmsted Center for Landscape Preservation 99 Warren Street Brookline, MA 02445 (617) 566-1689 Publication Credits: Information in this publication may be copied and used with the condition that full credit be given to the author and publisher. Appropriate citations and bibliographic credits should be made for each use. Cover Photo: Formal Garden, Longfellow NHS, circa 1935-40. Photo# 111969, Historic American Buildings Survey (HABS), copy at Longfellow National Historic Site. CONTENTS LIST OF FIGURES V ACKNOWLEDGMENTS VI INTRODUCTION 9 Purpose and Scope of Project 9 Methodology and Summary of Findings 11 Historical Overview 12 Early Preservation Efforts 14 1. HISTORIC CONTEXT: DESIGNED RESIDENTIAL LANDSCAPE 17 NEW ENGLAND Colonial Seat (1750 - 1790) 20 Federal Ideal (1790 - 1840) 23 Romantic Residence (1840 - 1890) 27 Colonial Redefined (1890 - 1930) 33 2. -
State House, S On
~~ (1J:.omm.onftt~a1t1t .of ~lH~a.cIt1t~~tt~ Massachusetts Art Commission State House Room..w-:?~ Boston, MA 02133 tel. (617) 727-2607, ext. 517 fax (617) 727-5400 Peter L Walsh Chairman Bonita A. Flood - Arlene E. Friedberg ANNUAL REPORT OF THE ART COMMISSION Paula M. Kozol YEAR ENDING JUNE 30, 1998 Katherine B. Winter The members ofthe Massachusetts Art Commission respectfully submit the Annual Report for the year ending June 30, 1998. The Commission is charged under General Laws chapter 6, sections 19 and 20 with the "care and custody of the State House art collection" and thus serves as the appointed curator of the Commonwealth's 200 year old collection of paintings, sculptures, wall murals and artifacts. The Commission continues to conduct its programs of conservation and preservation of the art collection under an annual appropriation, which it receives through the Bureau of State Office Buildings. The Commission members thank Superintendent Dennis R. Smith, and his staff for their assistance throughout the year CONSERVATION During FY'98 the Art Commission continued its program of conservation and preser vation of the State House Art Collection with the following projects. Maintenance of exterior monuments Following initial conservation treatment in 1986-1987, the Art Commission has con tracted with professional conservators to conduct routine inspection and maintenance of the bronze statues and plaques installed on the State House grounds. Since 1991 these monuments have been on an 18-month maintenance cycle where they are inspected for damage to their protective acrylic coating, washed, and re-coated with an additional barrier of paste wax.