'Day of Concern' Unifies Students
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Lucky Drummer from NYC Jazz to Johnny Carson
Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20 -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles. -
Guide to the Leonard Gaskin Papers
Guide to the Leonard Gaskin Papers NMAH.AC.0900 Vanessa Broussard-Simmons and Dr. Theodore Hudson 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1937-2006, undated..................................................... 4 Series 2: Diaries and Planners, 1947-2004............................................................. 7 Series 3: Business Records, 1939-2000, undated................................................. 10 Series 4: Photographic Materials, 1956-2003, undated......................................... 12 Series 5: Scrapbooks, 1923-2004, undated.......................................................... -
Emanuel Filipe Ferreira Monteiro CONTRIBUTO DE BUDDY RICH PARA O DESENVOLVIMENTO DA BATERIA
Universidade de Aveiro Departamento de Comunicação e Arte 2018 Emanuel Filipe CONTRIBUTO DE BUDDY RICH PARA O Ferreira Monteiro DESENVOLVIMENTO DA BATERIA Universidade de Aveiro Departamento de Comunicação e Arte 2018 Emanuel Filipe CONTRIBUTO DE BUDDY RICH PARA O Ferreira Monteiro DESENVOLVIMENTO DA BATERIA Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ensino da Música, realizada sob a orientação científica do Doutor Mário Jorge Peixoto Teixeira, Professor Auxiliar do Departamento de Comunicação e Arte da Universidade de Aveiro Dedico este trabalho à minha esposa e filho por todo o apoio. o júri presidente Prof.ª Doutora Helena Maria da Silva Santana professora auxiliar, Universidade de Aveiro vogal – arguente principal Prof. Doutor Eduardo José Tavares Lopes professor associado com agregação, Universidade de Évora vogal - orientador Prof. Doutor Mário Jorge Peixoto Teixeira professor auxiliar, Universidade de Aveiro agradecimentos Ao Professor Doutor Mário Teixeira pela orientação desta dissertação e por todo o apoio dado para a resolução dos obstáculos que foram surgindo nesta etapa académica. Aos meus alumni, alunos atuais e futuros pelas aprendizagens que virão. Às minhas grandes inspirações do jazz – Buddy Rich, Tony Williams, Roy Haynes, … palavras-chave Bateria, Buddy Rich, Gene Krupa, Papa Jo Jones, Philly Joe Jones, Roy Haynes, Elvin Jones, Tony Williams, ensino de bateria, técnica, jazz, big band. resumo O presente trabalho pretende analisar o contributo de Buddy Rich para o desenvolvimento da bateria. Para tal, analisa-se o seu contributo de acordo com um conjunto de variáveis definidas – técnica, estilo, formação, bateria e pedagogia – comparando-o com outros bateristas de jazz emblemáticos do século XX. -
Derick Cordoba Dissertation
© 2017 Derick Cordoba LITURGICAL JAZZ: THE LINEAGE OF THE SUBGENRE IN THE MUSIC OF EDGAR E. SUMMERLIN BY DERICK CORDOBA DISSERTATION Submitted in partial fuLfiLLment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate CoLLege of the University of IlLinois at Urbana-Champaign, 2017 Urbana, IlLinois Doctoral Committee: Associate Professor Lawrence Gray, Chair Professor GabrieL SoLis, Director of Research Associate Professor Tito CarriLLo Professor Erik Lund ABSTRACT This dissertation discusses the Lineage of Liturgical jazz with a particuLar focus on Edgar Eugene “Ed” SummerLin (1928-2006). This Lineage stretches back into the Late 1950s, but has LargeLy been unexplored beyond a seLect few high-profiLe artists. I trace the evoLution of Liturgical jazz from several composers’ earLiest attempts to the present day. ALthough the Liturgical jazz movement began in the Late 1950s, it was primariLy a product of the turbuLent 1960s in America. This was a period of great change and expLoration not onLy in jazz but in organized reLigion as weLL. A deep and frank discussion emerged as to what Liturgical music shouLd and wouLd be alLowed to sound Like. These decisions at the highest LeveLs of denominations had ramifications that are stiLL being feLt today in the churches of America; however, the primary focus of this dissertation is on the formative period of Liturgical jazz during the 1960s and earLy 1970s. These years give a basis for better understanding and appreciating the deveLopment and defining features of Liturgical jazz. SummerLin is a figure that is often cited as a pioneer in Liturgical jazz, but no one has offered a history of his Life, his music, or why his Liturgical music was so revoLutionary. -
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected]
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected] Profession Musician (piano, keyboards, bass violin, voice, violin, viola, ‘cello, percussion), teacher, composer, arranger, recording producer, music contractor Education Masters of Music (Composition) UNIVERSITY OF CENTRAL FLORIDA, Orlando FL – 2013 Bachelor of Music (Piano Performance) ILLINOIS WESLEYAN UNIVERSITY, Bloomington IL – 1977 Cum Laude Cross Cultural Arts Studies GREAT LAKES COLLEGE ASSOCIATION, New York NY – 1976: Apprentice to David Horowitz, Jackson MacLow and Charles Morrow Diploma in Bible Studies RHEMA BIBLE TRAINING CENTER, Broken Arrow OK – 1980 Summa Cum Laude Teaching Experience • University of Central Florida, Orlando FL – Adjunct instructor in 2005-present Jazz Studies • Valencia College (East Campus), Orlando FL – Adjunct jazz 2013-present instructor • Private instructor, central FL – Teacher of piano, acoustic bass, 1989-present improvisation, composition, arranging and jazz harmonic theory • Players School of Music, Clearwater FL – Jazz piano faculty 2003-2005 • Numerous universities in Europe, South America and USA – Guest clinician 1983-present • Jamey Aebersold Summer Jazz Camps – Jazz faculty, bassist 1979, 1980, 1981 Publication • Richard Drexler & Dr. Herb Silverstein: “Jazz Harmony & Improvisation – Scores & Recordings of Original Tunes” – Trafferd Publishing, ISBN #978-1-4251-3608-6 2 Richard Drexler Recording Experience as Bassist, Pianist, Producer and Composer/Arranger Selected -
Genes Recording Pals
GENE BERTONCINI’S RECORDING PALS Chet Baker, Bette Midler, Ethel Ennis, Walt Levinsky, Ronny Whyte, Mark Murphy, Peter Bernstein, Chuck Rainey, Derek Smith, Willie Dennis, Monty Alexander, Stanley Turrentine, George Benson, Doc Cheatham, Hugh McCracken, John Harmon, Sara Partridge, Hubert Laws, Bill Charlap, Dick Hyman, Lew Tabackin, Some Davises (Richard, Mel, Eddie “Lockjaw”), Jiggs Whigham, Eric Gale, Milt Hinton, Yank Lawson, Eddie Safranski, Joe Wilder, Ralph Casale, Jane Harvey, Sean Smith, Paul Willihnganz (gee!) Idris Muhammed, Paul and Merv Griffin, Carl and Kenny Pool(e), Barbara Brussell, George Mraz, Ike Sturm, Hank Jones, Al Klink, Lalo Schiffrin. Frank Foster, Tom Jobim, Kenny Burrell, Johnny Smith, a couple of Desmonds (Trudy and Paul), Major Holly, Dana Leong, Dolly Dawn, Wynton Marsalis, Ted Rosenthal, The Pizzarellis, Bucky and John. Billy Taylor, Dave Bailey, Duke Pearson, Joe Puma, Joe Soldo, Joe Vito, Joe Locke, Clay Jenkins, Bob Haggart, Charles McPherson, Joe Byrd, Joe Ferrante, Herbie Hancock. Gary Burton, Jack Wilkins, Dick Lieb, Paul Winter, Wayne Shorter, Glenn Zotola Jerome Richardson, Rufus Reid, Richard Stolzman, Frank Vignola Ed Shaughnessy, Ed Laub, Danny Pucillo, Will Bradley, Jaki Byard, Al Caiola, Astrude Gilberto from Rio. Steve Gad, Phil Woods, Tony Mattola. Airto, Cecil McBee, Al Cohn, Carmen McRae, Rufus Jones, Jon Faddis, Bernie Glow, Bobby Hucherson, Warren Vache, Clare Fischer, Grady Tate, Mundell Lowe, Bob McCoy, Napua Devoy, The Flying Pisanos (John and Jeanne), Johnny “Hammond” Smith, Jackie and Roy. Gerry Mulligan, Urbie and Steve Green(e), Bobbi Rogers, Ray Armando, Mel Lewis, David Finck, Johnny Frigo, Jimmy Maxwell, Sonny Costanzo, Bill Watrous, Frank Wess, Harumi Kaneko, Eddie Gomez, Carol Hall, Michael Urbaniak, Ernie Royal, Ahmad Jamal, Nicole Pasternak, Burt Bacharach. -
Seldon Powell
1 The TENORSAX of SELDON POWELL Solographer: Jan Evensmo Last update: Feb. 16, 2021 2 Born: Lawrenceville, Virginia, Nov. 15, 1928 Died: New York, Jan. 25, 1997 Introduction: I remember very well our first encounter with Seldon Powell; through the exciting 1956 Atlantic album “Boss Of The Blues” with Joe Turner. We enjoyed his music very much from the start, and realizing the enormous number of recording sessions he had taken part in, we called him a ‘tenorsax potato’, suitable for all jazz dishes. It was meant as an honour. In our opinion, SP did never get the recognition he deserved History: First musical studies at Brooklyn and New York Conservatories 1947-49 and graduated at Juillard 1957. First job with the band of Betty Mays 1949, Tab Smith at Savoy Ballroom 1949 and Dec. 1949 with Lucky Millinder until 1951. Did army service 1951-52 playing in bands in France and Germany where he was stationed. After discharge returned to New York and played with Sy Oliver, Erskine Hawkins, Neal Hefti, Louis Bellson and Don Redman 1952-55. Studied at Juillard. In 1958 he travelled to Europe with Benny Goodman’s band, and then he played briefly with Woody Herman. In the 1960s he worked chiefly for ABC TV but also recorded heavily. His numerous recordings as a studio musician include many made in the late 1960s and early 1970s with soul and soul-jazz musicians, including Groove Holmes (ca. 1973) and sessions in the big bands that accompanied Gato Barbieri (1974) and Anthony Braxton and Dizzy Gillespie (both 1976). -
Eddie Lockjaw Davis 2020-02-19.Xlsx
Eddie "Lockjaw" Davis 2020‐02‐19 Titel Artister Album Komp./Lyric Datum St. Louis Blues Count Basie ‐ p, arr Richard Boone ‐ vo, tb Bobby Plater, Marshall Royal ‐ as Charlie Fowlkes ‐ bars Norman Keenan ‐ b Ed Shaughnessy, Basie´s Beat W. C. Handy 1967‐01‐01 Rufus Jones ‐ dr Freddie Green ‐ g Billy Mitchell, Eddie "Lockjaw" Davis, Eric Dixon, Marshall Brown ‐ ts Al Grey, Grover Mitchell, Harlan Floyd, Henderson Chambers ‐ tb Bill Hughes ‐ b tb Al Aarons, Gene Goe, Harry "Sweets" Edison, Phil Guilbeau, Sonny Cohn, Wallace Davenport ‐ tp Whirly‐Bird Count Basie & His Orchestra The Complete Atomic Basie Neal Hefti 1958‐01‐01 Spinal Fats Navarro (tp) Eddie "Lockjaw" Davis (ts) Al Haig (p) Huey Long (g) Gene Ramey (b) Denzil Best (d) Eddie Davis & His Beboppers Eddie "Lockjaw" Davis 1946‐12‐20 Three Deuces Jerome Richardson (fl,ts) Eddie "Lockjaw" Davis (ts) Shirley Scott (org) George Duvivier (b) Arthur Edgehill (d) Coobook Eddie "Lockjaw" Davis 1958‐06‐20 Four Harry "Sweets" Edison (tp) Eddie "Lockjaw" Davis (ts) Hugh Lawson (p) Ike Isaacs (b) Clarence Johnston (d) Jawbreakers Eddie "Cleanhead" Vinson 1962‐04‐18 Midnight at Minton´s Eddie "Lockjaw" Davis, Johnny Griffin (ts) Junior Mance (p) Larry Gales (b) Ben Riley (d) Griff And Lock Babs Gonzales 1960‐11‐04 Broadway Joe Newman (tp) Eddie "Lockjaw" Davis (ts) Shirley Scott (org) Count Basie (p) George Count Basie Presents The Eddie Davis Trio + Joe Newman Billy Byrd; Teddy McRae; Henri Wood 1957‐12‐17 Hey jim se ovan Basie´s Beat Babs Gonzales; James Moody 1967‐01‐01 Cherokee se ovan Count -
Bertoncini-Musicians-List.Pdf
MUSICIANS WHO HAVE RECORDED WITH GENE BERTONCINI A Sing-able Roster Chet Baker, Bette Midler, Ethel Ennis, Chuck Rainey, Derek Smith, Willie Dennis, George Benson, Doc Cheatham, Hugh McCracken, Bill Charlap, Dick Hyman, Lew Tabackin, Jiggs Whiggam, Eric Gale, Joe Wilder, Ralph Casale, Idris Muhammed, Paul and Merv Griffin, George Mraz, Ike Sturm, Hank Jones, Al Klink, Lalo Schiffrin, Johnny Smith, a couple of Desmonds (Trudy and Paul), Wynton Marsalis, Ted Rosenthal, Billy Taylor, Dave Bailey, Duke Pearson, Clay Jenkins, Bob Haggart, Charles McPherson, Gary Burton, Jack Wilkins, Dick Lieb, Jerome Richardson, Rufus Reid, Ed Shaughnessy, Ed Laub, Danny Pucillo, Astrude Gilberto from Rio, Airto, Cecil McBee, Al Cohn, Carmen McRae, Bobby Hutcherson, Warren Vache, Bob McCoy, Napua Devoy, Johnny “Hammond” Smith, Jackie and Roy, Bobbi Rogers, Ray Armando, Jimmy Maxwell, Sonny Costanzo, Eddie Gomez, Carol Hall, Ernie Royal, Ahmad Jamal, Buddy Morrow, Carole Sloan, Bobbi Humphrey, Bob James, Vic Damone, Jeff Hamilton, Chuck Wayne, Don Rafell, Hymie Schertzer, Dennis Mackrel, Jay Berliner, Earl Coleman, Fred Hass, Jay Leonhart, the Canadian Brahss, Terell Stafford, Romeo Penque, Sonny Stitt, Benny Goodman (“the ray”), Tony Bennett, Marlena Shaw, Seldon Powell, Luiz Bonfa, Suzannah McCorkle, Gabor Szabo, Ron Carter, Sam Most, Edison Machado, Silvia Sims, and also Zoot, J.J. Johnson, Ben Webster (“the brute”), Thad Jones, Johnny Coles, Herbie Mann, the Tonight Show Band, Phil Bodner, Louis Bellson, Bill Crow, Snooky Young, The junior Grover Washington,