The Capstone Theatre Liverpool's International Arts Venue Autumn

Total Page:16

File Type:pdf, Size:1020Kb

The Capstone Theatre Liverpool's International Arts Venue Autumn The Capstone Theatre Liverpool’s International Arts Venue Autumn Season October - December 2019 Events Calendar October December 6 Sunday 5pm LEAP Community Dance Showcase 5 Thursday 7.30pm Solid Air Band 8 Tuesday 8pm Rosie Kay Dance Company: Fantasia 7 Saturday 7.30pm Maghull Wind Orchestra: The agicM of Christmas 18 Friday 7.30pm John Law - Recreations 8 Sunday 2.30pm Liverpool Mozart Orchestra: 19 Saturday 7.30pm Harvest Sun Presents Robyn Hitchcock "A Seasonal Selection" 19 Saturday 7.30pm Liverpool Mozart Orchestra: 14 Saturday 7.30pm Allerton Brass: “The Grand Tour” It’s Beginning To Look A Lot Like Christmas November 8 Friday 7.30pm Machado Ithursarry Duo 9 Saturday 7.30pm Interactions: A Festival Of Voice (Featuring The Feral Choir/Phil Minton & Juxtavoices) 14 Thursday 7.30pm Natacha Atlas 15 Friday 7.30pm Reis-Demuth-Wiltgen 19-21 Tuesday - 7pm Shakespeare Schools Festival Thursday 22 Friday 7.30pm Marius Neset 24 Sunday 4pm Jacques Malchance & The Capstone Theatre Presents PIANO FORTE 26 Tuesday 7.30pm The rogF Princess Punked 29 Friday 7.30pm Belle Chen LEAP COMMUNITY ROSIE KAY DANCE COMPANY: 3 DANCE SHOWCASE FANTASIA Sunday 6th October 2019, 5pm Tuesday 8th October 2019, 8pm £8 (£6 concessions) £12 (£10 concessions) Where the artists of tomorrow are made. Following the success of MK ULTRA during vision of three bold female dancers as they MDI's annual celebration of the wealth LEAP 2018, Rosie Kay returns to Liverpool discover love, loss, emotion and joy. of talent across Merseyside returns as part for LEAP 2019 with her newest work. of LEAP 2019. Dancers from MDI's 50 In Fantasia, the Commonwealth Games Rosie Kay worked with neuroscientists in Moves, Men!Dancing! and Merseyside Handover Ceremony choreographer takes the UK and Denmark’s Center for Music in Youth Dance Company will be joined by ballet and tutus into the 21st Century using the Brain to explore how dance can trigger invited groups and dance artists from across dance and science to create an exquisite sensations of pleasure and fulfilment in the the North West to present new work. performance of pleasure, beauty and finesse. brain. Fantasia is the result of her desire to Fine-tuning choreography with neurological make a work of pure joy inspired by music Performers from previous years have gone research, Kay questions what it is that makes and the body’s response to it. on to be part of the CAT programme, dance beautiful to watch and experience. joined the National Youth Dance Company With truly sumptuous costumes that defy or been commissioned to create original Delve deeply into a soundtrack of Vivaldi, expectation, join us on a journey of music, dance works. Purcell, Beethoven and Bach and revel in the delight and fantasy. 4 JOHN LAW - RECREATIONS Known mainly for his Congregation, In a move away from electronics to this playing his original compositions, mixing purely acoustic group, ReCreations Friday 18th October 2019, 7.30pm jazz, and electronics, as well as classical presents music not just from the standard £11.50 projects, pianist and composer John Law jazz repertoire but also from pop and has put together a stunning new group of indie (Beatles, Radiohead, Adele and John Law - piano young musicians, playing arrangements Daft Punk). ReCreations is a band that Sam Crockatt - saxophones of other people’s tunes in a project that manages to play highly accessible melodic James Agg - double bass features Parliamentary Jazz Award Winner music and recognised tunes in extremely Billy Weir - drums Sam Crockatt on saxophones. creative and interactive arrangements, simple and complex, with an emphasis on spontaneous interaction in a group of highly versatile young musicians. One of the UK’s most imaginative and versatile jazz pianists International Piano Magazine, 2014 HARVEST SUN PRESENTS 5 ROBYN HITCHCOCK Saturday 19th October 2019, 7.30pm £17.60 Robyn Hitchcock is one of England's most enduring contemporary singer/songwriters and live performers. A surrealist poet, talented guitarist, cult artist and musician's musician, Hitchcock is among alternative rock's father figures and is the closest thing the genre has to a Bob Dylan (not coincidentally his biggest musical inspiration). Since founding the art-rock band The Soft Boys in 1976, Hitchcock has recorded more than 20 albums as well as starring in Storefront Hitchcock, an in-concert film recorded in New York and directed by Jonathan Demme. Blending folk and psychedelia with a wry British nihilism, he describes his songs as ‘paintings you can listen to’. His most recent album is self-titled and marks his 21st release as a solo artist. Released on April 21st 2017, the new album was produced by Brendan Benson (The Raconteurs). Hitchcock describes it as an "ecstatic work of negativity with nary a dreary groove." A gifted melodist, Hitchcock nests engaging lyrics in some of the most bracing, rainbow-hued pop this side of Revolver. He wrests inspiration not from ordinary life but from extraordinary imaginings... Rolling Stone 6 LIVERPOOL MOZART ORCHESTRA: LMO’s 2019/20 season begins with a pair of horn concertos and a pair of symphonies. The orchestra is delighted to welcome international horn virtuoso “THE GRAND TOUR” Alec Frank-Gemmill as soloist/conductor for his debut with them. The concert begins with the second of Mozart’s four concertos for horn, followed by the thirty- Saturday 19th October 2019, 7.30pm sixth of his forty-one symphonies. The symphony was written during a stopover (pre-concert talk at 6.45pm) in the Austrian town of Linz on his and his wife's way back home to Vienna from Venue: The Great Hall, Salzburg. Upon hearing of Mozart’s arrival in Linz the local Count announced a Liverpool Hope University Creative Campus concert at short notice, so Mozart dashed this symphony off in just four days! £15 (£13.50, £5 concessions) The second concerto is that of Franz Strauss, father of the more famous Richard. Strauss, who was the principal horn of the Bavarian Court opera until 1889, had a Mozart - Horn Concerto No.2 strong preference for the traditional classical forms, which comes across in the music. Mozart - Symphony No.36 “Linz” He had a mutual dislike of Richard Wagner but even Wagner, who was never short Franz Strauss - Horn Concerto of a terse remark, said, “Strauss is a detestable fellow but when he blows his horn one Mendelssohn - Symphony No.4 “Italian” cannot sulk with him.” Conductor/Horn: Alec Frank-Gemmill The final work is Mendelssohn’s fourth and most popular symphony known as the “Italian”. The opening movement is an absolute joy, and even the fourth movement, which unusually is in the minor key despite the symphony being in the major, does not dampen the spirits as it incorporates dance figures from the Roman saltarello and the Neapolitan tarantella. It brings the concert to a lively conclusion. MACHADO ITHURSARRY DUO 7 Friday 8th November 2019, 7.30pm £11.50 An emotional poetic journey for piano and Born in Bayonne in South West France, Didier In 2008, following an invitation by French accordion. Ithursarry discovered and started learning singer Stéphane Sanseverino to join him the accordion at the age of seven. Moving to on tour and winning the Gus Viseur jazz Jean-Marie Machado was born in Morocco, Paris in 1996 he worked in collaboration with award, he met pianist composer Jean-Marie from an Italian and Spanish mother and a singers, on projects in theatre and in jazz, and Machado. This marked the beginning of a Portuguese father. He discovered jazz in France also as a studio session musician. In 1998 he long and fruitful collaboration that has given and studied with the French classical pianist was invited by French jazz guitarist Claude rise to several musical projects including, most Catherine Collard. For 25 years he has been Barthélémy to join his quintet Sereine. Later recently, this duo. exploring different directions in jazz, classical that year he joined the National Jazz Orchestra composition and interdisciplinary projects (ONJ) from 2002 to 2005. In 2006 he created mingling dance, theatre and storytelling. a duo Bilika with singer and percussionist Along the way he has collaborated with Andy Kristof Hiriart. Sheppard, Dave Liebman, Paolo Fresu and Naná Vasconcelos and has established himself at the first rank of the European jazz sphere. He is currently in residency as an ‘affiliate composer’ at the Centre des Bords de Marne of Perreux-sur-Marne/Paris. The complicity between Machado and Ithursarry is amazing. Both musicians play together as if they had known each other for a long time, and also as if they had just met the day before. There is telepathy and freshness in their exchanges. Jean-François Mondot, Jazz Magazine 8 INTERACTIONS: A FESTIVAL OF VOICES (FEATURING THE FERAL CHOIR/PHIL MINTON & JUXTAVOICES) Saturday 9th November 2019, 7.30pm £10 (£5 concessions) This concert will include two performances The scores provide a structure, but elements of choral music informed by the artistic of improvisation shape the details so that no sensibilities of free improvised music. two performances will ever be the same. Poetry is sound allied to meaning, and a multi-voice The Feral Choir is the name for a group of ensemble offers a fascinating way to hear this. singers formed for a particular performance, Directed by Martin Archer and Alan Halsey, so for this particular performance, the choir is Juxtavoices uniquely combines the outer reaches formed in Liverpool. Leading the Feral Choir is of improvised music and innovative poetry. internationally acclaimed vocalist Phil Minton. As well as pursuing his own performing career For anyone interested in what people can create as a vocalist, Minton has a wealth of experience together using the most natural instrument, the as a choral director, leading others to find new human voice, this concert is for you.
Recommended publications
  • Hall of Fame Andy Partridge
    Hall of Fame Andy Partridge Andrew John Partridge (born 11 November 1953) is an English singer, songwriter, guitarist, and record producer from Swindon. He is best known for co-founding the rock band XTC, in which he served as the group's primary songwriter and vocalist. While the band was formed as an early punk rock group, Partridge's music drew heavily from British Invasion songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only British top 10 hit, "Senses Working Overtime" (1982), was written by Partridge. In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away / The Lure of Salvage. He has also collaborated (as performer, writer or record producer) with recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. Partridge was producer for the English band Blur during the recording of Modern Life Is Rubbish (1993). He was replaced by Stephen Street at the insistence of their record label, Food. According to Partridge he was unpaid for the sessions and received his expenses only. Partridge also wrote four songs for Disney's version of James and the Giant Peach (1996) but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal". In the 2000s, Partridge began releasing demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the Fuzzy Warbles album series on his APE House record label.
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Robyn Hitchcock's New Self-Titled
    “Renewed, refreshed and irascibly rambunctious." - NPR ! "Hitchcock sounds more energised and vibrant than he has in decades" - Uncut #5 Billboard Heatseekers (US) #7 Americana Album Charts (UK) #18 Top Current Rock Albums (US) #73 Top Current Albums (US) ROBYN HITCHCOCK’S NEW SELF-TITLED LP IS OUT NOW! - THE MOST CRITICALLY ACCLAIMED ALBUM OF ROBYN’S ILLUSTRIOUS CAREER. ! ! PRESS NPR Music premiere of "I Want To Tell You About What I Want" Salon feature and "Raymond and The Wires" video premiere Billboard feature and EPK premiere US: Paste, American Songwriter, Nashville Scene, The Stranger, Consequence of Sound, Brooklyn Vegan, AP & more SXSW: NPR Music, Paste, American Songwriter & more International: Daily Mail, The Quietus, Q Magazine, Big Take Over Mag, Sunday Times, Record Collector, Americana UK, Uncut, MOJO, Wire Magazine! (pt 1, pt 2), The Independent, DPA & more ! RADIO #45 on Americana Chart #30 on College NACC Top 200 #27 on FMQB AAA Top 200 Non-comm Featured plays on key international radio stations around the world In Studios Confirmed: KCSN, Sirius XM The Loft, KEXP In Studios Completed: The Current, KDHX, WDET, WYEP, WVTF KUTX interview with Jody Denberg and David Fricke @ SXSW Marc Riley and Gideon Coe played "I Want To Tell You About What I Want” on 6 Music Artist of the week on Bayern2 radio (DE) “Autumn Sunglasses” is KCRW’s Top Tune WATCH THE OFFICIAL VIDEO FOR “RAYMOND AND THE WIRES” ! WATCH THE EXCLUSIVE PERFORMANCES FOR SAWYER SESSIONS FIND TOUR DATES HERE FIND TOUR DATES HERE FIND TOUR DATES HERE .
    [Show full text]
  • The Jazz Rag
    THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days.
    [Show full text]
  • Marius Neset
    Marius Neset Circle of Chim es ACT 9038-2 German release date: 29.09.2017 The 32-year-old Bergen-born saxophonist-com poser Neset says, “it´s about eight musicians that have an equal role Marius Neset has been at the height of his creative in the music. It was great to work with Lionel. I thought about powers, especially on the evidence of a trio of consecutive his sound and voice when I was composing, how he could add albums released since 2014 on ACT, one of Europe’s leading his very unique and distinctive playing to fit this music. Andreas jazz recording labels. He’s been keeping good company too. Brantelid on cello is a very unique musician too. His way of Aligning with other internationally-renowned, kindred spirits phrasing and shaping the lines I had written for him is so working at the borderline between jazz, improv and classical musical.” music, Neset released Lion in 2014, originally a ‘live’ commission in collaboration with the celebrated young At key m om ents, Circle of Chim es features the ring of Trondheim Jazz Orchestra, and collected a Norwegian tubular bells that’s referred to in the album title, giving the Grammy award (Spellemannprisen). Last year he released recording a haunting almost cinematic Ennio Morricone-like air. Snowmelt, a project with the 19-piece London Sinfonietta, Neset explains its significance. “What became the ‘main idea’ another highly esteemed European orchestra at the cutting- for the whole album, which is clear yet sometimes quite edge of 21st century genre-bending new music.
    [Show full text]
  • Stevie Ray Vaughan
    An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear­ ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec­ man who urged me to book him was his older tric bass and Chris Layton on drums.
    [Show full text]
  • Program Januar Til Juni 2016
    Jazzselskabet i Aarhus Program januar til juni 2016 Svend Asmussen Tillykke med 100 års fødselsdagen d. 28. februar 2016 Lørdag d. 16. januar kl. 13.02 Gastro & Vino, Klostergade 68, baggården Entré: 290 Nytårskur Jazzselskabet i Århus stiftet den 20. september 1970 Sjællandsgade 130, 1 8000 Århus C Jes Halding (fmd.) tlf.: 31688968 Billetbestilling Herbie Meinke tlf.: 30825626 CVR: 97016 968 Giro: 327-4179 e-mail: [email protected] www.jazzselskabetaarhus.dk Igen i år inviterer jazzselskabet medlemmerne til nytårskur. Der vil i hyggelige og rustikke om- Jazzselskabet opfordrer alle gamle givelser blive serveret eksorbitante og nye medlemmer at meddele delikatesser fra værten Michaels e-mail adressen og/eller mobil hånd, som vil blive fulgt op med tlf. nummeret, fordi vi med tiden en til lejligheden indkald taktfuld gerne vil lægge så mange meddel- trio, nemlig Jens Klüver medbrin- elser som muligt på disse medier. gende sax, vores lokale guitarist Det er desuden meget væsentligt, Uffe Steen samt bassisten Torben at adresseændringer omgående Bjørnskov. Smagfuld jazz passen- oplyses. de til smagfulde godbidder. Jazzselskabet i Århus Tilmelding ved betaling til Danske kasserer Frode Holm Bank reg.: 9570 konto: 3274179 e-mail: jazzselskabet@ gmail.com senest 9. januar Medlemsskab: kr. 180.- /år Forsyn betalingen med dit navn og Studerende: kr. 100.-/år, kan kun nytårskur. Du kan kun deltage, hvis erhverves i døren ved koncert. du er medlem. Du er ikke tilmeldt, Bankkonto: Danske Bank før betalingen er modtaget. reg. 9570 konto 3274179 Der er 40 pladser til denne begi- giro: 327-4179 venhed, så man skal nok ikke tøve Uanset betalingsformen skal du alt for længe.
    [Show full text]
  • The Daily Gamecock, TUESDAY, FEBRUARY 10, 2009
    University of South Carolina Scholar Commons February 2009 2-10-2009 The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009" (2009). February. 14. https://scholarcommons.sc.edu/gamecock_2009_feb/14 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, FEBRUARY 10, 2009 VOL. 102, NO. 92 ● SINCE 1908 Weather Have questions for your Student Government TODAY Debate nets poor turnout candidates? Send them to The Daily Gamecock HIGH 75° at gamecockeditor@ Two of 12 candidates last week in academics sc.edu to be submitted committee to get teachers for the SG debates discuss platforms, to work more with students Wednesday and TONIGHT on their book lists.” Thursday. Questions LOW 52° argue qualifi cations If elected to student directed to senatorial senate, Kevin Burke , a fi rst- candidates in the Josh Dawsey year undecided student, said College of Arts and STAFF WRITER he would look to implement Sciences, as well TOMORROW a business learning as candidates for HIGH 76° Of the 12 candidates community executive offi ce, running for the business similar to should be submitted school district (district 5) that of the by Tuesday at 5 p.m. of student senate, only two pre-med, Attend the next two Inside showed up to debate the pre-law and debates and if you miss merits of their platform in engineering them, check out our coverage the day after.
    [Show full text]
  • La Sfida Di Threadgill L'ultimo Ribelle Jazz
    Alla corte del Kantor A proposito di Henry www.musicamorfosi.it gregsandow.com/threadg.htm 39 DOMENICA Qui potete trovare il progetto La vita e le gesta 11 APRILE «Pensavo fosse Bach di Henry Threadgill 2010 Robyn Hitchcock Xiu Xiu Le 10 canzoni più tristi del mondo TOP TRISTEZZA secondo blogcritics.org Lo psichedelico e i Venus 3 Sintetismi accessibili Your Song 02 Forever Autumn Justin Hayward Robyn Hitchcock Xiu Xiu Propellor time Dear God, I hate myself Elton John 03 Colour my World Chicago Sartorial Kill rock stars E piangete come fontane **** *** 04 Silent all These Years Tori Amos 05 Yesterday The Beatles 06 Everybody's Talkin' Harry Nilsson Nuovo capitolo del progetto del mae- La band californiana culto di rock elet- stro di psichedelia inglese assieme ai Ve- tronico torna con un nuovo esperimento 07 Listen to your Heart DHT nus 3 ovvero Peter Buck dei Rem e due a riscaldare i cuori di orde di nerd idolazio- altri collaboratori della band di Athens. Ma nisti.Ma anchegli amantidegli Einsturzen- 08 Separate Lives Phil Collins & Marylin Martin anche John Paul Jones, Nick Lowe e John- de Neubauten gioiranno. Sintetismi e ru- ny Marr (Smiths) alla chitarra. Malinconi- morismi si rincorrono nel nuovo «caro 09 Life in a Northern Town Dream Academy co, enigmatico, talvolta rock di impatto, dio, mi odio», ma stavolta, con una chiave sempre di classe. SI.BO. in più di accessibilità. SI.BO. 10 My Heart Will Go On Celine Dion La sfida di Threadgill ´Emotion...Æ SILVIA BOSCHERO la carriera solista. Oggi dobbiamo accontentarci, perché è tutta un al- tra storia.
    [Show full text]
  • Wilensky's Ongoing DIY Journey
    INDIE LIFE DAN WILENSKY RUVIM KARAMALAK Dan Wilensky plays tenor and soprano saxophones on his new self-released album, Good Music. Wilensky’s Ongoing DIY Journey o say that Dan Wilensky has had a diverse Rochester, New York, and later playing tenor for ing tours with Joan Baez, David Bowie and Steve Tcareer is an understatement. The multi- “Brother” Jack McDuff. Having left his Berkeley, Winwood, as well as session work for Madonna, instrumentalist has a resume that would California, childhood behind, Wilensky spent Melissa Manchester and Santana. Wilensky has stir up deep feelings of envy within even the most the better part of the next three decades in New contributed to more than 250 recordings and storied player. York City, grabbing whatever work came his way was featured on the PBS children’s TV show In 1979, by the tender age of 18, Wilensky and slowly building his reputation as a versatile Between The Lions. had landed a gig touring as the lead alto saxo- and reliable player. Wilensky also is an author. His sense of phonist in Ray Charles’ big band, before brief- As word spread of his talents, Wilensky humor is reflected in the subtitle of his 2013 ly attending The Eastman School of Music in amassed an impressive array of credits, includ- book Musician!, which is sold on his website and 48 DOWNBEAT SEPTEMBER 2018 is tagged A Practical Guide for Students, Music ing saxophones and flute. His new album is album’s success are realistic. He knows he has Lovers, Amateurs, Professionals, Superstars, titled Good Music, a reference to a famous quote enough fans around the world that he can expect Wannabees and Has-Beens.
    [Show full text]
  • Marius Neset
    Marius Neset Mit gerade 28 Jahren ist der Saxofonist Marius Neset eine der großen Hoffnungen des europäischen Jazz. „Schier wahnsinnige technische Geläufigkeit“ attestiert ihm die Frankfurter Allgemeine Zeitung ebenso wie „cinemaskopische Fantasie“, für die Süddeutsche Zeitung führt er sein Instrument „in eine neue Dimension“. Geboren ist Neset 1986 in Os, einer Berggemeinde 180 Kilometer südöstlich von Trondheim, aufgewachsen dann in Bergen an der Küste. Früh zeigte sich seine Musikalität, nach Klavierunterricht fand er mit zwölf zum Saxofon, das sofort Gegenstand seiner unbändigen Energie, seines Ehrgeizes und seiner bedingungslosen Hingabe wurde. So nahm er sich ein Jahr lang jeden Monat eine Tonart vor, in der er ausnahmslos alle Stücke, alle Motive und alle Licks spielte - Grundlage für seine konkurrenzlos rasanten, dialogischen Lagenwechsel, die heute charakteristisch für sein Spiel sind. Bereits mit 17 ging er 2003 ans Rytmisk Musikkonservatorium in Kopenhagen, wo er noch heute lebt. Sieben Jahre studierte er dort, erst machte er den Master mit Auszeichnung, dann zwei Jahre Aufbaustudium als Solist. Ein großes Glück für ihn erwies sich, dass der Multiinstrumentalist Django Bates dort 2005 als musikalischer Direktor anheuerte. Bates wurde mit seiner humorvollen Multistilistik, seiner Offenheit und seiner Technik zum entscheidenden Einfluss. Neset spielte in der von Bates geleiteten Konservatoriums-Bigband stoRMChaser und dessen eigener Band Human Chain , dafür ist der Brite wiederum auf Nesets CD „Golden Xplosion“ zu hören. Mit Kommilitonen, darunter dem Schlagzeuger Anton Eger, der zum Weggefährten wurde, gründete Neset schon 2005 die Band JazzKamikaze , die sofort mehrere Nachwuchspreise bekam und sich mit einem einzigartigen Stilmix von Bebop bis Hip-Hop schnell europaweit einen Namen machte.
    [Show full text]