CENTRAL EUROPE in the SECOND DECADE of the 2000S Transition
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Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Remembering World War Ii in the Late 1990S
REMEMBERING WORLD WAR II IN THE LATE 1990S: A CASE OF PROSTHETIC MEMORY By JONATHAN MONROE BULLINGER A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Communication, Information, and Library Studies Written under the direction of Dr. Susan Keith and approved by Dr. Melissa Aronczyk ________________________________________ Dr. Jack Bratich _____________________________________________ Dr. Susan Keith ______________________________________________ Dr. Yael Zerubavel ___________________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Remembering World War II in the Late 1990s: A Case of Prosthetic Memory JONATHAN MONROE BULLINGER Dissertation Director: Dr. Susan Keith This dissertation analyzes the late 1990s US remembrance of World War II utilizing Alison Landsberg’s (2004) concept of prosthetic memory. Building upon previous scholarship regarding World War II and memory (Beidler, 1998; Wood, 2006; Bodnar, 2010; Ramsay, 2015), this dissertation analyzes key works including Saving Private Ryan (1998), The Greatest Generation (1998), The Thin Red Line (1998), Medal of Honor (1999), Band of Brothers (2001), Call of Duty (2003), and The Pacific (2010) in order to better understand the version of World War II promulgated by Stephen E. Ambrose, Tom Brokaw, Steven Spielberg, and Tom Hanks. Arguing that this time period and its World War II representations -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
From the CNN Effect to the Al –Jazeere Effect
Journal of International Relations and Foreign Policy December 2016, Vol. 4, No. 2, pp. 45-61 ISSN: 2333-5866 (Print), 2333-5874 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/jirfp.v4n2a3 URL: https://doi.org/10.15640/jirfp.v4n2a3 The Role of the Media in International Relations: From the CNN Effect to the Al –Jazeere Effect Filiz Coban1 Abstract International networks foster solidarity within an information audience by creating virtual communities. Namely CNN, BBC and Al-Jazeera are increasing people’s awareness in their religion, culture and place in the world. In addition, faster and easily accessible information within global media had triggered the information wars among the states which have changed power politics. This article argues that the involvement of the media in international relations signifies interdependence and mutual exploitation between the media and politics. In this context, with a specific emphasise on the concept of ‘the CNN effect’ and ‘the Al-Jazeere effect’, it shows how the media have become integral parts of the world politics, how they have transformed international power struggle and have enabled the rise of the rest against the Western hegemony Keywords: media; international politics; CNN effect; Al-Jazeere Effect Introduction Despite media’s unquestioned importance in the conduct of international affairs, it seems that the Studies of International Relations (IR) still fail to address the issue adequately and comprehensively, -
ONLINE HARASSMENT of JOURNALISTS Attack of the Trolls
ONLINE HARASSMENT OF JOURNALISTS Attack of the trolls 1 SOMMAIREI Introduction 3 1. Online harassment, a disinformation strategy 5 Mexico: “troll gangs” seize control of the news 5 In India, Narendra Modi’s “yoddhas” attack journalists online 6 Targeting investigative reporters and women 7 Censorship, self-censorship, disconnecting and exile 10 2. Hate amplified by the Internet’s virality 13 Censorship bots like “synchronized censorship” 13 Troll behaviour facilitated by filter bubbles 14 3. Harassment in full force 19 Crowd psychology 3.0: “Anyone can be a troll” 19 Companies behind the attacks 20 Terrorist groups conducting online harassment 20 The World Press Freedom Index’s best-ranked countries hit by online harassment 20 Journalists: victims of social network polarization 21 4. Troll armies: threats and propaganda 22 Russia: troll factory web brigades 22 China: “little pink thumbs,” the new Red Guards 24 Turkey: “AK trolls” continue the purge online 25 Algeria: online mercenaries dominate popular Facebook pages 26 Iran: the Islamic Republic’s virtual militias 27 Egypt: “Sisified” media attack online journalists 28 Vietnam: 10,000 “cyber-inspectors” to hunt down dissidents 28 Thailand: jobs for students as government “cyber scouts” 29 Sub-Saharan Africa: persecution moves online 29 5. RSF’s 25 recommendations 30 Tutorial 33 Glossary 35 NINTRODUCTIONN In a new report entitled “Online harassment of journalists: the trolls attack,” Reporters Without Borders (RSF) sheds light on the latest danger for journalists – threats and insults on social networks that are designed to intimidate them into silence. The sources of these threats and insults may be ordinary “trolls” (individuals or communities of individuals hiding behind their screens) or armies of online mercenaries. -
The Transatlantic Sixties
Grzegorz Kosc, Clara Juncker, Sharon Monteith, Britta Waldschmidt-Nelson (eds.) The Transatlantic Sixties Volume 4 The series America: Culture – History – Politics is edited by Christof Mauch, Michael Hochgeschwender, Anke Ortlepp, Ursula Prutsch, and Britta Waldschmidt-Nelson. Grzegorz Kosc, Clara Juncker, Sharon Monteith, Britta Waldschmidt-Nelson (eds.) The Transatlantic Sixties Europe and the United States in the Counterculture Decade This book is published with the generous support of the German Historical Insti- tute Washington, DC, the Lasky Center for Transatlantic Studies at the University of Munich, and the University of Southern Denmark. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative ini- tiative designed to make high quality books Open Access for the public good. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 (BY-NC-ND). which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de All rights reserved. No part of this book may be reprinted or reproduced or uti- lized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any infor- mation storage or retrieval system, without permission in writing from the publisher. -
After the Financial Crisis, What Should a Model Central Bank Look Like?
Central Bank Independence Revisited: After the financial crisis, what should a model central bank look like? Ed Balls, James Howat, Anna Stansbury April 2018 M-RCBG Associate Working Paper Series | No. 87 The views expressed in the M-RCBG Associate Working Paper Series are those of the author(s) and do not necessarily reflect those of the Mossavar-Rahmani Center for Business & Government or of Harvard University. The papers in this series have not undergone formal review and approval; they are presented to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. Mossavar-Rahmani Center for Business & Government Weil Hall | Harvard Kennedy School | www.hks.harvard.edu/mrcbg MR- CBG WORKING PAPER April 2018 Central Bank Independence Revisited: After the financial crisis, what should a model central bank look like? Ed Balls Research Fellow, Mossavar-Rahmani Center for Business and Government, John F Kennedy School of Government, Harvard University & Visiting Professor, King’s College London James Howat John F Kennedy School of Government, Harvard University Anna Stansbury John F Kennedy School of Government & Economics Department, Harvard University An earlier version of this paper was published in September 2016 as a working paper by the Mossavar-Rahmani Center for Business and Government at Harvard University. It was largely written during Ed’s term as Senior Fellow at the M-RCBG, during which James was an MPP student and before Anna began her PhD course. Earlier versions of this paper were presented at a Harvard-wide panel event on 27th March 2017, at the Feldstein-Friedman Macroeconomic Policy Seminar in the Department of Economics, Harvard University on 1st March 2016 and to the Senior Fellows Meeting at the Mossavar-Rahmani Center for Business and Government, Harvard Kennedy School in February 2016. -
Masculinity, Memory and the 1980S in British Cinema, 2005 – 2010
The History Boys? : Masculinity, Memory and the 1980s in British Cinema, 2005 – 2010 Andy Pope The thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth School of Media and Performing Arts – University of Portsmouth May 2015 Abstract This study will consider the function of cinema in British society’s ongoing relationship with the 1980s. Its focus on a key period of recent British film history acknowledges popular culture’s flourishing identification with this decade, reflected through a number of media including literature, music and fashion. I argue that with seventeen films set in the 1980s and produced between 2005 and 2010, British cinema is at the centre of this retrospective, providing a unique perspective on our relationship with the era. But what are the determinants of this mediated reminiscence and what does it say about the function of cinema in rendering the past? I contend that a key aspect of this channelling of popular and personal memory is the role of the writer and director. Nearly all male and mostly middle- aged, the films’ creative agents present narratives that foreground young male protagonists and specifically masculine themes. These thematic concerns, including patriarchal absence and homosocial groups, whilst anchored in the concerns of their 1980s socio-political landscape also highlight a contemporary need for the films’ authors to connect to a personal past. Through reference to sociological, cinematic and political discourse, amongst others, this study will also consider the role of memory in these films. It will contend that the films present a complex perspective of the 1980s, highlighting an ambivalent relationship with the period that transcends nostalgia. -
Directed by Sam Feder Produced by Amy Scholder And
Directed by Sam Feder Produced by Amy Scholder and Sam Feder Executive Producers Laverne Cox, Caroline Libresco, Laura Gabbert, S. Mona Sinha, Abigail E. Disney, Lynda Weinman, Charlotte Cook, Michael Sherman, Matthew Perniciaro, WORLD PREMIERE 2020 SUNDANCE FILM FESTIVAL Released globally on Netflix June 19, 2020 PRESS CONTACTS Netflix: Rene Ridinger [email protected] Acme PR: Nancy Willen [email protected] LOGLINE Disclosure shows how the fabled stories of Hollywood deeply influence how Americans feel about transgender people, and how trans people are taught to feel about themselves. SYNOPSIS Disclosure is an unprecedented, eye-opening look at transgender depictions in film and television, revealing how Hollywood simultaneously reflects and manufactures our deepest anxieties about gender. Leading trans thinkers and creatives, including Laverne Cox, Lilly Wachowski, Yance Ford, Mj Rodriguez, Jamie Clayton, and Chaz Bono, share their reactions and resistance to some of Hollywood’s most beloved moments. Grappling with films like A Florida Enchantment (1914), Dog Day Afternoon, The Crying Game, and Boys Don’t Cry, and with shows like The Jeffersons, The L-Word, and Pose, they trace a history that is at once dehumanizing, yet also evolving, complex, and sometimes humorous. What emerges is a fascinating story of dynamic interplay between trans representation on screen, society’s beliefs, and the reality of trans lives. Reframing familiar scenes and iconic characters in a new light, director Sam Feder invites viewers to confront unexamined assumptions, and shows how what once captured the American imagination now elicit new feelings. Disclosure provokes a startling revolution in how we see and understand trans people. -
Russian Strategic Intentions
APPROVED FOR PUBLIC RELEASE Russian Strategic Intentions A Strategic Multilayer Assessment (SMA) White Paper May 2019 Contributing Authors: Dr. John Arquilla (Naval Postgraduate School), Ms. Anna Borshchevskaya (The Washington Institute for Near East Policy), Dr. Belinda Bragg (NSI, Inc.), Mr. Pavel Devyatkin (The Arctic Institute), MAJ Adam Dyet (U.S. Army, J5-Policy USCENTCOM), Dr. R. Evan Ellis (U.S. Army War College Strategic Studies Institute), Mr. Daniel J. Flynn (Office of the Director of National Intelligence (ODNI)), Dr. Daniel Goure (Lexington Institute), Ms. Abigail C. Kamp (National Consortium for the Study of Terrorism and Responses to Terrorism (START)), Dr. Roger Kangas (National Defense University), Dr. Mark N. Katz (George Mason University, Schar School of Policy and Government), Dr. Barnett S. Koven (National Consortium for the Study of Terrorism and Responses to Terrorism (START)), Dr. Jeremy W. Lamoreaux (Brigham Young University- Idaho), Dr. Marlene Laruelle (George Washington University), Dr. Christopher Marsh (Special Operations Research Association), Dr. Robert Person (United States Military Academy, West Point), Mr. Roman “Comrade” Pyatkov (HAF/A3K CHECKMATE), Dr. John Schindler (The Locarno Group), Ms. Malin Severin (UK Ministry of Defence Development, Concepts and Doctrine Centre (DCDC)), Dr. Thomas Sherlock (United States Military Academy, West Point), Dr. Joseph Siegle (Africa Center for Strategic Studies, National Defense University), Dr. Robert Spalding III (U.S. Air Force), Dr. Richard Weitz (Center for Political-Military Analysis at the Hudson Institute), Mr. Jason Werchan (USEUCOM Strategy Division & Russia Strategic Initiative (RSI)) Prefaces Provided By: RDML Jeffrey J. Czerewko (Joint Staff, J39), Mr. Jason Werchan (USEUCOM Strategy Division & Russia Strategic Initiative (RSI)) Editor: Ms. -
Animal Representation in Nature Documentaries Narrated by David Attenborough, 1950S-2000S: a Multimodal Approach
Animal Representation in Nature Documentaries Narrated by David Attenborough, 1950s-2000s: A Multimodal Approach by Katherine Louise Pearce. A thesis submitted to The University of Birmingham for the degree of MASTER OF PHILOSOPHY Department of English School of Humanities The University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. List of abbreviations BNC British National Corpus LOB Lancaster-Oslo-Bergen Corpus NHU Natural History Unit (BBC) PE Planet Earth PE01 Planet Earth episode 1 PE02 Planet Earth episode 2 PE03 Planet Earth episode 3 PE04 Planet Earth episode 4 PE05 Planet Earth episode 5 PE06 Planet Earth episode 6 PE07 Planet Earth episode 7 PE08 Planet Earth episode 8 PE09 Planet Earth episode 9 PE10 Planet Earth episode 10 PE11 Planet Earth episode 11 TEU Travel and Exploration Unit (BBC) ZQD Zoo Quest for a Dragon ZQD1 Zoo Quest for a Dragon episode 1 ZQD2 Zoo Quest for a Dragon episode 2 ZQD3 Zoo Quest for a Dragon episode 3 ZQD4 Zoo Quest for a Dragon episode 4 ZQD5 Zoo Quest for a Dragon episode 5 ZQD6 Zoo Quest for a Dragon episode 6 ZQM Zoo Quest to Madagascar ZQM1 Zoo Quest to Madagascar episode 1 ZQM2 Zoo Quest to Madagascar episode 2 ZQM3 Zoo Quest to Madagascar episode 3 ZQM4 Zoo Quest to Madagascar episode 4 ZQM5 Zoo Quest to Madagascar episode 5 ZQWA Zoo Quest to West Africa ZSL Zoological Society of London 1. -
Blood, Guns, and Plenty of Explosions: the Evolution of American Television Violence
Blood, Guns, and Plenty of Explosions: The Evolution of American Television Violence By Hubert Ta Professor Allison Perlman, Ph.D Departments of Film & Media Studies and History Professor Jayne Lewis, Ph.D Department of English A Thesis Submitted In Partial Completion of the Certification Requirements for The Honors Program of the School of Humanities and The Campuswide Honors Program University of California, Irvine 26 May 2017 ii Table of Contents ACKNOWLEDGMENTS III ABSTRACT IV INTRODUCTION 1 I. BONANZA, THE TV WESTERN, AND THE LEGITIMACY OF VIOLENCE 16 II. THE INTERVENING YEARS: 1960S – 1980S 30 III. COUNTERING THE ACTION EXTRAVAGANZA WITH NUCLEAR FIRE IN THE DAY AFTER 36 IV. THE INTERVENING YEARS: 1990S – 2010S 48 V. THE WALKING DEAD: PUSHING THE ENVELOPE 57 LOOKING AHEAD: VIEWER DISCRETION IS ADVISED 77 WORKS CITED 81 iii Acknowledgments First and foremost, I would like to thank Professor Allison Perlman for her incredible amount of help and guidance as my faculty advisor for this research project. Without her, I would not have been able to get this thesis off the ground and her constant supervision led me to many important texts and concepts that I used for my research. Our discussions, her recommendations and critiques, and her endless ability to be available and help me define my research path has made this research project possible. Thank you so much Professor Perlman! I would also like to thank Professor Jayne Lewis for her guidance as Director of the Humanities Honors Program for 2015 – 2017. She has been extremely supportive throughout my research project with her helpful reminders, her advice and critique of my papers, and her cheerful demeanor which has always made the process more optimistic and fun.