Gentle Giant Three Friends Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Gentle Giant Three Friends mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Three Friends Country: UK Released: 1972 Style: Prog Rock MP3 version RAR size: 1182 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1686 mb Rating: 4.4 Votes: 109 Other Formats: MOD RA AHX VOX APE MP3 MP4 Tracklist Hide Credits 1 Prologue 6:12 Schooldays 2 7:33 Voice [Boy's Voice] – Calvin Shulman 3 Working All Day 5:07 4 Peel The Paint 7:25 5 Mister Class And Quality? 5:51 6 Three Friends 3:00 Companies, etc. Marketed By – Line Music GmbH Distributed By – Line Music GmbH Phonographic Copyright (p) – Line Music GmbH Record Company – Polygram GmbH – 838 131-2 Published By – Excellency Music Made By – PDO, Germany Credits Bass [Basses], Violin, Twelve-String Guitar [12 String Guitar], Vocals – Ray Shulman Design [Sleeve Design] – Rick Breach Drums – Malcolm Mortimore Engineer – Martin Rushkent* Guitar [Guitars], Percussion – Gary Green Keyboards, Vibraphone, Percussion, Synthesizer [Moog], Vocals – Kerry Minnear Producer [Produced By] – Gentle Giant Saxophone [Saxes], Vocals – Philip Shulman Vocals – Derek Shulman Written-By – Shulman*, Minnear*, Shulman*, Shulman* Notes Orginal LP 'Seagull' cover artwork. Differs from the American pressing's 'Giant Face'. On tray card: LINE RECORDS, a division of Line Music GmbH. Manufactured and printed in Western Germany. P.1989 Line Music GmbH On CD: ℗ 1972 / © 1989 Manufactured in Western Germany Released by special arrangement with Polygram GmbH., Hamburg Line Records catalogue number variations are: LICD 9.00730 O on tray card and booklet, LICD 9.00730 on CD. Polygram GmbH catalogue number is on the tray card, booklet and CD. Issued in a standard jewel case with black CD tray and including a 4-page insert. Barcode and Other Identifiers Matrix / Runout: 838 131-2 01 º/ Other (On CD mould): MADE IN W. GERMANY BY PDO Label Code: LC 6155 Rights Society: GEMA Other versions Category Artist Title (Format) Label Category Country Year Gentle Three Friends (LP, 6360 070 Vertigo 6360 070 UK 1972 Giant Album) PC 31649, Gentle Three Friends (LP, Columbia, PC 31649, US Unknown 31649 Giant Album, RE) Columbia 31649 WKC 31649, Gentle Three Friends (LP, Columbia, WKC 31649, Canada Unknown KC 31649 Giant Album, RP, Gat) Columbia KC 31649 Gentle Three Friends (LP, 63 60 070 Vertigo 63 60 070 Spain 1972 Giant Album) Gentle Three Friends (LP, KC 31649 Columbia KC 31649 Canada 1972 Giant Album, Gat) Related Music albums to Three Friends by Gentle Giant Gentle Giant - Interview Gentle Giant - Three Friends / Free Hand Steve Thorne - Crimes & Reasons Gentle Giant - Three Piece Suite Gentle Giant - Free Hand Gentle Giant - The Power And The Glory Gentle Giant - Octopus Gentle Giant - Giant For A Day.

Copy Link

Recommended publications

THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
[Show full text]
The Indiana Theatre
VOLUME f, NUMBER 32 MARCH 23,1177 2 Sagamore March 23, \VH PIP IS YOUR PRINTER YOUR PRINTER IS PIP Letter/ Heading for a ‘break-’ down CAMERA READY COPY PRINTED WHJLEU WAIT Dear Sagamore, last class before the ??????? allowed to take a real break. that my assignment was due The university should do away COMPLETE TYPESETTING AND For the last three years, I Monday if the library and COMPOSITION SERVICE with the fancy trapping and have been infuriated with the computer center were open. If eliminate the break or inform ALSO SELF SERVICE term Spring Break. Break not, it would be due the the professors of the meaning IBM PHOTOCOPIES— EACH 8* What? Spring Vacation, what following week. That meant, of the word. If it is done away is it? Where did it come from? distinctly, I had no break. with, you professors will have RESUMES • PAPERS What was or is its purpose? ALL KINDS OF PRINTING Other professors use the to work over the break just I can’t remember the last guise of papers assigned like me. time I had a break from before the break and due im How many other abused WESTSIDE-3S44 WEST 16TH ST. anything around IUPUI ex mediately after. You spend students are out there waiting M IDTOW N -3762 N. MERIDIAN cept humaness. One of the their break ip the halls of for that elusive break? N O R TH -4435 N. KEYSTONE favorite abuses of academia is research. Still Waiting to break the break. I destinct- I think it is high time the P.S.
[Show full text]
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
[Show full text]
Music Street Journal - Music News & Reviews
Music Street Journal - Music News & Reviews http://www.musicstreetjournal.com/cdreviews_display.cfm?id=100068 Artists | Issues | CD Reviews | Interviews | Concert Reviews | DVD/Video Reviews | Book Reviews | Who We Are | Staff | Home Progressive Rock CD Reviews More CD Reviews Metal/Prog Metal Gentle Giant Non-Prog Santa Monica 1975 Progressive Rock Review by Bill Knispel Gentle Giant just recently celebrated their 35th anniversary with a series of reissues of their classic studio output. Alongside this series of reissues, a number of live albums and compilations have been released, of varying quality and varying interest to both the hardcore Gentle Giant fan and the nouveau audient. Santa Monica 1975 is one of these archival live releases, recorded, as the title infers, in Santa Monica California on 1 January 1975. Two additional tracks have been included to fill out the set, taken from a performance in Dallas TX on 19 March 1977. The iteration of the band featured here is generally considered to be the classic line-up; Kerry Minnear (keys, cello, vocals), Derek Shulman (vocals, sax), Gary Green (guitar), John Weathers (drums) and Ray Shulman (bass, violin, vocals). Sound quality is a bit of an issue here from time to time, most heavily seen on the album’s opening track, which sounds as if it had been recorded by a poorly aligned cassette deck on tapes covered in grape jam and under 15 feet of rushing water. This does fairly quickly resolve itself, reaching the level of a decent, but heavily generated, analogue recording of this vintage. From a positive standpoint, Santa Monica 1975 showcases a band near the top of their musical powers, playing tight and complex progressive rock heavy on multiple vocal parts, counterpoint, and layers of instrumentation playing with and against each other.
[Show full text]
The BG News May 27, 1977
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-27-1977 The BG News May 27, 1977 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 27, 1977" (1977). BG News (Student Newspaper). 3382. https://scholarworks.bgsu.edu/bg-news/3382 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. The 3*8 9b ws Vol. 60, No. 116 Bowling TSreen State University Friday. May 27. 1977 Registrar offers 'unique' system COPE sets goals of for identification alternative efficiency, ByKathyKruse "WHAT YOU'RE talking about is determine whether specifics should be will fulfill requests for transcripts, department planning Staff Reporter being discussed across the country." released. according to Brewer. Brewer said of individual rights of By Tom Griesser FIRST. DEPARTMENTS must A Social Security number system is detail the instruction and programs privacy. "Personally, I know of no ABOUT 15 students have signed "A CERTAIN amount of biographical not the only method used by the liabilities pertaining to the registrar's restrictive waivers this year ac- Increased efficiency and the available to students, which includes a University to identify its students. cording to Dickinson. information is available through our development of four-year planning profile on each faculty member, office in using Social Security numbers office, but I couldn't discuss any per- "Unique" numbers can be assigned as identification.
[Show full text]
Sexes Split Over Textbook Revision
(tottrrttrut iatlij Qkmjma Serving Storrs Since 1896 VOL. LXXVIII NO. 47 STORRS, CONNECTICUT TUESDAY, NOVEMBER 12, 1974 5 CENTS OFF CAMPUS DeHaan cites panel with conflict charges By KEN LUCAS housing since the administration Staff Reporter announced the revised policy in Conflict-of-interest charges were mid-September. brought against a University Senate David Ivry, acting director of subcommittee Monday for its academic planning, said DeHaan recommendations regarding the insinuated the senate was selfish and administration's revised policy for lacking in initiative in its report. University-owned housing. In other business, DeHaan said the Richard J. DeHaan, vice president for University will run out of funds finance and administration, charged a allocated for fuel in January. Bills will conflict of interest among two exceed appropriated funds by $500 subcommittee members who wrote the thousand. report because they live in He aaid $600 thousand is available for University-owned housing. possible transfer from the Personal The subcommittee on housing policy Services Appropriation account. A of the Faculty Standards Committee motion was passed to delay debate of a issued a report Monday recommending possible transfer until the next meeting. that "an appropriate University official A report presented by the senate assure present tenants that they will not Growth and Development Committee be forced to leave in June 1975. showed only 13.6 per cent of student The subcommittee also fees paid at University branches return recommended the appointment of an there. Of $605,175 paid in student fees, advisory committee to make an in-depth $82,556 returned to the branches last study of the housing policy for faculty year in equipment, services, and and graduate students.
[Show full text]
Ray Shulmanand Gentle Giant's
RAY SHULMAN AND GENTLE GIANT'S FUNNY, PROGRESSIVE WAYS — ~ by Andy Goldenberg CC hallenging!” If I had to choose one wordto describe the music of Gentle Giant to. the uninitiated, challenging would be most apt. Arising out of the ashes of Simon Dupree And The Big Sound, a hard-working R&B unit playing the pub circuit in and out of London in the mid-60s who scoreda UK Top Ten hit in 1967 with “Kites” (B-side w/ “Like The Sun Like The Fire”), Gentle Giant releasedits self-titled debut album in 1970, consisting of a mixture of blues, rock, and soul while infusing a touch of the progressive elements that would so set apart Gentle Giant from its fellow and (unfortunately) frequently moresuccessful British counter- parts: King Crimson, ELP Yes and Genesis. The Giant would release 11 studio albums and onelive album from 1970-1980. To-state that Gentle Giant's music was progressiveis a tremendous understatement. The band’s music was an amalgamationof rock, classical and choir, as well as iree-form meestructured sha eaea slaaoo hard rock style of 1973's Octopus (short for “Octo-Opus” or “eight musical works”) Gentle Giant's music conveys a search, be it - the search for childhood, evidenced on 1972's Three Friends, or a search for truth in the political process, as on 1974's The Power And The Glory. GG’s music emotes an almost - medieval/minstrel-like feeling with the multi- tracked vocal BONERS being the band’s 7 trademark. Gentle Giant's live shows were legendary, _ - often featuring various members switching instruments.
[Show full text]
First International Conference of the ACADPROG Network Dedicated to Progressive Rock
CALL FOR PAPER For the First International Conference of the ACADPROG Network dedicated to progressive rock Introduction to ACADPROG Network Thanks to the initiative of Allan Moore, many researchers from various horizons have decided to create ACADPROG in 2011. From the beginning, this international network has decided to use their various fields of competences to study all the aspects of progressive rock, a style of music born at the end of the 1960s. In order for their work to acquire a certain visibility and for this new field of research to find a place within the field of popular music studies, ACADPROG is organising its first international conference on the 10th, 11th and 12th december 2014 in Dijon (France), thanks to the support of the University of Burgundy, the GC and CIMEOS laboratories and some institutional partners. Have you said prog rock ? From a musical point of view, this trend is characterised by references to classical music (from the baroque to contemporary music) as well as jazz music, through its taste for long instrumental developments and its marked interest for sound innovation. Beyond the sound aspect, this music is also inspired by literature (especially heroic fantasy and science fiction) for its lyrics and illustrations, while it also included some theatricality in its performances. While most of the groups who new international fame in the middle of the 1970s originated from Great Britain (Pink Floyd, Soft Machine, Genesis, King Crimson, Yes, ELP, Van Der Graff Generator, Jethro Tull, Roxy Music, Hatfied and the North, Supertramp, UK, Marillon etc.), a few French, Italian, North American and Japanese bands also had an international career.
[Show full text]
Michael Stanley DANCE Acoustic 16
OPEN ALL YEAR! Visit us for your next Vacation or Get-Away! Four Rooms Complete with Private Hot Tubs 4573 Rt. 307 East, Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 www.northcoastvoice.com • (440) 415-0999 December 10 - 31, 2014 “Wishing all of our readers a very Merry Christmas!” from the Norh Coast Voice staff December 10 - 31, 2014 www.northcoastvoice.com • (440) 415-0999 3 Guitar Lessons We would like to thank all of our sponsors and encourage our readers to patronize the ﬁ ne From Rick Piunno businesses appearing in the North Coast VOICE. Beginner Publisher .......................................Wine 101 Entertainment Carol Stouder 6 to 8 ....................................... Bluesville Advanced Editor On The Beat DISC Sage Satori 11 ............................... [email protected] 13 ........ Now We’re Talkin’ - Gail Renard JOCKEY Film Review - Jeff Beck Electric Man of Many Hats 15 .................. OLDIES and Jim Ales Film Review - Michael Stanley DANCE Acoustic 16 .......... CLASSIC ROCK Advertising & Marketing 17 ................................... Kickin’ It Let me teach you [email protected] Music Review - Gentle Giant Emcee • Bands Sage Satori 19 ........ how to make music! Mentor, Willoughby, Chardon area Concert Review - Steve Hackett Production Trenda Jones 20 .... 22 ........................Mind Body Books Multimedia Staff Writers Mind Body Spirit Sage Satori • Cat Lilly 23 ........................ DJ/Emcee, Trenda Jones Schedule your Snarp Farkle • Don Perry .................................Stay In Tune Patrick Podpadec • Helen Marketti 25 now booking Summer & Fall lesson today! ............................
[Show full text]
Rock Music Lyrics As Postmodern Poetry: Gentle Giant 'Realization'
Martin Neef (Braunschweig, Germany) Rock music lyrics as postmodern poetry: Gentle Giant 'Realization' 1. Introduction: Rock music and rock music poetry In this paper, I talk about the text Realization of the British rock band Gentle Giant, which has released records in the period from 1970 to 1980. First, I will trace the story of Gentle Giant. Then I will turn to a particular text of this band, Realization. In doing so, I will first try to prove the existence of this text and determine its limits. Then I will go into the basic structure of this text and discuss some of the thematic focuses that I will address in the chapters In a glass house, The game, und Goodbye. In effect, my aim is to argue that Derek Shulman, a member of Gentle Giant, is among the most important postmodern lyricists of the 20th century. Lyrics of rock music are not at the centre of the scientific preoccupation with literary texts. Seriously taken poetry is first and foremost written poetry. This applies at least to contemporary poetry, less to old forms of poetry. I would like to plead for rock music in general and rock music lyrics in particular to be regarded as an art form to be taken seriously in cultural studies. If postmodernism is first and foremost a historical epoch, it can undoubtedly be said that rock music is one of the genres that has experienced the greatest boom in this epoch. If the term postmodernism is to be defined more in content than in history, one should at least be prepared to concede the grade postmodern to some works of rock music.
[Show full text]
Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A 80-talls synthpop/new wave. Fikk flere hitsingler fra denne skiva, bl.a The look of ABC THE LEXICON OF LOVE 1983 VERTIGO 6359 099 GER LP love, Tears are not enough, All of my heart. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. HEADLINES AND DEADLINES – THE HITS WARNER BROS. A-HA 1991 EUR LP OF A-HA RECORDS 7599-26773-1 Samlealbum fra de norske gutta, med låter fra perioden 1985-1991 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer.
[Show full text]
Proclamation-6.Pdf
2 Proclamation, the Occasional Gentle Giant Magazine Proclamation, the Occasional Gentle Giant Magazine 3 Quite a few of you have been asking about bootleg PROCLAMATION audience tapes, so I MEMORIES OF Trondheim, Norway, January 1997 Welcome back, my friends, to a new issue of Proclamation. thought it might be best to give you some idea of what you might find out OLD DAYS: Proclamation 6 was meant to feature text, I still felt that the issue needed there in the mill. My good David Armas' impressive work finding more than David's article and also that as many Gentle Giant concerts that had we needed to clean up everything about friend Bolle Gregmar, a been taped as possible. At the time he the facts. In the end the issue was laid transplanted Swede who began the detective work there was aside because of other commitments of THE AUDIOTAPES little known about any tapes and the various sorts. It was never intended to now makes his home here collector network was very small. No be that way, but it was hard to continue by David Armas and Bolle Gregmar the work. Then David suddenly died, in LA, remembers the companies had as yet shown any mislabeled with the wrong dates and variables of the songs contents thereof. without seeing his work finished. interest in releasing tapes from this half- group's transformation venues, had multiple shows put on the Time is indicated by minutes/seconds forgotten band from the 70s. same tape, repeat shows labeled as other and not all run times are accurate.
[Show full text]