Current and Projected National Security Threats to the United States

Total Page:16

File Type:pdf, Size:1020Kb

Current and Projected National Security Threats to the United States S. HRG. 109–61 CURRENT AND PROJECTED NATIONAL SECURITY THREATS TO THE UNITED STATES HEARING BEFORE THE SELECT COMMITTEE ON INTELLIGENCE UNITED STATES SENATE ONE HUNDRED NINTH CONGRESS FIRST SESSION FEBRUARY 16, 2005 Printed for the use of the Select Committee on Intelligence ( Available via the World Wide Web: http://www.access.gpo.gov/congress/senate U.S. GOVERNMENT PRINTING OFFICE 22–379 PDF WASHINGTON : 2005 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 03-FEB-2003 13:33 Jul 27, 2005 Jkt 022379 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 D:\DOCS\22379.TXT SSC1 PsN: SSC1 SELECT COMMITTEE ON INTELLIGENCE [Established by S. Res. 400, 94th Cong., 2d Sess.] PAT ROBERTS, Kansas, Chairman JOHN D. ROCKEFELLER IV, West Virginia, Vice Chairman ORRIN G. HATCH, Utah CARL LEVIN, Michigan MIKE DeWINE, Ohio DIANNE FEINSTEIN, California CHRISTOPHER S. BOND, Missouri RON WYDEN, Oregon TRENT LOTT, Mississippi EVAN BAYH, Indiana OLYMPIA J. SNOWE, Maine BARBARA A. MIKULSKI, Maryland CHUCK HAGEL, Nebraska JON S. CORZINE, New Jersey SAXBY CHAMBLISS, Georgia BILL FRIST, Tennessee, Ex Officio HARRY REID, Nevada, Ex Officio JOHN WARNER, Virginia, Ex Officio BILL DUHNKE, Staff Director and Chief Counsel ANDREW W. JOHNSON, Minority Staff Director KATHLEEN P. MCGHEE, Chief Clerk (II) VerDate 03-FEB-2003 13:33 Jul 27, 2005 Jkt 022379 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 D:\DOCS\22379.TXT SSC1 PsN: SSC1 CONTENTS Page Hearing held in Washington, DC: February 16, 2005 ............................................................................................ 1 Witness Statements: Goss, Hon. Porter J., Director of Central Intelligence ................................... 7 Prepared statement ................................................................................... 14 Jacoby, Vice Admiral Lowell, USN, Director, Defense Intelligence Agency 45 Prepared statement ................................................................................... 46 Loy, Admiral James, Deputy Secretary, Department of Homeland Security .......................................................................................................... 36 Prepared statement ................................................................................... 39 Mueller, Hon. Robert S. III, Director, Federal Bureau of Investigation ...... 18 Prepared statement ................................................................................... 23 Rodley, Carol, Principal Deputy Assistant Secretary of State for Intelligence and Research ............................................................................ 59 Supplemental Materials: Prepared Statement for the Record from Hon. Thomas Fingar, Assistant Secretary of State for Intelligence and Research ....................................... 59 Prepared Statement for the Record from Senator Olympia J. Snowe ......... 69 (III) VerDate 03-FEB-2003 13:33 Jul 27, 2005 Jkt 022379 PO 00000 Frm 00003 Fmt 5904 Sfmt 5904 D:\DOCS\22379.TXT SSC1 PsN: SSC1 VerDate 03-FEB-2003 13:33 Jul 27, 2005 Jkt 022379 PO 00000 Frm 00004 Fmt 5904 Sfmt 5904 D:\DOCS\22379.TXT SSC1 PsN: SSC1 CURRENT AND PROJECTED NATIONAL SECURITY THREATS TO THE UNITED STATES WEDNESDAY, FEBRUARY 16, 2005 UNITED STATES SENATE, SENATE SELECT COMMITTEE ON INTELLIGENCE, Washington, DC. The Committee met, pursuant to notice, at 10:03 a.m., in room SH–216, Hart Senate Office Building, the Honorable Pat Roberts, Chairman of the Committee, presiding. Committee Members Present: Senators Roberts, Hatch, Bond, Lot, Snowe, Chambliss, Warner, Rockefeller, Levin, Feinstein, Wyden, Bayh, and Mikulski. OPENING STATEMENT OF THE HONORABLE PAT ROBERTS, CHAIRMAN Chairman ROBERTS. The hearing will come to order. Today, the Senate Committee on Intelligence meets in open ses- sion to conduct its annual worldwide threat hearing. I would like to inform Members that traditionally we have a closed hearing in the afternoon, but Secretary of State Rice is coming to the Senate to brief all Members this afternoon. We will follow up with individuals at our weekly intelligence hearings, and then, obviously, a hearing or briefing at any Mem- ber’s request. So we will see all of these people back again in a classified session at another time. The Committee traditionally begins its annual oversight of the U.S. intelligence community with an open hearing, so that the pub- lic will have the benefit of the intelligence community’s best assess- ment of the current and projected national security threats to the United States. Our witnesses today are Mr. Porter Goss, the Director of Central Intelligence. Welcome back, Mr. Director. Director GOSS. Thank you, Mr. Chairman. Chairman ROBERTS. Mr. Robert Mueller, the Director of the Fed- eral Bureau of Investigation; Admiral James Loy, the Deputy Sec- retary of the Department of Homeland Security; Vice Admiral Low- ell Jacoby, the Director of the Defense Intelligence Agency; and Ms. Carol Rodley, the Principal Deputy Assistant Secretary of State for Intelligence and Research. The acronym for that, by the way, is INR. The Committee thanks all of our distinguished witnesses for being here today. We thank you for your commitment, for your per- severance on your job, and for helping to keep America safe. (1) VerDate 03-FEB-2003 13:33 Jul 27, 2005 Jkt 022379 PO 00000 Frm 00005 Fmt 6601 Sfmt 6601 D:\DOCS\22379.TXT SSC1 PsN: SSC1 2 Before we begin the testimony, I would like to take this oppor- tunity to discuss an issue that has concerned and frustrated me since I joined this Committee over 8 year ago, and all Members of this Committee from time to time. While we meet today in open session, the Members of this Com- mittee and our witnesses will be limited in what they can say be- cause the vast majority of the information with which this Com- mittee and our witnesses deal is classified. The issues which we cover are not necessarily secret, but the details that surround them generally are. Our goal today is to have as open a discussion as possible, recog- nizing that there are simply some things that we cannot and must not discuss publicly. The dynamics surrounding what we can and cannot say represents one of the most frustrating aspects of mem- bership on this Committee, especially when secret intelligence ac- tivities find their way into public discourse. How do we as a Committee assure the American people that we are even aware of something when we cannot discuss it publicly? How, without confirming or denying a particular story, do we ex- plain that concerns are misplaced, on point or off point? Where do we draw the line between the public’s right to know and our Na- tion’s security interests in keeping something secret? These remain very difficult questions. In 1976, the U.S. Senate established this Committee to conduct vigorous oversight of the intelligence activities of the United States government. And that is exactly what we do, day in and day out— with, I might add—what the Vice Chairman and I consider to be an outstanding and most capable staff. Unfortunately, but necessarily, the Members of this Committee are rarely at liberty to respond to public stories or to inquiries. This does not mean, however, that we are not aware of or deeply involved in the issue that is being discussed. Much of this Committee’s work gets done behind closed doors with little fanfare. And open public discussion about all of the issues on which our Committee works is just not possible. If we were to discuss some of the ingenious ways this Nation does collect intelligence and protects our citizens, our adversaries would and could develop simple countermeasures that would eliminate these advantages, which were developed at great cost or high risk. This secrecy does protect lives and helps us to keep safe. The Vice Chairman and I will, however, continue to work to- gether to keep the American people as informed as possible. And when we can, we will do our best to clarify any misconceptions that may exist. With that in mind, I will now briefly discuss some of our plans for this Committee’s oversight in the coming months. First, we look forward to the naming of a Director of National Intelligence. As soon as the President nominates this individual, we will schedule a confirmation hearing as soon as practicable. Second, we will monitor closely the implementation of the Intel- ligence reform bill. We will focus a great deal of attention on how this Committee can support the new DNI in the exercise of his or her authorities. And, because no legislation is perfect, we will also look at whether any legislative fixes are necessary. VerDate 03-FEB-2003 13:33 Jul 27, 2005 Jkt 022379 PO 00000 Frm 00006 Fmt 6601 Sfmt 6601 D:\DOCS\22379.TXT SSC1 PsN: SSC1 3 Third, in the area of oversight, we will focus on the intelligence community’s collection and analytical capabilities, especially in re- gard to our capabilities. Do we have the adequate collection? Do we have the adequate analysis? Do we have the information access to make a consensus threat analysis that is both credible and helpful to the policymakers and the Congress? This Committee learned from our Iraq WMD inquiry that we cannot and should not always take the intelligence community’s as- sessments at face value. The Vice Chairman and I have therefore decided to change the way the Senate Intelligence Committee does our work. We haven’t launched anything. We haven’t
Recommended publications
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Inside Official Singles & Albums • Airplay Charts
    ChartPack cover_v2_News and Playlists 14/10/13 16:26 Page 35 CHAR TPACK Miley Cyrus enjoys two No.1s this week, in the Official Albums and Singles chart n o b e L e n o r y T : t i d e r C o t o h P INSIDE OFFICIAL SINGLES & ALBUMS • AIRPLAY CHARTS • COMPILATIONS & INDIE CHARTS 28-29 Singles-Albums_v1_News and Playlists 14/10/13 15:43 Page 28 CHARTS UK SINGLES WEEK 41 For all charts and credits queries email [email protected]. Any changes to credits, etc, must be notified to us by Monday morning to ensure correction in that week’s printed issue Key H Platinum (600,000) THE OFFICIAL UK SINGLES CHART l Gold (400,000) l Silver (200,000) THIS LAST WKS ON ARTIST / TITLE / LABEL CATALOGUE NUMBER (DISTRIBUTOR) THIS LAST WKS ON ARTIST / TITLE / LABEL CATALOGUE NUMBER (DISTRIBUTOR) WK WK CHRT (PRODUCER) PUBLISHER (WRITER) WK WK CHRT (PRODUCER) PUBLISHER (WRITER) 0 1 MILEY CYRUS Wrecking Ball RCA USRC11301214 (Arvato) 35 8 DJ FRESH VS DIPLO AND DOMINIQUE YOUNG UNIQUE Earthquake MoS GBCEN1300550 (Sony DADC UK) 1 (tbc) tbc (tbc) 39 (DJ Fresh/Diplo) Notting Hill/Universal/Kobalt/Songs Music (Stein/Clarke/Pentz) 0 1 EMINEM Berzerk Polydor TBC (Arvato) 37 17 ARCTIC MONKEYS Do I Wanna Know? Domino GBCEL1300332 (PIAS Arvato) 2 (tbc) tbc (tbc) 40 (Ford/Orton) EMI (Turner/Arctic Monkeys) 1 11 ONEREPUBLIC Counting Stars Interscope USUM71301306 (Arvato) 22 14 JUSTIN TIMBERLAKE Take Back The Night RCA USRC11301011 (Arvato) 3 (Tedder/Zancanella/tbc) Sony ATV (Tedder) 41 (Timbaland/Timberlake/Harmon) Sony ATV/Universal/Warner Chappell/OLE/CC (Timberlake/Fauntleroy/Mosley/Harmon)
    [Show full text]
  • Toby Young Academic CV
    TOBY YOUNG DPhil MA MPhil (Cantab) FHEA FRSA Address: 1 Arkwright Mansions Telephone: +44 (0)7952 806 414 206 Finchley Road London Twitter: @dirtylinoleum N NW3 6DE Email: [email protected] Website: www.tobyyoungcomposer.co.uk R E S E A R C H I N T E R E S T S AOS: Interdisciplinarity, creativity, composition, analysis, popular music, post-Kantian aesthetics. AOC: Philosophy of art, music history (topics post-1900), phenomenology, philosophy of self, critical theory, literary theory, semiotics, sociology, practical musicianship. E D U C A T I O N 2012 — 2015 New College, Oxford, DPhil Supervised by Professors Eric Clarke and Roger Scruton, with generous support from the Esmée Fairbairn Foundation and RVW Trust. 2008 — 2012 King's College, Cambridge, MA and MPhil (Choral Scholarship) Supervised by Professors Robin Holloway, Nicholas Marston and Nicholas Cook. 2004 — 2008 The Royal Academy of Music, junior department 2000 — 2008 The Haberdashers’ Aske’s School for Boys A C A D E M I C D I S T I N C T I O N S 2016 – Fellow, The Higher Education Academy 2014 – 2015 Brettschneider Visiting Fellow, Cornell University 2014 – Fellow, Royal Society of Arts 2010 – 2011 Panufnik Fellow, London Symphony Orchestra T E A C H I N G P O S I T I O N S 2015 – Visiting lecturer, Saïd Business School, University of Oxford 2015 – Composition Tutor, Aldeburgh Young Musicians 2014 – Retaining-fee lecturer, Somerville College, University of Oxford 2014 – Visiting Lecturer, University of Westminster 2014 – College Tutor, University of Oxford Teaching at Magdalen,
    [Show full text]
  • Ihyihod «F Nhsffls 'DIK20H 3L[} }E U3AI3 SEAS
    V,. iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiituiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiuiiiiiiiii J JOJ U1.U jt qy urjoS \\I/IL SAY PUB oanjd ssaj,j 3uH?uuraoo m atup ssai pnads aqx W ournu ajaqi OABSI nj suip ajotu puods oqM sjain snossai UHOTA OJJB} O; Suuisap 'asnoq qspunx otrxj anouy a96lS iTa ti nj uoncmuaA «o Suinnqs oonno-8 S PUB 9DIAI9g auoqd JO sssippu aAoqB aqi re vim 0} q3noua pioo si •pjoA" -sot 'n a^EOjumnoo .^Bin pung IBCi aDiAjaB '8O"5J$ 'saqoui f-G gs 32!s 'spuaidspsg UI}ES 86"SS qi } tuu[ p.iroq jaqiunn c 'HxivaH auvoa.aHi •p.iv.t •OJ-.L 'SutqoH q}Ea qspunx 9S"X$' SHOXS put? ajdoad XanquB.io SUOIUB i 0O'T$ 'J OK uaniT X}HBno XA-caH 00"£$ st qjoy; -JM '-^lup!-^ Pic A\inq jo C uri " •p.TO.t -3xc 'qioio -tsiua -ocs -UUI0 UJ UJIOJA Ut SST![D B 3UUU.IO} JO s\ni aajjB Hl panod^sod oiqmassT! .Cera pjm.i -36S 'noun 1JV ipui-gx "309 snoj]sap si' "[ "N 'IIJCJ 1>UBHI3IH '"?S S j-sx jo 'inoa T IBJOOS ao -pact "aox 'HOOSUIBM ^tn!d '°SS •xoixoaaxsxi KIIOIX' iou XBUI _ o •pjg jaqtuao.sa ipun pssop paaapjo 1 HE OJE sjoABapua UEpsjjqo 'siooips p3ip}i}suiaq 'sq}oio oiqBX uaun aanj psiaoduii 8G"SS •ocj 'uoissjuipv ;,.-.iapua ISO ui mo 130.. -u! pA"<m PIOJBH ' ABpuns 'looips onqnd' oqx ii'TS 'spueidspoa p3}aqooj!0 az'S aSJ^l Bj}xg[ 09"o$ •B osiy juaiuaiB}j3}ne jo jCiuaid puu "SZ6X 'PJS .laquiaoaa 0} }8XZ Jaq -TJ3B3 -aog 'S13M.0J, qspiinx atn^ -369 sataBS PUB ..dOHS TlOa 3HX,, -niaAON UIOJJ 'sXEp OX J° popad aq} •P4«A'.^-DGS 'i[ST3un:a aiqEx "OGS .tB[d T; aq HIAV ajaqx JOJ SupoqiBS snqnd XUB }B paAvouc -pju.f "avtET 'SunaAOi 1J3AY
    [Show full text]
  • Theme 1 Answers Chapter 1 Case Study
    THEME 1 ANSWERS CHAPTER 1 CASE STUDY: MARS AND BANCO SANTANDER 1. Suggest two raw materials that might be used by Mars. Answers may include: cocoa, sugar, milk, dried fruit, nuts and wrapping materials. 2. Suggest two examples of different workers that might be employed by Mars. Answers may include: factory workers, machine operators, production line workers, supervisors, managers or quality inspectors. 3. Suggest two services that might be provided by Banco Santander. Answers may include: the provision of current accounts, insurance policies, loans and overdrafts, credit cards or savings accounts. 4. Discuss in groups the possible reasons why Mars may use more machinery in its operations than Santander. The provision of services such as banking often requires more people in production. This is because the service industry often involves carrying out tasks for customers that are likely to be done by people. In contrast, Mars is a manufacturer and many of its products are produced on production lines in highly automated factories. Most of the processes used to make chocolate bars, including wrapping and packaging, can be carried out by machines. The use of labour is not significant in relation to the amount of machinery. However, with more and more people using online banking, the numbers of people employed in the provision of financial services is falling. An increasing number of financial services can be provided online with a small amount of contact between bank employees and customers. ACTIVITY 1 CASE STUDY: JINDAL STEEL AND POWER 1. What is meant by the term manufacturing? One important aspect of production is manufacturing.
    [Show full text]
  • Billboard Magazine
    11.02.2013 billboard.com billboard.biz ATLANTIC'S SUPER BOWL PLAY Doritos Partnership Drives Synchs NEW LIFE FOR RHAPSODY Telecom Bundles Drive 13* Scale FILM/TV MUSIC CONFERENCE HELLO, SIA 4. IL r!1 ti 14,1 410 $6 99US $8.99CAM 4 2> 7 896 47205 9 UK £5.50 "ONE OF THE BESTWorldMags.net"THE ARRIVAL OF "ONE OF THE MOST STRIKING STORIES IN POP" A NEW KIND OF STAR " ARTISTS IN R&B " -- ROLLING STONE -- ENTERTAINMENT WEEKLY -- NEW YORK TIMES * * * * * * * * * * taylor swift lorde the weeknd *IDE / BILLBOARD TOP 200 ALBUMS a1 DEBUT / BILLBOARD TOP ROCK ALBUMS / BILLBOARD TOP R&B ALBUMS siSINt "I KNEW YOU WERE TROUBLE" #1 SINGLE "ROYALS"' "LIVE FOR" Source: Billboard Hot Digital Songs Source: Billboard Hot too Songs Source: rTunes / Top R&B / Soul Song's (8.20.13) "THIS MIGHT BE THE MOST -AN AMALGAM OF EVERYTHING "THE BIGGEST STORY IN COUNTRY INVITING POP RECORD OF 20f3 " YOU'D WANT FROM A NEW MUSIC THIS YEAR [201.91 IS MOST -- LA TIMES BLACK SABBATH ALBUM" -- NME CERTAINLY FLORIDA GEORGIA LINE" * * -- THE ARGUS LEADER * * * * * ariana grande black sabbath florida #1 DEBUT / BILLBOARD TOP 200 ALBUMS / BILLBOARD TOP 200 ALBUMS #1 SINGLE "THE WAY"" "GOD IS DEAD" georgia line #1 DEBUT / BILLBOARD TOP COUNTRY ALBUMS #1 SINGLE "CRUISE"` -.+111P. Source: iTures / Top Singles (3.25.r3) Source: Mechabase Mainstream Rock (5.24,3) "...HELLA-COOL DEBUT" `AN ARTISTIC TOUR DE FORCE THAT ROWLAND STEPS OUT WITH PEOPLE FURTHERS THE POTENT/AL SHOWN SURE FOOTING, A GIRL -NEXT * * * * ON GROUP'SAWARD-WINNING DEBUT. " DOOR WHO BELONGS ON TOP" -- THE ASSOCIATED PRESS - SPIN of monsters * * * * * and men the band perry kelly rowland *1DEBI./ BILLBOARD TOP ROCK ALBUMS #1 DEBUT / BILLBOARD TOP COUNTRY ALBUMS / BILLBOARD TOP R&B ALBUMS "LITTLE TALKS" #1 SINGLE "BETTER DIG TWO"` "KISSES DOWN LOW" *t- IN V ' Atk 4446 A Irrirffei Source: Billboard Country Airplay republic for your grammy® consideration WorldMags.net WorldMags.net THIS WEEK Volume 125 [ No.
    [Show full text]
  • Sds Podcast Episode 2 with Hadelin De Ponteves
    SDS PODCAST EPISODE 2 WITH HADELIN DE PONTEVES Kirill: This is session number two with machine learning expert and entrepreneur, Hadelin de Ponteves. (background music plays) Welcome to the SuperDataScience podcast. My name is Kirill Eremenko. Data science coach and lifestyle entrepreneur. And each week, we bring you inspiring people and ideas to help you build your successful career in data science. Thanks for being here today and now let’s make the complex simple. (background music plays) Welcome everyone to a very special edition of the SuperDataScience podcast. And you might say this is only the second episode Kirill why is it so special? Well, that is because today I’m bringing you a very good friend of mine, Hadelin de Ponteves. And in fact, we only met a couple of months ago over a work- related project but we instantly bonded. You know how you get that feeling sometimes when you meet somebody whose values are very similar to yours..their aspirations and ambitions are very similar to yours and you instantly develop this strong connection and understanding of each other and that’s exactly what happened and I’m super excited to invite Hadelin to this podcast and we had a great chat. Hadelin - you should know about it. This guy is a machine. So for the past three years, Hadelin has been sleeping only three hours a night. And then once a week he sleeps for eight hours to catch up. For us normally like myself I sleep eight hours everyday pretty much. This guy is so driven, so passionate about achieving his goals, about working, about learning about data science, about improving his skill set and also he’s an entrepreneur so about building businesses and about giving back to communities and creating value for the world.
    [Show full text]
  • Pirsig-1974 Zen and the Art of Motor Maintanance
    Robert Maynard Pirsig (/ˈpɜːrsɪɡ/; September 6, 1928 – April 24, 2017) was an American writer and philosopher. He was the author of the philosophical novels Zen and the Art of Motorcycle Maintenance: An Inquiry into Values (1974) and Lila: An Inquiry into Morals (1991). In 1958, he became a professor at Montana State University in Bozeman, (USA) and taught creative writing courses for two years. Shortly thereafter he taught at the University of Illinois at Chicago. Pirsig's published writing consists most notably of two books. The better known, Zen and the Art of Motorcycle Maintenance, develops around Pirsig's exploration into the nature of quality. Ostensibly a first-person narrative based on a motorcycle trip he and his young son Chris had taken from Minneapolis to San Francisco, it is an exploration of the underlying metaphysics of Western culture. He also gives the reader a short summary of the history of philosophy, including his interpretation of the philosophy of Aristotle as part of an ongoing dispute between universalists, admitting the existence of universals, and the Sophists, opposed by Socrates and his student Plato. Pirsig finds in "Quality" a special significance and common ground between Western and Eastern world views. Pirsig had great difficulty finding a publisher for Zen and the Art of Motorcycle Maintenance. When he did, his publisher's internal recommendation stated, "This book is brilliant beyond belief, it is probably a work of genius, and will, I'll wager, attain classic stature." In his book review, George Steiner compared Pirsig's writing to Dostoevsky, Broch, Proust, and Bergson, stating that "the assertion itself is valid ..
    [Show full text]
  • Tom Cochrane – Take It Home  Colin James – Hearts on Fire  NE-YO – Non-Fiction
    Tom Cochrane – Take It Home Colin James – Hearts on Fire NE-YO – Non-Fiction New Releases From Classics And Jazz Inside!!! And more… UNI15-05 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final Tuesday, December 16, 2014 Dear Commercial Partner, Please be advised that, effective February 9th, 2015 Universal Music Canada will convert titles posted to http://www.umcreleasebooks.ca to JSP ($10.98 NEDP) pricing. All orders placed prior to February 9th, 2015 will attract the old price and all orders placed post February 9th, 2015 will attract the new JSP pricing. **Please note normal terms will not apply to this new price tier.** Please contact your local Universal Music Canada representative, should you have any questions. Cher Partenaire Commercial, Nous vous avisons qu’à compter du 9 février 2015, Universal Music Canada convertira les titres indiqués sur http://www.umcreleasebooks.ca au code de prix JSP ($10.98 NEPD). Toutes commandes envoyées avant le 9 février 2015 auront le vieux prix de vente alors que les commandes envoyées après le 9 février 2015 auront le nouveau prix de vente JSP. ** Veuillez prendre note que nos Termes Normaux ne s’appliqueront pas à ce nouveau code de prix. ** N’hésitez pas à contacter votre représentant de Universal Music Canada local si vous avez des questions. Regards/Sincèrement, Adam Abbasakoor Vice President, Commercial Affairs Universal Music Canada [email protected] UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: DIANA KRALL / WALLFLOWER (Standard CD) Cat. #: B002098902 Price Code: SP Order Due: Jan.
    [Show full text]
  • Psaudio Copper
    Issue 134 APRIL 12TH, 2021 With Copper’s new format, long “Opening Salvo” intros take up a lot of space when viewed on a phone, so we’ll keep them short from now on. This line from Gary Wilson from his song “I Wanna Take You On A Sea Cruise” seems appropriate for the times: “Hey baby, there’s only two more days till tomorrow!” In this issue: Anne E. Johnson offers retrospectives on cinematic storyteller Randy Newman and on troubadours ancient and modern. Tom Gibbs reviews new releases from Frank Zappa, Charles Lloyd and Dr. Lonnie Smith. J.I. Agnew begins a series on historic tape recorders with a look at the Studer A80 and interview with Paul Gold of Salt Mastering. Roy Hall has memories of "Hey Jude.” Wayne Robins digs Rita Indiana. Steven Bryan Bieler realizes it’s all about the bass. Ken Sander celebrates Thanksgiving at the Fillmore East. Jay Jay ponders streaming audio quality. What’s it like to suffer from electromagnetic hypersensitivity? We ask Dav Bedi of RadiAsian.London to find out. Stuart Marvin interviews groundbreaking music promoter Eppy Epstein of My Father’s Place, Russ Welton interviews Yamaha UK, and Ray Chelstowski wraps up his talk with keyboardist extraordinaire Chuck Leavell. Alón Sagee gets high at Mount Everest. Don Kaplan tells us about more favorite recordings. John Seetoo interviews iconoclastic producer/engineer Sylvia Massy. Adrian Wu continues his series on open reel tape. James Whitworth loses ground, Peter Xeni avoids social stigma, Audio Anthropology is on the beam and our Parting Shot looks further on.
    [Show full text]
  • DJ Music Catalog by Title
    Artist Title Artist Title Artist Title Dev Feat. Nef The Pharaoh #1 Kellie Pickler 100 Proof [Radio Edit] Rick Ross Feat. Jay-Z And Dr. Dre 3 Kings Cobra Starship Feat. My Name is Kay #1Nite Andrea Burns 100 Stories [Josh Harris Vocal Club Edit Yo Gotti, Fabolous & DJ Khaled 3 Kings [Clean] Rev Theory #AlphaKing Five For Fighting 100 Years Josh Wilson 3 Minute Song [Album Version] Tank Feat. Chris Brown, Siya And Sa #BDay [Clean] Crystal Waters 100% Pure Love TK N' Cash 3 Times In A Row [Clean] Mariah Carey Feat. Miguel #Beautiful Frenship 1000 Nights Elliott Yamin 3 Words Mariah Carey Feat. Miguel #Beautiful [Louie Vega EOL Remix - Clean Rachel Platten 1000 Ships [Single Version] Britney Spears 3 [Groove Police Radio Edit] Mariah Carey Feat. Miguel And A$AP #Beautiful [Remix - Clean] Prince 1000 X's & O's Queens Of The Stone Age 3's & 7's [LP] Mariah Carey Feat. Miguel And Jeezy #Beautiful [Remix - Edited] Godsmack 1000hp [Radio Edit] Emblem3 3,000 Miles Mariah Carey Feat. Miguel #Beautiful/#Hermosa [Spanglish Version]d Colton James 101 Proof [Granny With A Gold Tooth Radi Lonely Island Feat. Justin Timberla 3-Way (The Golden Rule) [Edited] Tucker #Country Colton James 101 Proof [The Full 101 Proof] Sho Baraka feat. Courtney Orlando 30 & Up, 1986 [Radio] Nate Harasim #HarmonyPark Wrabel 11 Blocks Vinyl Theatre 30 Seconds Neighbourhood Feat. French Montana #icanteven Dinosaur Pile-Up 11:11 Jay-Z 30 Something [Amended] Eric Nolan #OMW (On My Way) Rodrigo Y Gabriela 11:11 [KBCO Edit] Childish Gambino 3005 Chainsmokers #Selfie Rodrigo Y Gabriela 11:11 [Radio Edit] Future 31 Days [Xtra Clean] My Chemical Romance #SING It For Japan Michael Franti & Spearhead Feat.
    [Show full text]
  • Nightshift Magazine
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 261 April Oxford’s Music Magazine 2017 The August List “The idea of disappearing or living in absolute isolation photo:Ian Wallman is a rejection of the world and I find that fascinating.” Oxford’s first couple of country on hermits and the power of drones. Also in this issue: Introducing LOWWS STORNOWAY bow out plus Oxford music news, reviews, previews, and seven pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk Barnabas Church; The Pitt Rivers Museum and St Aldates Tavern. The Folk Weekend line-up also features sets from Leverett; The Melrose Quartet; Ange Hardy; Jim Moray; Jackie Oates & Megan Henwood; John Spiers; Dan Walsh; Dipper Malkin; Jimmy Aldridge & Sid Goldsmith and The Emily Askew Band, while the local folk contingent is represented by Coldharbour; Edward Pope, White IDRIS ELBA is the latest star name added to the line-up for Truck Horse Whisperers and Shivelight, Festival. The star of The Wire and Luther will play a DJ set at the among others. As well as concerts festival over the weekend of the 21st-23rd July at Hill Farm in there will be the traditional round Steventon. The event, headlined by The Libertines, Franz Ferdinand of ceilidhs, dance displays, Morris KT TUNSTALL, JON BODEN and The Vaccines, is close to selling out in advance with no general dancers and workshops, while and ELIZA CARTHY head weekend camping tickets left.
    [Show full text]