Newsletter 07/07 DIGITAL EDITION Nr
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Andrea Abbate Annie Abbott Rose Abdoo Louisa
CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE -
Connecticut Was Co 8895.0 • , Borhood, 1'/J Baths, 1St Month Plus Heat and Utili Main ' Street Location
W - MANCHESTER HERALD. Thuiwlay. Nov. tO, 1»M_ All real estote advertised In the Manchester Herald Is subject to the Fair Tutor-Experienced and Housing Act of 196a. which certified teacher with de mokes It Illegal to adver gree In early childhood. tise any preference, lim Will tutor your child. Coll itation or discrimination Sheryl at 643-4936. based on race, color, reli Quality child care given Complete Interior Reno gion. sex or notional by responsible mother. vations. Textured ceil origin, or on Intention to 643-2984. ings. Repoir damaged Real Estate make any such prefer walls. Expert Installation ence. limitation or dis Loving mother will core of all wall coverings. Con crimination. The Herald fOr your child In m y home. tinental Painting. 872- will not knowingly accept Manchester area. 644- 6018. HOMES any odvertlsement which 1476. FOR SALE Is In violation of the law. MISCELLANEOUS I Complete Interior renova tions. Textured ceilings. SERVIGES Monchester-No shoveling Government Homes from CARPENTRY/ Repair damaged walls. snow I $59,900. Spacious $1 (U repair). Delinquent REM00EUN6 Expert Installation of all Odd lobs. Trucking. Home well kept unit close to 1-304 tax property. Reposses I wallraverings. Continen repairs. You name It, we Tune Up Time - Leaf sions. Call a05-6a7-6000 ext and on bus line. Quick No lob too big or small. tal Painting. 872-6018. do It. Free estimates. Blowers, snow blowers, occupancy possible. G H 9965 for current repos Insured. 643-0304. lawn and garden equip session list. Complete Interiors and Joyce G. Epstein Real exteriors. Quality and Re- J 8i L Stone-Painters. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
View / Open Bratslavsky Oregon 0171A 10830
FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
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00:00:00 Biz Host Hi. I’m Biz. 00:00:02 Theresa Host And I’m Theresa. 00:00:03 Biz Host Due to the pandemic, we bring you One Bad Mother straight from our homes—including such interruptions as: children! Animal noises! And more! So let’s all get a little closer while we have to be so far apart. And remember—we are doing a good job. 00:00:21 Music Music “Summoning the Rawk” by Kevin MacLeod. Driving electric guitar and heavy drums. [Continues through dialogue.] 00:00:25 Biz Host This week on One Bad Mother, you are not alone! Because your college-age kid is living in your basement. We talk to author and cohost of the podcast Tiny Victories, Annabelle Gurwitch. Plus, Biz has something lurking in her pantry! 00:00:39 Crosstalk Crosstalk Biz and caller: Wooooo! 00:00:42 Caller Caller Calling with a check-in. [Biz laughs.] I have a cheesecake in the oven, which is like… yeah! I’m feeling pretty good about that! A little context and backstory to my cheesecake, though; I did actually buy my graham cracker crust— like, a premade graham cracker crust—back in, like, oh god. March or April? I think it was early on in the lockdown. And I was panic- shopping at the grocery store, grabbing whatever I could grab off the shelves. [Biz laughs.] And I saw graham cracker crust and thought, “Oh, I can make a cheesecake! Since we’ll be home.” And I bought it and [through laughter] I’ve never made a cheesecake before— [Biz laughs.] —but it seemed like a good idea at the time. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Junooniyat Movie English Subtitles Download for Movies
Junooniyat Movie English Subtitles Download For Movies 1 / 4 Junooniyat Movie English Subtitles Download For Movies 2 / 4 3 / 4 BollyNook- BOLLYWOOD Nook- MOVIES SUBTITLES & SONGS lyrics TRANSLATIONS, in numerous languages! ... Year: 2016. Uploader: Administrator. Report Bad Movie Subtitle: Thanks (2). Download ... English subtitle, Subtitle in English .... Junooniyat Movie Stills Bollywood Movie Songs, Bollywood Posters, Bollywood ... Romantic Movies, Indian Movies, Bollywood Movies Online, Bollywood Movie.. All items in Movies & TV shows are non returnable. Learn more. Product description. Junooniyat movie story follows love story of a solider, who belongs to Punjabi ... Format: Anamorphic; Language: Hindi; Subtitles: English; Number of discs: 1 ... Purchase Protection · Amazon App Download · Amazon Assistant Download .... Movie: Junooniyat Directed by: Vivek Agnihotri Written by: Vivek Agnihotri, Priti Singh. Saved from ... Watch Aatma Movie Online With English Subtitles. A single .... If you'd like to be a guest on the show, make sure you contact us with some brief info about ... movies space heroes in hindi, index of hindi movies heroes, heroes hindi movie download, ... Junooniyat Full Movie Download In 720p 1080p ... korean movie with english subtitles, sunny korean movie english subtitles download, ... Download The Junooniyat (2016) English Subtitle - SUBDL.. Dj Movie. February 2020. Junooniyat is an upcoming romantic Bollywood film written and ... With Pulkit Samrat, Yami Gautam, Gulshan Devaiah, Hrishitaa Bhatt.. Download free english subtitles of Junooniyat movie. SRT file download of Junooniyat 2016 is available for free. VLC subtitles of Junooniyat is available now.. Spider-Man Homecoming (English) 2015 movie download in hindi ... Insidious: The Last Key (English) Full Movie With English Subtitles Download For Movies .. -
15TOIDC COL 01R2.QXD (Page 1)
OID‰‰†‰KOID‰‰†‰OID‰‰†‰MOID‰‰†‰C New Delhi, Thursday,May 15, 2003www.timesofindia.com Capital 30 pages* Invitation Price Rs. 1.50 International India Times Sport Bush vows to hunt Jayalalithaa’s second AC Milan down those behind year in office as clinch spot in Riyadh blasts colourful as the first Champions’ final Page 15 Page 8 Page 21 WIN WITH THE TIMES 200,000 NRI AFP Established 1838 Neighbours Bennett, Coleman & Co., Ltd. millionaires If you have an idea, and I have an idea, and we exchange these ideas, in US: Merrill talk J&K at then each of us will By Chidanand Rajghatta have two ideas. TIMES NEWS NETWORK — George Bernard Shaw Washington: The image of the wealthy NRI from America is poised to NEWS DIGEST get a puffy boost following estimates UN in peace Iraq mass graves: Villagers from the investment firm Merrill TIMES NEWS NETWORK & PTI pulled body after body from a mass Lynch that there are 200,000 million- aires of Indian origin in the United grave in central Iraq, exhuming the New Delhi: Pakistan toned States alone. Masood barred remains of up to 3,000 people, killed down its references to Jam- If that seems a staggering count — it during the 1991 Shiite revolt against mu and Kashmir in the UN Saddam Hussein’s regime. P15 would mean one in every nine Indians from PoK: Pak Security Council on Tuesday. in the US is a millionaire, considering Power tariff hike: Private power The presidential statement Muzaf- their total population is 1.8 million — distribution companies have sought issued by its foreign minister farabad: Merrill has a raft of riders and caveats. -
Newsletter 11/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 11/08 DIGITAL EDITION Nr. 231 - Juni 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 11/08 (Nr. 231) Juni 2008 editorial Hallo Laserdisc- und DVD-Fans, Ob es nun um aktuelle Kinofilme, um nen Jahr eröffnet und gelangte vor ein liebe Filmfreunde! besuchte Filmfestivals oder gar um paar Wochen sogar ganz regulär in die Die schlechte Nachricht gleich vorweg: einen nostalgischen Blick zurück auf deutschen Kinos. Wer den Film dort unsere Versandkostenpauschale für die liebgewonnene LaserDisc geht – verpasst hat oder ihn (verständlicher- Standard-Pakete erhöht sich zum 01. die angehende Journalistin weiß, wo- weise) einfach noch einmal sehen Juli 2008. Ein gewöhnliches Paket ko- von sie schreibt. Kennengelernt haben möchte, der kann die US-DVD des Ti- stet dann EUR 6,- (bisher: EUR 4,-), wir Anna während ihres Besuchs beim tels ab September in seine Film- eine Nachnahmesenduung erhöht sich 1. Widescreen-Weekend in der Karlsru- sammlung integrieren. Der Termin für auf EUR 13,- (bisher: EUR 9,50). Diese her Schauburg. Ein Wort ergab das eine deutsche Veröffentlichung wurde Preiserhöhung ist leider notwendig andere – und schon war die junge Frau zwar noch nicht bekanntgegeben, doch geworden, da unser Vertriebspartner Feuer und Flamme, für den Laser wird OUTSOURCED mit Sicherheit DHL die Transportkosten zum 01. Juli Hotline Newsletter zu schreiben. Wir auch noch in diesem Jahr in Deutsch- 2008 anheben wird. -
Chapter One Introduction
CHAPTER ONE INTRODUCTION 1.1.Background of Study Japan has so many traditions of folklore that had inherited for generation whether in story form or in tradition form. With some creativity and existing technology that they had, some Japanese filmmaker has succeeded by making some Japanese folklore into more interesting form and well known by people whether inside Japan or outside Japan. According to Kitayama “Folklore is a stories shared by folk people from the past and these stories are similar to myths, except that they are related more to human matters than to supernatural beings” (Kitayama 2005: 85) By this quotation the writer argue that folklore is cultural product which is produced by people in the past and it is contained of myth and usually, the society will connect the folklore to supernatural even more to human matters. As emphasized by Lindahl, Although many people regard a “folktale” as a fictional form, I use the term here to apply to any traditional tale, whether its tellers consider it true, or false, or both. Thus, the scope of the tale extends far beyond fiction to encompass belief tales, personal experience stories, and accounts of major historical events (Lindahl, 2004: 200). Based on the quotation above, the writer argues that folklore acknowledges the practice of labeling narratives based on the element of belief, he also realizes the inherent story within each and the tendency of storytellers to use a little fiction and a little nonfiction in crafting their stories. Lindahl uses this terminology to put the focus on the storytellers themselves and help the reader to recognize the relationship between tale and teller.