CARTES a JOUER ET TAROTS Collection PORTZER Ancienne Collection MAUREL
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Wayward Dark Tarot Book.Pdf
Wayward Dark Tarot “Your vision will become clear only when you can look into your own heart. Who looks outside, dreams; who looks inside, awakes.” -Carl Jung In the imagery of the Wayward Dark Tarot are the archetypes and symbolism of Aleister Crowley’s Thoth Tarot deck, mirrored and modified into a chthonic afterlife evoking the beautiful and the macabre. Familiarity with the Thoth Tarot will give you additional insight (and likely, additional critiques) of the Wayward Dark Tarot. Yet it should read on its own strengths as well. As it may be considered a fun house mirror of the Thoth deck, it is the same for your own inner thoughts and imagination. Look to the cards and you might discover a path to your subconscious paved through the archetypes of the Tarot. “Let the inner god that is in each one of us speak. The temple is your body, and the priest is your heart: it is from here that every awareness must begin.” -Alejandro Jodorowsky There are many ways to use a Tarot Deck. It can be for card games like tarocchini, occult purposes like divination, and in pursuing improvement through self-reflection and self-work. There is no right and wrong way to use your deck, just so long as the way you use it is a way that works for you. This book provides card keywords and meanings for your own clarity. If you have a stronger association with a card that contradicts the meanings given here, then go by your own interpretation. Above all, this book is meant to be a helpful guide, not a dictator. -
Tarot 1 Tarot
Tarot 1 Tarot The tarot (/ˈtæroʊ/; first known as trionfi and later as tarocchi, tarock, and others) is a pack of playing cards (most commonly numbering 78), used from the mid-15th century in various parts of Europe to play a group of card games such as Italian tarocchini and French tarot. From the late 18th century until the present time the tarot has also found use by mystics and occultists in efforts at divination or as a map of mental and spiritual pathways. The tarot has four suits (which vary by region, being the French suits in Northern Europe, the Latin suits in Southern Europe, and the German suits in Central Europe). Each of these suits has pip cards numbering from ace to ten and four face cards for a total of 14 cards. In addition, the tarot is distinguished by a separate 21-card trump suit and a single card known as the Fool. Depending on the game, the Fool may act as the top trump or may be played to avoid following suit. François Rabelais gives tarau as the name of one of the games played by Gargantua in his Gargantua and Pantagruel;[1] this is likely the earliest attestation of the French form of the name.[citation needed] Tarot cards are used throughout much of Europe to play card games. In English-speaking countries, where these games are largely unplayed, tarot cards are now used primarily for divinatory purposes. Occultists call the trump cards and the Fool "the major arcana" while the ten pip Visconti-Sforza tarot deck. -
Catalogue of the Collection of Playing Cards Bequeathed To
CATALOGUE OF THE COLLECTION OF PLAYING CARDS BEQUEATHED TO THE TRUSTEES OF THE BRITISH MUSEUM ; ^ ^4 f BY THE LATE LADY CHAULOTTE SCHREIBER. COMPILED BY FREEMAN M. O'DONOGHUE, F.S.A., ASSISTANT-KEEPER OF PRINTS AND DRAWINGS. Printed by Order of the Trustees. LONDON: LONGMANS & CO., Pateenosteb Eow; B. QUAEITCH, 15, Piccadilly; ASHEE & CO., 13, Bedford Street, Covent Garden; KEGAN PAUL, TEENCH, TEUBNEE & CO., Paternoster House, Charing Cross Eoad; and HENBY FBOWDE, Oxford University Press, Amen Corner. 1901, : ON !?33 LONDON PRINTED BY WILLIAM CLOWES AND SONS, Limited, STAMFORD STREET AND CHARING CROSS. ; PREFACE. The late Lady Charlotte Schreiber formed during her lifetime an extensive collection of the Playing-Cards of various countries, and, dying in 1895, bequeathed the collection to the Trustees of the British Museum. In accordance with the terms of the legacy, all those items were retained which were not strictly duplicates of others already in the Museum, the remainder being returned to the executors. The portion retained constitutes a very important addition to the collection which previously belonged to the department.* The present separate catalogue of the addition to the national collection thus made by Lady C. Schreiber's bequest, has been prepared by Mr. F. M. O'Donoghue, Assistant-Keeper of Prints and Drawings in the Museum, and is published by the Trustees in accordance with an undertaking made on their behalf to the executors of the testatrix when her bequest was accepted. Among the most important items in the collection are, in the Italian section, Mitelli's tarocchino and "II Passa Tempo" packs; Fresehot's cards of Venetian Heraldry, 1707 ; and two interesting Ombre packs, probably executed in Venice, one hand-painted on plates of silver and enclosed in a silver case, the other engraved on brass plates and contained in a case of the same material. -
Florentine Minchiate: the Fool's Journey
CANAL Issue Two / Spring 2018 / The Department of World Languages & Cultures The University of Massachusetts Lowell ______________________________________________________________________________ Florentine Minchiate: The Fool’s Journey ____________________________________________________________CAMERON WALSH “The random conditions presented by a hand of cards are a metaphor for the circumstances one is born into [...]. The playing out of a hand of cards can be seen as a microcosmic reflection of the ever-changing world around us […].” -Timothy Husband, The World in Play: Luxury cards 1430- 1540 (10) Ordinary decks of playing cards that most people are familiar with are made up of 52 cards containing four suits: Spades, Hearts, Diamonds, and Clubs. Additionally, a deck has kings, queens, and jacks as face cards as well as number cards 2 through 10. Instead of a 1, th ere is an ace which has the highest value. There are also two jokers which some times are not used. These modern suits were adopted into tradition from 15th-century French playing cards. Card games were introduced to Europe in approximately the middle of t he 14th century, probably from the Near East through Venice or from the Mamluk sultanate in Egypt through southern Italy, Sicily, or even Spain (Husband). Early card decks in Italy incorporated suits such as Cups ( copper), Swords ( spade), Batons ( gastonia), and Coins ( denari). Playing cards in Germany did not follow any standardized symbolism until the late 15th century when the suits became Acorns ( Eichel), Leafs (Laub), Hearts ( Herz), and Bells ( Schele). Additionally, the number of cards in German decks often varied. CANAL Issue Two / Spring 2018 / The Department of World Languages & Cultures The University of Massachusetts Lowell ______________________________________________________________________________ FIG 1 Bonafacio Bembo Emperor of FIG 2 Dante Alighieri “Divina Commedia” (1st Swords from the Visconti Tarot. -
Historic Cards and Games and the Historic Cards and Games Collection of Stuart and Marilyn R
[Doubleday, Abner], Tarot MSS, circa 1870s-1885, 257 pp., includes detailed descriptions Strobl, Andreas, Das Geistliche of tarot symbolism, much material translated from French sources, hand-drawn diagrams Teutsche Karten-Spil, 1691, tipped in, and 78 hand-colored cards pasted at rear of book. Sulzbach, 4 to., 1036 pp., includes HISTORIC Intricately Carved Napoleonic P.O.W. Bone Boxes, circa 1802-1815, made by French Sailors captured by the Estimate: $8,000-10,000 32 curious playing card plates. British during the Napoleonic Wars. Estimate: $2,000-2,500 ea. Estimate: $2,000-2,500 CARDS Historic Cards and Games and The Historic Cards and Games Collection of Stuart and Marilyn R. Kaplan GAMES represents 37 years of avid collec ting. The June 21, 2006 sale at Christie’s New York includes over 50 sterling silver bridge and playing card boxes, 180 bridge trump indicators, 125 rare tarot and tarock decks circa 18th and 19th centuries, 14 Minchiate of Florence The Stuart and and Tarocchini of Bologna decks from the 18th and 19th centuries, and a complete set of Marilyn R. Kaplan six original wood blocks for printing an Edoardo Dotti tarot deck circa 1860s. Collection Also included in the sale are 40 early cartomancy decks, several 19th century card presses, clocks with playing card faces, 40 cribbage boards, 90 important books from the 16th to 19th centuries, early American playing cards, tax documents relating to playing cards, a choice selection of early American, English, French, German and Japanese Sterling Silver Double Patience Card Boxes, domed top lid and palanquin. -
Shmanners 232: Tarot Published October 16Th, 2020 Listen Here at Themcelroy.Family
Shmanners 232: Tarot Published October 16th, 2020 Listen here at themcelroy.family Travis: What did the man say when he got a really good card reading? Teresa: I don't know, what? Travis: Tar-whoaaa! Teresa: [laughs quietly] It's Shmanners. [theme music plays] Travis: Hello, internet! I'm your husband host, Travis McElroy. Teresa: And I'm your wife host, Teresa McElroy. Travis: And you're listening to Shmanners. Teresa: It's extraordinary etiquette... Travis: For ordinary occasions. Hello, my dove. Teresa: Hello, my dear. Travis: How are you? Teresa: I'm doing okay, getting over some tonsillitis but feeling better now. Travis: I just made that joke up on the spot. Teresa: It was great. Travis: Thank you! Teresa: And I'm really glad you didn't test it out on me beforehand, like you do with some of the others. Travis: No, it's—it's the element of surprise. Teresa: Yeah, right right right. Yeah. Travis: "Tar-whoa!" [through laughter] You gotta get 'em— Teresa: [through laughter] You gotta get—[laughs] Travis: Gotta get 'em. You gotta get 'em! Teresa: Yeah, mm-hmm. Travis: What are we talking about this week? Teresa: Well, this week we are talking about tarot readings. Travis: Okay. Not the potato-like thing, right? Taro root? That's a thing, right? Teresa: No, not that. It's a delicious thing. Travis: And not, like, a scary thing, which is, like, "Terror." Teresa: Right. Right in the middle. Travis: Okay. Teresa: Right between taro and terror is tarot. Travis: Is tarot. Now, it looks like tay-rot. -
The Fool (Tarot Card) - Wikipedia, the Free Encyclopedia Page 1 of 5
The Fool (Tarot card) - Wikipedia, the free encyclopedia Page 1 of 5 The Fool (Tarot card) From Wikipedia, the free encyclopedia The Fool or The Jester is one of the 78 cards in a Tarot deck; one of the 22 Trump cards that make up the Major Arcana. The Fool is unnumbered; sometime represented as 0 (the first) or XXII (the last) Major Arcana in decks. It is used in divination as well as in game playing. Contents ■ 1 Iconography ■ 2 History ■ 3 In tarot games ■ 4 Symbolism ■ 5 Interpretations ■ 6 See also ■ 7 References ■ 8 External links Iconography The Fool from the Rider-Waite Tarot deck The Fool is titled Le Mat in the Tarot of Marseilles, and Il Matto in most Italian language tarot decks. These archaic words mean "the madman" or "the beggar", and may be related to the word for 'checkmate' in relation to the original use of tarot cards for gaming purposes. [1] In the earliest Tarot decks, the Fool is usually depicted as a beggar or a vagabond. In the Visconti-Sforza tarot deck, the Fool wears ragged clothes and stockings without shoes, and carries a stick on his back. He has what appear to be feathers in his hair. His unruly beard and feathers may relate to the tradition of the woodwose or wild man. Another early Italian image that relates to the tradition is the first (and lowest) of the series of the so- called "Tarocchi of Mantegna". This series of prints containing images of social roles, allegorical figures, and classical deities begins with " Misero ", a depiction of a beggar leaning on a staff. -
The Transitory Tarot
The Transitory Tarot: An Examination of Tarot Cards, the 21st Century New Age and Theosophical Thought Morandir Armson Since the eighteenth century, tarot cards have been favoured by occult practitioners for the purpose of divination. One fundamental feature of modern tarot cards is their use of abstract and esoteric symbolism, which imbues each card with its own specific meaning(s). The earliest commercially available, purpose-designed divinatory tarot deck - the Waite-Smith - drew from Arthur Edward Waite‟s theosophical background to form the initial symbolic template upon which these cards were designed. As the Waite-Smith tarot was disseminated and utilised by the wider occult community, this deck became a passive carrier of theosophical thought. In this way, occult practitioners, and eventually the general community, absorbed many theosophical concepts without conscious knowledge of their origins. Therefore, it is important to examine the theosophical beginnings of the Waite-Smith tarot as these philosophies hitchhiked upon the deck into the community outside of the Theosophical Society. This article will firstly explore Waite‟s involvement with various occult societies to provide a context of the following analysis, and will then examine the pictorial symbolism within the Waite-Smith tarot. Using common esoteric interpretations of this symbolism, the analysis will correlate these symbols with the various theosophical philosophies, thus demonstrating the ways in which Waite used theosophical philosophy to inform the symbolic pictures used on his tarot deck, transforming these cards into subtle carriers of these philosophies into the wider public. Structurally, the tarot deck is set up like a deck of conventional playing cards, with four suits corresponding to the suits of conventional cards. -
The Caravan of Tarot
LETAROT presents THECARAVANOFTAROT T a r o t :H i s t o r y • A r t • M a g i c ANINTERNATIONALEXHIBITION under the patronage of Ministry for the Cultural and Environmental Heritage Protocol no. 16638 dated January 1995 EDITEDBY Scientific Committee of Le Tarot Association COORDINATORS Alain Bougearel - Franco Cardini - Andrea Vitali 1 Table of Contents Scientific Committee 2 ----------------------------------------------------------------------------------------------------------- Foreword 3 ----------------------------------------------------------------------------------------------------------- Historical Introduction 4 ----------------------------------------------------------------------------------------------------------- Exhibition Structure 5 ----------------------------------------------------------------------------------------------------------- The Exposed Woks 6 1 Celestial Harmony 7 2 Allegorical Iconography of the Triumphs 17 3 The Divine Hermes 28 4 The Game of Tarot 33 5 The Book of Thoth 47 6 Tarot and Cartomancy 57 7 Tarot by Italian Contemporary Artists 78 ----------------------------------------------------------------------------------------------------------- Set Design 80 ----------------------------------------------------------------------------------------------------------- The Catalogue 81 Scientific Committee Giordano Berti Essayist, Tarot historian Marco Bertozzi Theoretical Philosophy, Ferrara University Alain Bougearel Essayist, Tarot historian Ross Sinclair Caldwell Essayist, Tarot historian Franco -
TAROT in BOLOGNA: DOCUMENTS from the UNIVERSITY LIBRARY Franco Pratesi, 27.05.1987 (Italian Cards - New Discoveries No
TAROT IN BOLOGNA: DOCUMENTS FROM THE UNIVERSITY LIBRARY Franco Pratesi, 27.05.1987 (Italian Cards - New Discoveries No. 9) Tarocchino Bolognese is one of the oldest variants of tarot. Some of the stories connected with Prince Fibbia tend to attribute to it a date of origin which is near to the very introduction of cards in Europe. Unfortunately, however, very few documents have been preserved which are earlier than the first edition of the fundamental book Istruzioni necessarie... printed in Bologna in 1754. On the other hand, Tarocchino Bolognese is a fortunate exception among the many tarot variants, which are now almost completely forgotten. It is still played and precisely in same places where it was introduced four or five hundred years ago. Moreover, the fact that the game is based on the use of a reduced pack - the numeral cards from 2s to 5s being absent - has the fortunate consequence that the cards of Tarocchino Bolognese have not been implied in the recent revivals of cartomantic fashions. Prof. Dummett, in particular, has recently emphasised with usual comprehensiveness the local character of the game; the necessity in old times to memorize the whole sequence of the triumphs, which only recently and only in part show numbers; the conservative aspect of the cards and of the rules of playing, and so on. (1) In recent years we have some description of Tarocchino Bolognese in game magazines, (2) in books of card games, (3) a new reprint of the above mentioned ancient book, (4) and the edition of a pack, sponsored by Banca Popolare di Bologna e Ferrara, published together with a book by Laghi (5). -
H I S T O R Y O F P L a Y I N G C a R
L E T A R O T p resen ts H i s t o r y o f Playing C a r d s CURATORS ANDREA VITALI - GIORDANO BERTI - THIERRY DEPAULIS HISTORY OF PLAYING CARDS The oldest European documents on playing cards are dated back to the end of the XII th century. The historians suppose that cards reached Europe during Middle Age as a result of trading relationships with Arabs, which, in turn, received them from Indian or Chinese people. Anyway, these are mere assumptions. In the XIII th century, the wide diffusion of playing cards was due to the advent of the printing art. However, while plebeians played with unrefined and badly drawn cards, the nobles used cards created by famous artists using refined techniques and high quality materials: gold, silver, tempera and shellac or, in alternative, but with the same expertise, using fine xylographic carving. According to the analysis of the recovered samples, we know that, during Renaissance, a wide range of images were printed on playing cards: court-life or hunting scenes, fanciful animals, florilegiums and mythological images were the themes preferred by manufacturers. At the end of XIV th century, the production tended towards two basic models: in Italy, Spain and France the "Italian suit" cards prevailed (“coppe” corresponding to hearts, “danari” corresponding to diamonds, “bastoni” corresponding to clubs, and “spade” corresponding to spades), while in Germany the “German suit” prevailed (leaves, acorns, bells and hearts). At the beginning of the XV th century, the “French suit” cards appeared (hearts, diamonds, clubs, spades) and dominated the North-Europe markets. -
Starcat Tarot Presents
Starcat Tarot Presents Introduction to the Tarot What is the Tarot? The Tarot is a deck of (usually) 78 playing cards that was developed between 1392 and 1440. The earliest record of Tarot cards is a set of “picture cards” designed for Charles VI of France in 1392-1393. According to one theory, the Tarot was originally used as playing cards for Italian tarocchini and French tarot (games similar to bridge). The divination aspect of the cards wasn’t popularized until the 1780s, which is also the time that the now discredited idea that the cards came from ancient Egypt was first put forth. The deck is comprised of 56 “minor” cards divided into 4 suits and 22 “major” or trump cards. The minor cards are numbered Ace through 10, with four Court cards -Page, Knight, Queen and King. The suits are generally swords, wands, pentacles and cups, although the names and symbols may change from deck to deck. The cards were given a lot of esoteric meanings by various people and entities including the Golden Dawn, a secret society of magicians in the late 19th century. These included relationships to Numerology, Hebrew letters, Pagan gods and goddesses, and rituals. In many cases these additional meanings were very different depending on who was assigning them. One of the members of the Golden Dawn, Arthur Waite, put together a Tarot deck in the early 20th century. He used his own ideas combined with the Golden Dawn attributions and got a fellow Golden Dawn member, Pamela Colman Smith, to illustrate the cards according to their ideas of what the Tarot should be.