Cultural Diplomacy DICTIONARY
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Cultural Diplomacy and the National Interest
Cultural Diplomacy and The National Interest Cultural Diplomacy and The National Interest: In Search of a 21st-Century Perspective Overview Interest in public and cultural diplomacy, after a long post-Cold War decline, has surged in the last few years. This new focus inside and outside government has two causes: first, the 9/11 terrorist attacks and the perception that the U.S. is losing a war of culture against Islamic extremists; and second, the documented global collapse of positive public sentiment toward the U.S. But the task facing policy leaders – translating interest into action – must accommodate the reality that government cultural work has been diminished in scope even as trade in cultural products and Internet communication has increased the complexity and informal character of cross-cultural communication. The current state of U.S. cultural and public diplomacy has been reviewed by numerous special commissions and elite bodies, ranging from the 9/11 Commission to the RAND Corporation, from Congress’s Governmental Accountability Office (GAO) to the Council on Foreign Relations. Resulting recommendations have emphasized increased funding, better coordination, increased State Department programming, and more private-sector partnership to support programming that the State Department and governmental broadcasting outlets are already producing. However, because cultural work constitutes a long-term, diffuse, and largely immeasurable solution to a pressing problem in an age of quick fixes, the larger concept of cultural diplomacy – defined most broadly as the propagation of American culture and ideals around the world – tends to get short shift in these presentations. In addition, the lion’s share of The Curb Center for Art, American cultural content is conveyed by private-sector film, recording, and Enterprise, and Public Policy at Vanderbilt broadcasting industries, functioning beyond the realm of official policy objectives. -
External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish
東京外国語大学論集 第 100 号(2020) TOKYO UNIVERSITY OF FOREIGN STUDIES, AREA AND CULTURE STUDIES 100 (2020) 43 External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish 「少数言語」の対外普及 ̶̶ バスク語とカタルーニャ語 の事例をスペイン語の事例と比較しつつ HAGIO Sho W o r l d L a n g u a g e a n d S o c i e t y E d u c a t i o n C e n t r e , T o k y o U n i v e r s i t y o f F o r e i g n S t u d i e s 萩尾 生 東京外国語大学 世界言語社会教育センター 1. The Historical Background of Language Dissemina on Overseas 2. Theore cal Frameworks 2.1. Implemen ng the Basis of External Diff usion 2.2. Demarca on of “Internal” and “External” 2.3. The Mo ves and Aims of External Projec on of a Language 3. The Case of Spain 3.1. The Overall View of Language Policy in Spain 3.2. The Cervantes Ins tute 3.3. The Ramon Llull Ins tute 3.4. The Etxepare Basque Ins tute 4. Transforma on of Discourse 4.1. The Ra onale for External Projec on and Added Value 4.2. Toward Deterritorializa on and Individualiza on? 5. Hypothe cal Conclusion Keywords: Language spread, language dissemination abroad, minority language, Basque, Catalan, Spanish, linguistic value, linguistic market キーワード:言語普及、言語の対外普及、少数言語、バスク語、カタルーニャ語、スペイン語、言語価値、 言語市場 ᮏ✏䛾ⴭసᶒ䛿ⴭ⪅䛜ᡤᣢ䛧䚸 䜽䝸䜶䜲䝔䜱䝤䞉 䝁䝰䞁䝈⾲♧㻠㻚㻜ᅜ㝿䝷䜲䝉䞁䝇䠄㻯㻯㻙㻮㼅㻕ୗ䛻ᥦ౪䛧䜎䛩䚹 https://creativecommons.org/licenses/by/4.0/deed.ja 萩尾 生 Hagio Sho External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish 「少数言語」 の対外普及 —— バスク語とカタルーニャ語 の 事 例をスペイン語の事例と比較しつつ 44 Abstract This paper explores the value of the external projection of a minority language overseas, taking into account the cases of Basque and Catalan in comparison with Spanish. -
Making It in Maine: Stories of Jewish Life in Small-Town America
Maine History Volume 49 Number 1 The Maine Melting Pot Article 2 1-1-2015 Making it in Maine: Stories of Jewish Life in Small-Town America David M. Freidenreich Colby College Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the Cultural History Commons, Jewish Studies Commons, and the Social History Commons Recommended Citation Freidenreich, David M.. "Making it in Maine: Stories of Jewish Life in Small-Town America." Maine History 49, 1 (2015): 4-38. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol49/iss1/2 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Winter 2015 for color_Maine History Feb 2005 4/29/15 10:22 AM Page 4 Wolf Lipsky, Bangor, ca. 1900. Wolf Lipsky came to Maine from his native Rus- sia as a teenager and made his living as a peddler. Many Jewish immigrants to Maine during this period ran similar operations before eventually opening sta- tionary storefronts. Courtesy of the Bangor Public Library. Winter 2015 for color_Maine History Feb 2005 4/29/15 10:22 AM Page 5 MAKING IT IN MAINE: STORIES OF JEWISH LIFE IN SMALL-TOWN AMERICA DAVID M. FREIDENREICH1 A fundamental part of the experience of immigrants to the United States has been the tension between incorporating into a new country while maintaining one’s cultural roots. In this article, the author describes the experience of Jewish Americans in Maine, where climate, culture, and remoteness from larger Jewish populations contributed to a unique process of Americanization compared with Jewish populations in more urban areas of the country. -
Cultural Distance, Perception of Emotional Display Rules, And
CULTURAL DISTANCE, PERCEPTION OF EMOTIONAL DISPLAY RULES, AND THEIR INFLUENCE ON SOJOURNER ADJUSTMENT A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Science Nicole L. Gullekson August 2007 2 This thesis titled CULTURAL DISTANCE, PERCEPTION OF EMOTIONAL DISPLAY RULES, AND THEIR INFLUENCE ON SOJOURNER ADJUSTMENT by NICOLE L. GULLEKSON has been approved for the Department of Psychology and the College of Arts and Sciences by ________________________________________________ Jeffrey B. Vancouver Associate Professor of Psychology ________________________________________________ Benjamin M. Ogles Dean, College of Arts and Sciences 3 Abstract GULLEKSON, NICOLE L., M.S., August 2007, Experimental Psychology CULTURAL DISTANCE, PERCEPTION OF EMOTIONAL DISPLAY RULES, AND THEIR INFLUENCE ON SOJOURNER ADJUSTMENT (109 pp.) With increased globalization, more individuals temporarily leave home to work and study in foreign countries. These sojourners are confronted with societal norms different from their home cultures. The present study investigated the extent to which international student sojourners perceive differences in emotional display norms between their home and host cultures, as well as the influence of such perception on adjustment. Although accurate perception of the host culture’s emotional display rules was not related to adjustment, a “guest” effect existed. Specifically, international student participants reported that one should -
Ireland's Experience Economy
Ireland’s Experience Economy 2021 #yourexperienceeconomy 2 Ireland’s Experience Economy 1 Ireland’s Experience Economy 1 Experience Economy by the numbers 2 Ireland’s Our campaign 4 Campaign purpose 4 Defining the Experience Economy 5 Experience Social and economic contribution 6 Sustainability and a shared island 6 Policy asks 7 Economy 1 Bouncing back 9 2 Putting people first 13 3 Fire powering product, marketing and digitalisation 17 With a landscape, surrounded by an outstanding Calls to action 20 coastline, diverse and dramatic, a haunting history steeped in ancient traditions, literature, folklore and music fused culture, Ireland has all the raw materials for an exceptional experience. This amazing place, famous for its welcome, is backed by thousands of businesses and hundreds of thousands of people that power it. Our world-renowned hotels, fantastic festivals, the fame of sporting occasions, our rich provenance in food and drink, the ceremonies marking our culture and way of living, our campaign global connectivity join forces to create experiences unique to the island of Ireland. The Experience Economy is part of Ibec’s Reboot and Reimagine campaign to shape a better and sustainable future for Ireland. This is the Experience Economy and more than meets the eye. The Reboot and Reimagine campaign provides a range of solutions that cover the enormity and breadth of the challenges posed by the pandemic. It outlines thematic policy actions across engagement and crisis management, getting people back to work, fiscal policy and stimulus measures, responding to Brexit and reimaging a better Ireland. With courage and commitment from Government, the business community and the public, the Reboot and Reimagine campaign can chart not simply a recovery for society and the economy, but one which will deliver a more sustainable future for all. -
The Use of Cultural Diplomacy by Brazilian Government Abstract The
1 Building a new strategy: the use of Cultural Diplomacy by Brazilian Government Abstract The paper will explore the co-relation between diplomacy and culture when States seek for power in the international arena. We postulate that countries with an interest to push the current power structure – and change today’s established order – can try to use cultural assets to enforce their own interests and values at the international arena. Considering that culture becomes an apparatus to achieve power and transform international society, we hypothesize that emerging powers - introduced lately at International Society - could articulate their positions by associating culture and diplomacy – an essential institution of international society. The instrumentalization of culture by Cultural Diplomacy contributes to these countries becoming more reputable in the international environment and tends to re- structure the balance of power. We propose to use the Brazilian case to illustrate our proposition. In this way, the paper will especially work with literature about International Cultural Relations and its intersection with Cultural History. The works of Robert Frank, Pascal Ory and Anaïs Fléchét will offer the main contribution for this argument. Introduction The research presented here intends to be a contribution to International Relations research field, especially by incorporating elements of Cultural History and by reflection on identity issues and on Brazilian international projection in the twenty-first century. Thus, from the study of the Brazilian cultural diplomacy strategies in the beginning of this century – period of major changes in the organization of international relations of Brazil –, we aim to demonstrate how countries considered ‘emerging poles’ (LIMA, 2010) can and make use of mechanisms created by States established in International Society. -
Works on Giambattista Vico in English from 1884 Through 2009
Works on Giambattista Vico in English from 1884 through 2009 COMPILED BY MOLLY BLA C K VERENE TABLE OF CON T EN T S PART I. Books A. Monographs . .84 B. Collected Volumes . 98 C. Dissertations and Theses . 111 D. Journals......................................116 PART II. Essays A. Articles, Chapters, et cetera . 120 B. Entries in Reference Works . 177 C. Reviews and Abstracts of Works in Other Languages ..180 PART III. Translations A. English Translations ............................186 B. Reviews of Translations in Other Languages.........192 PART IV. Citations...................................195 APPENDIX. Bibliographies . .302 83 84 NEW VICO STUDIE S 27 (2009) PART I. BOOKS A. Monographs Adams, Henry Packwood. The Life and Writings of Giambattista Vico. London: Allen and Unwin, 1935; reprinted New York: Russell and Russell, 1970. REV I EWS : Gianturco, Elio. Italica 13 (1936): 132. Jessop, T. E. Philosophy 11 (1936): 216–18. Albano, Maeve Edith. Vico and Providence. Emory Vico Studies no. 1. Series ed. D. P. Verene. New York: Peter Lang, 1986. REV I EWS : Daniel, Stephen H. The Eighteenth Century: A Current Bibliography, n.s. 12 (1986): 148–49. Munzel, G. F. New Vico Studies 5 (1987): 173–75. Simon, L. Canadian Philosophical Reviews 8 (1988): 335–37. Avis, Paul. The Foundations of Modern Historical Thought: From Machiavelli to Vico. Beckenham (London): Croom Helm, 1986. REV I EWS : Goldie, M. History 72 (1987): 84–85. Haddock, Bruce A. New Vico Studies 5 (1987): 185–86. Bedani, Gino L. C. Vico Revisited: Orthodoxy, Naturalism and Science in the ‘Scienza nuova.’ Oxford: Berg, 1989. REV I EWS : Costa, Gustavo. New Vico Studies 8 (1990): 90–92. -
Application of Brand-Centered Experience Design in the Transformation of Traditional Enterprises
Frontiers in Art Research ISSN 2618-1568 Vol. 2, Issue 6: 71-82, DOI: 10.25236/FAR.2020.020613 Application of Brand-centered Experience Design In the Transformation of Traditional Enterprises Yubo Zhang*, Min Lin School of innovation and design, The Guangzhou Academy of Fine Arts, Guangzhou, 510260, China *Correspondence: [email protected] ABSTRACT. After 40 years of reform and opening up, China has become the world’s second largest economy. With the rapid economic development, local traditional enterprises have gradually paid attention to and realized the importance of user experience for enterprise transformation. However, every traditional enterprise must consider how to integrate user experience into the enterprise's existing model and give play to the market value of user experience. This paper explores the relationship between brand, experience and design. And, combined with brand positioning theory, behavioral economics prospect theory and experience model of design psychology, this paper proposes a brand-experience-design integration strategy model, which has been initially verified in corporate practice. KEYWORDS: Experience design; Brand; Integration 1. Introduction After 40 years of reform and opening up, China has become the world’s second largest economy. Economic development and technological progress have affected people’s needs and desires and consumers’ consumption patterns accordingly. Economic development has moved from the past agricultural economy, industrial economy, and service economy to the current experience economy. The so-called experience economy is an economic form in which goods and services are used as carriers to meet people’s ever-increasing spiritual needs, so that consumers can get emotional and self-realization value satisfaction and enjoyment. -
Buddhism and Holistic Versus Analytic Thought
CULTURE, RELIGION AND COGNITION: BUDDHISM AND HOLISTIC VERSUS ANALYTIC THOUGHT by Alain Samson A thesis submitted for the degree of Doctor of Philosophy (PhD) 2007 University of London The London School of Economics and Political Science Institute of Social Psychology UMI Number: U615882 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615882 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without the prior written consent of the author. I warrant that this authorization does not, to the best of my belief, infringe the rights of 2 British ity<;(. -
Invented Or Inherited?
Call for Papers 12th UNEeCC Conference Culture: Invented or Inherited? 7-9 November 2018 University of Malta, Valletta Campus Culture is ‘the way-of-life in an ecosystem characteristic of a particular people’ (Keesing 1981:68). This is only one of the countless definitions given to this term which is ‘surprisingly’ and ‘notoriously’ difficult to define due to its dynamic nature (Smith and Riley 2011). Underlying dimensions characterising early and modern Europe, such as the economic situation of specific countries and humanitarian crises may be determining factors by which its collectivist culture has been constantly in flux, particularly in its production and consumption. One would question the affects which these factors may have on the transmission of traditional and popular European cultures and if their core components are, in fact, inherited or invented. The main objective of this conference is to develop critical arguments based on two concepts which can be non-homogenous and overlapping at the same time, namely (i) Culture inheritance and (ii) Cultural invention. Key questions relevant to this conference are: (i) ‘how does the concept of European Capitals of Culture consider the invention and inheritance of cultures?’; (ii) ‘What avenues are being taken by ECoC programmers to strike a balance in the promotion of cultural components which are ‘invented’ and those based on grass-root identities?’; and (iii) ‘What are the core arguments surrounding the questions of whether a culture is invented or inherited?. Established academics, -
Coronavirus (COVID-19) and Cultural and Creative Sectors: Impact, Policy Responses and Opportunities to Rebound After the Crisis
WEBINAR Coronavirus (COVID-19) and cultural and creative sectors: impact, policy responses and opportunities to rebound after the crisis 17 April 2020 | 15.00-16.30 CET oe.cd/culture-webinars #OECDculture REGISTER HERE Along with the tourism industry, cultural and creative sectors are among the most affected by the current coronavirus (Covid-19) crisis The current crisis is particularly critical for cultural and creative sectors due to the sudden and massive loss of revenue opportunities, especially for the more fragile players. Some actors benefit from public support (e.g. public museums, libraries, theatres) but may experience significant budget shortfalls. The sector includes major multinational companies with sustainable revenues (e.g. Netflix), but many small companies and freelance professionals essential for the sector could face bankruptcy. This crisis creates a structural threat to the survival of many firms and workers in cultural and creative production. Today, more than ever, the importance of culture and creativity for society is clear. The availability of cultural content contributes to mental health and well-being, and many cultural institutions have provided online and free content in recent weeks for that purpose. Sustainable business models during and after the initial crisis are imperative for the sector’s survival. Leaving behind the more fragile part of the sector could cause irreparable economic and social damage. The current challenge is to design public supports that alleviate the negative impacts in the short term and help identify new opportunities in the medium term for different public, private and non-profit actors engaged in cultural and creative production. This webinar will gather representatives of the cultural and creative sectors, local and national governments to review: The short and long-term impacts of the current crisis on CCS The innovative solutions put in place by CCS across countries The policy supports put in place by national and local governments to alleviate the short and long- term effects of the crisis on CCS. -
Redalyc.Cultural Economics: the State of the Art and Perspectives
Estudios de Economía Aplicada ISSN: 1133-3197 [email protected] Asociación Internacional de Economía Aplicada España SEAMAN, BRUCE A. Cultural Economics: The State of the Art and Perspectives Estudios de Economía Aplicada, vol. 27, núm. 1, abril, 2009, pp. 7-32 Asociación Internacional de Economía Aplicada Valladolid, España Available in: http://www.redalyc.org/articulo.oa?id=30117097001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative E STUDIOS DE E CONOMÍA A P L I C A D A V OL. 27-1 2009 P ÁGS. 7-32 Cultural Economics: The State of the Art and Perspectives BRUCE A. SEAMAN Andrew Young School of Policy Studies Department of Economics GEORGIA STATE UNIVERSITY e-mail: [email protected] ABSTRACT The intellectual development of cultural economics has exhibited some notable similarities to the challenges faced by researchers pioneering in other areas of economics. While this is not really surprising, previous reviews of this literature have not focused on such patterns. Specifically, the methodology and normative implications of the field of industrial organization and antitrust policy suggest a series of stages identified here as foundation, maturation, reevaluation, and backlash that suggest a way of viewing the development of and controversies surrounding cultural economics. Also, the emerging field of sports economics, which already shares some substantive similari- ties to the questions addressed in cultural economics, presents a pattern of development by which core questions and principles are identified in a fragmented literature, which then slowly coalesces and becomes consolidated into a more unified literature that essentially reconfirms and extends those earlier core principles.