Me-TV Net Listings for 11-11-19 REV3

Total Page:16

File Type:pdf, Size:1020Kb

Me-TV Net Listings for 11-11-19 REV3 Monday Tuesday Wednesday Thursday Friday Saturday Sunday METV 11/11/19 11/12/19 11/13/19 11/14/19 11/15/19 11/16/19 11/17/19 06:00A The Facts of Life 918 {CC} The Facts of Life 915 {CC} The Facts of Life 914 {CC} The Facts of Life 920 {CC} The Facts of Life 921 {CC} Dietrich Law Dietrich Law 06:30A Dietrich Law Diff'rent Strokes 718 {CC} Dietrich Law Diff'rent Strokes 719 {CC} Diff'rent Strokes 720 {CC}The Beverly Hillbillies 0064 {CC} ALF 2008 {CC} 07:00AThe Beverly Hillbillies 0059 {CC} Dietrich Law The Beverly Hillbillies 0060 {CC}The Beverly Hillbillies 0061 {CC}The Beverly Hillbillies 0062 {CC}Bat Masterson 1021ASaved {CC} by the Bell (E/I) AFQ05 {CC} <E/I-13-16> 07:30A My Three Sons 6923 {CC} My Three Sons 6924 {CC} My Three Sons 6925 {CC} My Three Sons 6926 {CC} My Three Sons 7001 {CC} Dietrich LawSaved by the Bell (E/I) AFQ04 {CC} <E/I-13-16> 08:00ALeave It to Beaver 13205 {CC}Leave It to Beaver 13218 {CC}Leave It to Beaver 13220 {CC} Todd Shatkin, DDS Leave It to Beaver 13211 {CC} Saved by the Bell (E/I) AFQ06 {CC} <E/I-13-16> 08:30A Todd Shatkin, DDS Todd Shatkin, DDS Todd Shatkin, DDS What's the Buzz in WNY Todd Shatkin, DDS Saved by the Bell (E/I) AFR10 {CC} <E/I-13-16> 09:00A Saved by the Bell (E/I) AFQ14 {CC} <E/I-13-16> Perry Mason 136 {CC} Perry Mason 139 {CC} Perry Mason 140 {CC} Perry Mason 141 {CC} Perry Mason 142 {CC} Paid 09:30A Saved by the Bell (E/I) AFQ10 {CC} <E/I-13-16> 10:00A The Flintstones 095 {CC} Matlock 9308 {CC} Matlock 9309 {CC} Matlock 9215 {CC} Matlock 93101 {CC} Matlock 93112 {CC} 10:30A The Flintstones 096 {CC} 11:00A What's the Buzz in WNY The Flintstones 097 {CC} Diagnosis Murder 9606 {CC}Diagnosis Murder 9607 {CC}Diagnosis Murder 9608 {CC}Diagnosis Murder 9609 {CC}Diagnosis Murder 9610 {CC} 11:30A Todd Shatkin, DDS Polka Buzz 12:00P Dietrich Law Dietrich Law Dietrich Law Dietrich Law Dietrich Law Big Picture (UFN) Todd Shatkin, DDS 12:30P Todd Shatkin, DDS Paid Paid 01:00P Gunsmoke 7002 {CC} Gunsmoke 7003 {CC} Gunsmoke 7004 {CC} Gunsmoke 7005 {CC} Gunsmoke 7006 {CC} Gunsmoke 7007 {CC} 01:30P Paid 02:00P Bonanza 924 {CC} Bonanza 925 {CC} Bonanza 926 {CC} Bonanza 928 {CC} Bonanza 923 {CC} Bonanza 927 {CC} 02:30P 03:00P The Rifleman 025 {CC} The Rifleman 027 {CC} The Rifleman 029 {CC} The Rifleman 031 {CC} The Rifleman 033 {CC} Gilligan's Island 10 {CC} Rawhide 103 {CC} 03:30P The Rifleman 026 {CC} The Rifleman 028 {CC} The Rifleman 030 {CC} The Rifleman 032 {CC} The Rifleman 034 {CC} Gilligan's Island 11 {CC} 04:00P Gilligan's Island 13 {CC} Wagon Train 0642A {CC} Wagon Train 0670A {CC} Wagon Train 0659A {CC} Wagon Train 0657A {CC} Wagon Train 0667A {CC} Beat the Champ 04:30P Gilligan's Island 14 {CC} 05:00P Todd Shatkin, DDS Dietrich Law Charlie's Angels 33 {CC} Charlie's Angels 34 {CC} Charlie's Angels 35 {CC} Charlie's Angels 36 {CC} Charlie's Angels 37 {CC} 05:30P Dietrich Law Paid 06:00P The Flintstones 085 {CC} The Flintstones 087 {CC} The Flintstones 089 {CC} The Flintstones 091 {CC} The Flintstones 093 {CC} Paid 06:30P The Flintstones 086 {CC} The Flintstones 088 {CC} The Flintstones 090 {CC} The Flintstones 092 {CC} The Flintstones 094 {CC} Dietrich Law 07:00P M*A*S*H 1G04 {CC} M*A*S*H 1G07 {CC} M*A*S*H 1G09 {CC} M*A*S*H 1G11 {CC} Polka Buzz Wonder Woman 213 {CC} 07:30P M*A*S*H 1G05 {CC} M*A*S*H 1G08 {CC} M*A*S*H 1G10 {CC} M*A*S*H 1G12 {CC} What's the Buzz in WNY MeTV Remembers the 08:00P Bragging Rights Bragging Rights Big Picture Karyn Reece Svengoolie Classic Horror M*A*S*H Finale (OTO) & Sci-Fi Movie 08:30P MASH9B04 {CC} The Andy Griffith Show 15 {CC}The Andy Griffith Show 17 {CC}The Andy Griffith Show 19 {CC}The Andy Griffith Show 21 {CC} The Gorgon Columbo 65611 {CC} 09:00P Gomer Pyle, U.S.M.C. 037 {CC} Gomer Pyle, U.S.M.C. 038 {CC} Gomer Pyle, U.S.M.C. 039 {CC} Gomer Pyle, U.S.M.C. 040 {CC} Christopher Lee, Peter Cushing (1964) - Horror 09:30P Green Acres 120 {CC} Green Acres 121 {CC} Green Acres 128 {CC} Green Acres 127 {CC} TV-PG {CC} 10:00P Hogan's Heroes 7019 {CC} Hogan's Heroes 7021 {CC} Hogan's Heroes 7022 {CC} Hogan's Heroes 6501 {CC} Hogan's Heroes 6503 {CC} The Jeffersons 109 {CC} Star Trek 047 {CC} 10:30P Hogan's Heroes 7020 {CC} Hogan's Heroes 7023 {CC} Hogan's Heroes 7024 {CC} Hogan's Heroes 6502 {CC} Hogan's Heroes 6504 {CC} Carol Burnett and Friends T853 {CC} 11:00PCarol Burnett and Friends T819Carol {CC} Burnett and Friends T821Carol {CC} Burnett and Friends T822Carol {CC} Burnett and Friends T823Carol {CC} Burnett and Friends T824 {CC}Buck Rogers in the 25th Beat the Champ 11:30P Century 55978 {CC} Perry Mason 42 {CC} Perry Mason 43 {CC} Perry Mason 44 {CC} Perry Mason 45 {CC} Perry Mason 46 {CC} 12:00A The Twilight Zone 8 {CC} Off Beat Cinema: 12:30A The Twilight Zone 3 {CC} The Twilight Zone 4 {CC} The Twilight Zone 5 {CC} The Twilight Zone 6 {CC} The Twilight Zone 7 {CC} ROCK, ROCK, ROCK The Twilight Zone 9 {CC} 01:00AAlfred Hitchcock Presents 1552AAlfred {CC} Hitchcock Presents 1553AAlfred {CC} Hitchcock Presents 1558AAlfred {CC} Hitchcock Presents 1555AAlfred {CC} Hitchcock Presents 1559A {CC} (1932 b&w) Alfred Hitchcock Presents 13613 {CC} 01:30AAlfred Hitchcock Presents 1565AAlfred {CC} Hitchcock Presents 1539AAlfred {CC} Hitchcock Presents 1524AAlfred {CC} Hitchcock Presents 1545AAlfred {CC} Hitchcock Presents 13616 {CC} Alfred Hitchcock Presents 13608 {CC} 02:00A Voyage to the Bottom of the Mannix 162 {CC} Mannix 164 {CC} Mannix 165 {CC} Mannix 166 {CC} Mannix 167 {CC} Sea TA1314 {CC} Thriller 14179 {CC} 02:30A 03:00A Cannon 7223 {CC} Cannon 7224 {CC} Cannon 7301A {CC} Cannon 7301B {CC} Cannon 7302 {CC} Land of the Giants 4724 {CC} Thriller 14183 {CC} 03:30A 04:00A The Time Tunnel TA9613 Peter Gunn 334 {CC} Barnaby Jones 7017 {CC} Barnaby Jones 7016 {CC} Barnaby Jones 7018 {CC} Barnaby Jones 7014 {CC} Barnaby Jones 7019 {CC} 04:30A {CC} Peter Gunn 335 {CC} 05:00A Highway Patrol 151 {CC} Highway Patrol 152 {CC} Highway Patrol 153 {CC} Highway Patrol 154 {CC} Petticoat Junction 6608 {CC} Highway Patrol 155 {CC} 11/6/19 @ 1:50 PM 05:00A Highway Patrol 151 {CC} Highway Patrol 152 {CC} Highway Patrol 153 {CC} Highway Patrol 154 {CC} Petticoat Junction 6608 {CC} Highway Patrol 155 {CC} Planet of the Apes TAB503 {CC} 05:30A The Facts of Life 913 {CC} The Facts of Life 916 {CC} The Facts of Life 922 {CC} The Facts of Life 919 {CC} Petticoat Junction 6621 {CC} The Facts of Life 923 {CC} Legend: Subject To Change E/I = Educational/Instructional Yellow = Changes 11/6/19 @ 1:50 PM METV 06:00A 06:30A 07:00A 07:30A 08:00A 08:30A 09:00A 09:30A 10:00A 10:30A 11:00A 11:30A 12:00P 12:30P 01:00P 01:30P 02:00P 02:30P 03:00P 03:30P 04:00P 04:30P 05:00P 05:30P 06:00P 06:30P 07:00P 07:30P 08:00P 08:30P 09:00P 09:30P 10:00P 10:30P 11:00P 11:30P 12:00A 12:30A 01:00A 01:30A 02:00A 02:30A 03:00A 03:30A 04:00A 04:30A 05:00A 11/6/19 @ 1:50 PM 05:00A 05:30A 11/6/19 @ 1:50 PM.
Recommended publications
  • Download Instructions on How to Hold an OEC Bottle and Can Drive
    Hold Your Own Bottle and Can Drive to Support OEC Thank you for being a Bottle Bonanza drive sponsor! Many of your friends and neighbors separate their NYS redeemable water/soda/beer cans and bottles and return them periodically to a store or redemption center for cash. Some can’t be bothered and simply discard them. Collecting these items and redeeming them makes them donors and you a fundraiser for Onondaga Earth Corps. Here are some steps to take to hold a successful bottle and can drive: 1. Decide when and where you want to hold your drive. Some people hold them in their neighborhood at their own house and ask their neighbors and friends to drop off their donations. Others choose to pick up the donations at the source. Decide what’s right for you! 2. Contact Pieter Keese to schedule your drive and arrange any support you might need. [email protected] 315-289-6776 (phone or text) When texting state your name and Bottle Bonanza intention. 3. Hand out flyers a week or two before the drive. Download the fillable PDF flyer at the Bottle Bonanza website and complete it with your drive information for distribution in your neighborhood. Use your social media savvy to alert your friends. 4. Hold your drive 5. Take your collection to the redemption center (list provided below). 6. Advise the redemption center that the proceeds are for Onondaga Earth Corps. Let them know if you have to make more than one trip and they will credit the account until you have completed your delivery.
    [Show full text]
  • Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
    Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself").
    [Show full text]
  • Bonanza' Ranch Rides Into Pop Culture Sunset
    Powered by SAVE THIS | EMAIL THIS | Close 'Bonanza' ranch rides into pop culture sunset INCLINE VILLAGE, Nevada (Reuters) -- A great symbol of the rugged old West, or at least as it was portrayed by Hollywood, is riding off into the sunset. The Ponderosa Ranch, an American West theme park where the television show "Bonanza" was filmed, closed Sunday after its sale to a financier whose plans for the property are unclear. The show, which ran on NBC from 1959 to 1973, was the top-rated U.S. program in the mid-1960s. Before the park closed, it was easy with a little imagination to feel transported there to a time when the American West was still a place to be tamed. Wranglers and a Stetson were proper attire. A sign outside the Silver Dollar Saloon welcomed ladies and not just the ones who earn a living upstairs. Fans of the long-running "Bonanza," which still airs on cable television, may recall Little Joe and Hoss getting the horses ready while Ben Cartwright yells from his office to see if the boys were doing what they were told in the 1860s West. "The house is the part I recognize -- the fireplace, the dining room, his office, the kitchen," said Oliver Barmann, 38, from Hessen, Germany, who visited the 570-acre grounds a week before the Ponderosa Ranch closed. "It's a pity it is closing," he said as his wife, Silvia, nodded in agreement. The property with postcard views of Lake Tahoe along Nevada's border with California became a theme park in the late 1960s, after the color-filmed scenes of "Bonanza"-- a first for a Western TV show in its day -- became part of American television lore.
    [Show full text]
  • BONANZA G36 Specification and Description
    BONANZA G36 Specifi cation and Description E-4063 THRU E-4080 Contents THIS DOCUMENT IS PUBLISHED FOR THE PURPOSE 1. GENERAL DESCRIPTION ....................................2 OF PROVIDING GENERAL INFORMATION FOR THE 2. GENERAL ARRANGEMENT .................................3 EVALUATION OF THE DESIGN, PERFORMANCE AND EQUIPMENT OF THE BONANZA G36. IT IS NOT A 3. DESIGN WEIGHTS AND CAPACITIES ................4 CONTRACTUAL AGREEMENT UNLESS APPENDED 4. PERFORMANCE ..................................................4 TO AN AIRCRAFT PURCHASE AGREEMENT. 5. STRUCTURAL DESIGN CRITERIA ......................4 6. FUSELAGE ...........................................................4 7. WING .....................................................................5 8. EMPENNAGE .......................................................5 9. LANDING GEAR ...................................................5 10. POWERPLANT .....................................................5 11. PROPELLER .........................................................6 12. SYSTEMS .............................................................6 13. FLIGHT COMPARTMENT AND AVIONICS ...........7 14. INTERIOR ...........................................................12 15. EXTERIOR ..........................................................12 16. ADDITIONAL EQUIPMENT .................................12 17. EMERGENCY EQUIPMENT ...............................12 18. DOCUMENTATION & TECH PUBLICATIONS ....13 19. MAINTENANCE TRACKING PROGRAM ...........13 20. NEW AIRCRAFT LIMITED WARRANTY .............13
    [Show full text]
  • Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
    Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas
    [Show full text]
  • 2014 DGA Episodic Director Diversity Report (By SIGNATORY COMPANY)
    2014 DGA Episodic Director Diversity Report (by SIGNATORY COMPANY) Signatory Company Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Network Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority 50/50 Productions, LLC Workaholics 13 0 0% 13 100% 0 0% 0 0% 0 0% Comedy Central ABC Studios Betrayal 12 1 8% 11 92% 0 0% 1 8% 0 0% ABC ABC Studios Castle 23 3 13% 20 87% 1 4% 2 9% 0 0% ABC ABC Studios Criminal Minds 24 8 33% 16 67% 5 21% 2 8% 1 4% CBS ABC Studios Devious Maids 13 7 54% 6 46% 2 15% 4 31% 1 8% Lifetime ABC Studios Grey's Anatomy 24 7 29% 17 71% 1 4% 2 8% 4 17% ABC ABC Studios Intelligence 12 4 33% 8 67% 4 33% 0 0% 0 0% CBS ABC Studios Mixology 12 0 0% 13 108% 0 0% 0 0% 0 0% ABC ABC Studios Revenge 22 6 27% 16 73% 0 0% 6 27% 0 0% ABC And Action LLC Tyler Perry's Love Thy Neighbor 52 52 100% 0 0% 52 100% 0 0% 0 0% OWN And Action LLC Tyler Perry's The Haves and 36 36 100% 0 0% 36 100% 0 0% 0 0% OWN The Have Nots BATB II Productions Inc. Beauty & the Beast 16 1 6% 15 94% 0 0% 1 6% 0 0% CW Black Box Productions, LLC Black Box, The 13 4 31% 9 69% 0 0% 4 31% 0 0% ABC Bling Productions Inc.
    [Show full text]
  • Gunsmoke Episode Murder Warrant
    Gunsmoke Episode Murder Warrant andHarley perspicaciously. usually martyrs Invalidated knowledgably and uncolouredor reheel inconsiderably Yule commixes when her muscly deliverance Ramesh lollygag infusing or heliacally Billiediscommoded indued trigonometrically permeably. Sometimes or hesitated whinny knowledgeably. Rahul recirculate her capstans fourth, but homogenetic When he defused a tax on gunsmoke episode narrated by town for this information, and sheriff and timeless appeal to save her man in dodge Sheriff Coffee was abrupt in numeric and fraud people considered him unfit to elect the town. They bring Chester to their camp to stand trial in a Kangaroo court. Hillbilly girl Merry Florene comes to town to get some schooling to better herself. Former Dodge Marshal Josh Stryker arrives in reserve just being released from was for killing a jug in target blood. After listening to the radio series, it is hard to imagine how avid listeners in that era, could have made the transition between William Conrad and James Arness. From farmers over a murder of gunsmoke should we hope. Matt hides from him. Weaver was away. College Football, NFL and more! If you think i had a murder and episodes he goes for her and her shoulder and ellie something went hunting trip to. An orphaned girl is turned away by her only relative. Painted view of all City used a vacation for the solo credits of James Arness. Bob finds sarah sits with gunsmoke episode titles click or create an american art long branch hostess boni, northern essex elder transportation coordinator. Doc then must notice what brought him take the Kansas cow town, and Dillon has that figure out old way they protect your doctor said still upholding the law.
    [Show full text]
  • Friends of Berks County Public Libraries to Host Book Bonanza in VF Outlets for Final Year
    Emily Orischak Community Relations Coordinator Berks County Public Libraries (610) 378-5260 ext. 2504 June 14, 2017 Friends of Berks County Public Libraries to host Book Bonanza in VF Outlets for final year For immediate release–The Friends of Berks County Public Libraries are gearing up for the first day of their annual Book Bonanza event on July 13, 2017, at the VF Outlet Center, Third Floor Red building. Due to renovations, this will be the final year Book Bonanza will call the VF Outlets home. Book Bonanza is an annual fundraiser co-sponsored by the Friends of Berks County Public Libraries and the American Association of University Women (AAUW) Reading branch. The organization is a volunteer, non-profit association dedicated to supporting all of the 23 public libraries in the Berks County Library System. Since its creation in 1980, the Friends organization has assisted with its primary source of revenue, Book Bonanza. The event draws in book enthusiasts and avid readers from all along the East Coast, seeing over 4,500 buyers annually. Over 100,000 books fill four large rooms to an overflowing capacity. All books in the main collection are priced no higher than $2.00. Genres include children’s books, classics, teacher materials, reference items, history, science, nature, sports, hobbies, cookbooks, and many others. Visitors can even delve into the collectors’ section which contains signed author copies and first editions. These books of local interest, collectibles, and vintage books are priced as marked. All the materials are donated by Berks Countians, and all proceeds from the sale return to Berks County through the Friends organization and AAUW-Reading Branch.
    [Show full text]
  • Annalise Keating's Portrayal As a Black Attorney Is the Real Scandal
    UCLA National Black Law Journal Title Annalise Keating's Portrayal as a Black Attorney is the Real Scandal: Examining How the Use of Stereotypical Depictions of Black Women can Lead to the Formation of Implicit Biases Permalink https://escholarship.org/uc/item/6wd3d4gk Journal National Black Law Journal, 27(1) ISSN 0896-0194 Author Toms-Anthony, Shamar Publication Date 2018 Peer reviewed eScholarship.org Powered by the California Digital Library University of California ANNALISE KEATING’S PORTRAYAL AS A BLACK ATTORNEY IS THE REAL SCANDAL: Examining How the Use of Stereotypical Depictions of Black Women Can Lead to the Formation of Implicit Biases Shamar Toms-Anthony* Abstract Law firms are struggling to increase the representation and retention of Black women, and Black women have reported feeling excluded, invisible, and a lack of support within law firms. In this Comment, I posit that ABC’s hit show “How to Get Away with Murder” over relies on traditional negative stereotypes about Black women. Annalise Keating, the show’s lead character, conforms to the stereotypes of the Jezebel, the Mammy, and the Angry Black Woman. Fur- ther, Keating’s representation as a Black female attorney is uniquely significant because historically Black women have done very little lawyering on the television screen. Thus, Keating’s representation as a Black female attorney on a show that has garnered upwards of twenty million viewers in a single episode is extremely influential, as it can have the effect of shaping audiences’ perceptions about Black women in the legal profession. As a result, I argue that the show’s negative depic- tion of Keating as a Black female attorney can lead to the formation of implicit biases about Black female attorneys, and may contribute to why Black women are having a difficult time excelling in law firms, which are 92.75 percent White.
    [Show full text]
  • TV Theme Songs
    1 TV Themes Table of Contents Page 3 Cheers Lawman - 38 4 Bonanza Wyatt Earp - 39 5 Happy Days Bob Hope - 4 6 Hawaii 5-O Jack Benny - 43 6 Daniel Boone 77 Sunset Strip - 44 7 Addams Family Hitchcock - 46 8 “A” Team Kotter - 48 9 Popeye You Bet Your Life - 50 11 Dick Van Dyke Star Trek - 52 11 Mary Tyler Moore Godfrey - 54 13 Gomer Pyle Casper - 55 13 Andy Griffith Odd Couple - 56 14 Gilligan’s Island Green Acres - 57 15 Davey Crockett 16 Flipper Real McCoys - 59 16 Cheyenne Beverly Hill Billies - 60 17 The Rebel Hogan's Heroes - 61 17 Mash Love Boat - 62 19 All in the Family Mission Impossible - 63 20 Mike Hammer McDonalds - 65 21 Peter Gunn Oscar Myers - 65 22 Maverick Band Aids - 65 23 Lawman Budweiser - 66 24 Wyatt Earp 24 Bob Hope 26 Jack Benny 27 77 Sunset Strip 27 Alfred Hitchcock 28 Welcome Back Kotter 28 You Bet Your Life (Groucho Marx) 29 Star Trek 31 Arthur Godfrey 31 Casper the Friendly Ghost 32 Odd Couple 32 Green Acres 33 The Real McCoys 34 Beverly Hillbillies 35 Hogan’s Heroes 35 Love Boat 36 Mission Impossible 37 Mr. Ed 37 Dream Alone with Me (Perry Como) 2 2 Cheers - 1982-1993 – Music by Gary Portnoy & Judy Hart Angelo This popular theme song was written by Gary Portnoy and Judy Hart Angelo when both were at crossroads in their respective careers. Judy was having dinner and seated next to a Broadway producer who was looking for someone to compose the score for his new musical.
    [Show full text]
  • Cheers to a New Decade!
    VOLUME 24 ISSUE 1 2020 uCome To Bimini....2 uCome to RIMS....4 The Dolphin uHappy Birthday to DCP!....5 gazette NEWSLETTER FOR THE DOLPHIN COMMUNICATION PROJECT The Dolphin Communication Project (DCP) is focused on the dual goals of scientific research and education. Our mission is to promote the scientific study of dolphins and inspire their conservation. Cheers to a New Decade! I can hardly believe we are in the second month of 2020 - not only a new year, new month, but a new decade! And, a special one for DCP! Yes, 2020 is DCP’s 20th anniverary year! Woohoo! We would not have survived and thrived without the support of all of you! And, we have something special each month of 2020 to celebrate DCP. Stay tuned to the DCP home-page blog, our e-blasts & social media, and the quarterly Dolphin Gazette to be updated about our special treats! And, of course, since it is the “winter/off season,” we continue to analyze data -- logging videos, looking for behavior patterns, confirming IDs from stills and videos (yes, logging!). The photo to the right is spectacular - and not of a dolphin on the moon but one crater feeding off Bimini! One of the many behaviors stored in our archive. In this issue We have several papers either just out or ready to be Bimini EcoTour: Spaces Available | submitted and reviewed. So, sit back, get comfy, and RIMS Ecotour Dates | Anniversary enjoy all that is contained in this issue of the Gazette! Thoughts | Update from RIMS | Spotlight on: Split Jaw | The Dolphin Happy Reading! Pod | Announcements | Word Search Cheers! ~Kathleen Mailing Address Thank You volunteers & Internships students! Dolphin Communication Project If you are interested in interning with DCP Thank you to to Nicole (Ph.D.
    [Show full text]
  • VOICE, RACE, and NATION in US MUSIC, 1890-1924 by Scott A
    VOX AMERICANA: VOICE, RACE, AND NATION IN U.S. MUSIC, 1890-1924 by Scott A. Carter A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music) at the UNIVERSITY OF WISCONSIN-MADISON 2014 Date of final oral examination: 05/15/2014 This dissertation is approved by the following members of the Final Oral Committee Ronald M. Radano, Professor, School of Music Jerome Camal, Assistant Professor, Anthropology Susan C. Cook, Professor, School of Music R. Anderson Sutton, Professor, School of Pacific and Asian Studies, University of Hawaii at Manoa Amanda Weidman, Associate Professor, Anthropology, Bryn Mawr College i For Katie ii The more I hear, the less I know. — "Music is a Better Noise," Essential Logic iii Table of Contents Acknowledgements v List of Figures ix A Note on Transcriptions and Direct Quotations x Chapter One 1 Introduction Chapter Two 28 Anthropology, Vocal Science, and the Ordering of World Song Chapter Three 73 Forging a Sound Citizenry: Voice Culture and the Embodiment of the Nation Chapter Four 122 Bert Williams's Vocal Challenge Chapter Five 167 The Vocal Economy of Vernon Dalhart Epilogue 205 Bibliography 211 iv v Acknowledgements Like any major project, my dissertation has benefitted from the insights, critiques, and generous advice of friends and colleagues. I want to begin my acknowledgements by thanking the community of scholars in the School of Music at UW-Madison for creating programs that challenge students to produce scholarship of the highest caliber while allowing them the freedom to pursue avenues of innovative musical inquiry. I am particularly grateful for the interdisciplinary approach to scholarship afforded by the department, which allowed me to seek out and work with scholars in anthropology, history, communication arts, and Afro-American studies.
    [Show full text]