Information Drum Corps, June 1976

Total Page:16

File Type:pdf, Size:1020Kb

Information Drum Corps, June 1976 tlletlip @ CONTINl/~(J /NS/.oc: 2 (CONTlNU£fJ FROM FRONT COVER) tile cOlltest the bugle section. He later joined the Information Toronto Optimists, with his brother Paul and remained with this corps till he reached the age of 21. As a member of Drum Corps the Optimists, Paul contributed many COVER COMMENTS: cartoons to their newsletter, "Green Capsule Comments" as well as producing This month's cover is by the very first all drum corps cornie our resident cartoonist, book for the American publication,"Drum Paul McCusker and is dedic­ Corps \~orld." ated to all our corps on Paul studied art and cartooning at the road this summer. Sheridan College and is currently do­ Paul is a resident of ing freelance work in Guelph for a Guelph, Ontario and he National comic book publication as well started with drum corps as contributing to the two local Guelph there as a member of the newspapers. Guelph Opti-Knights in 3 entering my fourth season of drum corps THE MARCHING with the Coachmen from Keswick-Sutton area. At present I play the Mellophone with MEMBER this corps after switching over from the french horn section. Over the years my interest in drum corps has grown to a point where I am a real drum corps "nut" and fortunate to be writing for this news­ letter, under the column, "The Marching Member." If you have any comments on the drum corps scene in Canada, please write to me, I am interested in your views as a Marching Member. by Michael Peterson THE 1976 INDIVIDUAL CHAMPIONSHIPS: It isn't often during the drum corps season, or during the year, the individual Writing your introduction for a story marching member has the chance to prove isn't as easy as I thought it would be, that he or she is the best horn player, but here I am writing and there you are colour guard, or drUmmer in Canada. \.Je 11, reading it. on March 6th. of this year all members of l1y name is Michael Peterson and this is the COCA Corps had their chance "to prove the first of many articles I hope to write who was bes to for "Information Drum Corps." I am 16 The Individuals Competition, held ann­ years of age, attend Sutton District Hi gh ually by the COCA took place at the Etob­ and enjoy sports. My main hobby is Drum icokeCollegiate in west Toronto. This Corps and collecting anything drum corps year proved to be one of the biggest and from records to buttons to ma gazines. I am best shows of this annual event over the 4 Championship percussion from the GUELPH.OPTI1~~T KNIGHTS. Left to right~ t~ke Smit~ Warren Hanna~ Jeff Merry and Dan Coughl~n. (Er~c McConachie photo) ~~~;~~~-~~;~-~~-;~;~-~-~~~~i~-~f-~h~-~~~~~~-~~;~~~~~-~~d-~h~-~i~~i~;-~~~;~-Q;~~;~;-- from THE OAKLAND CRUSADERS. Left to right~ John McFadden~ soprano; Jeff Davis~soprano; Charles Cournyea~ French Horn and baritones Tony Furiano and John Walker. ;~;-~~~~~;;-~~~~~~-(~~~i~~~d)~----------------------- ---------------------------------- years. Both the prelims during the day and Rifle Sextet: MENARD/GlRARD/SANTOMERO/ the evening finals proved to be exciting CHAPMAN/SULLlVAN/HAYES,Krescendos •• 74.0 shows, the competition is keen and the show has a great variety of activities ranging from sabre twirling to some excellant horn playing and drumming. If you didn't see letters: this event this year, I stron~ly suggest you circle your calendar for next year. Edito~'~ no~e: Some 06 the 'L~~ To Our congratulations to the winners! In The Edito~' have been eonden6ed beeaU6e OPEN CLASS the Percussion Champions are: 06 ~pac.e ~equ.Vtementl.> -in ~ ~~ue. Solo Bass :P.- &MI-'!'H, Kres cen-dos •••••••-8-3.5­ _ . -!! .• • • - -!._- _. .- . Solo Tenor: M. DOERING, Dutchmen•••••• 86.0 Harnilton,March 30/'76. Solo Mallet: C. MUNRO, Crusaders•••••• 8S.0 Dear Edi tor: Solo Triple Tenor:R.HUCKSTEP,Crusaders83.S After reading your article, "Revival Of Solo Snare :.B. ROBERTSON ,Krescendos ••••• 90.5 Preston Scout House Planned", in your last Perc.Duet:O'CONNOR/STEVENSON,S.Opt•••• 83.0 issue, I must admit feeling skeptical reg­ Mallet-Duet:MASON & MASON, SenecaOpt•• 89.S arding the idea of establishing a new div­ ision of drum corps in Canada, being of no Perc.Trio:BAlN/PHILLIPS/Kfu~E,SenOpt ••• 81.5 Perc.Quartet: HANNA/MERRY/SMIT/COUCHLIN more than 75 members. You state that the Optimist Knights •••••••• 8l.0 program of these corps would be primarily for entertainment value in the 'old style' Perc.Quintet: VOISIN /l.JILES/DANN / as opposed to the present DCI rules look••• HOLOWATHY/KREZENSKI, Ventures •••••• 76.5 and that the cost of supporting such corps Perc. Sextet: ROBERTSON/SMITH/HATTON/ would be favourable to most. PANTER/KENDRY/WATKINS •••••••••••••• 85.0 It is quite obvious to anyone assoc­ iated with drum corps within the past 5 The Open Class Brass Results: Fr.Horn Solo: A.GRAVELlNE,Compagnons •• 60.0 years, that the budget, if it can be call­ Contra Solo: P. WILSON, Krescendos •••• 77.0 ed such, has been steadily increasing with Soprano Solo:J.McFADDEN, Crusaders •••• 79.0 the size of the corps. I believe than an Bartone Solo: T. FURlAN0 , Crusaders••• 84.0 alternative method of corps survival should Melophone Solo: R. DOYLE,Compagnons ••• 85.5 be sought after, rather than reactivating BrassDuet:FURIANO/WALKER,Crusaders •••• 85.0 the smaller 'old-style' corps of the past. BrassTrio:HURAS/HURAS/CLOES,Dutchmen •• 86.0 An idea that should be considered would be Brass Quartet: McFADDEN/COURNEYEA for the CDCA to appoint a man (or men) who FURIANO/CLEMENTS, Crusaders •••••••• 82.5 would be directly responsible for establish­ Brass Quintet: DAVIS/\.JALKER/FURIANO ing fund-raising campaigns for ALL CDCA­ COURNEYEA/McFADDEN, Crusaders •••••• 86.0 MEMBER CORPS. In this way all would benefit, BrassSextet:FURIANO/CLEMENTS/COURNEYEA especially the younger corps burdened with FINES/CASKEY/McFADDEN,Crusaders •••• 88.S the problem of where to start from, as far as finances go. The results in the Open Class Rifles In closing, I would like to say that much and Sabres: has been done to add to the pleasure of the SoloSabre:P.RENAUD,SenecaOprimists •••• 85.0 average 'Joe-in-the-crowd' attending a corps SoloRifle: B.GUILER, Golden Lions ••••• 88.0 contest today. The adoption of mallet-inst­ DuetSabre:McCOURT/~~RTEL.SenecaOptim •• 76.0 ruments, the acquisition of knowledgable con­ Duet Rifle:MARTIN/SCORE,SenecaOptim ••• 8l.0 sultants, the construction of more profess­ Trio Rifle: VICKERS/RENAUD/ALLEMONG, ional-sounding instruments are only to ment­ Ventures •••••••••••••• 76.0 ion a few. Alongside of these is the increaSE in the size of a corps, and I believe any Ri fle Quartet: }1eLEA.~ /HAUSNER/GRAY / attempt to strive for anything drastically FIRLEY, Midlanders ••••••••••••••••• 70 • O 5 appreciate it if you would send us the letters address of Mr. Knox. Yours respectfully, different could prove to be fatal to the Miss Peggy Davisson. moral of those involved. His address is: Sincerely, Moe Knox, 26 Fairview Ave. DEVON, Mass. 06460. Dave MacKinnon, We are qiven to understand that St. Johns A Harching Memher, Seneca Optimists. will be~ using this excellant photo: as their major program publicity picture for 1976. Cambridge, Ont.March 9/76. -------------------------------------------- Dear Mr. Daber: Guelph,Ont.March 31/76. I have been an avid follower of drum corp~ Dear Mr. Daber: in Canada for the past 2S years. You mention­ In reading the "Information Drum Corps' ed in your last Editorial, Quote--'Any co~ publication,Feb.edition, I found it very ents or suggestions from our readers, espec­ enj oyab Ie and informative. I would very much ially the drum corps public, is appreciated. like a subscription price, not only for my­ This is what I intend to do, trusting it self but for my fellow corps members. will help in producing a better quality of Over the years we have noticed an ever entertainment for the public. growing potential of 'over age' Junior (1) A New division for drum corps in Can­ drum corps people. Also, over the years we ada: I am very pleased with this set up for have been unable to reach this potential; corps and this is something that I've been these over-age-members to corne and join the advocating for years. This is a step in the only senior drum corps in and around Guelph, right direction. Kitchener---lO miles away; Toronto and London (2) There is one section missing••• that only an hours drive distant. It seems very is there is no mention of Judges. I would odd that the Royalaires are always in need like to add that the number of judges be re­ of new members in order to make just a duced; their fees be cut back; keep them off decent appearance in the senior scene. We the field. They can do their judging on the feel the main reason for this is that people sidelines and in the stand~./ know our name but not what we are about. Looking over your "Events" column, I This is where I hope "Information Drum Corps" see the "Rose Festival,Welland" is again will provide us with an important link with listed. I would like to pass along my the Junior Corps scene ••• to simply inform experience last year in WeIland. I feel people that we exist as an alternative after that the Burger Street field is not suit­ Jr.Corps and inform them a little more of able for drum- corps because of the pos­ what the Senior scene is all about. ition of the bleachers to the field; the­ Yours truly, wooden bleachers are not safe and the Herman Hubers, Publicity Director, public passing the bleachers are too The Guelph Royalaires.
Recommended publications
  • Drum Corps International and the Cavaliers
    TOUR HOUSING Drum Corps International and The Cavaliers Drum Corps International (DCI) is a non-profit organization that offers a competitive circuit for independent non-profit youth performing arts organizations from around the world. These ensembles, known as drum and bugle corps, attract members from across the country and around the world and make up what is widely recognized as Marching Music’s Major League ™. The average age of membership in these ensembles is approximately 20 years old. The nature of their performances is similar to a college marching band format but they do not perform at sporting events. Programs are more sophisticated, with much more time and expertise given to perfecting shows that are as athletic as they are artistic. DCI competitions attract tens of thousands of people in live audience settings and live feed cinema viewings every year. The members of corps such as The Cavaliers spend the entire summer touring the United States, Canada and in some cases overseas. Each member pays dues for this experience, which are used to hire staff and cover food and travel expenses. Staff members range from professional educators to Broadway designers and are significant contributors to the educational experience the members receive. Corps raise additional funds through private industry and municipalities to meet the immense cost of travel. Corps members routinely sleep on buses and in school gymnasiums while on the road. On rare occasions, they enjoy the luxury of dorm room accommodations. The drum corps activity is a national treasure that can only exist because of partnerships with sponsoring schools who furnish rehearsal and housing facilities.
    [Show full text]
  • Participation in Winter Guard International As Experienced by Ten Stakeholders: a Phenomenological Study
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2018 Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study Jeremy Morgan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Education Commons Recommended Citation Morgan, Jeremy, "Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study" (2018). Dissertations. 1587. https://aquila.usm.edu/dissertations/1587 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study by Jeremy Paul Morgan A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Edward Hafer, Committee Chair Dr. Mark Waymire Dr. Amanda Schlegel Dr. Webb Parker ____________________ ____________________ ____________________ Dr. Edward Hafer Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Director of School of Dean of the Graduate School Music December 2018 COPYRIGHT BY Jeremy Paul Morgan 2018 Published by the Graduate School ABSTRACT The purpose of this phenomenological study was to describe the essence of Winter Guard International (WGI) as lived by ten stakeholders, invested individuals currently serving in leadership roles within the percussion and winds divisions of the WGI organization.
    [Show full text]
  • Faculty Biographies Division Coordinators and Educational Consultants
    2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions.
    [Show full text]
  • Mobility Hubs December 2008
    Mobility Hubs December 2008 1. Introduction This is one in a series of backgrounders that have been produced by Metrolinx to provide further explanation and clarification on the policies and directions of the Regional Transportation Plan (RTP). The RTP is available for downloading at www.metrolinx.com. This backgrounder should be read as an accompaniment to Strategy 7 of the RTP. It is intended to provide additional detail on the mobility hub policies of the RTP and clarification of the terms and definitions used in the RTP with respect to mobility hubs. Metrolinx wishes to acknowledge the invaluable contribution of Urban Strategies Inc. and IBI Group to the preparation of this backgrounder. 2. What is a Mobility Hub? The mobility hub policies of the RTP build on the overall policy framework established in the Growth Plan for the Greater Golden Horseshoe, particularly those related to major transit station areas. The Growth Plan defines major transit station areas as the area within a 500m radius (10 minute walk) of any existing or planned higher order transit station within a settlement area or around a major bus depot in an urban core. Major transit station areas that are particularly significant for the regional rapid transit system are recognized as mobility hubs in the RTP. Mobility hubs are major transit station areas with significant levels of transit service planned for them in the RTP, high development potential, and a critical function in the regional transportation system as major trip generators. They are places of connectivity where different modes of transportation — from walking to high- speed rail — come together seamlessly and where there is an intensive concentration of employment, living, shopping and/or recreation.
    [Show full text]
  • In This Issue: Monumental Memories Le Carillon National, Ah! Ça Ira and the Downfall of Paris, Part 1 Healy Flute Company Skip Healy Fife & Flute Maker
    i AncientTimes Published by the Company of fifers & drummers, Inc. fall 2011 Issue 134 $5.00 In thIs Issue: MonuMental MeMorIes le CarIllon natIonal, ah! Ça Ira and the downfall of ParIs, Part 1 HeAly FluTe CompAny Skip Healy Fife & Flute maker Featuring hand-crafted instruments of the finest quality. Also specializing in repairs and restoration of modern and wooden Fifes and Flutes on the web: www.skiphealy.com phone/Fax: (401) 935-9365 email: [email protected] 5 Division Street Box 23 east Greenwich, RI 02818 Afffffordaordable Liability IInsurance Provided by Shoffff Darby Companiies Through membership in the Liivingving Histoory Associatiion $300 can purchaase a $3,000,000 aggregatte/$1,000,000 per occurrennce liability insurance that yyou can use to attend reenactments anywhere, hosted by any organization. Membership dues include these 3 other policies. • $5,010 0 Simple Injuries³Accidental Medical Expense up to $500,000 Aggggregate Limit • $1,010 0,000 organizational liability policy wwhhen hosting an event as LHA members • $5(0 0,000 personal liability policy wwhhen in an offfffiicial capacity hosting an event th June 22³24 The 26 Annual International Time Line Event, the ffiirst walk througghh historryy of its kind establishedd in 1987 on the original site. July 27³29 Ancient Arts Muster hosting everything ffrrom Fife & DDrum Corps, Bag Pipe Bands, craffttspeople, ffoood vendors, a time line of re-enactors, antique vehicles, Native Ameericans, museum exhibits and more. Part of thh the activities during the Annual Blueberry Festival July 27³AAuugust 5 . 9LVLWWKH /+$·VZHEVLWHDW wwwwwww.lliivviinnggghhiissttooryassn.oorg to sign up ffoor our ffrree e-newsletter, event invitations, events schedules, applications and inffoormation on all insurance policies.
    [Show full text]
  • The People of Scarborough
    ~THE SCARf>OROUGH PuBLIC LIBF{\RY I BOARP THE PEOPLE OF SCARBOROUGH Map of Scarborough ,.; .; .,; ::. .,; .,; .,; "'""- :;, -< "" -< "" "" 'ti "" "" S.teele~ Ave. V IV Finch Avenue III Sileppail.d Ave. 11 D St. REFERENCE POINTS 1. Thomson Park Z. Bluffer's Park J 3. civic Centre 4. Kennedy Subway 5. Metro Zoo Ikml 6. Guild Inn 1 mile! Map of Scarborough courtesy of Rick Schofield, Heritage Scarborough THE PEOPLE OF SCARBOROUGH The City of Scarborough Public Library Board Copyright© The City of Scarborough Public Library Board 1997 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise for purposes of resale. Published by The City of Scarborough Public Library Board Grenville Printing 25 Scarsdale Rd. Don Mills, Ontario M3B 2R2 Raku ceramic Bicentennial Collector Plate and cover photo by Tom McMaken, 1996. Courtesy of The City of Scarborough. Canadian Cataloguing in Publication Data Myrvold, Barbara The People of Scarborough: a history Includes index. ISBN 0-9683086-0-0 1. Scarborough (Ont.) - History. I. Fahey, Curtis, 1951- . II Scarborough Public Library Board. III. Title. FC3099.S33M97 1997 971.3'541 C97-932612-5 F1059.5.T686S35 1997 iv Greetings from the Mayor As Mayor of the City of Scarborough, and on behalf of Members of Council, I am pleased that The People of Scarborough: A History, has been produced. This book provides a chronological overview of the many diverse peoples and cultures that have contributed to the city's economic, cultural and social fabric.
    [Show full text]
  • Information Drum Corps, March 1976
    The Official Publication of The Ontario Drum Corps Association MARCH,1978 50c INFORMATION DRUM CORPS: -~-• A HIGHLIGHT OF SYMPOSIUM'S' was the Annual COCA Banquet ... Dr. Bernard Baggs Itop photo) was the guest speaker. This year's Banquet also honoured several members of ODCA Corps for the first time several of whom are pictured at one of the front row tables. (ODCA Publicity Photo-D.Daber.J The ODCA and Information Drum Corps are supported projects of O)9)lt\ The Ontario Ministry of Culture and Recreation and TllIl OnItlJio Drum Corps Association The Ontario Arts Council. INFORMATION DRUM CORPS: MARCH,1978 Official publication of the Onuria Drum Corps Anociltion. A Supponed Project 01 The Ontario Mininry of Culture &: ReCfealion and The Ontario Am Council. Editor: Don Oaber. AUGelate Editor: Mike Grimes. Editorial Offien Suite 302. 205 Keele Street, Toronto, Dnlano, Canada M6P 2Kl . Telephone: 416/7669143. Layout, Art &: lIIultrltion: Don Daber. Offici.1 FROM THE Photographers: Don Daber, Doug. Smith, Eric McConaehie, Pete McCusker. Circulation: 4,500 printed copiel and distributed to each marching member EDITOR'S DESK- of ODCA Membrr Drum Corps &: their management and Instructional Staff, free ot chargtl at part of the c;orps yearly membership 'a8 to The CDCA. SUbs.cription Rat.: To the general public interested in drum oorpi in the This ill the largest issue ot Information Dr\Dn Province of Ontario-$3.00 per yelr. 1978 Advertising Rat.,: Full Page- COrps since we beqan publiahinq a number of years $110.00. Half Page-SSS.OO. OUarter PBge.-$35.00. Eighth Page-$1S.00.
    [Show full text]
  • Super Regional Championship at Indianapolis November 4-5, 2016 Ÿ Lucas Oil Stadium Ÿ Indianapolis, in Adjudicator Biographies National Presenting Sponsor
    Super Regional Championship at Indianapolis November 4-5, 2016 Lucas Oil Stadium Indianapolis, IN Adjudicator Biographies National Presenting Sponsor MUSIC PANEL (alphabetical by last name) Ed Argenziano, Clearwater, FL Edward D. Argenziano, received his Bachelor of Science Degree in Music Ed. from William Paterson University. Masters of Arts Degree, Music Performance, from Montclair State University. Edward has been a teacher of secondary schools in New Jersey for 30 years and, currently the Fine Arts Department Chairperson & Director of Bands and Orchestras at Clearwater High School. He has also served as the music composition middle college teacher for Fairleigh Dickinson University. Since 1987, Edward has been extremely involved as a music/percussion clinician and music adjudicator and has toured extensively throughout the United States, Canada, Netherlands and Japan. He has been involved with Drum Corps International (DCI) since 1973 as a performer, Percussion Caption Administrator, Percussion Arranger/Show Designer for a handful of corps, and is currently judging Winter Guard International (WGI). Percussion judge, Bands of America (BOA), and DCI. Carl Bly, Winchester, VA Mr. Carl A. Bly taught for 30 years at Centreville High School and Lake Braddock Secondary School in Fairfax County, Va., was the Concert Band and Orchestra Director at Georgetown University in Washington, D.C., and has taught at Shenandoah University in Winchester, Va. Mr. Bly’s bands have earned international reputations and have been finalists at the Bands of America’s (BOA) Grand National Championships in Indianapolis, Ind. His concert bands have performed at the Mid-West Band and Orchestra Clinic in Chicago, BOA’s National Concert Band Festival, and in the concert halls of the Kennedy Center, DAR Constitution Hall, Wolf Trap for the Performing Arts in Washington, D.C., and the Legrande Theatre in Quebec, Canada.
    [Show full text]
  • Caring for the Corps
    PRACTICE ADVANCEMENT Caring for the Corps AS TOLD TO JAIMIE SIEGLE Left: Students gain clinical experience in the performing arts setting touring with the drum corps, a disciplined group of up to 150 performers that tours extensively each summer. Right: Maj. Brian Dix, U.S. Marine Drum & Bugle Corps commanding officer, performs as the Body Bearers fire the ceremonial cannons during a concert at Marine Barracks Washington, D.C., this summer. (Photo by Cpl. Dan Hosack/U.S. Marine Corps) Among the many facets of the performing arts setting is the drum and bugle corps, a niche of competitive marching band-like “troops” with touring schedules and routines that are not for the faint of heart, reflecting virtues such as precision, discipline and teamwork, corps members learn qualities required in the military setting but are valuable in any work environment. As if embedded into a battalion of soldiers, ATs who work with Drum Corps International teams participate in every aspect of “Cadet” life, from touring on the bus to sleeping on the floor. Read on as Brian Seiler, MS, PES, ATC, and Alyssa McPherson, MS, LAT, ATC discuss the challenges, surprises and lessons learned throughout their summers working with corps athletes. Former U.S. Marine Derek Soloway, ATC, LAT, PES, a licensed athletic trainer working as a Level 3 Fitness Specialist at Henderson Hall, also describes his experience working with a unique group of Marine Corps soldiers. What led you to the athletic training my surgeon insisted that I see his in-house retired. I noticed the guys taking care of the profession? athletic trainer, as opposed to a traditional players when they got hurt.
    [Show full text]
  • The Evolution of PASIC by Gary Cook
    The Evolution of PASIC By Gary Cook n this our 50th anniversary year cel- tradition was established of holding annual be started by the ebration of the Percussive Arts Soci- business meetings in conjunction with the Executive Secretary ety, articles appearing in the previous Midwest Band Clinic at the Sherman House report and summary three issues of Percussive Notes have in Chicago. (The Sherman was chosen be- of P.A.S. activities Ichronicled the history of the Society up to cause of its central location and the fact that in the last ten months. With the status of 1990. These articles have included the birth many of the founders annually came to the P.A.S. clearly in our minds the discussion of the Society and its publications, advent of Clinic.) [Author’s comment: This 1960 din- will be centered around several basic topics. PAS chapters, inception of the museum and ner meeting resulted in the legendary photo These will be those most often mentioned in headquarters, and have mentioned briefly of many of the founding fourteen members correspondences, discussions, and business what has become perhaps the most integral of PAS.] On December 20, 1963, the first sessions throughout these last months and part of PAS––our conventions. Many mem- general meeting of the PAS membership took should therefore be of vital interest to the bers may recall the publication Celebrating 30 place in the Louis XVI Room of the hotel. entire membership. Years of PASIC, which was unveiled at PA- The practice of holding separate Board of The local hosts will be our members from SIC 2005 in Columbus and contained short Directors and membership meetings, fol- the Chicago area with Gordon Peters of our year-by-year reminiscences by convention lowed on the next day by breakfast, was Editorial Staff as Chairman.
    [Show full text]
  • This Page Intentionally Blank
    DE LA SALLE IN TRANSITION 1955 – 1960 FROM MARCHING BAND TO MODERN DRUM CORPS CONTINUING THE TRADITION OF EXCELLENCE EXCELLENCEEXCELLENCE DE LA SALLE IN TRANSITION 1955 - 1960 FROM MARCHING BAND TO MODERN DRUM CORPS CONTINUING THE TRADITION OF EXCELLENCE Brian Coleman With: Ken Burns Cos Capone Gerry Feraday Terry Marren Ernie Wesson Copyright: © by Brian Coleman All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, reprinting or recording, or on any information storage or retrieval system, without a license or permission in writing from the copyright holder. Brian Coleman 44 Chicory Lane Pennington, NJ 08534 FORWARD - AUGUST, 2011 The impetus to prepare this history derives from the “Spirit of De La Salle, Oaklands”. At ‘Del we learned primarily from the example of the Christian Brothers. Above all they taught us the vital importance of integrity and honesty. They also stressed the need to pursue excellence and to be the best we could be. When an attempt at something did not produce success, it was not condemned as a failure, nor were those who tried. On the contrary, we were given constructive feedback and encouraged to try again. We were taught that true failure lays in failing to try. We learned to keep our minds open to new ideas and better ways and to discern between novelty – change for the sake of change - and profound, fundamental change. We learned to welcome change and manage it to preserve excellence and achieve new levels of it. These values are transcendent.
    [Show full text]
  • Gail Schultz International Fellowship Information, Instructions and Application for 2022
    Gail Schultz International Fellowship Information, Instructions and Application for 2022 Over the course of five-decades, Gail Schultz served as a hard-working friend, enthusiastic supporter and graceful ambassador—not only of The Blue Devils, but for the entire drum corps community. Her deep passion for global stewardship and international participation became renowned and respected worldwide, and her generosity and kindness has had a positive impact on countless lives both near and far. Gail’s involvement with The Blue Devils began in 1971, when her daughter Christine joined the Twirlers and her son Steven joined the Jr. Drum & Bell Corps. Before long, Gail was managing multiple Blue Devil programs and serving on the board of directors—including multiple terms as its president. Having chaired the Precision West drum corps competition for a decade, she then helped establish the DCI West competition at Stanford Stadium and chaired that event for another decade. Serving as Marketing and Development Director, Gail coordinated special events and recruitment drives, created public relations materials, and represented The Blue Devils to the Concord Chamber of Commerce as well as civic and fraternal organizations throughout the area. As Promotions Manager, Gail coordinated all aspects of the souvenir sales on tour and in-house and developed our first e-commerce operation. She became an iconic and critical part of the drum corps activity, serving not only as the lead voice for how all drum corps merchandising operations were managed and operated, but also as a mentor and friend to all who worked in the souvenir marketplaces. Because of Gail, the corps’ souvenir trailer was not only a successful financial asset but became the social center for all drum corps fans, regardless of affiliation.
    [Show full text]