Information Drum Corps, June 1976
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Drum Corps International and the Cavaliers
TOUR HOUSING Drum Corps International and The Cavaliers Drum Corps International (DCI) is a non-profit organization that offers a competitive circuit for independent non-profit youth performing arts organizations from around the world. These ensembles, known as drum and bugle corps, attract members from across the country and around the world and make up what is widely recognized as Marching Music’s Major League ™. The average age of membership in these ensembles is approximately 20 years old. The nature of their performances is similar to a college marching band format but they do not perform at sporting events. Programs are more sophisticated, with much more time and expertise given to perfecting shows that are as athletic as they are artistic. DCI competitions attract tens of thousands of people in live audience settings and live feed cinema viewings every year. The members of corps such as The Cavaliers spend the entire summer touring the United States, Canada and in some cases overseas. Each member pays dues for this experience, which are used to hire staff and cover food and travel expenses. Staff members range from professional educators to Broadway designers and are significant contributors to the educational experience the members receive. Corps raise additional funds through private industry and municipalities to meet the immense cost of travel. Corps members routinely sleep on buses and in school gymnasiums while on the road. On rare occasions, they enjoy the luxury of dorm room accommodations. The drum corps activity is a national treasure that can only exist because of partnerships with sponsoring schools who furnish rehearsal and housing facilities. -
Participation in Winter Guard International As Experienced by Ten Stakeholders: a Phenomenological Study
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2018 Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study Jeremy Morgan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Education Commons Recommended Citation Morgan, Jeremy, "Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study" (2018). Dissertations. 1587. https://aquila.usm.edu/dissertations/1587 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study by Jeremy Paul Morgan A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Edward Hafer, Committee Chair Dr. Mark Waymire Dr. Amanda Schlegel Dr. Webb Parker ____________________ ____________________ ____________________ Dr. Edward Hafer Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Director of School of Dean of the Graduate School Music December 2018 COPYRIGHT BY Jeremy Paul Morgan 2018 Published by the Graduate School ABSTRACT The purpose of this phenomenological study was to describe the essence of Winter Guard International (WGI) as lived by ten stakeholders, invested individuals currently serving in leadership roles within the percussion and winds divisions of the WGI organization. -
Faculty Biographies Division Coordinators and Educational Consultants
2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions. -
Mobility Hubs December 2008
Mobility Hubs December 2008 1. Introduction This is one in a series of backgrounders that have been produced by Metrolinx to provide further explanation and clarification on the policies and directions of the Regional Transportation Plan (RTP). The RTP is available for downloading at www.metrolinx.com. This backgrounder should be read as an accompaniment to Strategy 7 of the RTP. It is intended to provide additional detail on the mobility hub policies of the RTP and clarification of the terms and definitions used in the RTP with respect to mobility hubs. Metrolinx wishes to acknowledge the invaluable contribution of Urban Strategies Inc. and IBI Group to the preparation of this backgrounder. 2. What is a Mobility Hub? The mobility hub policies of the RTP build on the overall policy framework established in the Growth Plan for the Greater Golden Horseshoe, particularly those related to major transit station areas. The Growth Plan defines major transit station areas as the area within a 500m radius (10 minute walk) of any existing or planned higher order transit station within a settlement area or around a major bus depot in an urban core. Major transit station areas that are particularly significant for the regional rapid transit system are recognized as mobility hubs in the RTP. Mobility hubs are major transit station areas with significant levels of transit service planned for them in the RTP, high development potential, and a critical function in the regional transportation system as major trip generators. They are places of connectivity where different modes of transportation — from walking to high- speed rail — come together seamlessly and where there is an intensive concentration of employment, living, shopping and/or recreation. -
In This Issue: Monumental Memories Le Carillon National, Ah! Ça Ira and the Downfall of Paris, Part 1 Healy Flute Company Skip Healy Fife & Flute Maker
i AncientTimes Published by the Company of fifers & drummers, Inc. fall 2011 Issue 134 $5.00 In thIs Issue: MonuMental MeMorIes le CarIllon natIonal, ah! Ça Ira and the downfall of ParIs, Part 1 HeAly FluTe CompAny Skip Healy Fife & Flute maker Featuring hand-crafted instruments of the finest quality. Also specializing in repairs and restoration of modern and wooden Fifes and Flutes on the web: www.skiphealy.com phone/Fax: (401) 935-9365 email: [email protected] 5 Division Street Box 23 east Greenwich, RI 02818 Afffffordaordable Liability IInsurance Provided by Shoffff Darby Companiies Through membership in the Liivingving Histoory Associatiion $300 can purchaase a $3,000,000 aggregatte/$1,000,000 per occurrennce liability insurance that yyou can use to attend reenactments anywhere, hosted by any organization. Membership dues include these 3 other policies. • $5,010 0 Simple Injuries³Accidental Medical Expense up to $500,000 Aggggregate Limit • $1,010 0,000 organizational liability policy wwhhen hosting an event as LHA members • $5(0 0,000 personal liability policy wwhhen in an offfffiicial capacity hosting an event th June 22³24 The 26 Annual International Time Line Event, the ffiirst walk througghh historryy of its kind establishedd in 1987 on the original site. July 27³29 Ancient Arts Muster hosting everything ffrrom Fife & DDrum Corps, Bag Pipe Bands, craffttspeople, ffoood vendors, a time line of re-enactors, antique vehicles, Native Ameericans, museum exhibits and more. Part of thh the activities during the Annual Blueberry Festival July 27³AAuugust 5 . 9LVLWWKH /+$·VZHEVLWHDW wwwwwww.lliivviinnggghhiissttooryassn.oorg to sign up ffoor our ffrree e-newsletter, event invitations, events schedules, applications and inffoormation on all insurance policies. -
The People of Scarborough
~THE SCARf>OROUGH PuBLIC LIBF{\RY I BOARP THE PEOPLE OF SCARBOROUGH Map of Scarborough ,.; .; .,; ::. .,; .,; .,; "'""- :;, -< "" -< "" "" 'ti "" "" S.teele~ Ave. V IV Finch Avenue III Sileppail.d Ave. 11 D St. REFERENCE POINTS 1. Thomson Park Z. Bluffer's Park J 3. civic Centre 4. Kennedy Subway 5. Metro Zoo Ikml 6. Guild Inn 1 mile! Map of Scarborough courtesy of Rick Schofield, Heritage Scarborough THE PEOPLE OF SCARBOROUGH The City of Scarborough Public Library Board Copyright© The City of Scarborough Public Library Board 1997 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise for purposes of resale. Published by The City of Scarborough Public Library Board Grenville Printing 25 Scarsdale Rd. Don Mills, Ontario M3B 2R2 Raku ceramic Bicentennial Collector Plate and cover photo by Tom McMaken, 1996. Courtesy of The City of Scarborough. Canadian Cataloguing in Publication Data Myrvold, Barbara The People of Scarborough: a history Includes index. ISBN 0-9683086-0-0 1. Scarborough (Ont.) - History. I. Fahey, Curtis, 1951- . II Scarborough Public Library Board. III. Title. FC3099.S33M97 1997 971.3'541 C97-932612-5 F1059.5.T686S35 1997 iv Greetings from the Mayor As Mayor of the City of Scarborough, and on behalf of Members of Council, I am pleased that The People of Scarborough: A History, has been produced. This book provides a chronological overview of the many diverse peoples and cultures that have contributed to the city's economic, cultural and social fabric. -
Information Drum Corps, March 1976
The Official Publication of The Ontario Drum Corps Association MARCH,1978 50c INFORMATION DRUM CORPS: -~-• A HIGHLIGHT OF SYMPOSIUM'S' was the Annual COCA Banquet ... Dr. Bernard Baggs Itop photo) was the guest speaker. This year's Banquet also honoured several members of ODCA Corps for the first time several of whom are pictured at one of the front row tables. (ODCA Publicity Photo-D.Daber.J The ODCA and Information Drum Corps are supported projects of O)9)lt\ The Ontario Ministry of Culture and Recreation and TllIl OnItlJio Drum Corps Association The Ontario Arts Council. INFORMATION DRUM CORPS: MARCH,1978 Official publication of the Onuria Drum Corps Anociltion. A Supponed Project 01 The Ontario Mininry of Culture &: ReCfealion and The Ontario Am Council. Editor: Don Oaber. AUGelate Editor: Mike Grimes. Editorial Offien Suite 302. 205 Keele Street, Toronto, Dnlano, Canada M6P 2Kl . Telephone: 416/7669143. Layout, Art &: lIIultrltion: Don Daber. Offici.1 FROM THE Photographers: Don Daber, Doug. Smith, Eric McConaehie, Pete McCusker. Circulation: 4,500 printed copiel and distributed to each marching member EDITOR'S DESK- of ODCA Membrr Drum Corps &: their management and Instructional Staff, free ot chargtl at part of the c;orps yearly membership 'a8 to The CDCA. SUbs.cription Rat.: To the general public interested in drum oorpi in the This ill the largest issue ot Information Dr\Dn Province of Ontario-$3.00 per yelr. 1978 Advertising Rat.,: Full Page- COrps since we beqan publiahinq a number of years $110.00. Half Page-SSS.OO. OUarter PBge.-$35.00. Eighth Page-$1S.00. -
Super Regional Championship at Indianapolis November 4-5, 2016 Lucas Oil Stadium Indianapolis, in Adjudicator Biographies National Presenting Sponsor
Super Regional Championship at Indianapolis November 4-5, 2016 Lucas Oil Stadium Indianapolis, IN Adjudicator Biographies National Presenting Sponsor MUSIC PANEL (alphabetical by last name) Ed Argenziano, Clearwater, FL Edward D. Argenziano, received his Bachelor of Science Degree in Music Ed. from William Paterson University. Masters of Arts Degree, Music Performance, from Montclair State University. Edward has been a teacher of secondary schools in New Jersey for 30 years and, currently the Fine Arts Department Chairperson & Director of Bands and Orchestras at Clearwater High School. He has also served as the music composition middle college teacher for Fairleigh Dickinson University. Since 1987, Edward has been extremely involved as a music/percussion clinician and music adjudicator and has toured extensively throughout the United States, Canada, Netherlands and Japan. He has been involved with Drum Corps International (DCI) since 1973 as a performer, Percussion Caption Administrator, Percussion Arranger/Show Designer for a handful of corps, and is currently judging Winter Guard International (WGI). Percussion judge, Bands of America (BOA), and DCI. Carl Bly, Winchester, VA Mr. Carl A. Bly taught for 30 years at Centreville High School and Lake Braddock Secondary School in Fairfax County, Va., was the Concert Band and Orchestra Director at Georgetown University in Washington, D.C., and has taught at Shenandoah University in Winchester, Va. Mr. Bly’s bands have earned international reputations and have been finalists at the Bands of America’s (BOA) Grand National Championships in Indianapolis, Ind. His concert bands have performed at the Mid-West Band and Orchestra Clinic in Chicago, BOA’s National Concert Band Festival, and in the concert halls of the Kennedy Center, DAR Constitution Hall, Wolf Trap for the Performing Arts in Washington, D.C., and the Legrande Theatre in Quebec, Canada. -
Caring for the Corps
PRACTICE ADVANCEMENT Caring for the Corps AS TOLD TO JAIMIE SIEGLE Left: Students gain clinical experience in the performing arts setting touring with the drum corps, a disciplined group of up to 150 performers that tours extensively each summer. Right: Maj. Brian Dix, U.S. Marine Drum & Bugle Corps commanding officer, performs as the Body Bearers fire the ceremonial cannons during a concert at Marine Barracks Washington, D.C., this summer. (Photo by Cpl. Dan Hosack/U.S. Marine Corps) Among the many facets of the performing arts setting is the drum and bugle corps, a niche of competitive marching band-like “troops” with touring schedules and routines that are not for the faint of heart, reflecting virtues such as precision, discipline and teamwork, corps members learn qualities required in the military setting but are valuable in any work environment. As if embedded into a battalion of soldiers, ATs who work with Drum Corps International teams participate in every aspect of “Cadet” life, from touring on the bus to sleeping on the floor. Read on as Brian Seiler, MS, PES, ATC, and Alyssa McPherson, MS, LAT, ATC discuss the challenges, surprises and lessons learned throughout their summers working with corps athletes. Former U.S. Marine Derek Soloway, ATC, LAT, PES, a licensed athletic trainer working as a Level 3 Fitness Specialist at Henderson Hall, also describes his experience working with a unique group of Marine Corps soldiers. What led you to the athletic training my surgeon insisted that I see his in-house retired. I noticed the guys taking care of the profession? athletic trainer, as opposed to a traditional players when they got hurt. -
The Evolution of PASIC by Gary Cook
The Evolution of PASIC By Gary Cook n this our 50th anniversary year cel- tradition was established of holding annual be started by the ebration of the Percussive Arts Soci- business meetings in conjunction with the Executive Secretary ety, articles appearing in the previous Midwest Band Clinic at the Sherman House report and summary three issues of Percussive Notes have in Chicago. (The Sherman was chosen be- of P.A.S. activities Ichronicled the history of the Society up to cause of its central location and the fact that in the last ten months. With the status of 1990. These articles have included the birth many of the founders annually came to the P.A.S. clearly in our minds the discussion of the Society and its publications, advent of Clinic.) [Author’s comment: This 1960 din- will be centered around several basic topics. PAS chapters, inception of the museum and ner meeting resulted in the legendary photo These will be those most often mentioned in headquarters, and have mentioned briefly of many of the founding fourteen members correspondences, discussions, and business what has become perhaps the most integral of PAS.] On December 20, 1963, the first sessions throughout these last months and part of PAS––our conventions. Many mem- general meeting of the PAS membership took should therefore be of vital interest to the bers may recall the publication Celebrating 30 place in the Louis XVI Room of the hotel. entire membership. Years of PASIC, which was unveiled at PA- The practice of holding separate Board of The local hosts will be our members from SIC 2005 in Columbus and contained short Directors and membership meetings, fol- the Chicago area with Gordon Peters of our year-by-year reminiscences by convention lowed on the next day by breakfast, was Editorial Staff as Chairman. -
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DE LA SALLE IN TRANSITION 1955 – 1960 FROM MARCHING BAND TO MODERN DRUM CORPS CONTINUING THE TRADITION OF EXCELLENCE EXCELLENCEEXCELLENCE DE LA SALLE IN TRANSITION 1955 - 1960 FROM MARCHING BAND TO MODERN DRUM CORPS CONTINUING THE TRADITION OF EXCELLENCE Brian Coleman With: Ken Burns Cos Capone Gerry Feraday Terry Marren Ernie Wesson Copyright: © by Brian Coleman All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, reprinting or recording, or on any information storage or retrieval system, without a license or permission in writing from the copyright holder. Brian Coleman 44 Chicory Lane Pennington, NJ 08534 FORWARD - AUGUST, 2011 The impetus to prepare this history derives from the “Spirit of De La Salle, Oaklands”. At ‘Del we learned primarily from the example of the Christian Brothers. Above all they taught us the vital importance of integrity and honesty. They also stressed the need to pursue excellence and to be the best we could be. When an attempt at something did not produce success, it was not condemned as a failure, nor were those who tried. On the contrary, we were given constructive feedback and encouraged to try again. We were taught that true failure lays in failing to try. We learned to keep our minds open to new ideas and better ways and to discern between novelty – change for the sake of change - and profound, fundamental change. We learned to welcome change and manage it to preserve excellence and achieve new levels of it. These values are transcendent. -
Gail Schultz International Fellowship Information, Instructions and Application for 2022
Gail Schultz International Fellowship Information, Instructions and Application for 2022 Over the course of five-decades, Gail Schultz served as a hard-working friend, enthusiastic supporter and graceful ambassador—not only of The Blue Devils, but for the entire drum corps community. Her deep passion for global stewardship and international participation became renowned and respected worldwide, and her generosity and kindness has had a positive impact on countless lives both near and far. Gail’s involvement with The Blue Devils began in 1971, when her daughter Christine joined the Twirlers and her son Steven joined the Jr. Drum & Bell Corps. Before long, Gail was managing multiple Blue Devil programs and serving on the board of directors—including multiple terms as its president. Having chaired the Precision West drum corps competition for a decade, she then helped establish the DCI West competition at Stanford Stadium and chaired that event for another decade. Serving as Marketing and Development Director, Gail coordinated special events and recruitment drives, created public relations materials, and represented The Blue Devils to the Concord Chamber of Commerce as well as civic and fraternal organizations throughout the area. As Promotions Manager, Gail coordinated all aspects of the souvenir sales on tour and in-house and developed our first e-commerce operation. She became an iconic and critical part of the drum corps activity, serving not only as the lead voice for how all drum corps merchandising operations were managed and operated, but also as a mentor and friend to all who worked in the souvenir marketplaces. Because of Gail, the corps’ souvenir trailer was not only a successful financial asset but became the social center for all drum corps fans, regardless of affiliation.