Disruption Through Artificial Intelligence
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Geographica 16
Geographica 16 Taylor Brydges Made in Canada The strategies, spaces and working lives of independent designers in the Canadian fashion system Dissertation presented at Uppsala University to be publicly examined in University Hall Room IV, Biskopsgatan 3, Uppsala, Friday, 15 September 2017 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Associate Professor Susanne Reimer (University of Southampton). Abstract Brydges, T. 2017. Made in Canada. The strategies, spaces and working lives of independent designers in the Canadian fashion system. Geographica 16. 88 pp. Uppsala: Department of Social and Economic Geography, Uppsala University. ISBN 978-91-506-2644-5. Drawing on 87 interviews with independent fashion designers and key informants, this thesis is a collection of papers which aim to explore the strategies, spatial dynamics and working lives of independent fashion designers in the Canadian fashion industry. The majority of fashion design firms in Canada are small independent businesses, typically run by an individual or pair of designers, with few employees. Independent fashion designers create unique small businesses, produce high quality garments defined by the label ‘made in Canada,’ strategically mobilize physical and virtual spaces within the national system, and yet, the long-term viability of these businesses is far from certain. The Canadian fashion industry is facing a number of systemic challenges relating to wider institutional and policy weaknesses that make it difficult to grow a long-term domestic or international fashion business. However, the findings also suggest that a key strength of the Canadian fashion system is that it offers a variety of spaces for designers of different sizes, scales, and motivations. -
Machine Learning (Ml) for Tracking the Geo-Temporality of a Trend: Documenting the Frequency of the Baseball-Trucker Hat on Social Media and the Runway
MACHINE LEARNING (ML) FOR TRACKING THE GEO-TEMPORALITY OF A TREND: DOCUMENTING THE FREQUENCY OF THE BASEBALL-TRUCKER HAT ON SOCIAL MEDIA AND THE RUNWAY A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Rachel Rose Getman May 2019 © 2019 Rachel Rose Getman ABSTRACT This study applied fine-grained Machine Learning (ML) to document the frequency of baseball-trucker hats on social media with images populated from the Matzen et al. (2017) StreetStyle-27k Instagram dataset (2013-2016) and as produced in runway shows for the luxury market with images populated from the Vogue Runway database (2000-2018). The results show a low frequency of baseball-trucker hats on social media from 2013-2016 with little annual fluctuation. The Vogue Runway plots showed that baseball-hats appeared on the runway before 2008 with a slow but steady annual increase from 2008 through 2018 with a spike in 2016 to 2017. The trend is discussed within the context of social, cultural, and economic factors. Although ML requires refinement, its use as a tool to document and analyze increasingly complex trends is promising for scholars. The study shows one implementation of high-level concept recognition to map the geo-temporality of a fashion trend. BIOGRAPHICAL SKETCH Rachel R. Getman holds a bachelor’s degree in Anthropology from the University of California at Los Angeles (UCLA). Her interests lie in the intersection of arts and sciences through interdisciplinary collaboration. The diversification of her professional experience from the service industry, education, wardrobe styling, apparel production, commercial vocals, and organic agriculture influence her advocacy for holistic thinking and non-linear problem solving. -
Download the Full Sponsorship Package Here
THE CANADIAN ARTS & fashion AWARDS 2020 MAY 29, 2020 | THE FAIRMONT ROYAL YORK HOTEL | TORONTO CAFA was created to celebrate and support the Canadian Fashion Industry. Through the recognition and promotion of outstanding achievement and emerging talent in Canadian fashion, CAFA is dedicated to generating a stronger appreciation and market for our artists both in Canada and abroad and to the economic development of the Canadian fashion industry. CAFA is committed to further developing and cultivating our home grown talent by creating educational programs, mentorship and financial opportunities and establishing collaborative relationships that strive to unite the fashion community and the various existing, national fashion initiatives. A stylish and sophisticated evening, the CAFA Gala unites artists and influencers from across the country to celebrate the diversity and creativity inherent in Canadian fashion as we recognize Canada’s most promising designers, stylists, image makers, models and business leaders. On stage with winners and presenters from left to right: Hung Vanngo with presenter Sarah Gadon, Sid Neigum with presenter and sponsor, Suzanne Rogers, Max Abadian and host Jessi Cruickshank. CAFA was represented in a combination of THE OPPORTUNITY broadcast and strong print and digital coverage from both fashion and traditional media outlets Be a part of the premiere fashion with an advertising value equivalent of over industry event in Canada. $15,787,000. CAFA presents an excellent opportunity for In addition to the Awards event, CAFA is organizations to create a highly visible alignment committed to creating and delivering focused with Canadian culture, creativity and innovation. and engaging programming throughout the year Partnering with CAFA provides access to a in support of the Canadian fashion industry. -
Impresses Teens Disappoints Everyone Else
Order The Oxford Review (Woodstock, ON) Commande: 16454 Date: 07.07.2016 Page: 46 Circulation: 31000 Page(s): 1 / 1 2016 MERCEDES BENZ G550 Impresses teens disappoints everyone else Jil Mcintosh There aren t many cubbies to strictly for soft surface off road Driving stow stuff where you can easily ing with no sharp turns reach it and the single front seat So why do people still buy Mercedes G Class cupholder is a miniature basket these things Because it s big and may be a stalwart ball net clipped to the side of the in your face you definitely get transmission hump but you do noticed and you re probably the off roader but still get a cigarette lighter only one on your block who owns on the road it s a Should you want to carry two one If I was spending the cash Smarts the rear seats fold and on an off road capable machine punishing letdown tumble for extra cargo space but I d get a Range Rover which Every now and again even that s a chore because the automakers come out with sin releases are on the bottoms of the gle purpose vehicles that so seatbacks Ifyou re short enough spectacularly fulfil what they are to fit behind the wheel you re intended to do that it makes your not tall enough to reach across jaw drop An example is Mer the cargo compartment to pull cedes Benz s massive brick on the levers wheels the G550 Tumbling the rear seats also It initially arrived decades ago requires removing their head when utility vehicles were only restraints unless you re carrying meant to get you through any passengers you ll want to do that thing -
Sheehan-Canada150to.Pdf
150 CANADA 108 From humble beginings, to present day since Fashion in TORONTO ven in the time of Confederation, Toronto the Good1867 had a severe case of fashionable society. A satirical correspondent for the Canadian Illustrated News, circa 1870, describes how wealthy young Torontonians would “do King” by engaging in a ritual promenade along a particular E stretch of King Street. “Performing, as it was, ‘Kotow’ to the prestige to label their couture. (Canada and goddess of Fashion, and sacrificing to her haute couture were born within a year of sister divinity of Society.” (Canadian each other: Englishman Charles Frederick Illustrated News, 1870) Worth established the Chambre syndicale de la haute couture in Paris in 1868.) King Street was Old Toronto’s luxury shopping destination. The third-largest city in Stitt & Co. were the favorite dressmakers of the Dominion of Canada, Toronto was the Ishbel Marjoribanks, Countess of Aberdeen, new country’s English-speaking commercial a Scottish aristocrat and progressive who, as center, with roughly half the population of the the wife of Governor General John Campbell older, Francophone Montreal. In stark Gordon, was a leader of society in 1890s contrast to the cultural pluralism of modern Canada. One of Ishbel’s achievements while Toronto, society was dominated by an Anglo- the mistress of Rideau Hall, was founding the Protestant, colonial elite. Inspired by fashion National Council of Women. This autumn, reporting in American magazines like her great-great-granddaughter, Lady Anna Godey’s, Leslie’s and Demorest’s, the city’s Gordon, became the first member of the style-conscious could get a wardrobe update British nobility to enter into a same-sex written by at dry goods emporia like Robert Walker and marriage. -
1. Conquer the Hustle in Canadian Fashion Meet Five Toronto Fashion Week Power Players Who Have Mastered the Art of Looking Amazing for (At Least) 16 Hours Straight
THURSDAY, AUGUST 29, 2019 TORONTO STAR Career style special: Nine ways to love your work wardrobe more (hint: ditch your designer bag) THEKIT.CA @THEKIT @THEKITCA THEKITCA Toronto Fashion Week kicks off on September 3. These are five of the women who make it happen. Clockwise from top left: Melissa Campisi wears a Hilary MacMillan dress and Rita Tesolin earrings, Truc Nguyen wears a Hilary MacMillan dress, Nikki Wirthen- sohn Yassemi wears a Narces dress, Erika Larva wears a Pink Tartan shirt, Carolyn Quinn wears a Victoria Hayes dress. HAIR BY JORGE JOAO/REDKEN. MAKEUP BY CAROLINE LEVIN/P1M 1. Conquer the hustle in Canadian fashion Meet five Toronto Fashion Week power players who have mastered the art of looking amazing for (at least) 16 hours straight BY JULIA MCEWEN | PHOTOGRAPHY BY NATHAN CYPRYS THE EXECUTIVE DIRECTOR: Carolyn Quinn everything else that’s happening in my life comes to a Months before Fashion Week kicks off, Larva meets with Go-to Canadian designers: Greta Constantine, Smythe, Jenny Bird complete standstill.” That doesn’t mean Quinn compromises designers to go over their creative vision for their collec- her fashion game. Instead, she goes all in. “Typically, I dress in tions. During these 9-to-5 days, Larva wears some version Carolyn Quinn is one of Canada’s top champions of home- the morning and keep the same outfit on until past midnight,“ of a billowing blouse, chic denim and a great pair of heels. grown fashion talent. “I wear Canadian during Fashion she says. “It’s a two- to three-month curation of what those Come Fashion Week, however—when she’s managing the Week, but I also wear Canadian the other 362 days of the three outfits are going to be.” backstage area and directing the shows—function trumps year,” she says. -
Trends Magazine Stories
The Magazine for Canadian Fashion Retailers Runway Review Business or Entertainment? Accessories Taking S/S 2020 by Storm Retail Success Small Shops - Big Ideas Top Ten Trends 2020 Retail Vision January - July 2020 Canada Post Agreement #41957515 January - July 2020 Canada Post CONTENTS JANUARY 2020 trendsThe Magazine for Canadian Fashion Retailers SPECIAL FEATURES 38 Top 10 Trends Socially and ethically minded youth impact SS20 womenswear Volume 11 Issue 21 January 2020 trends and buying patterns. 58 Sustainability in Business A sustainability strategy to future-proof businesses in an age of informed and socially minded consumers. Publisher / Editor 8 Kait Walker [email protected] Editorial Contributors DEPARTMENTS 8 Kirsten Mogg 8 Lucy Lau 8 Naeme El-Zein 08 Industry News 8 Ani Nersessian Dawn of a New Decade - opportunities and inspiration amid environmental, political and business disruptions. Editor / Art Director 8 Kim Walker [email protected] 22 Retail Success National Sales Manager. Small retailers with new ideas make landlords and municipalities 8 [email protected] recognize that independents have an important role to play. 705-426-1712 Website Address 8 trendsmagazine.ca Email Address 8 [email protected] 32 Accessories Canadian designers take 2020 Spring/Summer runways by storm. Subscriptions 8 [email protected] Head Office 8 Beaverton ON L0K 1A0 42 Runway Review Have entertainment and activism overtaken business interests? Spring 2020 runways deploy new strategies as they try to adapt. Circulation 8 [email protected] Toll-Free: 8 1-877-547-2246 50 Visual Merchandising Avoid the Stockroom Syndrome - how to display merchandise All rights reserved. effectively to tell a story and give shoppers a break. -
Agaborynfashiontv-Titlepage.Pdf
FASHION TV. THE HISTORY BEHIND THE TV STATION THAT EXCLUSIVELY FOCUSES ON THE PHENOMENON OF TRUE FASHION. Contents Introduction…………………………………………………………………………………….4 1. Chapter I. The history of Fashion TV. 1.1. Founder Michel Adam Lisowski…………………………………………………..6 1.2. How the Fashion TV was founded……………………………………………….10 1.3. The logo of the company………………………………………………………...14 1.4. Operation of the company, country where the Fashion TV take place…………..16 1.5. Definition of fashion……………………………………………………………..20 1.6. Television and the features, current situation of the fashion television market….24 2. Chapter II. Subjects and issues of Fashion TV. 2.1. Fashion – fashion designers in vision of Fashion TV……………………………31 2.2. Fashion Weeks – New York, Lodnon, Milano, Paris……………………………36 2.3. Big Fashion shows. Collection Falls/ Winter, Summer/Spring………………….43 2.4. Brands presented on the Fashon television………………………………………44 2.5. Questionnaire. Audience indicator of Fashion TV………………………………46 2.6. Influence Fashion TV for audience and fashion environment…………………..49 2.7. The most famous fashion models………………………………………………...54 3. Chapter III. The development of Fashion TV company. 3.1. Fashion TV evolution…………………………………………………………...60 3.2. Bars network…………………………………………………………………….62 3.3. Hotels network…………………………………………………………………..66 3.4. Fashion vodka…………………………………………………………………...69 3.5. Fashion beverages……………………………………………………………….72 3.6. Fashion champagne……………………………………………………………...73 3.7. Faashion proseco………………………………………………………………...74 3.8. Fashion water…………………………………………………………………….75 3.9. Fashion shops……………………………………………………………………78 3.10. Internert service……………………………………………………………….79 3.11. Fashion magazine……………………………………………………………..85 3.12. Plans for the future……………………………………………………………91 Ending………………………………………………………………………………………...93 Introduction The theme of this paper is the history of TV station Fashion TV dedicated to the contemporary phenomenon, fashion. I took a job writing on this subject, because fashion is one of the main hobby and passion in my life. -
Winning Entries Booklet Table of Contents
2015 OVATION AWARDS WINNING ENTRIES BOOKLET TABLE OF CONTENTS 4 Message from the IABC/Toronto President 6 Message from the OVATION Awards 2015 Organizers 7 2015 OVATION Awards Sponsors 8 2015 IABC/Toronto Awards of Distinction 8 2015 IABC/Toronto People’s Choice Award 10 2015 IABC/Toronto OVATION Award Winners 10 Communication Management 15 Communication Skills 16 Communication Creative 17 About OVATION Awards 18 IABC/Toronto Student of the Year Award 18 Bobbie Resnick Philanthropy Award 19 2015 OVATION Award Judges 30 About Us 30 IABC/Toronto Executive Board 2014-2015 31 2014-2015 Awards Committee 2 MESSAGE FROM THE PRESIDENT MESSAGE FROM THE PRESIDENT I STARTED THE YEAR AS PRESIDENT HOPING MEMBERS WOULD “GIVE AND TAKE” AS MUCH AS THEY COULD FROM THE ORGANIZATION BY TAKING ADVANTAGE OF ALL WE OFFER, AND GETTING INVOLVED IN ANY CAPACITY THEY’D LIKE. The OVATION Awards Ceremony on May 27, 2015 offered many examples of members giving a lot to IABC/Toronto by getting involved, contributing to professional excellence and taking away recognition and success stories. The OVATION Awards program would not be possible without the support of our members, volunteers and sponsors. All of our hardworking IABC/Toronto members volunteer their time to promote the event, judge nearly 200 entries and organize the OVATION Street Party. I’d like to thank our volunteers for their commitment to the association and for elevating the communications profession. Finally, I want to congratulate all of the award recipients. Your enthusiasm, creativity and hard work have been exemplary. Thank you for supporting IABC/Toronto. -
Towards a Stronger Canadian Fashion Industry: an Investigation of Canada’S Media Landscape and Its Coverage of Canadian Fashion
TOWARDS A STRONGER CANADIAN FASHION INDUSTRY: AN INVESTIGATION OF CANADA’S MEDIA LANDSCAPE AND ITS COVERAGE OF CANADIAN FASHION By Jennifer Braun A Major Research Project Presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Fashion Studies Supervisor: Dr. Irene Gammel Second Reader: Dr. Ben Barry Toronto, Ontario, Canada, 2017 ©Jennifer Braun 2017 2 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. 3 Acknowledgements The completion of this major research project Would not have been possible Without the guidance of various faculty members of the Ryerson University School of Fashion, of my supervisor and second reader, or Without the support of my family and friends. I Would like to first express my deepest gratitude to my supervisor Dr. Irene Gammel for her excellent guidance and positive attitude, Which alloWed me to lead this project With confidence. You helped me properly formulate my ideas and research design. I am also thankful for the good advice and support of my second reader Dr.