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Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like -
Mose Davis Public Relations Information
Mose Davis Public Relations Information “My name is Mose…and you can call me Mose” – Mose Davis That quote from Mose Davis can be heard on Hamilton Bohannon’s hit record “Let’s Start the Dance”. The tune is a smoking-hot club classic. And the quote cuts through the clutter and camouflage of funk wannabes, to reveal a pure fact – Mose is Mose. Before Stevie Wonder, before Bernie Worrell, there was Mose Davis pushing the frontiers of funk with his use of the organ as the source of the bass line, during the late 1960’s. And if imitation is the highest form of flattery, then Mose Davis has been flattered by the best. And some of the biggest names in hip-hop have sampled a sip of Mose’s musical brew, including Snoop, Mary J. Blige and Queen Latifah. Classically trained at the Detroit Conservatory of Music, Mose Davis is an exceptional jazz artist and prominent fixture on the Atlanta music scene. Davis identifies jazz greats, Jimmy Smith and Ahmad Jamal among his musical influences. Davis performs with top acts across the country and internationally. Mose Davis has performed with Candi Staton, The Isley Brothers, Marlena Shaw, David Ruffin, Ray Parker, Jr., The Counts, Funkadelics and Carl Anderson. His festival appearances include The Atlanta Jazz Festival (with the Atlanta Symphony Orchestra), The Macon Jazz Festival and the internationally renowned Spoleto Festival. And now comes the new CD, “Sunshine”. “It’s a mix of jazz – the rough and the smooth – blended with some Latin and rock influences,” Davis says. -
Dance Again the Hits Album Free Download
Dance again the hits album free download TRACKLIST: 01 - Dance Again (feat. Pitbull) 02 - Goin' In (feat. Flo Rida) 03 - I'm Into You (feat. Lil Wayne) 04 - On the Floor (feat. Pitbull) 05 - Love Don't Cost a. Jennifer Lopez - Dance Again The Hits (Deluxe Version), Itunes Plus Full, Jennifer Lopez download THE FULL ALBUM here- Listen to songs from the album Dance Again The Hits Buy the album for $ Songs start at $ Free with Apple Music subscription. MP3 Jennifer Lopez - Dance Again The Hits , Telecharger mp3 de Jennifer Lopez - Dance Again The Hits , download music for. LINKS: Turbobit: : Extabit: Artist: Jennifer. Dance Again (Feat. Pitbull)2. Goin' In Masters Remix) (Feat. Sty Download Torrent MP3 Free - test. ru Artist: Jennifer Lopez Album: Dance Again The Hits Music. Download Jennifer Lopez MP3 Songs and Albums musicmp3 ru. Download Jennifer Lopez Dance Again The Hits Deluxe. Jennifer Lopez Dance Again the Hits. Buy Dance Again The Hits: Read Digital Music Reviews - Switch browsers or download Spotify for your desktop. Dance Again The Hits. By Jennifer Lopez. • 16 songs. Play on Spotify. 1. Dance Again - Pitbull. Dance Again (feat. Pitbull) appears on the album Dance Again The Hits. gig and concert tickets, videos, lyrics, free downloads and MP3s, and photos with. Jennifer Lopez albums, MP3 free albums, collections tracks free download in Mp3 Download Jennifer Lopez tracks Dance Again The Hits. Pop music Unlimited Music Storage. Wednesday, 18 Oct PM. Top 50 Mp3 Download ←. Raaz Reboot (Full Album) - Bollywood Movie Mp3 Song Download. Jennifer Lopez - Dance Again The Hits (Album Deluxe Edition CD + DVD) - Unboxing CD en Español. -
Hype Funk Score Avg. Hype Funk Score Funk Score Avg Funk Score Combined Funk 1 Flashlight
Barely Somewhat Extra Hella Response Hype Funk Avg. Hype Avg Funk Combined # answer options No Funky Funky Funky Funky Funky Da Bomb Count Score Funk Score Funk Score Score Funk 1 Flashlight - Parliament 0 0 0 2 0 5 14 21 108.00 5.14 136.00 6.48 11.62 Give Up The Funk (Tear the Roof Off the 2 Sucker) - Parliament 0 0 0 0 2 6 12 20 102.00 5.10 130.00 6.50 11.60 3 One Nation Under A Groove - Funcakelic 0 1 0 0 2 2 13 18 92.00 5.11 115.00 6.39 11.50 4 Atomic Dog - George Clinton 0 0 0 1 4 5 15 25 124.00 4.96 159.00 6.36 11.32 More Bounce To The Ounce - Zapp & 5 Roger 0 0 0 2 0 5 9 16 78.00 4.88 101.00 6.31 11.19 6 (Not Just) Knee Deep - Funkadelic 0 0 0 0 5 6 12 23 111.00 4.83 145.00 6.30 11.13 7 Mothership Connection - Parliament 0 0 0 0 3 6 8 17 81.00 4.76 107.00 6.29 11.06 8 Payback - James Brown 0 0 1 1 4 0 10 16 75.00 4.69 97.00 6.06 10.75 Get the Funk Out Ma Face - The Brothers 9 Johnson 0 0 0 1 4 4 8 17 78.00 4.59 104.00 6.12 10.71 10 Slide - Slave 0 0 0 1 1 6 5 13 59.00 4.54 80.00 6.15 10.69 11 Super Freak - Rick James 0 0 1 3 1 3 8 16 70.00 4.38 94.00 5.88 10.25 12 Pass the Peas - Fred Wesley and the JBs 0 0 1 1 2 2 5 11 47.00 4.27 64.00 5.82 10.09 13 The Jam - Graham Central Station 0 0 1 2 0 3 5 11 47.00 4.27 64.00 5.82 10.09 14 Jamaica Funk - Tom Browne 0 0 1 2 2 4 6 15 63.00 4.20 87.00 5.80 10.00 15 Fire - Ohio Players 0 0 0 2 7 3 7 19 79.00 4.16 110.00 5.79 9.95 16 Maggot Brain - Funkadelic 0 0 1 1 3 3 5 13 54.00 4.15 75.00 5.77 9.92 17 Dr. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
SONGCRAFTERS' COLORING BOOK Interpreting Interpretation by Bill Pere
The concepts discussed in this article are a part of the comprehensive analysis of songwriting presented in the complete book "Songcrafters' Coloring Book: The Essential Guide to Effective and Successful Songwriting" , by Bill Pere. For additional information or to order a copy, visit http://www.songcrafterscoloringbook.com (More on this topic in the complete Songcrafters' Coloring Book) SONGCRAFTERS' COLORING BOOK Interpreting Interpretation by Bill Pere You hear it all the time at critique sessions, interviews, panels, or online: songwriters saying "I want to leave my songs open to interpretation" or "I want each person to get their own meaning from my songs", and in the same breath saying "I want to connect with people". In order to have any useful discussion, we have to understand what this really means. Consider three things: (a) Typically, a song represents something that comes from an important part of you that you want to share (b) If you say something in general conversation and someone completely misinterprets you, you’d rarely just let it go without trying at least once to clarify what you meant. (c) "I want to leave my meaning open to interpretation" is the equivalent of saying "It’s perfectly okay with me if someone imposes their own meaning on my words." If we accept these things as generally accurate (of course there are always exceptions), then a songwriter being "okay" with leaving the song 'open to interpretation' can only mean one of the following (and there is nothing "wrong" with any of these – it’s just important that you have your Eyes-Wide-Open when you make your choices) (a) the song isn’t saying anything truly important to you (b) you don’t really know what the song is saying (c) you’re not trying to communicate or connect, just express yourself (See the article on "Expression vs. -
Official Bio : Roger Salloom
roger salloom Official Bio :Roger Salloom Roger Salloom started his life and career Intrigued with Nashville, Roger spent sev- in Worcester where he first studied banjo eral years with artists including Guy at 13 years old. He was influenced then Clark, Rodney Crowell and Richard Dob- by Pete Seeger, Bob Dylan, Geoff Muldaur, bins all of whom were a support team for Woody Guthrie, Sonny Boy Williamson, each other all the time honing their writ- Jimmy Reed, and the singing brakeman, ing skills. Jimmy Rodgers and the Kingston Trio. Roger returned to San Francisco where At 19 he was opening for Jose Feliciano. he was sponsored as a songwriter by the In 1975, he immortalized the town in what former manager of Creedence Clearwater the New York Times called, “his own ver- Revival, Jake Rohrer, and CCR’s former sion of Springsteen’s ‘Born to Run,’ called bass player, Stu Cook. ‘Gotta Get Out of Worcester.’ “ Roger left California and settled into Roger went to Indiana University in Northampton, Massachusetts in 1980 to Bloomington in 1966. He chose his major raise his children as a single father. In by walking around the campus trying to 1983 he released a recording on the local feel the “vibes” of the various buildings. label, Yellow Plum Records, a recording There and in San Francisco he found his which became a Billboard Top Album Pick poetic self and started to truly take his and garnered heavy airplay on some of the song writing seriously. most influential stations in the northeast, the exclusive area of its release. -
Emotional Storytelling Choreography—A Look Into the Work of Mia Michaels
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels Bethany Emery Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2534 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Bethany Lynn Emery 2011 All Right Reserved Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Bethany Lynn Emery M.F.A., Virginia Commonwealth University, 2011 M.A.R., Liberty Theological Seminary, 2003 BA, Alma College, 2001 Directors: Amy Hutton and Patti D’Beck, Assistant Professors, Department of Theatre Virginia Commonwealth University Richmond, Virginia July 2011 ii Acknowledgement The author would like to thank several people. I would like to thank my committee members Professor Amy Hutton, Dr. Noreen Barnes and Professor Patti D’Beck for sticking with me through this process and taking time during their summer plans to finish it out. I especially would like to thank Professor Hutton for her guiding hand, honest approach while also having an encouraging spirit. I would like to thank friends Sarah and Lowell for always being there for me though the happy and frustrating days. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Lt's No Longer `In a Box'
46 Disco Business `Come To Grips' Forum 8 Underway In N.Y. Continued from page 1 effects of current changes in the in- He reminds that record labels are ported by Frankie Crocker, the Fo- Warehouse; Dick Carter, Salsoul They will also be seeking reas- dustry can only be positive. still producing disco music, and rum's keynote speaker, and program Records, Nick de Krechewo, Down- surance that the changing styles of Underscoring this positive atti- claims that "it still remains a big part and music director of Innercity stairs Records; Eddie Gilreath, the music to which people are danc- tude for the future of the industry in of their volume." Broadcasting Co., and WBLS -FM in Warner Bros. Records; Dee Joseph, ing in no way implies that the busi- this country, and indeed wherever Wardlow states that "far from New York. Prism Records; Miller London, Mo- ness is being jeopardized. else in the world discotheques are decrying this infusion of other styles Many of the sessions at the Forum town Records; and Michele Claren- popular, will be Forum director Bill into traditional disco sounds, the in- will be structured to emphasize the Among the people that will be hit- beek from Sweden. Wardlow's opening remarks. dustry should welcome it." importance of the fusion ting the panelists with questions are sound in Panelists for the session on pro- In his speech he points out that the the continued viability light and sound system manufac- "It is this combination of r &b, pop of the disco moting the new fusion music in- dance music sounds of the 1980s industry. -
A Kirby Family Record Some Descendants of John Terrell Kirby and Some Ancestry of Associated Families-Bohannon, Haynie, Lipscomb, Posey, Terrell, and Wilkins
A Kirby Family Record Some descendants of John Terrell Kirby and some ancestry of associated families-Bohannon, Haynie, Lipscomb, Posey, Terrell, and Wilkins Compiled by Terrell Marshall Sr. 2/26/2015 A Kirby Family Record – 2 Compiler’s Note The within Kirby Family Record was prepared by Terrell Marshall Sr. through correspondence with members of the family, and completed in 1953. It begins with the grandparents of John Terrell Kirby and Lavana Bohannon and continues through the fifth generation. Only descendants in a direct line from John Terrell Kirby are shown and the arrangement shows all descendants of each of his children. The second section contains ancestral data as to the Bohannon, Haynie, Lipscomb, Posey, Terrell, and Wilkins families as provided by my grandmother, May Kirby Thomas. A Kirby Family Record – 3 Editor’s Note My grandfather (Terrell Marshall Sr.) spent many hours gathering data, corresponding with relatives, and compiling the genealogical information that his grandmother (hereinafter referred to as MKT) had accumulated over the years. My grandfather, a lawyer, was a very methodical person and my belief is that the information he has gathered about current generations (i.e. current in the 1920s to 1950s) is quite accurate. Some of the ancestry information is suspect (and I have tried to comment on that so as not to have the reader take away any false impressions as to its accuracy). This information may provide no new information to the reader, but I felt I owed it to my grandfather to put this information in the public domain. I have tried to add some dates to persons who may have died since he originally “completed” this information, but was not able to find the information (or the time) to do it for everyone.