The Social Creation of Satanic Ritual Abuse
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First Episode Psychosis an Information Guide Revised Edition
First episode psychosis An information guide revised edition Sarah Bromley, OT Reg (Ont) Monica Choi, MD, FRCPC Sabiha Faruqui, MSc (OT) i First episode psychosis An information guide Sarah Bromley, OT Reg (Ont) Monica Choi, MD, FRCPC Sabiha Faruqui, MSc (OT) A Pan American Health Organization / World Health Organization Collaborating Centre ii Library and Archives Canada Cataloguing in Publication Bromley, Sarah, 1969-, author First episode psychosis : an information guide : a guide for people with psychosis and their families / Sarah Bromley, OT Reg (Ont), Monica Choi, MD, Sabiha Faruqui, MSc (OT). -- Revised edition. Revised edition of: First episode psychosis / Donna Czuchta, Kathryn Ryan. 1999. Includes bibliographical references. Issued in print and electronic formats. ISBN 978-1-77052-595-5 (PRINT).--ISBN 978-1-77052-596-2 (PDF).-- ISBN 978-1-77052-597-9 (HTML).--ISBN 978-1-77052-598-6 (ePUB).-- ISBN 978-1-77114-224-3 (Kindle) 1. Psychoses--Popular works. I. Choi, Monica Arrina, 1978-, author II. Faruqui, Sabiha, 1983-, author III. Centre for Addiction and Mental Health, issuing body IV. Title. RC512.B76 2015 616.89 C2015-901241-4 C2015-901242-2 Printed in Canada Copyright © 1999, 2007, 2015 Centre for Addiction and Mental Health No part of this work may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system without written permission from the publisher—except for a brief quotation (not to exceed 200 words) in a review or professional work. This publication may be available in other formats. For information about alterna- tive formats or other CAMH publications, or to place an order, please contact Sales and Distribution: Toll-free: 1 800 661-1111 Toronto: 416 595-6059 E-mail: [email protected] Online store: http://store.camh.ca Website: www.camh.ca Disponible en français sous le titre : Le premier épisode psychotique : Guide pour les personnes atteintes de psychose et leur famille This guide was produced by CAMH Publications. -
The Bible of the Adversary
THE BIBLE OF THE ADVERSARY MICHAEL W. FORD 1 THE BIBLE OF THE ADVERSARY MICHAEL W. FORD 2 Dedicated to ARASKH Who brought the wisdom of Ahriman to Humanity, who recognized “As Above, So Below” 3 THE BIBLE OF THE ADVERSARY By Michael W. Ford Copyright © 2007 by Michael W. Ford All rights reserved. No part of this book, in part or in whole, may be reproduced, transmitted, or utilized, in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission in writing from the publisher, except for brief quotations in critical articles, books and reviews. Illustrations by Various medieval sources and Gustave Dore. Sigils, Seals and Yatukih designs by Michael W. Ford Qlippothic Sigils illustrated by Michael W. Ford First edition 2007 Succubus Productions EBOOK EDITION 2009 Information: Succubus Productions PO Box 926344 Houston, TX 77292 USA Website: http://www.luciferianwitchcraft.com email: [email protected] 4 TABLE OF CONTENTS Introduction pg 6 The Adversarial Doctrine pg 8 THE BOOK OF ANDAR (fire) pg 9 Beginning Questions pg 10 The Precepts of Lucifer pg 13 Samaelian Diatribe pg 22 THE BOOK OF AKOMAN (Air) pg 27 Definitions of Magick pg 28 Luciferian Ideology pg 30 Luciferian Laws pg 40 Ahriman – Darkness embodied: Symbolism pg 52 Luciferian Religious Holidays pg 68 Liber Legion – Infernal Names pg 71 The Qlippoth – pg 96 Summoning Qlippothic Forces pg 112 Tiamat – the Primal Abyss pg 130 Drujo Demana – Book of Dead Names pg 134 THE BOOK OF TAROMAT (Earth) pg 145 Mastery of the Earth – Controlling your Destiny pg 146 Symbols and Meaning pg 160 Three Types of Luciferian Magick pg 174 Banishing Rituals and Preparation pg 176 THE BOOK OF ZAIRICH (Water) RITUAL MAGICK pg 186 Yatukih Sorcery – Way-i-vatar pg 187 Yatukih Ritual Steps pg 195 THE BOOK OF AZAL’UCEL (Spirit) pg 287 BIBLIOGRAPHY pg 316 GLOSSARY pg 317 5 INTRODUCTION To attempt to define a faith can be a difficult task. -
The Satanic Rituals Anton Szandor Lavey
The Rites of Lucifer On the altar of the Devil up is down, pleasure is pain, darkness is light, slavery is freedom, and madness is sanity. The Satanic ritual cham- ber is die ideal setting for the entertainment of unspoken thoughts or a veritable palace of perversity. Now one of the Devil's most devoted disciples gives a detailed account of all the traditional Satanic rituals. Here are the actual texts of such forbidden rites as the Black Mass and Satanic Baptisms for both adults and children. The Satanic Rituals Anton Szandor LaVey The ultimate effect of shielding men from the effects of folly is to fill the world with fools. -Herbert Spencer - CONTENTS - INTRODUCTION 11 CONCERNING THE RITUALS 15 THE ORIGINAL PSYCHODRAMA-Le Messe Noir 31 L'AIR EPAIS-The Ceremony of the Stifling Air 54 THE SEVENTH SATANIC STATEMENT- Das Tierdrama 76 THE LAW OF THE TRAPEZOID-Die elektrischen Vorspiele 106 NIGHT ON BALD MOUNTAIN-Homage to Tchort 131 PILGRIMS OF THE AGE OF FIRE- The Statement of Shaitan 151 THE METAPHYSICS OF LOVECRAFT- The Ceremony of the Nine Angles and The Call to Cthulhu 173 THE SATANIC BAPTISMS-Adult Rite and Children's Ceremony 203 THE UNKNOWN KNOWN 219 The Satanic Rituals INTRODUCTION The rituals contained herein represent a degree of candor not usually found in a magical curriculum. They all have one thing in common-homage to the elements truly representative of the other side. The Devil and his works have long assumed many forms. Until recently, to Catholics, Protestants were devils. To Protes- tants, Catholics were devils. -
Honoring the Truth: a Response to the Backlash
HONORING THE TRUTH: A RESPONSE TO THE BACKLASH by ELLEN BASS and LAURA DAVIS from THE COURAGE TO HEAL: A GUIDE FOR WOMEN SURVIVORS OF CHILD SEXUAL ABUSE THIRD EDITION, 1994 published by HarperCollins “Honoring the Truth” is a response to the current backlash against adult survivors of child sexual abuse. If you’ve watched TV, listened to the radio, or read newspapers or magazines in the past two years, it’s likely that you’ve heard about the “false memory syndrome” and have witnessed attacks on survivors’ memories and credibility. It is these attacks we are responding to here. As in the rest of The Courage to Heal, we have included the experiences of survivors as well as practical self-help information. Unlike the rest of the book, however, we also incorporate here the work of therapists, researchers, and other experts—and more than a hundred footnotes—to place this backlash in a historical and political perspective.1 A number of survivors and professionals have read “Honoring the Truth.” Most appreciated having clear information and an analysis of the issues. One survivor wrote to us, “I felt a lot of the cloudiness of the issue fall away—I felt reassured and validated.” Another said, “I am not as likely to get sucked into the fear and doubt that the backlash is trying to perpetuate.” Yet this same survivor said it had been a lot harder to read than she 1 In writing The Courage to Heal, we listened to survivors of child sexual abuse and presented what we learned in a clear, practical, and respectful way. -
Recantation and False Allegations of Child Abuse
Recantation and False Allegations of Child Abuse Prepared by David N. King, Ph.D. Maureen Drost, B.A. Selected Bibliography 2005 Updated 2011 Muriel K. Wells, MLIS This publication was supported in part by Grant No. SM 54259-01 from the U.S. Department of Health and Human Services, Public Health Service, Substance Abuse and Mental Health Services Administration. Its contents are solely the responsibility of the authors and do not necessarily represent the official views of the U.S. Department of Health and Human Services, Public Health Service, Substance Abuse and Mental Health Services Administration. Copyright © 2005, 2011 National Children’s Advocacy Center. All rights reserved. 1 ©National Children’s Advocacy Center, 2011 Recantation and False Allegations of Child Abuse Recantation and False Allegations of Child Abuse Selected Bibliography Introduction The issues pertaining to recantation and false allegations of abuse by children are among the more complex to understand psychologically and to interpret accurately. Ac-cording to Lipian, Mills and Brantman (2004), false allegations of abuse may derive from (1) submitting to suggestion by authority figures; (2) the result of "pseudo memories;" or (3) the product of evading honest answers. Recantation may result from the same reasons. Scope This bibliography focuses specifically on literature related to recantation and false allegations of abuse experienced in childhood. The relationship between disclosure, memory, truthfulness, fantastical storytelling, suggestibility, and coaching with recantation and false allegations is complex. To the extent possible, this bibliography does not, except in passing, delve deeply into those topics, preferring instead to provide guidance to publications that specifically address the core topic of false allegations and recanted accusation. -
Satanism in Finland Satanism in Finland
474 Hjelm Chapter 59 Satanism in Finland Satanism in Finland Titus Hjelm Satanism entered the Finnish public consciousness in the mid-1980s. Per- haps not surprisingly, the first people who were interested in and concerned about Satanism were Pentecostalist Christians, namely the Finnish preacher/ prophet Leo Meller. Meller’s book Rock (1986) “exposed” the “satanic” content of contemporary rock and Heavy Metal music, very much in line with the con- temporary discussions in the USA. Although little discussed in the mainstream media at the time, Meller’s role set an example for later religious commenta- tors who posed and were received as experts on Satanism. Whereas the public attention generated by Meller and others denouncing the “satanic” popular culture of the times was regarded more or less sceptically or even with mild amusement in the media, Satanism acquired a more sinister image in the early 1990s with the church burnings and homicides connected to Satanists in Norway. Mainstream newspapers discussed the possibility of satanic cults in Finland and some murders were linked − no matter how tenu- ously − to an allegedly satanic motivation (Hjelm 2005a). The reality of Satanism was finally “proven” in the public eye when some people, namely the Finnish rock singer Kauko Röyhkä, publicly professed to be practising Satanists. Finnish Satanism in the Early 1990s Some anti-Satanist commentators (such as the abovementioned Leo Meller) have suggested that satanic ritual groups existed in Finland already in the 1970s, but this allegation hardly stands the test of critical scrutiny. There may, however, have been magical/occult groups or individuals in Finland at that time, but there is no knowledge of explicitly satanic involvement by any of these. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked . -
Qanon and Facebook
The Boom Before the Ban: QAnon and Facebook Ciaran O’Connor, Cooper Gatewood, Kendrick McDonald and Sarah Brandt 2 ‘THE GREAT REPLACEMENT’: THE VIOLENT CONSEQUENCES OF MAINSTREAMED EXTREMISM / Document title: About this report About NewsGuard This report is a collaboration between the Institute Launched in March 2018 by media entrepreneur and for Strategic Dialogue (ISD) and the nonpartisan award-winning journalist Steven Brill and former Wall news-rating organisation NewsGuard. It analyses Street Journal publisher Gordon Crovitz, NewsGuard QAnon-related contents on Facebook during a provides credibility ratings and detailed “Nutrition period of increased activity, just before the platform Labels” for thousands of news and information websites. implemented moderation of public contents spreading NewsGuard rates all the news and information websites the conspiracy theory. Combining quantitative and that account for 95% of online engagement across the qualitative analysis, this report looks at key trends in US, UK, Germany, France, and Italy. NewsGuard products discussions around QAnon, prominent accounts in that include NewsGuard, HealthGuard, and BrandGuard, discussion, and domains – particularly news websites which helps marketers concerned about their brand – that were frequently shared alongside QAnon safety, and the Misinformation Fingerprints catalogue of contents on Facebook. This report also recommends top hoaxes. some steps to be taken by technology companies, governments and the media when seeking to counter NewsGuard rates each site based on nine apolitical the spread of problematic conspiracy theories like criteria of journalistic practice, including whether a QAnon on social media. site repeatedly publishes false content, whether it regularly corrects or clarifies errors, and whether it avoids deceptive headlines. -
INTERVIEW with ROBERT BLOCH - 1 - by Jean-Marc Lofficier
INTERVIEW WITH ROBERT BLOCH - 1 - By Jean-Marc Lofficier INTERVIEW WITH ROBERT BLOCH Randy and Jean-Marc Lofficier RL: Who do you consider to be at the root of your inspiration for your writing of terror and horror fiction? RB: Well, I spent eleven years in an advertising agency! Actually, as a child I was interested in reading that sort of thing. But, I was more interested, and I think most imaginative children are, in the mysteries of death, age and cruelty. Why do these things happen? Why do people do these things to one another? An innocent child believes in the protection and security of his daddy and mama, his friends and his safe home environment. Then to read and learn about these things is a great shock. I've done a good deal of talking with many other contemporary writers of this sort of fiction, people like Stephen King, Peter Straub, Richard Matheson and half-a- dozen others. They all had the same experience; they all feel this was their motivation. Some kids don't think about these things particularly, but I did. Particularly when I was hiding under the bed or in the closet after seeing something like Lon Chaney in The Phantom of the Opera for the first time at the age of 8 or 9. I decided, as I guess most of these people did, if you can't lick ‘em, join ‘em. So, I learned the method of what it is that terrifies other people as well. Yet, I tried to do it in a way that is safe. -
Psychos' Haunting Memories: A(N) (Un)Common Literary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositório Científico da Universidade de Évora Sanglap Vol. 1 No. 1 Psycho’s Haunting Memories Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage Maria Antónia Lima // University of Évora Sanglap: Journal of Literary and Cultural Inquiry Issue: Terror and the Literary, Vol. I No. I Editors: Arka Chattopadhyay and Sourit Bhattacharya Email: [email protected] Link: http://sanglap-journal.in/ 0 Maria Antónia Lima Sanglap Vol. 1 No. 1 Psycho’s Haunting Memories Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage In his homage to Edgar Allan Poe, Lou Reed attached a text to the album entitled Raven (2003), where he says: “Edgar Allan Poe is that most classical of American writers – a writer more peculiarly attuned to our new century’s heartbeat than he ever was to his own. Obsessions, paranoia, wilful acts of self-destruction surround us constantly. Though we age we still hear the cries of those for whom the attraction to mournful chaos is monumental.” Because of this common contemporary feeling, our age can be called, what Teresa Brennan has termed “the age of paranoia” (Brennan 20). Everything we experience seems to belong to a global world of technological information that gives us access to instantaneous “contact”, giving also the feeling that we live in a reality that does not exist, or only exists in our minds as a kind of imaginary construct, leading to what Freud called a fixation in a narcissistic state of being. -
Do You Believe in the Lord and Saviour Cthulhu?
Do you believe in the Lord and Saviour Cthulhu? The application of Lovecraft and his Cthulhu Mythos in Western Esotericism Nadine Eekhout s1526804 M.A. Davidsen 2018-2019 MA Theology and Religious Studies thesis 09-07-2019 1 Table of Contents 1. Introduction ........................................................................................................................... 3 1.1 H.P Lovecraft: Writer or Prophet? .................................................................................... 3 1.2 Introduction to Cthulhu Mythos ...................................................................................... 5 1.3 Introduction Fiction-based Religions ............................................................................... 7 1.4 Lovecraftian Magick: From Fiction to Magick ................................................................ 10 2. Method ................................................................................................................................ 12 3. Analyzing the Man, the Mythos and the Magick ............................................................... 15 3.1 Adaptations of Lovecraftian magick into an existing religious frame….……….……………..15 3.1.1 The Church of Satan: Cthulhu versus Satan .......................................................... 15 3.1.2 Temple of Set ....................................................................................................... 16 3.1.3 Grant’s Typhonian Order ..................................................................................... -
The Birth of Haptic Cinema
The Birth of Haptic Cinema An Interactive Qualifying Project Submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science by Panhavuth Lau Jordan Stoessel Date: May 21, 2020 Advisor: Brian Moriarty IMGD Professor of Practice Abstract This project examines the history of The Tingler (1959), the first motion picture to incorporate haptic (tactile) sensations. It surveys the career of its director, William Castle, a legendary Hollywood huckster famous for his use of gimmicks to attract audiences to his low- budget horror films. Our particular focus is Percepto!, the simple but effective gimmick created for The Tingler to deliver physical “shocks” to viewers. The operation, deployment and promotion of Percepto! are explored in detail, based on recently-discovered documents provided to exhibitors by Columbia Pictures, the film’s distributor. We conclude with a proposal for a method of recreating Percepto! for contemporary audiences using Web technologies and smartphones. i Contents Abstract .......................................................................................................................................... i Contents ........................................................................................................................................ ii 1. Introduction .............................................................................................................................. 1 2. William Castle ..........................................................................................................................