DOCSLIB.ORG

Tetelestai Guitars LLC. Repair Services & Rates

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tetelestai Guitars LLC. Repair Services & Rates Tetelestai Guitars LLC. Repair Services & Rates There is a minimum bench rate for repair of $20. The rate I charge is $45/hour of labor, and the rate of each service is priced accordingly. Prices are for labor only, parts will be purchased or ordered from me, or brought to the shop by you. Restring 6-String Acoustic/Electric Guitar…………………………………………… ​$20 Banjo, Bass, Nylon String, Ukulele….................................................. ​$20 12-String Guitar, Mandolin…………………………………………………..... ​$30 Floyd Rose Guitar…………………………………………………….………….... ​$50 Includes: Clean & Condition Fretboard, Polish Body & Replace Strings. *Please note, ​ ​ price of strings is not included* Hardware and Adjustments Strap Buttons 1st Button, Screw, Felt …………………………………………………….. ​$20 2nd Button.…………………………………………………………………..... ​$5 Fill stripped hole and redrill…………………………………………..... ​$20 Intonating Electric ……………………………………………………………………........ ​$20 Floyd Rose/Locking Trem…………………………………………......... ​$30 Setups Setups Include: Clean & Condition Fretboard, Polish Body & Replace ​ ​ Strings, Truss Rod Adjustment, Bridge Height, Nut height, nut slots filed/lubed, Action set to your preference, Pickup Height set, Strobe Dialed Intonation, Fret Inspection and Electronic Inspection. *Please ​ note, fret dressing and resetting is extra* 6-String Acoustic Guitar………………………..……..………………...... ​$45 6-String Electric Guitar……………………………………..……………... ​$55 Bass Guitar………………………..……..…………………………………....... ​$45 Mandolin………………………..……..………………………………….......... ​$60 Ukulele………………………..……..…………………………………….......... ​$45 12-String Guitars……………………………………………....…..... ​Add $25 Floyd Rose/Locking Trem……………………………………………....... ​$80 6-string LONG SADDLE………………………………………………….... ​$60 Add-ons: Shim neck……………………………………………………………...….$10 ​ Add string tree……………………………………………………………..…. ​$6 each Remove, shim & re-cut nut…………………………………….……….. ​$15 Fill & re-cut nut slots…………………………………………………….... ​$6 each Extra dirty guitar and/or stickers removed………………………... ​$15 Custom Nuts 6-String Guitar, Bass, Banjo, Mandolin………………….…….. ​$60 *With Setup*…………………………………………………….. ​$100 12-String Guitar………………….……………………………………... ​$85 *With Setup*…………………………………………………….. ​$140 Includes: Labor of creating custom nut for increased tone, sustain, and ​ resonance. Can use bone, corian, graphite, brass, plastic, or other material. Costs may vary. Premade Nuts Installation (Graphtech, TUSQ, Bone...etc.) 6-String Guitar, Bass, Banjo, Mandolin………………….…….. ​$20-50 *With Setup*…………………………………………..... ​Add $45-$55 12-String Guitar………………….……………………………………... ​$20-50 *With Setup*…………………………………………… ​Add $50 Includes: Labor of creating custom nut for increased tone, sustain, and ​ resonance. Can use bone, corian, graphite, brass, plastic, or other material. Costs may vary. Price is for labor only, the material cost is reflective ​ of the cost of the material. Custom Saddle Uncompensated…………………………………………………………….………….. ​$40 Compensated……………………………………………………………………….…... ​$50 12-String Uncompensated………………………………………………………….. ​$50 12-String Compensated……………………………………………………….…….. ​$60 Long Uncompensated……………………………………………….……………….. ​$60 Long Compensated………………………………………………………………..….. ​$70 Pre-Made………………………………………..….. ​Cost of Material + Setup Includes: Labor of creating custom nut for increased tone, sustain, and ​ resonance. Can use bone, corian, graphite, brass, plastic, or other material. Costs may vary based on cost of material used. Tuning Machines Installation……………………………...…………………........................ ​$30 Installation with Reaming/Drilling………………………................ ​$60 Install + Fill Holes….………………………........................................ ​$80 Replace Broken Tuner Buttons…………………...………...………… ​$40 Includes: Reaming, drilling, and retrofitting. ​ Inlay Work Labor per hour…………………………………………………………....................... ​$45 Fretwork A fret dressing is recommended when frets have become worn out in areas, and it's playability has suffered (ex. buzzing out in areas). Other times due to natural shifting of the wood, the frets become no longer uniformly level. A discerning player may choose to get his/her new guitar dressed because of the imperfections of a factory setup, and after the initial settling-in period, it will likely need it. When dressing the frets, all frets are seated and levelled to uniform height across the neck, re-shaped and polished. A refret is necessary when frets are worn out and need to be replaced. Frets are removed, the neck is checked for straightness, re-surfaced when necessary, new frets are pressed in, assured to be levelled to a uniform height, reshaped and polished. Finish work extra. Costs do not include restring & setup. ​ Spot Leveling/Recrown…………..………………………………………... ​$10/Fret Recrown Frets……………………………………………………….............. ​$2/Fret Level, Crown, Polish……………………………………………………….... ​$100 Fret Replacement…………………………………………………………….. ​$10/Fret Fingerboard Wear/Cracks……………………………………………..….. ​$45/hour Seat and Glue Loose Frets………………………………………..….. ​Starts at $20 Dressing Sharp Fret Ends………………………………………..….. ​Starts at $20 Refret 6-String Guitar, Bass, Banjo………………………………………………….... ​$250 12 String Guitar, Mandolin………….……………………………................... ​$300 Includes: Fretwire, Level-Crown-Polish, Full ‘The Works” Setup. ​ ​ Acoustic Bridges 6-String Guitar Reglue………………………………………………………...... ​$100 12 String Guitar, Mandolin………….……………………………................... ​$125 Planing and Reshaping…………………………………………………………… ​$45 Seal cracked acoustic guitar bridge…..……………………………………… ​$30 Includes: Bridge Reglue, shaping bottom of bridge to radius of top, saddle ​ ​ inspection, saddle slot inspection, brace inspection. Glue used is specific to the guitar. Saddle Slot 6-String Guitar, Acoustic Bass--Recut……………………………………........ ​$30 12 String Guitar, Mandolin--Recut…….……………………………................. ​$30 6-String Guitar, Acoustic Bass--Plug and Recut………………………….... ​$90 12 String Guitar, Mandolin--Plug and Recut…….…………………............. ​$100 Electric Guitar Bridges Hardtail Bridge, Retrofit…………………….…..……....... ​$20 + Materials Tremolo Bridge…………………………............................. ​$50 +Materials New Hardtail Bridge Non-Retrofit (includes plugging/redrilling….. ​$100 + Materials Replace Bridge Stock Replacement…………………………..……...... ​$200 + Materials Custom Bridge…………………………...................... ​$250-300 +Materials Includes: Bridge removal, bridge shaping, saddle inspection, saddle slot ​ ​ inspection, brace inspection, custom hand-crafted bone Saddle, Complete Setup. Binding Reglue No Finish Touch-Up…………………………………………………………........ ​$20-40 12 String Guitar, Mandolin………….……………………………................... ​$125 Planing and Reshaping…………………………………………………………… ​$40 Pickguard Re-glue…………………………………………………………...................... ​$20 New Custom Pickguard, Over Finish….………………………........ ​$150 Replace with Tortoise, Over Finish…………………...……………... ​$75 Replace with Black, Over Finish…………………………………….… ​$50 Replace with Clear, Over Finish………………………………………. ​$50 Replace with Other, Over Finish………………………………...…… ​$50-$100 Includes: Beveled pickguard, buffed, reglued, and materials. ​ ​ Electronics Install Under-Saddle Pickup/Preamp.................... ​$60 + Cost of Setup Install Soundhole Pickup……………...….……………………….. ​$30 Replace Undersaddle Pickup…………………………………...... ​$40 Electric Guitar Pickguard Replacement……………………… ​$20 Control Pot or 3-Way Switch Replacement……….............. ​$20 *$10 for each additional. 5-Way Strat Style Pickup Selector Replacement.……….... ​$30 Sheild Control Cavity……………………………………………..… ​$45 Electric Pickups Solid Body Install, 1st Pickup………………..………............... ​$30 *Additional: $15 per pickup Rout and Install Pickup….………………………………….......... ​$70 Replace Output Jack…………………...…………….……………... ​$20 Replace Potentiometer or Mini-Switch..……………….…….. ​$20 *Additional: $10 each Install Mini-Switch………………………………………………….. ​$30 Replace Les Paul 3-Way Pickup Selector……………………. ​$20 Complete Rewire/Wiring Mods………………………………....$45/hour ​ ​ Includes: Labor only ​ ​ Structural Brace Reglue………….………. ​$45 + $10 each additional Headstock repair……………. ​Coming soon (TBD) Custom Projects….Ah Yes, the Good Stuff! I offer kits and custom assembled guitars. All project guitars (aka Frankenstrats, Frankenteles, Franken….guitars, mix and matched, etc.), custom guitar routing, parts installation, building & electronics are billed out at $45/hour shop rate. Definitive labor costs cannot be perfectly estimated due to the nature of the work required (but we will give it our closest guess based on what we chat about!) ● Assemble electric guitar kits or custom guitar projects……... ​starts at $250. ​ ● Replace/ install new bolt-on neck w/hardware….……... ​starts at $135. ● Install pickguard, pickups, electronics, hardware, wire-up……………...starts at $135. ​ ​ ​ ​ ● Custom Inlay work…………. ​starts at $45 LET’s MAKE SOMETHING COOL! Anything Else….………………….Shop rate of $45/Hour, Quoted. .
Load more

Recommended publications
  • Inside the World of Taylor Guitars / Volume 85 Summer 2016
    The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in.
    [Show full text]
  • 2003 Epiphone Catalog Summer.Pdf
    CATALOG 2003 joe pass emperor II™ Authorized By & Designed In Cooperation with Joe Pass > When the late, great Joe Pass played the guitar, people listened. Pick up an Emperor II and you just might get a similar response! ™ emperor regent (Also available Left-Handed) > Huge body, huge sound, great personality. The Regent’s Spruce top and floating mini-humbucker make this guitar an out and out jazzer with sweet tone! One of the “100 Best Buys”Guitar Player, Nov, 1997 broadway™ > A big body for all occasions. Just like the Regent, but with twin humbuckers, 3-way switch, 2 volume and 2 tone controls. alleykat™ > If you’re looking for a guitar that’s as zephyr “blues” unique as you are, check out the AlleyKat. deluxe Like the FlameKat™ it features the Kat- > Based on the legendary 1949 Series small, semi hollow-body design. But Gibson ES-5, this big bodied this guitar features a Tune-o-matic bridge, blues machine is fitted with 3 StopBar tailpiece and a combination of a ’57 Alnico V P-90s, 3 volume Classic Humbucker in the bridge position and controls and 1 master tone a “New York” Mini humbucker in the neck control. Unlike the original position. The result is a guitar with great sus- however, the middle pickup tain, comfort and sound! Available in HS, TB is reverse polarity for and VS. hum-canceling tone! flamekat™ > One of our cooler Epiphone Designs! The ultimate road-rocker, equipped with 2 “New York” mini-humbuckers and now sporting a Licensed Bigsby Vibrato! With Dice knobs, Dice Inlay and Ebony finish with Flame decal..
    [Show full text]
  • Voices of the Electric Guitar
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Voices of the electric guitar Don Curnow California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Curnow, Don, "Voices of the electric guitar" (2012). Capstone Projects and Master's Theses. 369. https://digitalcommons.csumb.edu/caps_thes/369 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Voices of the Electric Guitar Don Curnow MPA 475 12-12-12 Intro The solid body electric guitar is the result of many guitars and innovations that came before it, followed by the guitar's need for volume to compete with louder instruments, particularly when soloing. In the 1930s, jazz and its various forms incorporated the guitar, but at the time there was no way for an acoustic guitar to compete with the volume of a trumpet or saxophone, let alone with an orchestra of trumpets and saxophones, such as in big band jazz. As a result, amplification of the guitar was born and the electric guitar has been evolving since, from a hollow bodied ES-150 arch-top with a pick-up used by Charlie Christian to the Les Paul played by Slash today.
    [Show full text]
  • Overview Guitar Models
    14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic
    [Show full text]
  • 01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
    A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models.
    [Show full text]
  • U.S.A. Retail Price List Prices Effective January 1, 2012
    U.S.A. Retail Price List Prices effective January 1, 2012 Suggested List Guitars (Price includes free standard case) Price 620 Deluxe bound body & neck, inlays, 21 fret, 2 pickups, wired for stereo 1829 620/12 Like 620 but with 12 strings 2209 650C "Colorado", 24 fret, solid body, 2 humbucking pickups, chrome parts, all standard colors 1829 660 Charactered Maple body, checked binding, vintage pickups and knobs, wide neck, gold pickguard and 2649 nameplate, trapeze tailpiece 660/12 Like 660, but with 12 strings, 12 saddle bridge 3109 330 Thinline semi-acoustic, 24 fret, 2 pickups, dot inlays, mono 1999 330/12 Like 330 but with 12 strings,"R" tailpiece 2459 360 Deluxe thinline, semi-acoustic hollow body, inlaid neck, wired for stereo 2499 360/12 Like 360 but with 12 strings 2939 370/12 Like 360/12 but with 3 pickups 3129 C Series (Price includes free vintage reissue case) 325C64 “Miami”, 3 pickup, semi-hollow, white pickguard, RIC vibrato, 21 fret, short scale (JG only) 3599 360/12C63 2 pickup, semi-acoustic, trapeze tailpiece, double bound, 21 fret, full scale (FG Only) 3839 Vintage Reissue Series (Price includes free vintage reissue case) 350V63 “Liverpool”, 3 pickup, semi-hollow, white pickguard, 21 fret, full size neck 3059 381V69 Hand carved deep double cutaway body, charactered Maple top & back, fully bound with checked binding 4949 on body, 21 frets, vintage pickups (FG, MG, JG colors only) 381/12V69 Like 381V69 but with 12 strings, 12 saddle bridge 5409 5002V58 Mandolin, 8 strings in 4 pairs, charactered Maple front, Walnut back
    [Show full text]
  • 5A. Stratocaster Upgrade Installation Revised: November 21, 2019
    5a. Stratocaster Upgrade Installation Revised: November 21, 2019 Before you start, read these instructions first to understand what you need to do to install this product. Assumptions This Stratocaster Pickguard Upgrade will have This upgrade product is designed to use only one you cutting existing wires on your instrument. You Volume and one Tone control for all of your may need to make wire connections, increase the instrument’s pickups. These products are designed length of existing wires, and remove some wood in to control either 3 (using T3Plus-Switch) or 4 (using your instrument body cavity. T4-Switch) magnetic pickup coils. Note: We do not support Active (uses batteries) or Pizeo pickups. Because you will make changes to your instrument, you need to have a plan to install your product. Tools Needed See the Reference Drawing on a later page of this You may need one or more of the following tools document. Use a pencil to draw the original circuit (not included with purchase) to install this Pickup of your instrument before proceeding. By recording Switch UpgradeTM product (see each product for where wires (and colors) were removed from your additional specific tool requirements). instrument, you have a way to restore it to its original condition should it become necessary. • Wire cutters / Wire strippers Since there is a large variation of pickup switch • Regular pliers wiring that spans 50 years, you will need to draw • Small Phillips & straight slot screwdriver (a your own pickup switch used in your original circuit 4-way screwdriver can be used as a deep- well socket to remove switch mounting nuts Adding Extra Wire • Ohmmeter to measure continuity • Optional: rotary file and electric drill If your pickup or output wires are too short to easily reach the specified connection of the green terminal • Optional: Soldering iron (25/30 watt max.) TM with fine tip, rosin-core solder .022” dia.
    [Show full text]
  • Here It Extends Over the Body
    a r c h t o p . c o m Installation Instructions: Suspended Pickguards (Preview page only: the complete version of these instructions is supplied free with all orders for pickups or wiring kits.) Installing a floating pickguard on a new or vintage archtop guitar is not a complicated operation per se. However, if you have any question about your ability to install the parts without damaging the instrument, we recommend that you give the materials and these instructions to an experienced repair technician. A professional installation is well worth the peace of mind in getting it done right the first time. However, if you are in a locality without a skilled luthier, or have the requisite experience, tools, and skills yourself, you may wish to follow the instructions below to complete the installation on your own. The procedures outlined below are for informational purposes only, and archtop.com assumes no liability of any kind pursuant to their execution. Tools and materials required: • Hand drill, power or manual • Small countersink bit · Miniature clamp with padded jaws · Machinist rule or other fine-graduated straightedge · Acrylic plastic glue or model cement · Padded workbench 1) Preparation: Pad workbench with towels or other soft cloth to avoid abrasion to guitar finish. Many new guards are supplied with a clear protective plastic film cover, which should be left in place until installation is completed. Make sure guitar is strung and bridge is in proper position before beginning installation. Position pickguard onto guitar, making sure to allow adequate clearance for easy finger access to the bridge adjusting wheel.
    [Show full text]
  • Woodworking Glossary, a Comprehensive List of Woodworking Terms and Their Definitions That Will Help You Understand More About Woodworking
    Welcome to the Woodworking Glossary, a comprehensive list of woodworking terms and their definitions that will help you understand more about woodworking. Each word has a complete definition, and several have links to other pages that further explain the term. Enjoy. Woodworking Glossary A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | #'s | A | A-Frame This is a common and strong building and construction shape where you place two side pieces in the orientation of the legs of a letter "A" shape, and then cross brace the middle. This is useful on project ends, and bases where strength is needed. Abrasive Abrasive is a term use to describe sandpaper typically. This is a material that grinds or abrades material, most commonly wood, to change the surface texture. Using Abrasive papers means using sandpaper in most cases, and you can use it on wood, or on a finish in between coats or for leveling. Absolute Humidity The absolute humidity of the air is a measurement of the amount of water that is in the air. This is without regard to the temperature, and is a measure of how much water vapor is being held in the surrounding air. Acetone Acetone is a solvent that you can use to clean parts, or remove grease. Acetone is useful for removing and cutting grease on a wooden bench top that has become contaminated with oil. Across the Grain When looking at the grain of a piece of wood, if you were to scratch the piece perpendicular to the direction of the grain, this would be an across the grain scratch.
    [Show full text]
  • USA Retail Price List
    U.S.A. Retail Price List Prices effective January 1, 2001 Suggested List Price Guitars (Price includes free standard case) 620 Deluxe bound body & neck, inlays, 21 fret, 2 pickups, wired for stereo 1299 620/12 Like 620 but with 12 strings 1419 650A "Atlantis", 24 fret, solid body, 2 humbucking pickups, chrome pickplate, vintage Turquoise only 1299 650C "Colorado", 24 fret, solid body, 2 humbucking pickups, chrome parts, Jetglo finish only 1299 650D "Dakota", 24 fret, solid Walnut body, 2 humbucking pickups, chrome parts, natural oil finish 999 650F "Frisco", like 650S except solid African Vermilion body and clear high gloss finish 1419 650S "Sierra", 24 fret, solid Walnut body, 2 humbucking pickups, gold parts, natural oil finish 1099 660 Charactered Maple body, checked binding, vintage pickups, wide neck, knobs, gold pickguard and 1879 nameplate, trapeze tailpiece 660/12 Like 660, but with 12 strings, 12 saddle bridge 1999 330 Thinline semi-acoustic, 24 fret, 2 pickups, dot inlays, mono 1419 340 Like 330 but with 3 pickups 1549 330/12 Like 330 but with 12 strings,"R" tailpiece 1529 340/12 Like 330/12 but with 3 pickups 1749 360 Deluxe thinline, semi-acoustic hollow body, inlaid neck, wired for stereo 1549 370 Like 360 but with 3 pickups 1699 360/12 Like 360 but with 12 strings 1669 370/12 Like 360/12 but with 3 pickups 1829 380L "Laguna", Walnut body, wide Maple fingerboard, 2 humbucking pickups, gold parts, oil finish 1699 380L PZ Like 380L but with additional piezo pickup under bridge, active electronic package 1999 C Series (Price
    [Show full text]
  • THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 Letters Social Email Us Circles Taylorguitars.Com/Contact Join the Taylor Community
    THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 www.taylorguitars.com Letters social Email us circles taylorguitars.com/contact Join the Taylor community Facebook: @taylorguitars to last, including wooden instruments, A Sweeter Sound nice acoustic guitar, I ran across Bob Instagram: @taylorguitars although they are more fragile. But the I was interested in the “Ask Bob” Taylor’s video about the Ebony Project @taylorespanol real essence of your article was how query about the effect on tone the size on YouTube. After seeing how environ- Twitter: @taylorguitars you reunited ebony with Buck Knives. of the soundhole has. A few months ago, mentally conscientious he is and how YouTube: taylorguitars That is just outstanding. Thank you for I attached an ES-Go pickup to my GS he incorporated that as a major part of great work and products. I’ve only been Mini, and as you are aware, the pickup Taylor Guitars’ philosophy (and prac- playing for six years, on a GS Mini, my covers a small part of the soundhole tice), I decided that the only question first guitar. And I’m fond of ebony! near the neck of the guitar. When play- was which Taylor guitar I liked best and Charlie Francisco, DVM ing the guitar acoustically (i.e., not could afford. The 414ce is outstanding through the pickup or amp), I have independent of all of this, but I did want noticed the tone is “sweeter” — there Bob to know that his environmental Deluxe Treatment is more high end and a slight reduction concerns and the fact that he is doing I’m the proud owner of an 810, 414 in bass.
    [Show full text]
  • MC-150 Kit Instructions
    MC-150 Kit Instructions Instruction manual for assembly, finish, and setup Written and photographed by Richie Dotson Tools and supplies needed: 3 sheets 220 grit sand paper 3 sheets 400 grit sand paper 1 sheet 600 grit wet dry sand paper 1 wooden sanding block (approximately. 1" x 2" x 3") 1 safety razor 1 metal ruler 2 - 4" spring clamps 1 - 9" spring clamp or cam clamp 1 small, smooth faced hammer 1 hardwood or corian block (approximately. "1/2" x 1/2" x 3) 1 fine, 6" flat file 4 cotton rags (approximately. 1'x1') 1 bowl, able to hold at least 1 cup of liquid 3 drops of dishwashing liquid 1 pair of rubber dish gloves 1 8 oz container of alcohol based stain (optional) 1 roll of 1" masking tape 4 spray cans of lacquer or polyurethane 3 pads of 0000 steel wool 1 bottle of "Meguiar's Mirror Glaze #4" 1 bottle of "Meguiar's Mirror Glaze #7" 1 hand held power drill 1 awl 2 pencils 1 small pair vice grips 1 small square 1 metric wrench set 1 very small allen wrench 1 tape measure 1 small tube of crazy glue 1 small, round file 1 medium size phillips screwdriver 1 set of needle files 1 X-acto knife 1 padded neck support block or bag of buckshot 1 1/4" deep well socket Your kit contains the following items: 1 Maple Neck 1 11" wood rim 1 11" notched tension hoop 1 Flat head alloy tone ring (Optional bell brass available) 1 Resonator (not included in the open back kit) 1 11" Remo frosted banjo head 1 Arm Rest 2 Coordinator rods with hanger bolts (one longer than the other) 1 "L" shaped tailpiece bracket
    [Show full text]