PDF Download the Complete Guide to Guitar and Amp

Total Page:16

File Type:pdf, Size:1020Kb

PDF Download the Complete Guide to Guitar and Amp THE COMPLETE GUIDE TO GUITAR AND AMP MAINTENANCE : A PRACTICAL MANUAL FOR EVERY GUITAR PLAYER PDF, EPUB, EBOOK Ritchie Fliegler | 80 pages | 01 Jan 1995 | Hal Leonard Corporation | 9780793534906 | English | Milwaukee, United States The Complete Guide to Guitar and Amp Maintenance : A Practical Manual for Every Guitar Player PDF Book In order for your guitar to sound its best, it must be in tune. An open tube amp may have the potential to kill you even when switched off; and even if you have the knowledge, the best tube amps are far too exquisitely engineered under the hood to be messed about with by just anybody. You can drop into any style, any band, and any situation. Reply 4 years ago. You can always buy pickguard blanks from a site like www. The first step is to unplug effects from the front end and check your instrument cable against one that is known to be good. Make sure not to get it on the electronic components if you are cleaning an electric guitar. Although these days, the vast majority of nuts are well made, even some expensive production guitars can slip through the cracks with nut slots cut a bit too high or too low. This book will teach you everything you need to know about guitar maintenance and repair over pages. However, you can tweak your amp's performance a little without even opening her up. Search for:. Many of these designs have been refined and re-packaged by now in a bewildering number of often complex formats; but the heart of a tube amp and the circuits on which it is based have actually changed very little. Look at the diagram below as if you were looking at a guitar face on. Grip the jack with needlenose pliers, and push it through the hole in the cover, and screw it back on. To this, you might consider adding the Dunlop System 65 cleaning system , but that is certainly optiona. Other amps like the Marshall Anniversary actually have a discrete set of preamp tubes for each channel, which can make them internally complex but simplifies your job even further when diagnosing preamp tube problems. It is also tonally non-critical—so any robust, functioning 12AX7 will do nicely. These are the smaller tubes that you can see on your amp's chassis. It's fairly standard practice for production amps to be biased a little cold from the factory; meaning that even a hotter set of tubes won't pull them out of the safe range. You probably will want a Y connector. Part guitar-focused decor and part guitar-focused daily utility, this is a key holder designed to look like the front of a number of different amplifiers. With a headstock clearly modeled after a Fender Stratocaster , the frets and strings complete the design down to the toe. Download Tipbook Acoustic Guitar books , BookAn owner's guide for acoustic guitarists at all levels, this book features numerous tips on auditioning and buying an acoustic guitar, choosing new strings, maintenance and tuning, and much more. This pen and pencil holder is simple but effective, with a nice gunmetal finish and hardware construction. I have this. Guitarists are, naturally, inspired by guitar heroes through the ages, which in turn might inspire the choice to play a certain type of guitar. The fuzz pedal is one of the earliest stomp boxes on the market. It turns those guitars into wall art that you can look at all the time. This second edition had been expanded to cover modern multi- effectors, amp simulators, and advanced effect rigs in the same easy-to-understand language. Ross lists his favorite effects units and tells why they will provide most of the sounds guitarists will need. The pegs dent very easily. Easy step-by-step lessons to learn easy guitar chords. Power Guitar Work Mat to protect the body of the guitar and your work surface, as well. Updated 3rd edition: FREE! In addition to this Orang Amps homage, there is one resembling amps from Vox, Fender in black and tweed versions , and Marshall, as well as a seafoam green and a paisley option. Would recommend. These small, fine-threaded parts damage easily under excessive wrist or arm pressure torque. We Ship Worldwide! They can also deteriorate more slowly over time, resulting in a loss of top end detail or low end power. The Ibanez Tube Screamer is the industry standard for overdrive pedals. I'm a pro guitarist and have and to learn all this stuff over the years. This guide is perhaps a little over the head of most beginners, but if you grapple with it early, the rewards could be considerable. A very large part of guitar sound is the guitar speaker, which does not produce high treble. Of course the most famous fuzz pedal is the Dallas Arbiter Fuzz Face. The Complete Guide to Guitar and Amp Maintenance : A Practical Manual for Every Guitar Player Writer We Ship Worldwide! Thanks for the info and happy music making! I don't think it's a child sized one though. What does that mean? If you have seen this, you have seen every key principle of basic amp Tone. View Guitar Instructors. Like the key holder on this list, this clock is designed to look like a tweed amplifier, using elements from real amplifiers. Both Brian May from Queen and Ritchie Blackmore did use treble boosters for sure in their rigs to get more gain out of their amps. That skill for resolution serves you in improvisation and the random jams that will provide much of your growth. Tighten it, and the neck bends backward—this is call back-bow—against the natural curve the string tension imparts, moving the strings closer to the fretboard. The following 12 steps are considered absolutely essential in a basic setup. Getting a new player up and running with a few chords they can strum is one of the first sign posts on the way to playing. I am rebuilding a half sized strat and I can't seem to get this one question answered. It's an easy material to work with. You can always buy pickguard blanks from a site like www. This second edition had been expanded to cover modern multi-effectors, amp simulators, and advanced effect rigs in the same easy-to-understand language. I used a light wood polish for the neck of my Telecaster, and a darker colored polish for the body. This is serious surgery. When you learn how to sight read music, practice will become easier and more fun, since you can pick up any book of sheet music and play a tune you know and love within minutes. You can seriously mess up your guitar by messing with this, so please don't, unless you know what your're doing. The Complete Guide to Guitar and Amp Maintenance : A Practical Manual for Every Guitar Player Reviews The book focuses on the most commonly performed procedures, and contains over photos and insider information from technicians, engineers, and roadies. We went into detail as to why on our best chorus and flanger pedals post, but the short version is that it sounds amazing and has a wealth of controls to make the most of it. One may have more of an octave effect, or be warmer sounding etc. When you learn how to sight read music, practice will become easier and more fun, since you can pick up any book of sheet music and play a tune you know and love within minutes. There are many great reissues of this pedal on the market, but if you get a chance, like fuzzes, try a few of them next to each other. This can be used to create swells, mimic bowed strings, woodwinds, and more. Guitar Power Chords Learn how to play guitar power chords. In this free guitar lesson we're going to show you step by step how to master the Bb chord. On some guitars, you might have to poke beneath the pick guard to get to the guts, but with a gentle touch you should be able to access the offending component. The most famous tape units are the Echoplex and the Roland Space Echo. Even modern, relatively high gain 12AX7s come in various subtly different tonal flavours, and you can change to a lower gain 12AX7 in one or more positions to alter the response of your circuit. These next few steps will make your guitar look better, feel better, and play better. Barre chords, also known as Bar Chords, are the bane of many a new guitar player. Finally, adjust for string- to-string balance by playing the 1st and 6th strings together at different points along the fretboard FIGURE 4 ; the strings should have equal volumes at all points. Oddly enough Clyde McCoy was a trumpet player as the pedal was to be used when amplifying the horn. Download Guitar books , This is the most authoritative and comprehensive reference work on the full range of guitar designs and playing styles ever produced. A high slot will cause the notes at the 1st fret to sound 10 to 15 cents sharper than they should. If you can't get your hands on a tube chart, simply turn your amp off, unplug it for safety, remove the appropriate grille from the front or rear of your amp and "roll" a known-good spare tube through each position in turn until the problem goes away. Take it from me, a guy who partially learned how to play guitar on bowing lates Sigma: learning how to play on a guitar in poor repair is very frustrating.
Recommended publications
  • 2003 Epiphone Catalog Summer.Pdf
    CATALOG 2003 joe pass emperor II™ Authorized By & Designed In Cooperation with Joe Pass > When the late, great Joe Pass played the guitar, people listened. Pick up an Emperor II and you just might get a similar response! ™ emperor regent (Also available Left-Handed) > Huge body, huge sound, great personality. The Regent’s Spruce top and floating mini-humbucker make this guitar an out and out jazzer with sweet tone! One of the “100 Best Buys”Guitar Player, Nov, 1997 broadway™ > A big body for all occasions. Just like the Regent, but with twin humbuckers, 3-way switch, 2 volume and 2 tone controls. alleykat™ > If you’re looking for a guitar that’s as zephyr “blues” unique as you are, check out the AlleyKat. deluxe Like the FlameKat™ it features the Kat- > Based on the legendary 1949 Series small, semi hollow-body design. But Gibson ES-5, this big bodied this guitar features a Tune-o-matic bridge, blues machine is fitted with 3 StopBar tailpiece and a combination of a ’57 Alnico V P-90s, 3 volume Classic Humbucker in the bridge position and controls and 1 master tone a “New York” Mini humbucker in the neck control. Unlike the original position. The result is a guitar with great sus- however, the middle pickup tain, comfort and sound! Available in HS, TB is reverse polarity for and VS. hum-canceling tone! flamekat™ > One of our cooler Epiphone Designs! The ultimate road-rocker, equipped with 2 “New York” mini-humbuckers and now sporting a Licensed Bigsby Vibrato! With Dice knobs, Dice Inlay and Ebony finish with Flame decal..
    [Show full text]
  • Overview Guitar Models
    14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic
    [Show full text]
  • 01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
    A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models.
    [Show full text]
  • U.S.A. Retail Price List Prices Effective January 1, 2012
    U.S.A. Retail Price List Prices effective January 1, 2012 Suggested List Guitars (Price includes free standard case) Price 620 Deluxe bound body & neck, inlays, 21 fret, 2 pickups, wired for stereo 1829 620/12 Like 620 but with 12 strings 2209 650C "Colorado", 24 fret, solid body, 2 humbucking pickups, chrome parts, all standard colors 1829 660 Charactered Maple body, checked binding, vintage pickups and knobs, wide neck, gold pickguard and 2649 nameplate, trapeze tailpiece 660/12 Like 660, but with 12 strings, 12 saddle bridge 3109 330 Thinline semi-acoustic, 24 fret, 2 pickups, dot inlays, mono 1999 330/12 Like 330 but with 12 strings,"R" tailpiece 2459 360 Deluxe thinline, semi-acoustic hollow body, inlaid neck, wired for stereo 2499 360/12 Like 360 but with 12 strings 2939 370/12 Like 360/12 but with 3 pickups 3129 C Series (Price includes free vintage reissue case) 325C64 “Miami”, 3 pickup, semi-hollow, white pickguard, RIC vibrato, 21 fret, short scale (JG only) 3599 360/12C63 2 pickup, semi-acoustic, trapeze tailpiece, double bound, 21 fret, full scale (FG Only) 3839 Vintage Reissue Series (Price includes free vintage reissue case) 350V63 “Liverpool”, 3 pickup, semi-hollow, white pickguard, 21 fret, full size neck 3059 381V69 Hand carved deep double cutaway body, charactered Maple top & back, fully bound with checked binding 4949 on body, 21 frets, vintage pickups (FG, MG, JG colors only) 381/12V69 Like 381V69 but with 12 strings, 12 saddle bridge 5409 5002V58 Mandolin, 8 strings in 4 pairs, charactered Maple front, Walnut back
    [Show full text]
  • 5A. Stratocaster Upgrade Installation Revised: November 21, 2019
    5a. Stratocaster Upgrade Installation Revised: November 21, 2019 Before you start, read these instructions first to understand what you need to do to install this product. Assumptions This Stratocaster Pickguard Upgrade will have This upgrade product is designed to use only one you cutting existing wires on your instrument. You Volume and one Tone control for all of your may need to make wire connections, increase the instrument’s pickups. These products are designed length of existing wires, and remove some wood in to control either 3 (using T3Plus-Switch) or 4 (using your instrument body cavity. T4-Switch) magnetic pickup coils. Note: We do not support Active (uses batteries) or Pizeo pickups. Because you will make changes to your instrument, you need to have a plan to install your product. Tools Needed See the Reference Drawing on a later page of this You may need one or more of the following tools document. Use a pencil to draw the original circuit (not included with purchase) to install this Pickup of your instrument before proceeding. By recording Switch UpgradeTM product (see each product for where wires (and colors) were removed from your additional specific tool requirements). instrument, you have a way to restore it to its original condition should it become necessary. • Wire cutters / Wire strippers Since there is a large variation of pickup switch • Regular pliers wiring that spans 50 years, you will need to draw • Small Phillips & straight slot screwdriver (a your own pickup switch used in your original circuit 4-way screwdriver can be used as a deep- well socket to remove switch mounting nuts Adding Extra Wire • Ohmmeter to measure continuity • Optional: rotary file and electric drill If your pickup or output wires are too short to easily reach the specified connection of the green terminal • Optional: Soldering iron (25/30 watt max.) TM with fine tip, rosin-core solder .022” dia.
    [Show full text]
  • Here It Extends Over the Body
    a r c h t o p . c o m Installation Instructions: Suspended Pickguards (Preview page only: the complete version of these instructions is supplied free with all orders for pickups or wiring kits.) Installing a floating pickguard on a new or vintage archtop guitar is not a complicated operation per se. However, if you have any question about your ability to install the parts without damaging the instrument, we recommend that you give the materials and these instructions to an experienced repair technician. A professional installation is well worth the peace of mind in getting it done right the first time. However, if you are in a locality without a skilled luthier, or have the requisite experience, tools, and skills yourself, you may wish to follow the instructions below to complete the installation on your own. The procedures outlined below are for informational purposes only, and archtop.com assumes no liability of any kind pursuant to their execution. Tools and materials required: • Hand drill, power or manual • Small countersink bit · Miniature clamp with padded jaws · Machinist rule or other fine-graduated straightedge · Acrylic plastic glue or model cement · Padded workbench 1) Preparation: Pad workbench with towels or other soft cloth to avoid abrasion to guitar finish. Many new guards are supplied with a clear protective plastic film cover, which should be left in place until installation is completed. Make sure guitar is strung and bridge is in proper position before beginning installation. Position pickguard onto guitar, making sure to allow adequate clearance for easy finger access to the bridge adjusting wheel.
    [Show full text]
  • USA Retail Price List
    U.S.A. Retail Price List Prices effective January 1, 2001 Suggested List Price Guitars (Price includes free standard case) 620 Deluxe bound body & neck, inlays, 21 fret, 2 pickups, wired for stereo 1299 620/12 Like 620 but with 12 strings 1419 650A "Atlantis", 24 fret, solid body, 2 humbucking pickups, chrome pickplate, vintage Turquoise only 1299 650C "Colorado", 24 fret, solid body, 2 humbucking pickups, chrome parts, Jetglo finish only 1299 650D "Dakota", 24 fret, solid Walnut body, 2 humbucking pickups, chrome parts, natural oil finish 999 650F "Frisco", like 650S except solid African Vermilion body and clear high gloss finish 1419 650S "Sierra", 24 fret, solid Walnut body, 2 humbucking pickups, gold parts, natural oil finish 1099 660 Charactered Maple body, checked binding, vintage pickups, wide neck, knobs, gold pickguard and 1879 nameplate, trapeze tailpiece 660/12 Like 660, but with 12 strings, 12 saddle bridge 1999 330 Thinline semi-acoustic, 24 fret, 2 pickups, dot inlays, mono 1419 340 Like 330 but with 3 pickups 1549 330/12 Like 330 but with 12 strings,"R" tailpiece 1529 340/12 Like 330/12 but with 3 pickups 1749 360 Deluxe thinline, semi-acoustic hollow body, inlaid neck, wired for stereo 1549 370 Like 360 but with 3 pickups 1699 360/12 Like 360 but with 12 strings 1669 370/12 Like 360/12 but with 3 pickups 1829 380L "Laguna", Walnut body, wide Maple fingerboard, 2 humbucking pickups, gold parts, oil finish 1699 380L PZ Like 380L but with additional piezo pickup under bridge, active electronic package 1999 C Series (Price
    [Show full text]
  • THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 Letters Social Email Us Circles Taylorguitars.Com/Contact Join the Taylor Community
    THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 www.taylorguitars.com Letters social Email us circles taylorguitars.com/contact Join the Taylor community Facebook: @taylorguitars to last, including wooden instruments, A Sweeter Sound nice acoustic guitar, I ran across Bob Instagram: @taylorguitars although they are more fragile. But the I was interested in the “Ask Bob” Taylor’s video about the Ebony Project @taylorespanol real essence of your article was how query about the effect on tone the size on YouTube. After seeing how environ- Twitter: @taylorguitars you reunited ebony with Buck Knives. of the soundhole has. A few months ago, mentally conscientious he is and how YouTube: taylorguitars That is just outstanding. Thank you for I attached an ES-Go pickup to my GS he incorporated that as a major part of great work and products. I’ve only been Mini, and as you are aware, the pickup Taylor Guitars’ philosophy (and prac- playing for six years, on a GS Mini, my covers a small part of the soundhole tice), I decided that the only question first guitar. And I’m fond of ebony! near the neck of the guitar. When play- was which Taylor guitar I liked best and Charlie Francisco, DVM ing the guitar acoustically (i.e., not could afford. The 414ce is outstanding through the pickup or amp), I have independent of all of this, but I did want noticed the tone is “sweeter” — there Bob to know that his environmental Deluxe Treatment is more high end and a slight reduction concerns and the fact that he is doing I’m the proud owner of an 810, 414 in bass.
    [Show full text]
  • 2010 Price List U.S
    2010 Price List U.S. MSRP FOR ALL GRETSCH® INSTRUMENTS | EFFECTIVE JANUARY 1, 2010 U.S. CUSTOM COLLECTION 2010 Price List U.S. MSRP FOR ALL GRETSCH® INSTRUMENTS | EFFECTIVE JANUARY 1, 2010 LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F ECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P | PRICES AND S 2010 GRETSCH Above: G6120EC Eddie Cochran TRIBUTE Hollow Body 2 U.S. CUSTOM COLLECTION LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F CONTENTS: Amplifier Collection p. 4 - 5 U.S. Custom Collection p. 6 - 7 SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P Professional Collection: p. 8 - 45 Electromatic® Collection p. 46 - 54 Accessories, Clothing & Collectibles p. 54 - 71 | PRICES AND S Every product is made with pride and care–and is backed by a product-specific warranty. Consult your local retailer, distributor, or the Gretsch® Guitars website for the latest information (www.gretschguitars.com). Features, colors, pricing and specifications are subject to change without notice. The trademarks identified in this Price List are owned by Fred W. Gretsch Enterprises Ltd. 2010 GRETSCH The following trademarks are not owned by Gretsch Guitars: Cadillac®, Fishman®, Matrix™, Prefix™, Eminence®, Grover®, Imperial™, Rotomatic®, Sta-Tite™, Jensen®, Seymour Duncan®, TV Jones®, Power’Tron™, Schaller® and Sperzel®. Copyright 2010 Gretsch Guitars. All rights reserved. 3 U.S. PROFESSIONAL AMP COLLECTION LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F ECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P | PRICES AND S G6163 Executive™ Like the name implies, the Executive™ is all business! With its incredibly expansive tonal frequencies and articulate and “sparkly” nature, the Executive™ is the perfect amp for the Gretsch® enthusiast who longs for stratospheric clean tones.
    [Show full text]
  • Product Catalog 2019
    PRODUCT CATALOG 2019 FIND YOUR TAGIMA: BRAZIL SERIES 08 TW SERIES 32 MAHOGANNY SERIES 42 WALNUT SERIES 44 CLASSIC SERIES 46 HAWAII SERIES 52 AMERICA SERIES 54 NEY NAKAMURA NEY NAKAMURA - TAGIMA CEO NEY NAKAMURA NEY “MUSICIANS IN SEARCH OF THE PERFECT INSTRUMENT, ARE OFTEN THWARTED FROM THOSE ENDEAVORS; SUCH PURSUITS OFTEN ARE IMPEDED AS A RESULT OF LACK OF FUNDAMENTALS FROM THE MANUFACTURER IN EITHER POOR INSTRUMENT DESIGN, OBJECTIONABLE PLAYABILITY, AND/OR STALE AESTHETICS.” HAILING FROM BRAZIL AND OF JAPANESE DESCENT, NEY NAKAMURA NOW RESIDES IN THE UNITED STATES, WHERE HE OVERSEES THE US AND INTERNATIONAL OPERATIONS OF TAGIMA. HAVING OVER 25 YEARS IN THE MUSICAL INDUSTRY, NEY IS DELIGHTED TO FINALLY OFFER TAGIMA TO THE US MUSICIAN. MARCIO ZAGANIN MARCIO ZAGANIN - MASTER LUTHIER MARCIO ZAGANIN MARCIO ZAGANIN IS ONE OF THE GREATEST LUTHIERS OF BRAZIL, HIGHLY SOUGHT AFTER FOR HIS SKILLS AND EXPERTISE IN ALL GUITAR ASPECTS. HE BEGAN HIS WORK IN AN ATELIER IN 1993. IN 2006, HE WAS HIRED BY THE PRESIDENT OF TAGIMA TO FURTHER THE PRODUCT DEVELOPMENT OF THE GUITAR LINE. ADDITIONALLY, HE IS TASKED WITH THE COORDINATION OF ALL PRODUCTION OF THE BRAZIL LINE AND QUALITY SUPERVISION OF THE INSTRUMENTS IMPORTING FROM CHINA. CURRENTLY, MARCIO CONTINUES HIS CUSTOM SHOP WORK WITH THE M. ZAGANIN BRAND. HE DEVELOPS CREATIVE WORK IN TAGIMA, CREATING NEW INSTRUMENT THAT HELP TAGIMA BE ONE OF THE LEADING BRANDS OF INSTRUMENTS IN THE WORLD. BRAZIL SERIES MELLO JR MELLO JR. IS A GUITAR VIRTUOSO AND ONE OF THE MOST ACTIVE AND VERSATILE MUSICIANS IN BRAZIL. WITH A CAREER SPANNING OVER 25 YEARS, HE CURRENTLY WORKS AS A PROFESSIONAL MUSICIAN AND INSTRUMENTAL SOLO ARTIST.
    [Show full text]
  • Martin Catalog 0010-1
    ® ACOUSTIC GUITARS CHRISTIAN FREDERICK MARTIN, SR. 1796-1873 Founder, C. F. Martin & Co., Inc. THE MARTIN GUITAR COMPANY C. F. Martin & Co. stands alone as the oldest surviving maker of guitars in the world. Through each of the six generations of family members that have managed the company, the Martin name has been held in high esteem as a symbol of enduring craftsmanship and quality. Through the decades, Martin has had to adapt to widely varying economic, political, and cultural changes. Events such as the Civil War, the Industrial Revolution, the Spanish American conflict, the Great Depression, and two World Wars challenged the company’s ability to survive and thrive. C.F. Martin & Company remains the oldest surviving maker of guitars in the world. Six generations of the Martin family are pictured, each dedicated to the company’s primary product, its superbly well- crafted acoustic guitars. D-45 CHRISTIAN FREDERICK MARTIN, JR. 1825-1888 Son of Christian Frederick Martin, Sr. Guitars evolved from fan-bracing to X-bracing, the rest is the tone. Martin guitars are revered for from gut to steel strings, and from small parlor size their distinct power and balance, for deep resonant guitars to large bodied Dreadnoughts. Mandolins basses and crisp clear trebles. More than any other and ukuleles also enjoyed periods of great populari- attribute, the Martin sound is the one element that ty, and the company shifted its production to meet no other maker has been able to copy. the changing demands. Martin’s success over the years Collectively, the employees at Martin take extreme has stemmed in large part from a remarkable ability pride in the guitars we produce.
    [Show full text]
  • The 2014 Gibson Les Paul Studio Pro a Perfect Marriage of Traditional Tone and Modern Versatility Gives Exceptional Value in a Pro-Grade Electric Guitar
    2014 Les Paul Studio Pro THE 2014 GIBSON LES PAUL STUDIO PRO A PERFECT MARRIAGE OF TRADITIONAL TONE AND MODERN VERSATILITY GIVES EXCEPTIONAL VALUE IN A PRO-GRADE ELECTRIC GUITAR À partir de l’adresse <http://www.gibson.com/Products/Electric-Guitars/2014/Les-Paul-StudioPro.aspx> BODY LANGUAGE THE SATISFYING SUBSTANCE OF MAHOGANY, WITH MODERN WEIGHT RELIEF FOR MAX COMFORT NEW POWER ‘57 CLASSIC AND BURSTBUCKER PRO PICKUPS ENHANCE THE PAF LEGEND WITH PUSH- PULL TUNED COIL TAPS TUNING TRUST DEPEND ON THE EXTREME TUNING STABILITY OF GROVER “KIDNEY” TUNERS AND TUNE-O- MATIC BRIDGE IT'S ALL ABOUT LOOKS DAZZLE YOUR FANS WITH EYE-CANDY COLORS, FINISHED WITH ULTRA-HIGH GLOSS LACQUER FRET FAST ‘60S SLIM TAPER MAHOGANY NECK WITH COMPOUND RADIUS FINGERBOARD DELIVERS WICKED FAST ACTION GRIP TIGHT PRACTICAL, PREDICTABLE, PRECISION SUPREME GRIP SPEED KNOBS À partir de l’adresse <http://www.gibson.com/Products/Electric-Guitars/2014/Les-Paul-StudioPro.aspx> - Specifications Body Top Maple Back Mahogany Adhesive Franklin Titebond 50 Neck Species Mahogany Profile '60s SlimTaper™ (.800 at 1st- .875 at 12th) Truss Rod Standard Joint Angle 5° (+/- 15 seconds) Adhesive Franklin Titebond 50 Neck Fit Joint Mortise & Tenon Adhesive Franklin Titebond 50 Joint Angle Tolerance +/- .005" Fingerboard Species Rosewood Frets Cryogenically Tempered, 22 Radius 12" Nut/E.O.B 1.695/2.260 Inlays Figured Acrylic Trapezoid with 120th Banner Nut Material TekToid™ Width 1.695 Slots Gibson PLEK System Headstock Silkscreen Gold "Gibson" & "Les Paul Model" Truss Rod Cover B/W "Studio"
    [Show full text]