Discovering Sacred Texts

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Discovering Sacred Texts www.bl.uk/sacred-texts Teachers’ Notes Curriculum subject: Religious Education Key Stages: 4 & 5 Theme: Hinduism Discovering Sacred Texts contains numerous articles, collection items and film clips that explore different aspects of Hinduism. However, not all aspects of the curriculum for Hinduism at Key Stages 4 and 5 are covered by Discovering Sacred Texts. Instead, the site focuses on those aspects of the curriculum best supported by items from British Library’s collections. Key Stage 4 – Beliefs and Teachings Manifestations of the divine (trimurti, deities, avatars) • Article: The Hindu sacred image and its iconography by Julius Lipner • Collection item: Album of Vaisnava paintings • Collection item: Album of images of Hindu Deities Key Stage 4 – Sources of Wisdom and Authority Shruti (revealed scripture) and Smriti (remembered scriptures) • Article: Sacred Texts in Hinduism by Julius Lipner • Article: Spreading Hindu texts: tellings and translations by Jacqueline Hirst Key texts: Vedas; Upanishads; Ramayana; Mahabharata; Bhagavad-gita; Puranas • Article: Sacred Texts in Hinduism by Julius Lipner • Article: Spreading Hindu texts: tellings and translations by Jacqueline Hirst • Film: Hinduism • Collection item: Mewar Ramayana • Collection item: Bhagavad Gita Discovering Sacred Texts | www.bl.uk/sacred-texts The Sanskrit language • Article: Sacred Texts in Hinduism by Julius Lipner Key Stage 4 – Practices The four paths towards yoga • Article: Bhakti by Rishi Handa • Collection item: Bhagavad Gita Forms of worship and meditation • Article: Hindu Deities by Julius Lipner • Film: Hinduism Places of worship • Article: Hindu Deities by Julius Lipner Deities as focusses of worship and representations of the divine • Article: Hindu Deities by Julius Lipner • Article: The Hindu sacred image and its iconography by Julius Lipner Pilgrimage • Article: Hindu Deities by Julius Lipner Discovering Sacred Texts | www.bl.uk/sacred-texts.

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Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary
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The Absent Vedas
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Bharata Muni's Natyashastra
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The Demonic Body: an Evaluation in the Light of Gender and Sexuality
International Journal of Research ISSN NO:2236-6124 The Demonic Body: An Evaluation in the light of Gender and Sexuality Ms. Neethu S, Assistant Professor in English, Department of Taxation, Bharata Mata College,Thrikkakara. Email: [email protected] Abstract Myths and legends have influenced human beings from times immemorial. They serve as the backbone of any culture. Hindu civilization is mainly renowned for its myriad myths and legends. Puranas like Ramayana and Bhagavatha serve as an eye opener to our cultural heritage. It serves as an answer to all kinds of dilemma faced by people even today. The role of puranas is thus significant in layman’s life as he/she takes it as an authentic record of his/her cultural past. The paper intends to analyse the treatment of certain women who are characterised as demonesses in Puranas who are categorized so just because they are the desiring subjects, throwing light on two mythical characters Shoorpanakha (from Ramayana) and Poothana (from Bhagavatha) who are portrayed as evil in the Puranas as they express overtly their repressed desires. Keywords: sexuality, female body, desire. ---------------------------------------------------------------------------------------------------- Ramayana, the story of Srirama, has been among one of the favourites of people belonging to almost all age categories. It tells the story of Rama, the prince of Ayodhya, his wife Sita, daughter of king Janaka and Ravana the king of Lanka. The story of Ramayana has been thus told innumerable times. The enthralling story of Rama, the incarnation of lord Vishnu, who slew Ravana, the evil demon of darkness, is known to every Indian. In the pages of history, as always, it is the version told by the ones who hold the weight of victory.
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Read Book Ideas of Human Nature from the Bhagavad Gita To
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Upanishads • Two Epics • Sutras the Vedas • Earliest Texts
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A Brief Introduction to Hinduism
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PDF Download the Upanishads
THE UPANISHADS PDF, EPUB, EBOOK Swami Paramananda | 54 pages | 10 Mar 2011 | Wilder Publications | 9781617202964 | English | none The Upanishads PDF Book Subhamoy Das. The Upanishads are summits of thought on mankind and the universe, designed to push human ideas to their very limit and beyond. To help you bring attention to your doshas and to identify what your predominant dosha is, we created the following quiz. Secrets of the Ancient Yoga Scriptures. What are the four Vedas? It is called Upadesha Kandam because it is in the form of teaching the truths. These texts cover some of the most important topics in Indian philosophy. In fact among the Dasopanishads, Chandogya has the most number of mantras in Brahma Sutra. The Upanishads gave a permanent orientation to Indian culture by their emphasis on inner penetration and their wholehearted advocacy of what the Greeks later formulated in the dictum "man, know thyself. And there are verses Karikas on the 12 Upanishad mantras. It also contributes, in part, to the various schools of yoga. The Vedas are four holy Hindu texts written 2, years ago. His was a monistic teaching that stressed that saguna brahman was a lesser, temporary form of nirguna brahman. Because the Upanishads urged those seeking Enlightenment to turn away from ritual sacrifice and asked individuals to instead look inward. Aranyakas, and Upanishad s, which are also regarded as part of the Vedas. The Upanishads comprise the final Vedas and concern the soul Atman and its pursuit of ultimate reality Brahman. Home Dictionary Tags Lineage Scriptures. Dharma is a concept present in many spiritual beliefs, including Buddhism, Jainism, and Hinduism.
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Vedic Hinduism 1
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Five Faiths Project: Hinduism
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Natya Shastra
This page uses content from Wikipedia and is licensed under CC BY-SA. Natya Shastra The Nāṭya Śāstra (Sanskrit: नाट्य शा , Nāṭyaśāstra) is a Sanskrit Hindu text on the performing arts. [1][2] The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between Part of a series on 200 BCE and 200 CE,[3][4] but estimates vary between 500 BCE and 500 CE.[5] Hindu scriptures and texts The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance.[6][7] Shruti [2][8] The Nāṭya Śāstra is notable as an ancient encyclopedic treatise on the arts, one which has Smriti influenced dance, music and literary traditions in India.[9] It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not the primary Vedas goal, and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness, and reflects on spiritual and Rigveda moral questions.[8][10] The text has inspired secondary literature such as Sanskrit bhasya (reviews and Samaveda commentaries) such as by the 10th century Abhinavagupta.[11]
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