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Hans Zimmer, Jacob Shea & David Fleming

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Hans Zimmer, Jacob Shea & David Fleming ORIGINAL TELEVISION SOUNDTRACK Original Score by HANS ZIMMER , JACOB SHEA & DAVID FLEMING for BLEEDING FINGERS MUSIC 01 THE BLUE PLANET 02 FAMILY THEME 03 SURFING DOLPHINS 04 ABYSSAL PLAIN 05 MOBULA RAYS 06 RACE TO FEED 07 ALBATROSS FLIGHT 08 BIG BLUE 09 TURTLE SPA 10 DUCKS AND CURRENTS 11 HUMBOLDT SQUID 12 A FOREST AWAKENS 13 SCAVENGERS OF THE DEEP 14 KOBUDAI TRANSFORMATION 15 CLOWNFISH 16 BABY TURTLE 17 WEEDY SEA DRAGON 18 PORTUGUESE MAN OF WAR 19 WALRUS: THE RIGHT PIECE OF ICE An orange-dotted tuskfish holds a clam in its Surfing bottlenose dolphins, South Africa One formidable jaws on the Great Barrier Reef. These fish use coral outcroppings as a tool to Ocean break apart the tough protective clam shells The hermit crab’s super sharp pincers are used The fangtooth has the largest teeth relative to The to feed, picking at the fleshly lobes of rugby- body size of any fish in the entire ocean. It is the ball sized mussels that thrive on the shorelines most successful predator in the deep ocean’s Deep of brine pools ‘Midnight Zone’, a world the sun never reaches Coral A cheeky green turtle in Sipidan, Borneo Shoals of sea goldie foraging above a coral reef Reefs in Fiji For many years it was unknown why whale Big sharks came to the remote Galapagos Islands, as unusually most were large adult females and Blue appeared to be pregnant Monterey Bay is the source of great deep Green canyon upwellings, feeding tonnes of seasonal phytoplankton, macroplankton and shoaling Seas fish, this in turn draws in humpback whales Ochre starfish are the main predators of limpets in An Atlantic puffin with a beakful of food for its Coasts rockpools. But the limpets are known to fight back chick. Hornoya Island, Norway Sperm whale numbers plummeted due to Our Blue whaling, but a rare sighting of a superpod off the coast of Sri Lanka offers a glimpse into the lives Planet of these large, intelligent and sociable animals Credits Original Music by Hans Zimmer, Los Angeles Overdubs Recorded by Jacob Shea & David Fleming John Chapman Score Producers: Hans Zimmer Score Recorded at Synchron Scoring Stage & Russell Emanuel & Remote Control Productions Score Supervisor: Monica Sonand Tidal Orchestra Recorded and Sampled by Spitfire Audio, British Grove Studios, London Music Production Services: Steve Kofsky Soundtrack Mixed by John Chapman Orchestra: Synchron Stage Orchestra Vienna Soundtrack Produced by Monica Sonand Score Recorded by Geoff Foster Score and Soundtrack Mixed at Remote Control Orchestrator: Oscar Senen Productions, Santa Monica, CA Conductor: Johannes Vogel All titles published by BBCW Music Publishing Copyist: Vienna Music Angels / Bleeding Fingers Custom Music Shop Additional Music: Jasha Klebe Executive Producers for Silva Screen Records Ltd. Reynold D’Silva & David Stoner Additional Arrangements: David Naroth Album Mastering: Rick Clark Music Editors: Jake Schaefer & Paul Salerno Release Co-ordination: Pete Compton Technical Score Engineers: Hannah Parrot & Chris La Rue Horton Package & Design Layout: Stuart Ford Score Mixer: John Chapman A BBC Studios Natural History Unit production, co-produced with BBC America, WDR, France Assistant Score Mixer: Alfredo Pasquel Televisions, Tencent and CCTV Additional Instrument Design: David Naroth & Jake Schaefer The false killer whale is actually a type of large dolphin, mainly found in the open ocean A Galapagos sea lion attacking a yellow-fin The Tidal tuna that it has driven inshore. A unique hunting Orchestra strategy that has never been filmed before The idea of the Tidal Orchestra was to depict the abundance of life as well as the movements and vibrations of the ocean. By using and sampling the orchestra in an unconventional way, we could create these ‘living’ chords that ebb and flow throughout the series. Inspired by Impressionism, more specifically th e wo r k s of C l a u d e M o n e t a n d h is d e p i c ti o n of water, our concept was to similarly convey the vibrancy and movement of Impressionist paintings. Like using multiple strokes on a canvas, the string players used plucks and tremolos between notes of a chord at varying speeds and entrances. We created flowing textures, rather than traditional sustained notes. The same effect was applied to the woodwinds, and brass. These different organic colors all intertwine, creating varying depths of sound and movement. Just like a Monet painting, the score is built off of these many layers of individual brushstrokes of sound to create the overall thematic material, while still lending itself to emotional melodies that can carry the music along. As we travel deeper into the ocean, the score becomes more ‘still’ to reflect the calmer waters and absence of sunlight, while still incorporating our ‘living’ chords in a more subdued way to emulate the life at the bottom of the sea. The venomous Portuguese man-of-war is not a jellyfish but a siphonophore, an animal made up of a group of specialised individuals working together Photo Credits Page 2 by Joe Platko / Page 3 (tuskfish) by Alex Vail / Page 3 (dolphins) by Steve Benjamin / Page 4 by Espen Rekdal / Page 5 (sea turtle) by Jason Isley / Page 5 (coral reef) by Alex Mustard / Page 6 by Simon Pierce / Page 7 by Joe Platko / Page 8 starfish by Paul Williams / Page 8 (puffin) by Miles Barton / Page 9 by Tony Wu / Page 10 by Richard Robinson / Page 11 by Rachel Butler / Page 12 by Matty Smith / Page 13 by Hugh Miller All images © BBC NHU 2017 Thanks Mark Brownlow, James Honeyborne, Graham Wild, Katie Hall, John Ruthven, Jonathan Smith, Kathryn Jeffs, Orla Doherty, Miles Barton, Will Ridgeon, Catherine Grimes, Natasha Pullin, Mike Gunton, George, Chris, John, Lara, Charlene, Claudio Olachea, Stephanie Hall, Chuck Choi, Ryan Ouchida, Shalini Singh, Megan Lynch, Gillian Taugher, Sarah Emanuel, Lindsay, Eli & Isaac Shea, Mac and Maxine Shea, Dale & Judy Cooper, Russ, Kathy, Natalie & Maggie Fleming, Joyce Bregman & Ruby Sonand, Dominic Walker, Nicholas Baxter, Suzi Scott, Monica Hayes, Hayley Moore and Patricia Fearnley Giant cuttlefish mating aggregation, Whyalla, South Australia SILCD1560 MCPS Ⓟ 2017 BBC Worldwide Ltd. © 2017 BBC Worldwide Ltd. under exclusive licence to Silva Screen Records Ltd. All Rights Reserved. Also available from iTunes: PLANET EARTH II FROZEN PLANET HUMAN PLANET AFRICA music by Hans Zimmer, music by George Fenton & music by Nitin Sawhney & music by Sarah Class & Jacob Shea & Jasha Klebe The BBC Concert Orchestra The BBC National Orchestra of Wales The BBC Concert Orchestra https://geo.itunes.apple.com/album/planet- https://geo.itunes.apple.com/album/frozen- https://geo.itunes.apple.com/album/human- https://geo.itunes.apple.com/album/ earth-ii-original-television-soundtrack/ planet-soundtrack-from-the-tv-series/ planet-soundtrack-from-the-tv-series/ africa-original-television-soundtrack/ id1170102660?app=itunes id596184159?app=itunes id498712307?app=itunes id602765425?app=itunes YELLOWSTONE HIDDEN KINGDOMS WILD ARABIA THE LIVING PLANET music by Edmund Butt & music by Ben Foster & music by Barnaby Taylor & music by Elizabeth Parker & The Chamber Orchestra of London The BBC National Orchestra of Wales The BBC Concert Orchestra BBC Radiophonic Workshop https://geo.itunes.apple.com/album/ https://geo.itunes.apple.com/album/hidden- https://geo.itunes.apple.com/album/wild- https://geo.itunes.apple.com/album/the- yellowstone-soundtrack-from-the-tv-series/ kingdoms-original-television-soundtrack/ arabia-original-television-soundtrack/ living-planet-music-from-the-bbc-tv-series/ id1072498814?app=itunes id808156894?app=itunes id634935727?app=itunes id1138396972?app=itunes.
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