DOCSLIB.ORG

Kanoninen Kumous Pentti Saarikosken 1960-Luvun Lyriikan Poliittinen Runousoppi JYVÄSKYLÄ STUDIES in HUMANITIES 264

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kanoninen Kumous Pentti Saarikosken 1960-Luvun Lyriikan Poliittinen Runousoppi JYVÄSKYLÄ STUDIES in HUMANITIES 264 JYVÄSKYLÄ STUDIES IN HUMANITIES 264 Riikka Ylitalo Kanoninen kumous Pentti Saarikosken 1960-luvun lyriikan poliittinen runousoppi JYVÄSKYLÄ STUDIES IN HUMANITIES 264 Riikka Ylitalo Kanoninen kumous Pentti Saarikosken 1960-luvun lyriikan poliittinen runousoppi Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S212 marraskuun 21. päivänä 2015 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in Auditorium S212, on November 21, 2015 at 12 o’clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2015 Kanoninen kumous Pentti Saarikosken 1960-luvun lyriikan poliittinen runousoppi JYVÄSKYLÄ STUDIES IN HUMANITIES 264 Riikka Ylitalo Kanoninen kumous Pentti Saarikosken 1960-luvun lyriikan poliittinen runousoppi UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2015 Editors Mika Hallila Department of Art and Culture Studies, University of Jyväskylä Pekka Olsbo, Sini Tuikka Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Paula Kalaja, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Tarja Nikula, Centre for Applied Language Studies, University of Jyväskylä Epp Lauk, Department of Communication, University of Jyväskylä Cover picture by Nikolai Naumoff (Otava Archive) URN:ISBN:978-951-39-6333-0 ISBN 978-951-39-6333-0 (PDF) ISSN 1459-4331 ISBN 978-951-39-6332-3 (nid.) ISSN 1459-4323 Copyright © 2015, by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2015 ABSTRACT Ylitalo, Riikka The Canonical Revolution. The Political Poetics of Pentti Saarikoski’s 1960s Lyrics Jyväskylä: University of Jyväskylä, 2015, 215 p. (Jyväskylä Studies in Humanities ISSN 1459-4323; 264 (nid.) ISSN 1459-4331; 264 (PDF)) ISBN 978-951-39-6332-3 (nid.) ISBN 978-951-39-6333-0 (PDF) Diss. This dissertation is a study of Pentti Saarikoski’s political lyrics of the 1960s. The hy- pothesis of the study is that the means of poetry are utilised in the ex-pression of political views in Saarikoski’s poetry. In the study, I focus on analysing the speaker of the poems, imagery, and intertextuality. I also analyse the avant-gardist features of Saarikoski’s poetry. During the 1960s, Saarikoski published seven collections. His work Mitä tapahtuu todella? (What Is Really Going On?, 1962) is a combination of avant-gardist renovations of Finnish lyrics and the confessional poetry of a com- munist. In the collection Ääneen (Aloud, 1966), the speaker proclaims the message of socialism and tries to convince his addressees of its superiority. The writing style of Saarikoski’s collection Katselen Stalinin pään yli ulos (I Look Out Over Stalin’s Head, 1969) reminds us partially of prose. The change in the speaker’s relationship with politics can be seen in the collection: for example, he is pessimistic about the political effectiveness of poetry. Although Saarikoski used various writing methods in his poetry, the study assumes that it is possible to create a general picture of his political poetics. I utilise Marxist literary criticism in the study in order to deepen my analy- sis. In Saarikoski’s poetry, the speaker expresses his political ideology, for example, by stating, “I became a communist” and “I’m a communist”. He also advocates the proletariat and encourages the workers to take action to improve their social status. When it comes to the imagery of Saarikoski’s poems, the writer uses both traditional tropes and concrete images in his texts. The former often express the political views of the speaker, while the latter say something essential about social circumstances. The intertextual allusions in Saarikoski’s poetry also have political dimensions. For example, the poems frequently demonstrate their subtexts, such as the aphorisms of Heraclitus or The Bible, to be political works. The study concludes that it can be sug- gested that Saarikoski’s political poetry represents ‘the canonical revolution’. This means that it is based both on continuing the literary tradition and the revolutionary renewal of poetry. Keywords: Saarikoski, Pentti, poetics, political poetry, speaker, imagery, inter- textuality, avant-garde, 1960s, dialectics, Marxist literary criticism Author’s address Riikka Ylitalo Department of Art and Culture Studies University of Jyväskylä [email protected] Supervisors Professor Mika Hallila Department of Hungarian Studies, Section of Finnish Studies University of Warsaw, Poland Senior Lecturer Outi Oja Department of Slavic and Baltic Studies, Finnish, Dutch and German University of Stockholm, Sweden Reviewers Docent Anna Hollsten Department of Finnish, Finno-Ugrian and Scandinavian Studies University of Helsinki Professor Erkki Sevänen School of Humanities University of Eastern Finland Opponent Docent Anna Hollsten Department of Finnish, Finno-Ugrian and Scandinavian Studies University of Helsinki ESIPUHE Tämän tutkimuksen syntyyn ovat vaikuttaneet useat henkilöt, jotka ovat samal- la tukeneet minua aloittelevana tutkijana. Aluksi haluan kiittää professori Mika Hallilaa ja FT Outi Ojaa kärsivällisestä ja asiantuntevasta ohjaustyöstä. Mikaa kiitän erityisesti tutkimukseni yhteiskunnallista näkökulmaa koskevasta ohja- uksesta ja siitä, että hän on antanut tilaa omalle äänelleni. Outille olen erityisen kiitollinen yksityiskohtaisesta palautteesta sekä siitä, että hän on neuvonut mi- nua post doc -vaiheeseen ja työmahdollisuuksiin liittyvissä asioissa. Työni esitarkastuksesta kiitän professori Erkki Sevästä ja dosentti, yliopis- tonlehtori Anna Hollstenia. Palautteenne myötä olen voinut tehdä väitöskirjasta entistä paremman, vaikken olekaan voinut ottaa kaikkia kommenttejanne huo- mioon. Anna Hollstenia kiitän esitarkastuksen lisäksi siitä, että hän on ystäväl- lisesti lupautunut toimimaan vastaväittäjänäni. Kiitän professori Mikko Keskistä ja professori Sanna Karkulehtoa kirjalli- suuden tutkimusseminaarissa esitetyistä huomioista. Kiitän Sannaa myös työni kommentoinnista viimeistelyvaiheessa. FM Laura Piippoa kiitän vertaistuesta ja dosentti Katriina Kajannesta siitä, että olen saanut mahdollisuuden esiintyä hä- nen järjestämissään tilaisuuksissa. Kiitän myös yliopistotutkija Anna Hellettä väitöstilaisuuteen liittyvien käytännön asioiden järjestelyistä. Tutkimukseni rahoittamisesta kiitän Suomen Kulttuurirahastoa, Jenny ja Antti Wihurin rahas- toa, Kansan Sivistysrahastoa ja Jyväskylän yliopiston taiteiden ja kulttuurin tut- kimuksen laitosta. Vanhempiani ja isovanhempiani haluan kiittää tutustuttamisestani kirjalli- suuteen jo vauvaiästä alkaen. Isotätiäni Maijaa kiitän monien Pentti Saarikosken teosten lahjoittamisesta. Siskoni Reetan seura on puolestaan ollut sopivaa vas- tapainoa tutkimustyölle: kiitos hänelle siitä. Puolisoani Eliasta kiitän paitsi rau- hallisesta yhdessäolosta, kuuntelemisesta ja ruuanlaitosta myös tutkimustyössä kannustamisesta. Kaikki opintoihini liittyvät asiat eivät ole olleet positiivisia. Perustutkinto- vaiheeseeni kuului nimittäin pitkäkestoinen ja monia muotoja saanut kiusaa- minen. Sitä ei yliopisto-opinnoistani puhuttaessa voi sivuuttaa, sillä olen yhä toipumassa sen aiheuttamasta psyykkisestä stressistä. Onkin erikoista, että olen jatkanut opintojani näin pitkään. Tutkimuksen kirjoittamisen mahdollistivat apurahat, tasokas ohjaus ja läheisten ihmisten tuki. Omistan tämän väitöskirjan vuonna 2014 syntyneelle tyttärelleni Lumille. Helsingissä 29.9.2015 Riikka Ylitalo SISÄLLYS ABSTRACT ESIPUHE SISÄLLYS 1 JOHDANTO .......................................................................................................... 9 1.1 Tutkimusongelma ....................................................................................... 9 1.2 Aiempi tutkimus ....................................................................................... 14 1.3 Pentti Saarikosken elämästä ja tuotannosta .......................................... 17 1.4 Runojen poliittinen ja kulttuurinen konteksti ...................................... 22 1.4.1 Suomen ja Euroopan poliittinen tilanne 1960-luvulla ............. 22 1.4.2 1960-luvun kulttuuriradikalismi ................................................. 28 1.5 Tutkimuksen rakenne .............................................................................. 34 2 TEOREETTISET JA METODOLOGISET LÄHTÖKOHDAT ....................... 36 2.1 Poliittinen runousoppi ............................................................................. 36 2.2 Runouden ilmaisukeinot ......................................................................... 40 2.2.1 Puhuja ............................................................................................. 40 2.2.2 Kuvallisuus .................................................................................... 43 2.2.3 Intertekstuaalisuus ........................................................................ 46 2.3 Esteettinen ja poliittinen avantgarde ..................................................... 48 3 RUNON PUHUJAN JA PUHETILANTEEN POLIITTISUUS ..................... 51 3.1 Puhujan poliittinen ideologia .................................................................. 51 3.1.1 Poliittiset tunnustukset ................................................................ 51 3.1.2 Äänen antaminen ja puolesta puhuminen ...............................
Load more

Recommended publications
  • Ezra Pound and the Greek Anthology
    11 EZRA POUND AND THE GREEK ANTHOLOGY H. K. Riikonen The last two decades before the First World War mark an interesting period in the history of the classical tradition. The writers of this generation had still received an education based on a solid learning of the classical languages and of classical literature. This is attested by their constant allusions to and quotations from Greek and Roman poetry. Classical allusions, however, were not mere testimonies to the mod - ernists’ education; indeed, such an education enabled them to interpret the culture of antiquity in fresh new ways and to use various aspects of the classical heritage for their artistic pur - poses. Due to new archaeological discoveries, they had access to material which was unknown to previous genera - tions and which changed the general conception of Greek and Roman culture, which had been based on Winckelmannian ideals. Arthur Evans’s excavations on Crete yielded new information for the use of the writers who were interested for instance in the story of Daedalus, the constructor of the labyrinth and of the wings used to escape the island. Evans, a former war correspondent, also efficiently communicated his discoveries, sending for instance reports and telegrams to The Times (Cottrell 87-88, 113-130). Needless to say, James Joyce Quaderni di Palazzo Serra 15 (2008): 181-194. 182 H. K. Riikonen was the most notable author to write about Daedalus, Icarus and the labyrinth; these in fact took on a new topicality through Evans’s archaeological work (Fortune 123-134; Hayman 33-54). Another important factor was the discovery of papyri in Hellenistic Egypt, bringing to light masses of new documents on the everyday life of the Greeks, but also fragments of ancient Greek poetry, especially poems by Sappho.
    [Show full text]
  • Curriculum Vitae Douglas Robinson
    Curriculum Vitae Douglas Robinson Born in 1954 in Lafayette, Indiana (US citizen). CONTACT INFORMATION Room 2204, SR1, Staff Residence, Upper Campus Flat D, 5/F, Block 21, Greenwood Terrace Chinese University of Hong Kong, Shenzhen 26-28 Sui Wo Rd. 2001 Longxiang Blvd. Fo Tan, NT, Hong Kong Longgang District, Shenzhen, PRC 518172 Mobile +852 9221 7499 Email [email protected] Email [email protected] LINKS CUHK-SZ website: https://hss.cuhk.edu.cn/en/teacher/625 Google Scholar: http://scholar.google.com/citations?user=pqs8-m8aaaaj&hl=en Wikipedia: http://en.wikipedia.org/wiki/douglas_robinson_(academic) Linkedin: http://www.linkedin.com/profile/view?id=38956755&trk=tab_pro Instagram: https://www.instagram.com/whotranslates/ Twitter: @doug11rob Facebook: http://www.facebook.com/doug11robinson?ref=hl Youtube: https://www.youtube.com/watch?v=xr7acv5ihlg&feature=youtu.be&a EDUCATION ​ University of Washington, Seattle, WA, USA PhD in English (honors), 1983 Dissertation: “American Apocalypses: The Image of the End of the World in American ​ Literature,” directed by Leroy Searle University of Washington, Seattle, WA, USA MA in English, 1983 University of Jyväskylä, Finland PhL in English, 1980 University of Jyväskylä, Finland MA in English, 1977 University of Jyväskylä, Finland BA in English, 1975 LANGUAGES ​ English (native) Finnish (near-native) Russian, German, and Spanish (good speaking, writing, and reading ability) Chinese (Mandarin and Cantonese) (basic) ACADEMIC EMPLOYMENT ​ Page 1 of 25 ​ 2020-pre Professor of Translating and Interpreting, the Chinese University of Hong Kong, sent Shenzhen 2012-202 Chair Professor of English, Hong Kong Baptist University 0 HKBU in 2019: Around 10,500 students: 7000 undergraduate; 3,000 in taught M.A.
    [Show full text]
  • Nodes of Contemporary Finnish Literature
    Nodes of Contemporary Finnish Literature Edited by Leena Kirstinä Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Markku Haakana, professor, University of Helsinki, Finland Timo Kaartinen, professor, University of Helsinki, Finland Kimmo Rentola, professor, University of Turku, Finland Riikka Rossi, docent, University of Helsinki, Finland Hanna Snellman, professor, University of Jyväskylä, Finland Lotte Tarkka, professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Pauliina Rihto, secretary of the board, M. A., Finnish Literary Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Nodes of Contemporary Finnish Literature Edited by Leena Kirstinä Finnish Literature Society • Helsinki Studia Fennica Litteraria 6 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. © 2012 Leena Kirstinä and SKS License CC-BY-NC-ND 4.0 International A digital edition of a printed book first published in 2012 by the Finnish Literature Society.
    [Show full text]
  • Finnish Studies
    JOURNAL OF FINNISH STUDIES Volume 16 Number 2 May 2013 JOURNAL OF FINNISH STUDIES EDITORIAL AND BUSINESS OFFICE Journal of Finnish Studies, Department of English, 1901 University Avenue, Evans 458 (P.O. Box 2146), Sam Houston State University, Huntsville, TEXAS 77341-2146, USA Tel. 1.936.294.1402; Fax 1.936.294.1408 SUBSCRIPTIONS, ADVERTISING, AND INQUIRIES Contact Business Office (see above & below). EDITORIAL STAFF Helena Halmari, Editor-in-Chief, Sam Houston State University; [email protected] Hanna Snellman, Co-Editor, University of Helsinki; [email protected] Scott Kaukonen, Associate Editor, Sam Houston State University; [email protected] Hilary Joy Virtanen, Assistant Editor, University of Wisconsin; [email protected] Sheila Embleton, Book Review Editor, York University; [email protected] EDITORIAL BOARD Börje Vähämäki, Founding Editor, JoFS, Professor Emeritus, University of Toronto Raimo Anttila, Professor Emeritus, University of California, Los Angeles Michael Branch, Professor Emeritus, University of London Thomas DuBois, Professor, University of Wisconsin Sheila Embleton, Distinguished Research Professor, York University, Toronto Aili Flint, Emerita Senior Lecturer, Associate Research Scholar, Columbia University, New York Anselm Hollo, Professor, Naropa Institute, Boulder, Colorado Richard Impola, Professor Emeritus, New Paltz, New York Daniel Karvonen, Senior Lecturer, University of Minnesota, Minneapolis Andrew Nestingen, Associate Professor, University of Washington, Seattle Jyrki Nummi, Professor, Department of
    [Show full text]
  • Finnish Literature in Poland, Polish Literature in Finland Comparative Reception Study from a Hermeneutic Perspective
    KATARZYNA SZAL Finnish Literature in Poland, Polish Literature in Finland Comparative Reception Study from a Hermeneutic Perspective Publications of the University of Eastern Finland Dissertations in Education, Humanities, and Theology 40 University of Eastern Finland Joensuu 2013 Juvenes Print - Tampereen Yliopistopaino Oy Tampere, 2013 Sarjan toimittaja: Maija Könönen Myynti: Itä-Suomen yliopiston kirjasto ISBN: 978-952-61-1043-1 (print) ISSNL: 1798-5625 ISSN: 1798-5625 ISBN: 978-952-61-1044-8 (PDF) ISSN: 1798-5633 (PDF) Szal, Katarzyna Finnish Literature in Poland, Polish Literature in Finland. Comparative Reception Study from a Hermeneutic Perspective Joensuu: University of Eastern Finland, 2012, 263 pages Dissertations in Education, Humanities, and Theology; 40 ISBN: 978-952-61-1043-1 (print) ISSNL: 1798-5625 ISSN: 1798-5625 ISBN: 978-952-61-1044-8 (PDF) ISSN: 1798-5633 (PDF) ABSTRACT The fate of literary texts outside of their home country has been of interest to literary schol- ars for a long time. Recent developments in comparative, translation and reception studies produced many works dealing with this issue. While much versatile research on recep- tion has been done in the case of the most popular world literatures (in English, German or French), little is known about foreign reception – especially bilateral – of literatures of smaller nations and less popular languages. This dissertation looks more closely at mutual literary exchange and reception in two small countries – Finland and Poland. The disserta- tion does so by looking at the bibliography of literary translations in question and their reviews in the target country. The research covers a period of Polish-Finnish literary translations from their begin- nings (the second half of the 19th century) till the year 2006, during which both countries went through significant transformations of their social, political and literary life.
    [Show full text]
  • Ezra Pound As a Persona for Modem Finnish Poetry
    8 EZRA POUND AS A PERSONA FOR MODERN FINNISH POETRY Janna Kantola The present paper on Pound’s Finnish reception has two parts. It begins with an introduction to Finnish poetry and its relation to European currents in Pound’s time. After this, I will consider Ezra Pound’s significance in Finland during a specific period in Finnish poetry. In this context, I will take a closer look at Pound’s translators in Finland as well as at those who otherwise had a say in introducing him. I will then, finally, discuss two Poundian poems written by a major 20th- century Finnish poet, Pentti Saarikoski. The point of depar - ture for this presentation is the idea that the translator, a man or a woman “made of words,” always, in giving life to a for - eign text in his or her own language, wears a mask, or, as in the case of translating Pound, a double mask, lending a voice not only to Pound but also to those masks and voices that Pound himself had invented. In Finland, modernism appeared several times, at first in Swedish, especially in works by Edith Södergran (1892- 1923), shortly after World War I. She did – as did Finnish Swedes Gunnar Björling (1887-1960) and Elmer Diktonius (1896-1961) – the same kind of pioneering work on poetry Quaderni di Palazzo Serra 15 (2008): 135-143. 136 Janna Kantola written in Swedish, that Pound and Eliot did on poetry writ - ten in English, and at the same time. In the 1920s, chic European movements such as cubism, futurism, and expres - sionism, arrived in Finland almost without delay.
    [Show full text]
  • A New Selection of the Poems of Pentti Saarikoski: a Window Left Open
    PRESS RELEASE A New Selection of the Poems of Pentti Saarikoski: A Window Left Open Herewith I cease the writing of poetry. I’m not swearing to it, mind. Could be a window’s left open again by chance and a bird strays in: what helps it out, is a poem. Pentti Saarikoski was a prolific translator and journalist, and a revered modernist poet central to the Finnish literary scene of the 1960s and 1970s. The inventiveness, warmth and humour of Saarikoski’s voice have made him something of a national treasure in Finland. His writing is at once playful and political, A WINDOW LEFT OPEN drawing on everyday life and current affairs, as well as Greek By Pentti Saarikoski antiquity. This collection of poems chosen and translated by Emily Translated by Jeremiah and Fleur Jeremiah charts Saarikoski’s artistic Emily Jeremiah development over the decades from his early Greek period to and his politically charged participative poetry, and ultimately his Fleur Jeremiah last known poem. This dual-language edition places the original Finnish poems side-by-side with their English translation, Publication by Norvik Press inviting readers to explore the elegant craftsmanship of November 2020 Saarikoski’s use of language. Paperback 5.06x7.81 inches 168 pages Pentti Saarikoski (1937–83) was born in Impilahti (today part of Russia) and £11.95 died in Joensuu. He translated Homer’s Odyssey into Finnish and published ISBN-13: 978-1-909408-60-9 his first collection, Runoja (Poems), in 1958. He developed his distinctive Series B No. 82 participative style in later collections and became a cult figure, partly because CONTACT: of his self-stylization as a Bohemian artist.
    [Show full text]
  • Herakleitos, Filosofia Ja Metafysiikka Collin Ja Heideggerin Tulkintojen Valossa
    Herakleitos, filosofia ja metafysiikka Collin ja Heideggerin tulkintojen valossa Pro gradu -tutkielma Filosofian laitos Helsingin yliopisto Syksy 2007 Antti Kajas 011941349 1 1. JOHDANTO: Herakleitos siirtymähahmona Tutkielmani aiheena on Herakleitoksen asema länsimaisen filosofian ja metafysiikan historiassa. Tarkoitukseni ei kuitenkaan ole esittää kokonaistulkintaa Herakleitoksen ajattelusta, vaan tarkastella Herakleitosta eräänlaisena siirtymähahmona. Katson, että länsimaisessa ajattelussa tapahtui suuri muutos filosofian synnyn ja siihen liittyvän metafyysisen ajattelun kehityksen myötä. Mutta kyseessä ei ollut mikään äkillinen käänne, jossa vanha ajattelu olisi kuollut saman tien uuden syntyessä, vaan pikemminkin monimutkainen siirtymä, jonka aikana uusi ajattelu syntyi vanhasta ja vanha sisältyi vielä uuteen. Tämän siirtymän keskipisteeseen sijoitan Herakleitoksen. Viittaan filosofialla ja metafysiikalla lähinnä Platonin ja Aristoteleen myötä syntyneeseen ajatteluun. Platonia ja Aristotelesta edeltäneitä ajattelijoita puolestaan kutsutaan yleensä esisokraatikoiksi eli Sokrateen edeltäjiksi. Tästä nimestä käy hyvin ilmi, mikä vaikutus Platonilla ja Aristoteleella on ollut myöhempään filosofian historian kirjoitukseen: Sokrateessa nähdään ajattelussa tapahtuneen muutoksen raja. Myös Platon ja Aristoteles ottavat etäisyyttä edeltäjiinsä: Platon, joka puhuu yleensä Sokrateen suulla, määrittelee ajattelunsa filosofiaksi , ”viisauden rakkaudeksi”, mikä voidaan ymmärtää tunnustukseksi viisaudelle, sofia , ja entisaikojen viisaille, sofoi
    [Show full text]
  • An Analysis of Style Through Shifts in Literary Translation
    The Duet between the Author and the Translator: An Analysis of Style through Shifts in Literary Translation Hilkka Pekkanen Department of Modern Languages University of Helsinki Academic dissertation to be publicly discussed by due permission of the Faculty of Arts at the University of Helsinki in auditorium XIV on the 20th of March, 2010 at 10 o’clock 2 © Hilkka Pekkanen 2010 ISBN 978-952-92-6930-3 (paperback) ISBN 978-952-10-6107-3 (PDF) Helsinki University Print Helsinki 2010 3 CONTENTS List of tables Abbreviations Preface and acknowledgements 1. Introduction 1.1 Preliminary considerations 1.2 Research questions 1.3 Methodological objectives 2. Style and shifts 2.1 Style and the functions of language 2.2 The many faces of style 2.3 Style – interplay between linguistics and narratology 2.4 Style through cognition study 2.5 The framework of the study 2.6 Literary style and style in translation 2.7 Introductory remarks on method 2.8 Shifts – a key to style in literary translation 2.8.1 Shifts and the study of shifts in translation 2.8.2 Shifts and the study of style: some further methodological issues 2.8.3 The translator's voice as a sum of optional shifts 2.8.4 The translator's voice and visibility – optional shifts as markers of the translator’s style 3. Research material and methodology 3.1 Research material and approach 3.2 Method used in the quantitative study 3.2.1 Volume and nature of the samples 3.2.2 Units of comparison and categorization 3.2.3 Terminology and some characteristics of the Finnish language 3.2.4 Illustration of method 3.3 Method for further analysis 4 4.
    [Show full text]
  • Celebrity, Confession, and Performance in Pentti Saarikoski's I
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto 1 Celebrity, Confession, and Performance in Pentti Saarikoski’s I Look Out Over Stalin’s Head Author: Anna Hollsten Affiliation: Department of Finnish, Finno-Ugrian and Scandinavian Studies, University of Helsinki Address: Department of Finnish, Finno-Ugrian and Scandinavian Studies, P.O. Box 3 (Fabianinkatu 33), FIN-00014 University of Helsinki E-mail: [email protected] Acknowledgement: This work was supported by the Kone Foundation under Grant 33-2855. Published in Life Writing 2015: 12 (3), 2015, p. 267–287. 2 Celebrity, Confession, and Performance in Pentti Saarikoski’s I Look Out Over Stalin’s Head Abstract This article examines the dynamics between confessional poetry and celebrity by focusing on I Look Out Over Stalin’s Head (1969), a lyrical collection written by Pentti Saarikoski, the most prominent literary celebrity in Finland in the 1960s. The collection is highly self- conscious of the conventions of confessional writing as well as of Saarikoski’s reputation as an alcoholic and a radical left-wing provocateur. Moreover, Saarikoski’s celebrity status contributes to blurring the border between the speaker and the public persona of the writer. The collection can be characterized as a work of confessional performance. Based on recurrent elements in Saarikoski’s media appearances and in his confessional works the article argues that the writer’s public persona was performatively produced and that I Look Out Over Stalin’s Head was part of this performance. Applying Judith Butler’s ideas of performativity and subversiveness, the article analyses the speaker’s performance as an alcoholic and a communist in the context of Finnish celebrity culture and the cultural politics of the late 1960s.
    [Show full text]
  • Celebrity, Confession, and Performance in Pentti Saarikoski's I Look out Over Stalin's Head
    1 Celebrity, Confession, and Performance in Pentti Saarikoski’s I Look Out Over Stalin’s Head Author: Anna Hollsten Affiliation: Department of Finnish, Finno-Ugrian and Scandinavian Studies, University of Helsinki Address: Department of Finnish, Finno-Ugrian and Scandinavian Studies, P.O. Box 3 (Fabianinkatu 33), FIN-00014 University of Helsinki E-mail: [email protected] Acknowledgement: This work was supported by the Kone Foundation under Grant 33-2855. Published in Life Writing 2015: 12 (3), 2015, p. 267–287. 2 Celebrity, Confession, and Performance in Pentti Saarikoski’s I Look Out Over Stalin’s Head Abstract This article examines the dynamics between confessional poetry and celebrity by focusing on I Look Out Over Stalin’s Head (1969), a lyrical collection written by Pentti Saarikoski, the most prominent literary celebrity in Finland in the 1960s. The collection is highly self- conscious of the conventions of confessional writing as well as of Saarikoski’s reputation as an alcoholic and a radical left-wing provocateur. Moreover, Saarikoski’s celebrity status contributes to blurring the border between the speaker and the public persona of the writer. The collection can be characterized as a work of confessional performance. Based on recurrent elements in Saarikoski’s media appearances and in his confessional works the article argues that the writer’s public persona was performatively produced and that I Look Out Over Stalin’s Head was part of this performance. Applying Judith Butler’s ideas of performativity and subversiveness, the article analyses the speaker’s performance as an alcoholic and a communist in the context of Finnish celebrity culture and the cultural politics of the late 1960s.
    [Show full text]
  • Metaliterary Layers in Finnish Literature
    Metaliterary Layers in Finnish Literature Edited by Samuli Hägg, Erkki Sevänen and Risto Turunen Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Anna-Leena Siikala Markku Haakana Timo Kaartinen Pauli Kettunen Leena Kirstinä Teppo Korhonen Kati Lampela Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Metaliterary Layers in Finnish Literature Edited by Samuli Hägg, Erkki Sevänen & Risto Turunen Finnish Literature Society • Helsinki Studia Fennica Litteraria 3 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. © 2008 Samuli Hägg, Erkki Sevänen, Risto Turunen and SKS License CC-BY-NC-ND 4.0. International A digital edition of a printed book first published in 2008 by the Finnish Literature Society. Cover Design: Timo Numminen EPUB Conversion: Tero Salmén ISBN 978-952-222-063-9 (Print) ISBN 978-952-222-804-8 (PDF) ISBN 978-952-222-805-5 (EPUB) ISSN 0085-6835 (Studia Fennica) ISSN 1458-5278 (Studia Fennica Litteraria) DOI: http://dx.doi.org/10.21435/sflit.3 This work is licensed under a Creative Commons CC-BY-NC-ND 4.0.
    [Show full text]