Great Readers, Great Leaders Ted Zaleski
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tuck Everlasting Will Be Held on Thursday, December 6, 2018 and Thursday, December 13, 2018 at 11:00 Am, at the Lucie Stern Theatre in Palo Alto
T UCK E VERLASTING Anonymous Michelle & Michael Kwatinetz OUR PARTNERS The Applied Materials Foundation Dick & Cathy Lampman Carol Bacchetti Arlene & Jack Leslie IN EDUCATION Katie Bartholomew Mark Lewis & Barbara Shapiro Elaine Baskin & Ken Krechmer Karen & Mike Matthys Rosyland & Bob Bauer Bruce McLeod & Carla Befera TheatreWorks thanks our Katherine Bazak & John Dohner Dave & Carolyn McLoughlin generous donors to the Don & Deborah Bennett Leigh Metzler & Jim McVey Education Department, David & Lauren Berman Yvonne & Mike Nevens Jayne Booker Bill & Janet Nicholls whose financial support Steve & Gayle Brugler The David & Lucile Packard enables us to provide Patrick Burt and Sally Bemus Foundation in-depth arts education H. Hans Cardenas David Pasta in memory of Ron & Sally Carter Gloria J.A. Guth throughout Silicon Valley Steven & Karin Chase Janine Paver & Eric Brown and the San Francisco Randy Curry & Kay Simon Carey & Josh Pickus Bay Area. Katie & Scott Dai Lowell & Carole Price Karla Dailey Joe and Nancy Ragey John & Wynne Dobyns In memory of Pearl Reimer We serve over 20,000 Dodge & Cox Investment Edward & Verne Rice students, patients, and Managers Mark & Martha Ross community members each Susan Fairbrook Joseph & Sandy Santandrea year, and made more The Leonard C. & Mildred F. Philip Santora & Cristian Asher Ferguson Foundation Kaila Schwartz than 57,000 educational Barbara Franklin & Bernie Loth Cynthia Sears interactions during last Terry & Carolyn Gannon Martha Seaver & Scott Walecka season alone. in honor of Robert Kelley Marge & Jim Shively Sylvia & Ron Gerst Carolyn & Rick Silberman Anne & Larry Hambly Joyce Reynolds Sinclair & Emeri & Brad Handler Dr. Gerald M. Sinclair Heising-Simons Foundation Gerry Sipes The William & Flora Hewlett Denise & Jim Stanford Foundation Laura Stefanski Anne & Emma Grace Holmes Rick Stern & Nancy Ginsburg Susan M. -
Wonder Read English
Wonder Read Reading Begins at Home t is never too soon to introduce your child to books. As parents, you are a major influence in I helping your child learn to love books and to develop the habit of reading. The UES Gonda Family library staff invites you to visit the library to check out books to share with your child and to ask us how we can help you find books that both you and your child will enjoy. Here are some basic points to keep in mind when selecting books and sharing literature with your child. Babies and Pre-Nursery School: • Select books that stimulate your child’s sense of sight. Books should be colorful, clear and uncluttered. • Young children respond to the sound of language. Look for books with rhythm, exciting sounds and repetition, such as Mother Goose. • Wordless picture books encourage children to participate with the parent to create their own stories. • Select board or cloth books which children can enjoy on their own. Children Ages 3 to 5: • Keep books handy everywhere throughout the house and in the car. Include books with toys so that children are just as likely to pick up a book as they are to pick up a toy. • Young children enjoy hearing the same book read over and over. • Young children enjoy books with combinations of rhythm, repetition and familiar objects. Mother Goose and simple folk tales are ideal for this age. • Look for books with simple sentences, action, humor and a clear sequence of events. • Select books that invite children’s participation in the story. -
Tuck Everlasting by Natalie Babbitt a Choose to Read Ohio Toolkit
Tuck Everlasting by Natalie Babbitt A Choose to Read Ohio Toolkit About the Book Doomed to—or blessed with—eternal life after drinking from a magic spring, the Tuck family wanders about trying to live as inconspicuously and comfortably as they can. When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune. Permission to use book jacket image and book description granted by Natalie Babbitt/Macmillan Books (http://us.macmillan.com/ ) Book details: Tuck Everlasting by Natalie Babbitt Macmillan, 2007, 1976, ISBN 978-0-312-36981-1. Grades 5-up. http://us.macmillan.com/tuckeverlasting Other formats: audiobook, 2001, 978-1-883332648. Available through the State Library of Ohio Talking Book Program: http://www.klas.com/talkingbooks/ohio . Available in audio through the Ohio eBook Project, http://ohdbks.lib.overdrive.com/ . Tuck Everlasting won the American Library Association's Notable Book Award and the Christopher Award for juvenile fiction in 1976. Tuck Everlasting has also won the Janusz Korczak Medal, IBBY, Polish National Section Award. http://oh.webjunction.org/ohctrointro About the Author Natalie Babbitt was born and grew up in Ohio. She spent large amounts of time in her early years drawing, and reading fairy tales and myths. Her mother, an amateur landscape and portrait painter, provided early art lessons and saw to it that there was always enough paper, paint, pencils, and encouragement. -
2Nd- Into 3Rd- Grade Summer Reading List
nd rd 2 - into 3 - Grade Summer Reading List *============================* Liz Perry, Librarian for Stacey Hubbard, 2020 Listed below are books to read to your children and books for your children—if they are ready—to read on their own. A fine guide to reading comfort is a thoughtful evaluation of your child’s response to what sits in his or her lap: Is he or she mastering most of the words on the page? If there is frustration, consider an easier read. For your own read-aloud interest—and to connect with stories you might have encountered long ago—books below are separated into categories contemporary and classic. While books published more than 50 years ago may have old-fashioned views, they represent takes on cultural views and rituals of family life that become more varied (politically correct) in later works of fiction. It is worth noting that an “adventure” a hundred years ago could dwell in the simplest of activities: finding stray buttons while dusting or following a butterfly across a meadow. What is worthy of the term “adventure” in juvenile literature today? Parent read-alouds are still rewarding social exchanges even with proficient readers, and conversation around stories can give revealing glimpses into how your child experiences and interprets the world. I Can-Read/Ready-to-Read Series While there are many worthy reads in this genre featuring books children will want (and perhaps need) to read multiple times, choices below tend toward more traditional illustration and a gentler narrative voice. As you make your selections, try to avoid cartoon-like formats that sometimes over-simplify the beauty of nature or caricature the human form. -
Poetry Catalog 2021
TIN HOUSE POETRY CATALOG NEW TITLES & ESSENTIAL BACKLIST 2021 Contents All The Names Given ..................................................... 1 My Darling from the Lions.................................................. 2 Superdoom: Selected Poems ................................................. 3 Other People’s Comfort Keeps Me Up at Night ................................ 4 The Perseverance ......................................................... 5 Negotiations ............................................................. 6 Resistencia: Poems of Protest and Revolution ................................ 7 Anodyne ................................................................. 8 My Baby First Birthday .................................................... 9 Good Boys .............................................................. 10 A Sand Book ............................................................. 11 Feed ..................................................................... 12 A Fortune for Your Disaster ................................................. 13 Whitman Illuminated: Song of Myself ........................................ 14 Magical Negro ........................................................... 15 When Rap Spoke Straight to God............................................ 16 Junk ..................................................................... 17 The Möbius Strip Club of Grief ............................................. 18 Nature Poem ............................................................ 19 There Are -
Unbreakable Glass Slippers: Hegemony in Ella Enchanted Tori Shereen Mirsadjadi Scripps College
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2012 Unbreakable Glass Slippers: Hegemony in Ella Enchanted Tori Shereen Mirsadjadi Scripps College Recommended Citation Mirsadjadi, Tori Shereen, "Unbreakable Glass Slippers: Hegemony in Ella Enchanted" (2012). Scripps Senior Theses. Paper 40. http://scholarship.claremont.edu/scripps_theses/40 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. UNBREAKABLE GLASS SLIPPERS: HEGEMONY IN ELLA ENCHANTED by TORI SHEREEN MIRSADJADI SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR WERNIMONT PROFESSOR LIU April 20, 2012 Contents Acknowledgements Introduction: A Self-Conscious Reflection on the Fairy Tale Thesis Contained in These Pages . 1 Chapter 1: Ella Grapples with Patriarchy. 20 Chapter 2: Ella’s Socially-Positive Characterization. 47 Chapter 3: Bitchy Ella . 68 Conclusion: A Concluding Reflection. .88 Works Cited. .93 Acknowledgements To Professor Jacqueline Wernimont and Professor Warren Liu, who so graciously guided me through every indecisive, rambling step on my journey toward getting this thesis written: I am forever thankful to have benefited from corresponding with, talking to, and thinking in the presence of two such amazing professors. I cannot thank my readers enough for letting me distract them from their newborn babies. A Self-Conscious Reflection on the Fairy Tale Thesis Contained in These Pages “Fairy tales contain us like a picture or poem, and reflect back to us in language, image and trope.” --Kate Bernheimer 1 Gail Carson Levine’s first published work, Ella Enchanted 2, rebels against its own fairy tale form in surprising ways. -
Pippi Longstocking As Friedrich Nietzsche's Overhuman1
Confero | Vol. 4 | no. 1 | 2016 | pp. 97-135 | doi: 10.3384/confero.2001-4562.160111 Pippi Longstocking as Friedrich Nietzsche’s overhuman1 Michael Tholander n January 3, 1889, Friedrich Nietzsche walks out from his lodging at Piazza Carlo Alberto in Turin. Suddenly, he witnesses a coachman flogging his old and tired horse. He rushes forward and throws himself around the horse’s Oneck in an attempt to protect it. Then, after bursting into tears, he falls to the ground, unconscious, perhaps struck, for the first time, by the serious symptoms of advanced syphilis.2 This event concluded Nietzsche’s prolific career at the early age of 44. It would be followed by more than a decade of crippling physical and mental disorder, before he died his second, and definitive, death on August 25, 1900. Thus, despite having 1 This essay is a rewritten and extended English version of the one published in connection with the hundredth anniversary of the death of Nietzsche: Tholander, Michael (2000). Friedrich Nietzsche – och Pippi Långstrump. Tvärsnitt, 22(3), 2-17. 2 Other theories suggest that Nietzsche suffered from a series of strokes, from dementia or from brain cancer, or that he fell victim to a combination of these maladies. See, e.g., Butler, Paul (2011). A Stroke of Bad Luck: CADASIL and Friedrich Nietzsche’s “Dementia” or Madness. In P. McNamara (Ed.), Dementia: History and Incidence. Santa Barbara: Praeger. Michael Tholander declared the exacting precept “Die at the right time!”3 in his most well-known book, Thus Spoke Zarathustra, Nietzsche, quite ironically, died all too early, as well as all too late. -
—Tamora Pierce
Random House Children’s Books presents . Tamora Pierce “My greatest rewards for writing are the fan mail I get, telling me I helped a reader to get through some terrible experience or time, and my own personal escape from the poverty of my teens and twenties.” —Tamora Pierce Photo © 2004 Stephen Mosher Tamora Pierce’s books, known for their teenaged girl warriors, have received critical acclaim and a strong and loyal fanbase. www.randomhouse.com/teachers www.randomhouse.com/teachers/themes www.randomhouse.com/librarians About the Author n the sixth grade, Tamora Pierce was encouraged by her father Pierce then worked as a housemother in an Idaho group home for to start writing and she immediately got hooked. Once she teenaged girls, who loved hearing Alanna’s story from the in- Idiscovered fantasy and science fiction, she tried to write the progress quartet, Song of the Lioness. As Pierce continued to write same kind of stories she read, only with teenaged girl heroines and send out manuscripts, she moved to Manhattan to get her who were usually missing from the 1960s stories. publishing career off the ground. Before her junior year at the University of Pennsylvania where she Pierce lives in New York with her husband, writer-filmmaker Tim, studied psychology, Pierce rediscovered writing when she wrote and their three cats, two parakeets, plus a floating population of her first original short story since tenth grade. She sold her first rescued wildlife. She enjoys her hectic life as a full-time writer story a year later and then enrolled in a fiction writing course and she hopes that her books leave her readers with the feeling during her senior year. -
A Game of Thrones a Song of Ice and Fire by George R.R. Martin
A Game of Thrones A Song of Ice and Fire by George R.R. Martin Book One: A Game of Thrones Book Two: A Clash of Kings Book Three: A Storm of Swords Book Four: A Feast for Crows Book Five: A Dance with Dragons Book Six: The Winds of Winter (being written) Book Seven: A Dream of Spring “ Fire – Dragons, Targaryens Lord of Light Ice – Winter, Starks, the Wall White Walkers Spoilers!! Humans as meaning-makers – Jerome Bruner Humans as story-tellers – narrative theory Humans as mythopoeic–Carl G. Jung, Joseph Campbell The mythic themes in A Song of Ice and Fire are ancient Carl Jung: Archetypes are powerful & primordial images & symbols Collective unconscious Carl Jung’s archetypes Great Mother; Father; Hero; Savior… Joseph Campbell – The Power of Myth The Hero’s Journey Carole Pearson – the 12 archetypes Ego stage: Innocent; Orphan; Caretaker; Warrior Soul transformation: Seeker; Destroyer; Lover; Creator; Self: Ruler; Magician; Sage; Fool Maureen Murdock – The Heroine’s Journey The Great Mother (& Maiden, & Crone), the Great Father, the child, the Shadow, the wise old man, the trickster, the hero…. In the mystery of the cycle of seasons In ancient gods & goddesses In myth, fairy tale & fantasy & the Seven in A Game of Thrones The Gods: The Old Gods The Seven (Norse mythology): Maiden, Mother, Crone Father, Warrior, Smith Stranger (neither male or female) R’hilor (Lord of light) Others: The Drowned God, Mother Rhoyne The family sigils Stark - Direwolf Baratheon – Stag Lannister – Lion Targaryen -
Pippi Longstocking
For Quincy – L.C. Astrid Lindgren Illustrated by 3 Great Clarendon Street, Oxford OX2 6DP Lauren Child Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries ) Copyright © Saltkråkan AB/Astrid Lindgren 1945 English translation copyright © Tiina Nunnally 2007 (www.tiinanunnally.com Illustrations copyright © Lauren Child 2007 With thanks to David Mackintosh for his design The moral rights of the author and illustrator have been asserted Database right Oxford University Press (maker) First published as Pippi Långstrump First published in the UK by Oxfordby University Rabén & PressSjögren 1954 1945 First published in this edition 2007 This edition first published in paperback in 2010 Longstocking All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate -
If You Like Fairy Tales the Last Unicorn by Peter S. Beagle (Original) the Amaranth Enchantment by Julie Berry (Original) Serend
If You Like Fairy Tales The Last Unicorn by Peter S. Beagle (original) The Amaranth Enchantment by Julie Berry (original) Serendipity Market by Penny Blubaugh (mix of several fairy tales) Sisters Grimm series by Michael Buckley (mix of several fairy tales) A Curse Dark as Gold by Elizabeth C. Bunce (Rumplestiltskin) Further Tales series by P.W. Catanese (several fairy tales) Runaway Princess and Runaway Dragon by Kate Coombs (original) Entwined by Heather Dixon (Twelve Dancing Princesses) Into the Wild and Out of the Wild by Sarah Beth Durst (mix of several fairy tales) Fortune’s Folly by Deva Fagan (mix of several fairy tales) Once Upon a Marigold and Twice Upon a Marigold by Jean Ferris (original) Shadow Spinner by Susan Fletcher (Arabian Nights) Reckless by Cornelia Funke (mix of several Grimm fairy tales) Stardust by Neil Gaiman (original) Into the Woods and Out of the Woods by Lyn Gardner (mix of several fairy tales) Princess of the Midnight Ball and Princess of Glass by Jessica Day George (Twelve Dancing Princesses and Cinderella) Sun and Moon, Ice and Snow by Jessica Day George (East of the Sun, West of the Moon) Book of a Thousand Days by Shannon Hale (Maid Maleen) Rapunzel’s Revenge and Calamity Jack by Shannon and Dean Hale (Rapunzel and Jack and the Beanstalk) – graphic novel Goose Girl by Shannon Hale (Goose Girl) Princess Curse by Merrie Haskell (Twelve Dancing Princesses/Beauty and the Beast) Goose Chase by Patrice Kindl (Goose Girl) Keturah and Lord Death by Martine Leavitt Cinder and Ella by Melissa Lemon (Cinderella) -
The Neurotic Superhero
THE NEUROTIC SUPERHERO From Comic Book to Catharsis There’s a historical pattern around the popularity of the superhero—he or she is most needed during dark times in the real world. In Captain America: The First Avenger, when Steve Rogers/Captain America (Chris Evans) visits the US troops to boost morale, it’s more than mere fiction; it’s art imitating life. Sales of comic books actually increased during the Second World War. Service men and women needed such stories of bravery and triumph as an inspiration, to which they could also escape. Comics were portable, easy to share and inexpensive. The Golden Age of Comics began during the Great Depression, and it’s perhaps no coincidence that the game-changing movie for our current generation of superheroes, Christopher Nolan’s The Dark Knight, was released in 2008—the same year that saw the worst global economic crisis since the 1930s. We needed a hero; 2008 also happened to be the year that President Obama was first elected into office. The Dark Knight paved the way for the superhero shows and movies we’re still watching, a decade later. Of course, it wasn’t the first edgy, darker iteration of !1 the comic book superhero—Sam Raimi’s Spider-Man series and Tim Burton’s version of Batman had started to push the boundaries, together with the X-Men franchise, which focuses on the persecution and genocide of minority “mutant” superheroes. But it is Nolan’s Bruce Wayne/Batman (Christian Bale) who crosses that line: he’s not just heroic but deeply flawed.