Section II: Periodic Report on the State of Conservation of the Group Of

Total Page:16

File Type:pdf, Size:1020Kb

Section II: Periodic Report on the State of Conservation of the Group Of PeriodicPeriodic ReportingReporting ExerciseExercise onon thethe ApplicationApplication ofof thethe WorldWorld HeritageHeritage ConventionConvention SectionSection--IIII State Party: Archaeological Survey of India Name of the Property: Group of Monuments, Mahabalipuram ArchaeologicalArchaeological SurveySurvey ofof IndiaIndia ChennaiChennai Circle,Circle, ChennaiChennai Section-II State of conservation of specific world heritage properties State Party: Archaeological Survey of India Name of the Property: Group of Monuments, Mahabalipuram Executive Summary II.1 Introduction a. State Party b. Name of World Heritage Property c. Geographical co-ordinates to the nearest second d. Date of inscription on the World Heritage List e. Organization(s) or entity(ies) responsible for preparation of the report f. Date of the report g. Signature on behalf of State Party II.2 Statement of significance II.3 Statement of authenticity/integrity II.4 Management II.5 Factors affecting the property II.6 Monitoring II.7 Conclusions and recommended action a. Main conclusions regarding the state of the World Hertage values of the property(see items II.2 and II.3 above) b. Main conclusions egarding the management and factors affecting the property (see Items II.4 and II.5 above) c. Proposed future action/actions d. Responsible implementing agency/agencies e. Timeframe for implementation f. Needs for International Assistance II.8 Assessment of the Periodic Reporting exercise for Section II II.9 Documentation Attached I.1 Introduction a. Country(and State Party if different): India 001 b. Name of World Heritage Property: Group of Monuments, 002 Mahabalipuram c. In order to locate the property precisely, please attach a 003 topographic map showing scale, orientation, projection, datum, site name date and graticule. The map should be in original print and not be trimmed. The site boundaries should be shown on the map. In addition they can be submitted in a detailed description, indicating topographic and other legally defined national, regional or international boundaries followed by the site boundaries. The State Parties are encouraged to submit the geographic information in digital form so that it can be integrated into a Geographic Information System(GIS). On this questionnaire indicate the geographical co-ordinates to the nearest second (in the case of large sites, towns, areas etc. give at least 3 sets of geographical co-ordinates) Centre Point : Lat. 12º 37´ N Long. 80 º 11 ´ E North-West Corner: Topography Sheet No.66D/2 published by Survey of India d Give the date of inscription on the World Heritage List and 004 subsequent extension (if applicable): 2.11.1984 e Organisations(s) or entity(ies) responsible for the preparation 005 of this report: Organisation: Archaeological Survey of India Person Responsible: K.T.Narasimhan, Superintending Archaeologist Address: Archaeological Survey of India, Fort St.George, City & Post Code: Chennai – 600009.(Tamil Nadu) Telephone: 91 44 25360397 Fax: 91-44-25369332 E-Mail: f Date of Preparation of the report: 9.12.2002 006 g Signature on behalf of the State Party 007 Signature: Name : Mrs. Kasturi Gupta Menon Function: Director General, Archaeological Survey of India, New Delhi II.2 Statement of Significance At the time of inscribing a property on the World Heritage List, the 008 World Heritage Committee indicates its outstanding universal value(s), or World Heritage valu(s), by Heritage List. Circle the criteria retained for the inscription: Cultural criteria: i ii iii iv v vi Natural criteria: i-ii-iii-iv Were new criteria added by re-nominating and/or extending the 009 property after the original inscription? No If YES, please explain:Does not arise 010 Please quote observations concerning the property made by the 011 Advisory Body(ies) during the evaluation of the nomination: Data not available.. Quote the decisions and observations/ recommendations, if 012 appropriate, made by the World Heritage Committee at the time of inscription and extension (if applicable): Data not available. Identify the actions taken as follow-up 013 these observations and/or decisions: Neither observation was received nor the follow up action was taken. Please propose a statement of significance by providing a description 014 of the World Heritage value(s) for which the property was inscribed on the World Heritage List and it should also detail what the property represents, what makes it outstanding, what the specific values are that distinguish the property as well as what its relationship with its setting is etc.: Group of Monuments, Mahabalipuram are unique creations of the great Pallava Dynasty at their port town. For the first time in the history of Tamil Nadu, an attempt was made to deviate from the traditional way of construction of monuments i.e. use of wood, brick etc. The imperishable monument in rock medium was created. It is a veritable experimental laboratory depicting the various phases and development of South Indian architecture – Cave temples, monoliths, bas-relief and structural temples. The natural landscape was utilized in carving out these structures thereby making universally known the ability of the Pallava craftsman. II.2 continued For the extension of a property or the inclusion of additional criteria 015 a re-submission of the property may be considered. This might be regarded as necessary in order to recognize cultural values of a natural World Heritage property, or vice-versa, become desirable following the substantive revision of the criteria by the World Heritage Committee or due to better identification or knowledge of specific outstanding universal values of the property. Should a re- nomination of the property be considered? Yes 016 If YES, please explain At the time of inscription the cultural property was known as the creation of Pallava Kings. Subsequent archaeological excavations has pushed the significance of the cultural property and added an additional criteria due to unearthing imperishable evidence as a port city datable to 1st –2nd Century A.D. The inclusion of the Adivaraha Cave (now under private ownership) as extension of the property will give more weightage to World Heritage monuments since it contains life size cultural representation of the ruler with his consort who had created all these monuments. Besides it contains invaluable Pallava inscriptions also. Are the borders of the World Heritage property and its buffer zone 017 (still) adequate to ensure the protection and conservation of the property’s World Heritage values: Yes If NO, please explain why not, and indicate what changes should be 018 made to the boundaries of the property and/or its buffer zone (please indicate these changes also on a map to be attached to this report. Does not arise. Is the State Party actively considering a revision of the property 019 boundaries or the buffer zone? Yes If YES, indicate what is being done to that end: 020 The master plan is being formulated to make the buffer zone more prominent so as to provide adequate facilities and also to safeguard the property from environmental hazards. II.3 Statement of authenticity/integrity Have the World Heritage values identified above been 021 maintained since the property’s inscription? Yes If NO, please describe the changes and name the causes: 022 Does not arise. What was the evaluation of the authenticity/integrity of the 023 property at the time of inscription? (Please quote from the ICOMOS/IUCN evaluation): As far as Mahabalipuram is concerned, C – i ii iii & vi Have there been changes in the authenticity/integrity since 024 inscription? Yes If YES, please describe the changes to the authenticity/integrity 025 and name the main causes. At the time of inscription of the cultural property, the criteria/authenticity was made for the Group of Monuments, Mahabalipuram focusing the creation of imperishable architecture made by Pallavas between 7th –8th Century A.D. whereas the archaeological excavation conducted during the last decade of thelast century has given a clear change in its authenticity due to the discovery of five landings running in south-north orientation with a jetty point at the northern extreme. This excavated structure has the influence of megalithic architecture, therefore assignable to 1st-2nd Century A.D. Besides, some of the brick structures unearthed within the Shore temple complex are datable to pre-pallava period. All these evidences were not known at the time of inscription of the cultural property. Therefore, its significance as well as authenticity hasd changed from the date of inscription. Are there(further) changes foreseeable to the 026 authenticity/integrity of the property in the near future? No If YES, please explain and indicate how these changes might affect the World Heritage values of the property 027 Does not arise. II.4 Management How could the arrangements for the protection and the 028 management of the property best to be defined (more than one indication possible)? Legal() Contractual( ) Traditional() Please describe and assess the implementation and effectiveness of 029 these arrangements for the preservation of the values described under item II.2 at the national provincial and/or Municipal level: The arrangement for the protection and preservation of the property is done by implementing the provisions provided under Ancient Monuments and Archaeological Sites & Remanis Act of 1958 and Rules, 1959 and Amendment of the year 1992 wherever necessary. In general terms, can this legislative contractual and/or 030 traditional protection be considered/sufficient? Yes. Please explain: 031 The monument has been declared as protected under the Ancient Monuments & Archaeological Sites and Remains Act and Rules, 1958 & 1959. Once notified, all conservation programmes are undertaken by the Archaeological Survey of India through their national, regional and local representatives. The management of the property is likewise done. However, certain amendments, if incorporated in the act like substantially increasing the penalty to the violators will minimize the problem. It will certainly improve the management of the World Heritage Property.
Recommended publications
  • La Beach E-Brochure 99Acers
    FIVE RATHAS ROAD, NEXT TO CHARIOT BEACH RESORTS, MAHABALIPURAM, CHENNAI 603 104 La Beach Set on the pristine shores of Mahabalipuram, La Beach is a gated community experience unlike any other. With it’s own private beach and 37 independent Villas (each with their own stunning view of the sea shore, mind you) that dot the way to a one of a kind Clubhouse replete with all kinds of amenities, La Beach offers it’s patrons an unrivalled sense of belonging, privacy and serenity. La Beach also own 3 individual commercial plots ( S1 - 1228 sq.ft, S2 - 1155 sq.ft, S3 - 1163 sq.ft ). “Gaze into the Sea. Take a swim. Unwind on the sand. Everything else can wait.” La Club 7RSXWLWVLPSO\WKHEHVWRIERWKZRUOGV/DFOXEPDWFKHVWKHPDJQL´FHQFHRIWKH Sea and the opulence of the city under one roof. Sea View Infinity Pool That takes you far away into a world unblemished by civilization. Sea View Restaurant That lets you dine with the waves for company. Luxury Pool Villas Every villa resonantes with the spirit of La beach. Inspired by sea life and adapted for a great time. Each villa comes with its own VZLPPLQJSRRODVN\EDWKµRDWLQJEHGURRPVDQGDQRSHQGLQLQJ Replete with all essentail amenities, la beach let’s you stay connected with the world ouside while you choose what you want in the world this side. “Soak your soul with the spirit of the shore and the strength of the sea.” Villa Exterior Villa Isometric Each villa must be 1125 sq.ft of built up area with a 211 sq.ft pool built on a 2840 sq.ft plot with the provided designs.
    [Show full text]
  • The Shore Temple – an Aesthetic Architectural Ecstasy the Twin Temples of Mamallapuram Dr
    INTERNATIONAL JOURNAL FOR RESEARCH IN EMERGING SCIENCE AND TECHNOLOGY, VOLUME-1, ISSUE-6, NOVEMBER-2014 E-ISSN: 2349-7610 The Shore Temple – An Aesthetic Architectural Ecstasy The Twin Temples of Mamallapuram Dr. S. A.V. Elanchezian M.F.A., M.Phil., M. A., PhD., Assistant Professor, Department of Architecture, Thiagarajar College of Engineering, Madurai, Tamil Nadu, India. [email protected] ABSTRACT Each temple of the Pallava period has had distinctions in some aspects. Even, from the early apsidal structure of Kūram to the smallest temple of Piravathanesvara of Kanchipuram those all having some distinction indeed. In this kind, the structural temples of Pallavas were erected in the various locations as, on Hills; lands and seashore. Thus, besides the usual lands’ temples, hill temples of them are familiarly known as Olakanesvarar temple at Mamallapuram and Talagirisvarar Temple at Panamalai near Senji a fort Town. We don’t know the origination of hill temples in India, but the temple at Badami by Early Chalukyas on hill is according to the source was earlier to the Pallava hill Temples. However the temple erected on the top of hills was became common but the temple at sea shore is obviously a conceptual creative thought of Pallavas which evidenced by through their plan execution and the aesthetic value of the location. Thus the paper interprets of their feature that strangely composed at wet shore purposefully. Keywords - Rajasimha, location, Pañcha Būtas, Naṅthāviḷakku, Sāvā Mūvā Pērāḍu, Moon and the Sun. 1. INTRODUCTION The Nativity of the Pallavas has been still in duel indication as a foreigner or a tribe of own land.
    [Show full text]
  • Kamasundari Shrine ACSAA Slide
    Ptg India 101 Sc India 111 Ptg India 121 Arc India 142 Chibadaram 17th C Gangaikondacholapuram Hampi-Vijayanagar Sc India 132 Madurai,C.12thC&Later Sri Nataraja Temple Brihadesvara Temple Virupaksha Temple Kumbakonam C.9th C Minakshi-Sundaresvara Nagesvaraswami Temple Ceiling Mandapa Siva- Sarasvati, C.1030 Mandapa Ceiling,15thC Temp--Pudu Mandapam Kamasundari Shrine Wall Lft Nth Entrance Shiva as Tripurantaka South Wall Of Sanctum Monolithic Pillar ACSAA Slide (c) AAAUM ACSAA Slide (c)AAAUM ACSAA Slide (c)AAAUM Female Fig <Apsaras?> 17th C. (c)AAAUM ACSAA Slide (c)AAAUM Ptg India 102 Arc India 112 Arc India 122 Sc India 143 Chibadaram 17th C Hampi-Vijayanagar Hampi-Vijayanagar Ptg India 133 Madurai,C.12thC&Later Sri Nataraja Temple Vitthala Temple 16thC Council Hall, 16thC Lepakshi 16th C Minakshi-Sundaresvara Virabhadraswami Temp. Shiva(Bhikashatana) & View Of Gopuram ACSAA Slide (c)AAAUM Temp--Pudu Mandapam Rishi's Wives ACSAA Slide (c)AAAUM Ceiling Rangamandapa Tirumalai Nayak&Wives Detail 101 (c) AAAUM Arc India 123 Maids Attend Parvati 17th C. (c)AAAUM Arc India 113 Hampi-Vijayanagar ACSAA Slide (c)AAAUM Ptg India 103 Hampi-Vijayanagar Elephant Stables Ptg India 144 Chibadaram 17th C Vitthala Temple 16thC Ptg India 134 Madurai,C.12thC&Later Sri Nataraja Temple 16th C Lepakshi 16th C Minakshi-Sundaresvara Mandapa ACSAA Slide (c)AAAUM Virabhadraswami Temp. Rishi's Wives ACSAA Slide (c)AAAUM Temp, Shiva Lilas Detail Of 101 Arc India 124 Maids Attend Parvati Painting On Wood ACSAA Slide (c) AAAUM Arc India 114 Kanchipuram C.725 Detail Of 133 19th C. (c)AAAUM Hampi-Vijayanagar Kailasanatha Temple ACSAA Slide (c)AAAUM Ptg India 104 Vitthala Temple 16thC Ptg India 145 Chibadaram 17th C View From SE Ptg India 135 Madurai,C.12thC&Later Sri Nataraja Temple Mandapa Pillars ACSAA Slide (c)AAAUM Lepakshi 16th C Minakshi-Sundaresvara ACSAA Slide (c)AAAUM Virabhadraswami Temp.
    [Show full text]
  • Pancha Rathas, the Five Stone Temples of the Mahabalipuram Site: Opportunity to Revive Its Lost Garden Heritage Through Ecotourism
    Licensed under a Creative Commons Cadernos de Arquitetura e Urbanismo | Paranoá 28 Attribution International License. Pancha rathas, the five stone temples of the Mahabalipuram site: opportunity to revive its lost garden heritage through ecotourism Pancha rathas, os cinco templos de pedra do sítio de Mahabalipuram: oportunidade de reviver sua herança de jardins perdidos por meio do ecoturismo Pancha rathas, los cinco templos de piedra del sitio Mahabalipuram: oportunidad de revivir su herencia de jardines perdidos a través del ecoturismo AHMED, Sayed 1 1 Anhalt University of Applied Sciences, Dessau, Germany. [email protected] ORCID ID: 0000-0003-1384-7668 Recebido em 18/04/2020 Aceito em 31/07/2020 2020, © Copyright by Authors. DOI: http://doi.org/10.18830/issn.1679-0944.n28.2020.07 Licensed under a Creative Commons Cadernos de Arquitetura e Urbanismo | Paranoá 28 Attribution International License. Abstract Heritage and landscape development may take place within the heritage assemble procedure. The study presents a case of Stone heritage, characterized by an important intangible Vedic chanting heritage which again linked to the seashore forest and Pallava temple architecture. The purpose is to search diverse physiognomies of what opportunity exists in natural context and its playing role with the built heritage and eco-tourism. The methodology includes an extensive literature review of previous texts and collecting key factors out of those literary and pictorial data for historical evidence proved analysis. The results developed from a scientific approach over such case where ethnology, ancient technology and architectural style might have lost its authenticity and integrity for robust deforestation of associated garden heritage over different courses of time just because of the absence of boundary and buffer zone concept.
    [Show full text]
  • Pallav Architecture
    PALLAV ARCHITECTURE The great Pallavas of Kanchi rose to power in the latter of the sixth century. Their coming marks an important epoch in the history of south Indian architecture. Politically and Geographically they dominated the southern region continuously until the ninth century A.D. Mahendravarman I (C. 580 – 630 A.D) inherited from his father SimhaVisnu a vast empire extending from the river pennaras far as the Kaveri. The First rock-cut architecture of Mahendra Varman I was the Laksitayatana Trimurti cave temple at Mandagapattu, hewn out of granite. The inscription in this cave states: “This brick less, timber less, metal less and mortar less abode of laksita was caused to be made by king Vicitracitta for Brahma, Isvara and Vishnu. King Mahendra caused nine temples, similar to the Laksitayatana cave temple Mandagapattu, to be excavated, they are:- The Pancha Pandava cave at Pallavaram the Rudravalisvaram or cave temple no. 2 at Mamandur. The Kalmandapam at Kuranganilmuttam the vasantesvara or the larger cave temple at vallam. The Mahendra Visnugriha at Mahendravadi the Visnu cave temple at Mamandur the Lalitankura Pallavesuaragriha (upper cave) at Tiruchirapalli. The Satrumalles Varalaya at Dalvanur and the Avinabhajana Pallavesvara Griha at Siyamangalam. These cave temples imitated the interiors of structural buildings made out of more perishable material like wood. The mandapa is divided into the Mukha and ardha mandapa. Under the patronage of the successors of Mahendravraman I, namely Nararsimhavarman II Rajasimha a series of cave temples were excavated. Since they followMahendra’s style rather closely, they are designated as belonging to the post-mahendra style.
    [Show full text]
  • Mahabalipuram's Gods of Stone
    Mahabalipuram's gods of stone The Shore Temple A prominent seaport that finds mention in the works of ancient mariners, historians and travellers, Mahabalipuram (also known as Mammalapuram and Kadalmallai) is one of the oldest sites in India. It has been written about by Ptolemy and Hiuen Tsang and has been marked in a Spanish world map called Carta Catalana in the 14th century, where the site is referred to as Setemelti, probably referring to it as “Sette Templi” or Seven Temples in Spanish. It is said that there was evidence of trade with Rome, China and other Southeast Asian countries and it was a thriving port during the Pallava regime between the 7th and 10th centuries. Another view of the Shore Temple Our history books have taught us that seven pagodas or such temples were initially constructed and the lone survivor is today a UNESCO World heritage Site. Built by the Pallavas, there are three temples here – two dedicated to Shiva and the other to Vishnu. Here the sculpture of Vishnu is found sleeping, hence the deity is known as Sthala Shayana Perumal or Ananthasayana. It is said that Vishnu reclines on the floor listening silently to the sounds of names. It is pretty dark in there and one has to strain to catch the glimpse of the God asleep. An unfinished enclosure, with rows of sculpted Nandis, greets you. Recent excavations have unearthed various sculptures and shrines near the temple. Arjuna’s Penance This is sheer poetry on stone. Carved on a rock face are stories relating to deities and mortals.
    [Show full text]
  • Vimana: a Crisis of Translation
    Syracuse University SURFACE School of Architecture Dissertations and Architecture Senior Theses Theses Spring 2019 Vimana: A Crisis of Translation Apoorva Rao Syracuse University Follow this and additional works at: https://surface.syr.edu/architecture_theses Part of the Architecture Commons Recommended Citation Rao, Apoorva, "Vimana: A Crisis of Translation" (2019). Architecture Senior Theses. 436. https://surface.syr.edu/architecture_theses/436 This Thesis, Senior is brought to you for free and open access by the School of Architecture Dissertations and Theses at SURFACE. It has been accepted for inclusion in Architecture Senior Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. 1 01 A Crisis of Translation VIMANA 3 Apoorva Rao Advisor: Richard Rosa Syracuse University School of Architecture Advisory Group: Richard Rosa, Elizabeth Kamell, Timothy Stenson ACKNOWLEDGMENTS 00 A Sincere thanks to Eli Warshauer C. Ravindran from Vastulab Syracuse University Ellie Derwenskus Dr. Choodamani Nandagopal, School of Architecture Amreeta Verma and Neha Tummalapalli Rajendra Uncle and Family for the Ralph T. Walker Sukhmann Aneja Travel Prize which Fatima Mohammad for the references regarding allowed me to travel Ramya Swaminathan hindu temple architecture, to India to do extended Karisma Dev answering questions, research on South Ife(Debbie) and taking me to sites in Indian temples. Arezo Hakemy Karnataka and Tamil Nadu. Prof. Romita Ray Kapoor, for model and drawing Prof. Lawrence Chua, help, taking photos of Prof. Richard Rosa models and help with verbal presentation for reading references, refinement. continued support, and design help. additional SuperJury pinup , Dora Lo Ethan Benoit Christopher Autera 7 CONTENTS 01 MANIFESTO 02 PROLOGUE 03 HINDU TEMPLES 04 DESIGN 05 APPENDIX A.
    [Show full text]
  • Stone Carving - Mahabalipuram the Skillful Crafts in Stone by Prof
    D’source 1 Digital Learning Environment for Design - www.dsource.in Design Resource Stone Carving - Mahabalipuram The Skillful Crafts in Stone by Prof. Bibhudutta Baral, Mr. Antony William and Ms. Aruna Kumari NID, Bengaluru Source: http://www.dsource.in/resource/stone-carving-ma- habalipuram 1. Introduction 2. History of Monuments 3. Tools and Raw Materials 4. Making Process 5. Products 6. Contact Details D’source 2 Digital Learning Environment for Design - www.dsource.in Design Resource Introduction Stone Carving - About the place: Mahabalipuram Mahabalipuram is a small town in Kanchipuram district of Tamilnadu. It is located 60 Km away from Chennai. The Skillful Crafts in Stone Mahabalipuram is also called as Mahamallapuram. This place has a great history for its traditional historical mon- by uments. Stone carving in Mahabalipuram is famous for its 7th and 8th century art and architecture of Pallavas Prof. Bibhudutta Baral, Mr. Antony William and period. Ms. Aruna Kumari NID, Bengaluru Introduction: Tamilnadu “The land of Temples” is rich in stone art. Mahabalipuram located 60 Km away from Chennai, is the main center for ancient stone carving. The Craftsmen belong to Viswakarma community which practices the craft. The carving style of this place is closer to the Kerala carving style as the region was once part of the state Source: of Kerala. Red and black, white granites are available locally in Mahabalipuram. These stones are locally called as http://www.dsource.in/resource/stone-carving-ma- karuppu kal (black), Vellali kal (white). Granite is first stenciled and chiseled according to the determined lines. Af- habalipuram/introduction ter carving the final product, the surface is smoothened and cleaned to achieve the shine luster.
    [Show full text]
  • Political and Cultural History of the Pallavas of Kanchipuram
    Political and cultural history of the Pallavas of Kanchipuram Sources for the History of the Pallavas The sources for the history of the Pallavas may be classified as native and foreign sources. The native sources may further be classified as literary and archaeological sources. The literary sources for the study of Pallavas include both Tamil and Sanskrit literature. They provide a lot of information about the Pallavas. Tamil Literature The Tamil literature consisted of the songs composed by Azhalvars and Nayanmars. They had lived during the Paliava period. The compositions of Azhalvars are known as Nalayira Divya Prabhandam. The songs of Nayanmars are compiled into Panniru Thirumurais. These works describe the social and religious life of the people during the Pallava rule. The Periyapuranam written by Sekizhar is also another important literary source for this period. Sanskrit Literature The Sanskrit works Avani Sundari Katha written by Dandin and Loga Vibagam written by Sarva Nandi provide a lot of information about the importance of Simhavishnu and his rule, The famous Pallava monarch Mahendravarman I he wrote the Mathavilasa Prakasanam in Sanskrit language. It provides information regarding the social and religious condition during the Pallava period. Archaeological Sources Copper plates, inscriptions, monuments and coins remain the important archaeological sources: for the study of the Pallavas. The Allahabad Pillar Inscription of Samudragupta mentions about the Pallava king Vishnu Gopa. The Aihole Inscription of the Chalukyan king, Pulakesin II gives details about the Pallava Chalukya conflict. The Kenthoor Stone Carving of Keethivarman also belonged to the Pallava period Apart from these popular inscriptions; there exist hundreds of Pallava inscriptions throughout South India.
    [Show full text]
  • A Study of Natural Light in Hindu Temples in the Southern Region of Tamilnadu, India (7' Century AD to 17' Century AD)
    THE HOLY LIGHT: A STUDY OF NATURAL LIGHT IN HINDU TEMPLES IN THE SOUTHERN REGION OF TAMILNADU, INDIA (7 CENTURY AD TO 17 CENTURY AD) A Thesis by ANURADHA MUKHERJI Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE August 2001 Major Subject: Architecture THE HOLY LIGHT: A STUDY OF NATURAL LIGHT IN HINDU TEMPLES IN THE SOUTHERN REGION OF TAMILNADU, INDIA (7 CENTURY AD TO 17 CENTURY AD) A Thesis by ANURADHA MUKHERJI Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Approved as to style and content by: Anat Geva David G. Woodcock (Chair of Committee) (Member) Sylv' Grider (Member) Thomas L. McKittrick (Head of Department) August 2001 Major Subject: Architecture ABSTRACT Thc Holy Light: A Study of Natural Light in Hindu Temples in the Southern Region of Tamilnadu, India (7' Century AD to 17' Century AD). (August 2001) Anuradha Mukherji, Dip. Arch. , Center for Environmental Planning and Technology, India Chair of Advisory Committee: Dr. Anat Geva This thesis discusses the phenomenon of natural light that becomes the holy light in sacred architecture. In pursuing this investigation the study addressed three major objectives. First, to understand the significance of religion in the treatment of light in sacred monmnents around the world. Second, to understand the methods used to achieve the desired light quality in the ancient south Indian Hindu temples. Third, to add to the existing body of knowledge in the field of study of ancient south Indian Hindu temples.
    [Show full text]
  • Temples Are the Symbolic Reconstruction of the Universe. the Graceful Blessings of God and the Lives of Human Beings Are Linked
    253 Temples are the symbolic reconstruction of the universe. The graceful blessings of God and the lives of human beings are linked together continuously in which time is conceived as a crystal system. Art is the reflection of the life of the people and also the store house of their noblest thoughts. The important contribution of temple is to promote creative art, architecture, sculpture, painting, music, dance, culture and religious activities. Hence temples are the background of all the social and religious activities of the human beings. In the first chapter, I have elaborately discussed the definition of temple and its meaning and its significances of Mamallapuram which are needed for the study, and also the limitation of the study, plan of the study, delimitation sources and review of literature, The second chapter explains the significances of the temple, arts, architecture, styles of Indian architecture, significances of Hindu temple, folk context of Indian temple, ideals of temple art, symbolism and their significances, religious conditions, Bhakti movement and religion in Pallava period. The third chapter entitled the contribution of Pallava to Kanchipuram which comprises the history of Pallavas, characteristic features of Pallava’s religious art, artistic style and the famous temples in Kanchipuram. The fourth chapter deals with Mamallapuram as a centre of arts creations which contain all the information pertaining to 254 Mamallapuram (rathas, caves, mandapas and temple). This is the central point of my thesis. The ongoing research reveals Templuism of the great Pallavas with special reference to Mamallapuram that has remained famous for rock – cut temples and structural temples.
    [Show full text]
  • A Case Study of Mahabalipuram, Tamilnadu
    International Journal of Social Science and Economics Invention (IJESSI) Volume 02 Issue 09 December 2016, ISSN No. – 2455-6289 Available Online at - www.isij.in ISIJ PUBLICATION ISSN - 2455-6289 Open Access Journal Role of Tourism in Social Development - A Case Study of Mahabalipuram, Tamilnadu Dr. D. Antony Ashok Kumar Director & Principal, SRM Institute of Hotel Management, Kattankulathur, Kancheepuram, Dist.603203 ABSTRACT: Tourism plays a major role in social development of a place. Developing a location for tourism not only brings in more tourists but also has several inter related advantages. There are several problems and possibilities faced during the development of tourism in a place. Developing a location for tourism brings in more tourists. Since the tourists rate increase, food and accommodation for tourists has to be provided. The hotels and lodges are opened for the tourists through whom revenue can be generated. Moreover transport facilities for that place increases, which paves way for the place to become a perfect holiday destination. Once it gets identified as a tourist spot, the government takes efforts to make it environmental friendly and the tourist rates increase rapidly. The major factor which is required to be considered is because of the opening of hotels and lodges, more job opportunities are created for the people and local community people have an extended advantage of being the tour guide of the destination. This research paper focuses on the major tourist destination Mahabalipuram also called as Mahabalipuram located right on the coramandel coast very next to Bay of Bengal in Chennai, Tamil Nadu. During the Pallava dynasty in the 7th and 10th centuries, it was a well-known sea port and also has several arts, architectures, rock cut caves etc.
    [Show full text]