Contributors
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Itinéraires, 2017-1 | 2018 I Am Writing a Biography
Itinéraires Littérature, textes, cultures 2017-1 | 2018 Biographie et fiction I Am Writing a Biography. J’écris une biographie… Miriam Nichols Electronic version URL: http://journals.openedition.org/itineraires/3663 DOI: 10.4000/itineraires.3663 ISSN: 2427-920X Publisher Pléiade Electronic reference Miriam Nichols, « I Am Writing a Biography. », Itinéraires [Online], 2017-1 | 2018, Online since 15 February 2018, connection on 20 April 2019. URL : http://journals.openedition.org/itineraires/3663 ; DOI : 10.4000/itineraires.3663 This text was automatically generated on 20 April 2019. Itinéraires est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. I Am Writing a Biography. 1 I Am Writing a Biography. J’écris une biographie… Miriam Nichols Preface 1 Literary biography is a slippery genre. However splendid or useful individual examples of it may be, the genre itself lags behind fiction, poetry, and drama in star quality; its readership and shelf life depend as much on the prestige and currency of the subject as the skill of the biographer, and it requires a dogged willingness to stay with a single project for many years. Worse, on publication the biographer risks the ire of other scholars or sometimes living friends and relatives who don’t remember things quite the same way. Then there is the digital archive that threatens to supplant the genre altogether. 2 I have come to think of biography as a “why this and not that” kind of genre: why this writer and not that one? why recount this incident and not another? why tell a story rather than mount a digital archive? My purpose in this essay is to lay out these conundrums as I have encountered them and to explain my choices in trying to respond. -
Cutting Iip the S Picket Penaltk
BCGEU BACKED BY CLASSROOM SHUTDOWN VOL. 1, NO. 4/WEDNESDAY, NOV. 9, 1983 STRIKE TWO TEACHERS OUT: IT'S A WHOLE NEW BALL GAME! (PAGE 3) CUTTING IIP THE S PAGE 5 PICKET PENALTK PAGE 3 BEV DAVIES fn.jT.-. Second-Class Mall Bulk. 3rd Class Registration Pending Vancouver, B.C. No. 5136 TIMES, WEDNESDAY, NOV. 9, 1983 the right-wing legislative them, and went on to warn package introduced by Ben• school districts that shutting nett's Social Credit govern• down in the event of a ment last July. If the govern• 1 teachers' strike could result in ment workers' dispute wasn't board members being charged settled by Tuesday, Nov. 8, it with breaking the law. B.C. would trigger "phase two" of 3111:11 Teachers Federation president Solidarity's protest: BCGEU Larry Kuehn was not in• members would be joined by timidated. He called Count• teachers, crown corporation Heinrich's position workers, civic employees, bus iitll "ridiculous," accused the drivers and hospital workers in •ill! minister of "playing games" escalating waves. But it all and suggested the war of down to depended on the premier. As words would only anger Province political columnist teachers. Allen Garr put it: "What we Thursday, Nov. 3: Nor was Phase 2 are experiencing, of course, is Operation Solidarity, the trade the latest example of the union segment of the coali• By Stan Persky premier's crisis-management tion, terrified by Heinrich. With less than one shift to style. First he creates the crisis After an emergency session, go before the B.C. -
Jack Spicer Papers, 1939-1982, Bulk 1943-1965
http://oac.cdlib.org/findaid/ark:/13030/kt9199r33h No online items Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Finding Aid written by Kevin Killian The Bancroft Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Jack Spicer BANC MSS 2004/209 1 Papers, 1939-1982, bulk 1943-1965 Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Collection Number: BANC MSS 2004/209 The Bancroft Library University of California, Berkeley Berkeley, California Finding Aid Written By: Kevin Killian Date Completed: February 2007 © 2007 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Jack Spicer papers Date (inclusive): 1939-1982, Date (bulk): bulk 1943-1965 Collection Number: BANC MSS 2004/209 Creator : Spicer, Jack Extent: Number of containers: 32 boxes, 1 oversize boxLinear feet: 12.8 linear ft. Repository: The Bancroft Library Berkeley, California 94720-6000 Abstract: The Jack Spicer Papers, 1939-1982, document Spicer's career as a poet in the San Francisco Bay Area. Included are writings, correspondence, teaching materials, school work, personal papers, and materials relating to the literary magazine J. Spicer's creative works constitute the bulk of the collection and include poetry, plays, essays, short stories, and a novel. Correspondence is also significant, and includes both outgoing and incoming letters to writers such as Robin Blaser, Harold and Dora Dull, Robert Duncan, Lewis Ellingham, Landis Everson, Fran Herndon, Graham Mackintosh, and John Allan Ryan, among others. -
JK Bloomsday Interview
A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books). -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson. -
SIMON THOMPSON / Our Man in Terrace: George Stanley
SIMON THOMPSON / Our Man in Terrace: George Stanley In an interview with Barry McKinnon in 1998, George Stanley talks about his poem sequence, "Mountains and Air," that appears in his 1983 volume Opening Day: Well, the poem starts in Terrace, not knowing why I'm there because it was one of the biggest changes in my life to suddenly be in Terrace-a kind of place where I'd previously never lived except for a very short period of time when I was in that little town in Arkansas. I never lived in any city of less than a quarter of a million people. (McKinnon) Stanley grew up in San Francisco, and as a young man spent little time away from it. Nearly everything about Terrace must have seemed new to him. The city is located about 500 miles north of Vancouver, and lies in the transitional zone between two climatic regions. A 1975 Department of Human Resources report notes: The coastal portion is characterized by rugged mountains and numerous coastal fjords ... The climate, although mild, can produce extremely heavy snowfalls ... The interior portion is characterized by forested rolling land dotted with numerous lakes .... The annual precipitation averages 30" and the climate is much more severe than on the coast. (Farstad 8) The region was unlike any to which Stanley was accustomed, as was the community itself. When he moved there in 1976, Terrace was home to about 21,000 people (Terrace Development Corporation 19). Terrace may have been one of the bigger communities in northern British Columbia, but that is not saying much. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
The George Stanley Issue the Phantoms Have Gone Away & Left a Space for Beauty
TCR THE CAPILANO REVIEW The George Stanley Issue The phantoms have gone away & left a space for beauty. —george stanley Editor Brook Houglum Managing Editor Tamara Lee The Capilano Press Colin Browne, Pierre Coupey, Roger Farr, Crystal Hurdle, Andrew Klobucar, Aurelea Mahood, Society Board Jenny Penberthy, Elizabeth Rains, Bob Sherrin, George Stanley, Sharon Thesen Contributing Editors Clint Burnham, Erín Moure, Lisa Robertson Founding Editor Pierre Coupey Designer Jan Westendorp Website Design Adam Jones and James Thomson Intern Iain Angus Volunteer Ania Budko The Capilano Review is published by The Capilano Press Society. Canadian subscription rates for one year are $25 hst included for individuals. Institutional rates are $35 plus hst. Outside Canada, add $5 and pay in U.S. funds. Address correspondence to The Capilano Review, 2055 Purcell Way, North Vancouver, BC v7j 3h5. Subscribe online at www.thecapilanoreview.ca For our submission guidelines, please see our website or mail us an sase. Submissions must include an sase with Canadian postage stamps, international reply coupons, or funds for return postage or they will not be considered—do not use U.S. postage on the sase. The Capilano Review does not take responsibility for unsolicited manuscripts, nor do we consider simultaneous submissions or previously published work; e-mail submissions are not considered. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. Please contact accesscopyright.ca for permissions. The photograph of Robin Blaser on page 200 is drawn from David Farwell’s collection with his permission. -
The George Stanley Fonds Was Received in August 2007
George Stanley fonds - MsC 99 Simon Fraser University Special Collections and Rare Books Erin Hanlon, September 2007 Revised by Geoffrey Laurenson, January 2013 George Stanley fonds – MsC 99 Fonds Level Description .................................................................................... 3 Biographical sketch .................................................................................................. 3 Custodial history ....................................................................................................... 4 Scope and content .................................................................................................... 4 Note(s) ........................................................................................................................ 5 Series-level descriptions .................................................................................... 6 Series 1: Correspondence ........................................................................................ 6 Scope and content ................................................................................................... 6 Note(s) .................................................................................................................... 6 Series 2: George Stanley poems and other writings .............................................. 6 Scope and content ................................................................................................... 6 Note(s) ................................................................................................................... -
An Interview with Fred Wah
Roger Farr/ "SURPRISE, UNPREDICTABILITY, AND IMPROVISATION": An Interview with Fred Wah Fred Wah is an acclaimed writer of poetry, fiction, and cultural criticism. Born in Saskatchewan, he grew up in the Kootenays. During the 60s, Wah was a founding edi tor of the poetry newsletter TISH at UBC, later doing graduate work at SUNY Buffalo. In the 80s, he founded the Kootenay School of Writing at David Thompson University in Nelson, BC, and with Frank Davey, he founded SwiftCurrent, the first online literary magazine. His recent books include Diamond Grill, a biofiction about growing up in a small-town Chinese-Canadian cafe; Faking It: Poetics and Hybridity, a coll ection of criti cal writing that won the Gabrielle Roy Prize for writing on Canadian literature; and a chapbook, Isadora Blue. Along with his partner Pauline Butling, Wah's work was recent ly the subject of two special issues of Open Letter, "Fred Wah: Alley Alley Home Free." An influential figure in the Creative Writing Program at the University of Calgary for many years, Wah is now retired and resides in Vancouver, where he continues to write, teach, collaborate, and organize. In the Spring of 2006, Wah was The Capilano Review Writer-in-Residence al Capilano Coll ege. During this time he gave a public reading, met with writers, visited classes, and presented his essay-poem "Pop Goes the 'Hood: Writing and Reading the Neighborhood," which was foll owed by a panel discussion with Ryan Knighton, Aurelea Mahood, and Stan Persky. In the foll owing interview, conducted on May l 7'h, 2006 in his home in Strathcona, Wah answers questions about ecopoetics, the influence of Charles Olson, defamiliar ization, linguistics, poetry's social and political agency, his coll aborative practice, avant garde writi ng in China, and the Kootenay School of Writing. -
Borderlines of Poetry and Art: Vancouver, American Modernism, and the Formation of the West Coast Avant-Garde, 1961 -69
BORDERLINES OF POETRY AND ART: VANCOUVER, AMERICAN MODERNISM, AND THE FORMATION OF THE WEST COAST AVANT-GARDE, 1961 -69 by LARA HALINA TOMASZEWSKA B.A., The University of British Columbia, 1994 M.A., Concordia University, 1998 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Fine Arts) THE UNIVERSITY OF BRITISH COLUMBIA September 2007 © Lara Halina Tomaszewska, 2007 i ABSTRACT In 1967, San Francisco poet Robin Blaser titled his Vancouver-based journal The Pacific Nation because the imaginary nation that he envisaged was the "west coast." Blaser was articulating the mythic space that he and his colleagues imagined they inhabited at Simon Fraser University and the University of British Columbia: a nation without borders, without nationality, and bound by the culture of poetry. The poetic practices of the San Francisco Renaissance, including beat, projective, and Black Mountain poetics, had taken hold in Vancouver in 1961 with poet Robert Duncan's visit to the city which had catalyzed the Tish poetry movement. In 1963, Charles Olson, Allen Ginsberg, and Robert Creeley participated in the Vancouver Poetry Conference, an event that marked the seriousness and vitality of the poetic avant-garde in Vancouver. The dominant narrative of avant-garde visual art in Vancouver dates its origins to the late 1960s, with the arrival of conceptualism, especially the ideas and work of Dan Graham and Robert Smithson. By contrast, this thesis argues for an earlier formation of the avant-garde, starting with the Tish poetry movement and continuing with a series of significant local events such as the annual Festival of the Contemporary Arts (1961-71), organized by B.C.