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Rotch LOOT 18 1993
01. -"OWN------- lo ii Timing is of the Essence: Perceptual and Computational Techniques for Represent- ing, Learning, and Reproducing Expressive Timing in Per- cussive Rhythm by Jeffrey Adam Bilmes Submitted to the Program in Media Arts and Sciences, School of Architec- ture and Planning in partial fulfillment of the requirements for the degree of Master of Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 1993 © Massachusetts Institute of Technology 1993. All rights reserved. Author.... ....... ......~.. .. ........ .. .............. .. .. .... Program in Media Arts and Sciences August 6, 1993 Certified by ..................... Barry L. Vercoe Professsor, Media Arts and Science Thesis Supervisor rfn Ir, Accepted by .................. V ............. .A.......S t ....... Stephen A. Benton Chairman, Departmental Committee on Graduate Students Rotch MASSACHUSETTS INSTITUTE OF TECMNO MY LOOT 18 1993 Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.2800 Email: [email protected] Document Services http://libraries.mit.edu/docs DISCLAIMER NOTICE The accompanying media item for this thesis is available in the MIT Libraries or Institute Archives. Thank you. Timing is of the Essence: Perceptual and Computational Techniques for Represent- ing, Learning, and Reproducing Expressive Timing in Per- cussive Rhythm by Jeffrey Adam Bilmes Thesis Readers Thesis Reader.........,.................... ........ ......... ... Michael Jordan Associate Professor MIT Department of Brain and Cognitive Science ............... .. .... . -
Instrument: Bongos, a Drum Set for Dancing Country: Cuba (Ku-Ba)
ROOTS OF RHYTHM - CHAPTER 2: THE BONGOS FROM CUBA Instrument: Bongos, a drum set for dancing Country: Cuba (ku-ba) Flag: The star stands for independence. Size and Population: The country is 42,804 square miles with 2,100 miles of coastline. It is slightly smaller than Pennsylvania. The population of Cuba is estimated at 11,061,886 as of July 2013; ranked 77th in the world. Geography and Climate: The Cuban mainland is the largest and westernmost island of the West Indies. About 90 miles south of Florida, Cuba consists of one large island and more than 1,600 smaller ones. With towering mountains and rolling hills covering a quarter of the country, the rest consists of mainly gentle slopes and grasslands. The fertile soil is primarily red clay and provides rich farmlands for crops and pastures. The heavy forests, consisting mainly of pine trees, exist in the southeast. There are over 200 rivers and streams in Cuba, but most are not navigable. Among the 200 harbors, two important ones are at the capital, Havana, on the north coast and at the U.S. controlled Guantánamo Bay on the south coast. Cuba has a semi-tropical climate and breezes keep the island mild throughout the year. Temperatures range from 70° F in the winter to 80° F in the summer. The country’s dry season lasts from November to April and during the remaining wet season certain areas can get up to 54 inches of annual rain. Strong hurricanes often hit the islands during the fall months. Background and History: In 1492, Christopher Columbus landed in Cuba and claimed it for Spain. -
The Role of Knowledge and Environmental Values on Consumer Beliefs, Attitude, and Purchase Intention Toward Leather Products
The Role of Knowledge and Environmental Values on Consumer Beliefs, Attitude, and Purchase Intention Toward Leather Products AN ABSTRACT OF THE THESIS OF Elizabeth S. Becker for the degree of Master of Science in Design and Human Environment presented on June 11, 2014 Title: The Role of Knowledge and Environmental Values on Consumer Beliefs, Attitude, and Purchase Intention Toward Leather Products Abstract approved: Hsiou-Lien Chen Brigitte Cluver Globally, it is estimated that over 2,518,200 tons of hides and skins were exported in the year 2011 alone, with an estimated world production yield of 23 billion square feet of finished leather (FA0, 2011; Mwinyihija, 2011). While some manufacturers have adopted eco-friendly production methods, most tanneries still practice the old-fashioned techniques, which can create negative impacts on the environment and the health of industry employees due to the generation of solid (e.g., chromium salts) and liquid (e.g., untreated water) waste full of toxic chemicals (Iyer, & Mastorakis, 2009). While consumer behaviors and their purchase intentions related to their beliefs have been widely studied, researchers have not investigated consumer beliefs and attitude regarding leather production and whether their environmental values and knowledge impact their beliefs about leather products, attitudes towards purchasing leather products, and intentions to purchase leather products. To fill in a gap in the current research on consumer behavior and using the Theory of Reasoned Action (Fishbein, 1967), Dickson’s (2000) extension of the theory and Dunlap’s (2008) New Ecological Paradigm as a guide, the purpose of this study was to investigate whether exposure to information regarding the environmental and health impact of leather production would ultimately change consumers’ beliefs, attitudes and intentions to purchase leather products. -
TAWING Basically It Is a Mixture of Un-Iodised Salt, Alum and Water. but I Will Get the Exact Proportions. Aluminium Potasium Su
TAWING Basically it is a mixture of un-iodised salt, alum and water. But I will get the exact proportions. Aluminium potasium sulphate (alum) 4 parts Sodium chloride (un-iodised salt) 1 part. Added to this enough water so that the above will just disolve. Next in the book was a description of how to first bleach the skin if you want to retain the fleece and not damage it, I can post it if you are interested, but it’s kind of long otherwise. After cleaning, the skin is soaked in the mixture for a few hours and then 'staked'. You need something resembling a stake or plank, sticking out of the ground at about waist level. You then take the skin in each hand and with an alternating each hand up and down, motion draw the skin across the stake. This sort of 'opens up' the pores of the leather allowing more of the solution to soak in next time. Keep on repeating soaking and staking. As you do so the skin will get whiter and softer. Eventually getting a rough texture sort of like suede. Now briefly rinse and set aside to dry. If it becomes too stiff, stake during the drying process. The skin is greatly improved when dry by stuffing. The leather at this stage is open in texture and a wide variety of substances can be absorbed to give greater body. For fleeced skins the safest stuffing is glycerol (glycerine) for it is the least likely to stain wool or hair. However fat and oils of any type, egg yolk, flour and starch are among substances which have been used for stuffing. -
Traditional Leather Processing Using Domestic Methods in Estonia Made Uus
164 Best of Studia Vernacula Traditional leather processing using domestic methods in Estonia Made Uus Abstract This article provides an overview of the traditional domestic leather processing methods used in Estonia throughout history, as well as of the research papers on leather processing that have been published or have yet to be published in Estonian. There is also an overview of the main leather processing and tanning methods (vegetable tanning, alum tawing and flour tanning). Based on her own experience, the author gives a detailed description of traditional leather pro- cessing with a fermented flour mixture (flour tanning) as one of the oldest and most widespread methods of processing hides with fur. The article also gives an overview of the current situation of traditional leather processing using domes- tic methods in Estonia. Keywords: animal hide, tanning, leather dressing methods Introduction Animal skins have probably provided people with raw material since the begin- ning of humankind, since the times when people lived through hunting and gath- ering, and animal hides not suitable for eating were used for clothing or houses. Items made of raw or poorly processed hides or skins usually dry rock hard; therefore, processed leather or fur is much more valuable and usable. Primitive hide processing probably consisted only of kneading and treading the raw hides. Somewhat later appeared greasing and smoking of the hides. The next step was processing animal hides with soils rich in various salts and aluminum, thus allowing the hide to retain moisture; a hide processed this way did not rot and was a flexible and durable material (Kangro 1939: 5–6). -
About Leather Types of Leather
About Leather Types of Leather Leather is an ancient, durable material created through a process of tanning animal rawhide to preserve it and make it pliable when dry. Many features of natural leather make it superior to synthetic products including durability, comfort, beauty, suppleness, and resilience. Plus, leather’s ability to patina and absorb body oils continues to enhance the leather’s appearance and makes it more beautiful over time. Leather can broadly be divided into full grain, enhanced grain, corrected grain, top grain and split leathers. Full Grain Leather Full grain leather has no surface alterations. The hide’s natural pores and grain textures are intact and it will develop a patina over time. The tiny pinholes dotting the surface indicate the hide’s open hair follicles. The presence of these hair follicles demonstrates a high quality surface which has not been altered to conceal flaws. This full grain surface breathes. It keeps the user Full grain comfortable as it adjusts to body temperature. Full grain leather is the highest quality, most beautiful, and most comfortable leather available. Enhanced Grain Leather Enhanced grain leather is a full grain with an artificial grain embossed over the natural grain. Enhanced grain leather has the same comfort and breathability of a full grain, but the surface has received minor alteration to improve grain Enhanced grain appearance. Corrected Grain Leather Corrected grain leather is produced from the upper portion of the hide. The surface is lightly sanded or refined then embossed with an artificial grain texture. Corrected grain leathers have a more consistent appearance across the entire surface. -
Home Tanning of Leather
B-86 1937 HOME TANNING OF LEATHER issued by The ExtensioR Service Agricultural and Mechanical College of Texas and The United States Department of Agriculture H. H. Williamson, Director, College Station, Texas 8-86 TEXAS AGRICULTURAL EXTENSION SERVICE G. G. GIBSON. DIRECTOR, COLLEGE STATION, TEXAS Home Made Gauge Knives-The materials required are one piece of timber 2 x 4 x 24 inches, one piece of timber 2 x 4 x 20 inches, one .1 inch bolt or large nail, one corner brace 4 x 4 x ~ inches. and one butcher knife. Horne Tanning of Leather By M. K. Thornton, Leather Specialist One of the oldest arts known to man, the tanning of leather, has become almost a lost art to farmers and ranchers. Yet it is a fairly easy process if care is taken. ' There are many methods of tanning, and no one of them rnay be called best. The methods described here are among the easiest and produce satisfactory results. No attempt is made to give details to suit every kind of weather. The ideal temperature is from 70 to 75 degrees F"ahrenheit. In no case should the hides be permitted to freeze. The warmer the weather the more quickly hides spoil, and as - a result there is greater likelihood of getting weak or tender leather. The hides to be tanned may be fresh, green salt, dry salt, or flint. A fresh hide is one which has been taken from the animal and allowed to cool. A green salt hide is one which has been well salted shortly after being removed from the animal, folded and placed in a cool place until the salt has penetrated well, and then stored until ready for use. -
Cuban Rumba Box (La Rumba De Cajón Cubana) © Jorge Luis Santo - London, England 2007
(La Rumba de Cajón Cubana) Jorge Luis Santo The Cuban Rumba Box (La Rumba de Cajón Cubana) © Jorge Luis Santo - London, England 2007 Cover illustration: Musicians from the Conjunto Folklórico Nacional de Cuba. Left, Ignacio Guerra, right, Ramiro Hernández. From a photograph by the author taken in Havana, Cuba. Back sleeve portrait by Caroline Forbes, UK PREFACE uban music has had a phenomenal global cultural impact. It is a C mixture of African and European influences, and it’s the fusion of these elements that has resulted in a fascinating mosaic of musical forms. The world’s interest in this music has increased over the past few years. Cuba’s musical culture has become much more exposed due to the riches and dynamics it possesses. It attracts people from every walk of life, awakening curiosity among those with the desire to learn, and is slowly making its presence felt in educational circles. However, it continues to be a subject of academic bewilderment due to a lack of knowledge and basic technical skills, also a shortage of qualified teachers in this field. The purpose of this work is to contribute to an understanding and appreciation of Cuban percussion and culture, in particular the Rumba, a Cuban musical genre traditionally played on cajones (boxes) known as the Cuban Rumba Box, presented in a way that seeks to be readable and informative to everyone. It begins with a brief background to the history of the Cuban Rumba and an explanation of the different musical types and styles. A full graphic description of the percussion instruments used to play Rumba is described in the chapter entitled, ‘Design and Technology’. -
Jesus Perez and the Transculturation of the Cuban Batã¡ Drum
Diálogo Volume 7 Number 1 Article 14 2003 Jesus Perez and the Transculturation of the Cuban Batá Drum Ivor Miller Follow this and additional works at: https://via.library.depaul.edu/dialogo Part of the Latin American Languages and Societies Commons Recommended Citation Miller, Ivor (2003) "Jesus Perez and the Transculturation of the Cuban Batá Drum," Diálogo: Vol. 7 : No. 1 , Article 14. Available at: https://via.library.depaul.edu/dialogo/vol7/iss1/14 This Article is brought to you for free and open access by the Center for Latino Research at Via Sapientiae. It has been accepted for inclusion in Diálogo by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Jesus Perez and the Transculturation of the Cuban Batá Drum Cover Page Footnote This article is from an earlier iteration of Diálogo which had the subtitle "A Bilingual Journal." The publication is now titled "Diálogo: An Interdisciplinary Studies Journal." This article is available in Diálogo: https://via.library.depaul.edu/dialogo/vol7/iss1/14 - Jesus Perez A n d t h e T ransculturation of the Cuban Batá Drum by Ivor Miller "For the first time in Cuba, I created aprogram of Yorübá chants and prayers on radio Suaritos, whichbecame famous throughout theisland. We performed these chants and prayers with their authenticdrum rhythms. I learned all this from Jesús and Trinidad [Torregrosa], the percussionists who accompanied me. They guided me, and if I had doubts, I consulted with them. Doctor Ortiz, after listening to the program, asked Jesús and Trinidad to bring me to his house so he could greet me. -
TC 1-19.30 Percussion Techniques
TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction ............................................. -
Fat??4 21" Ginger Cowhide Cases *102.00 *72.00 Century Europe
range wide enough for man to get 98 Pet. in GI action yesterday to halt this [cannot be revealed without fear a and for at least six Training Craft Nears End foothold, US. Businessmen in Japan “dangerous trend.” He issued a of jail. Navy months of the year it manages to Are for More 1,200-word statement on behalf subsist cut off from the outside Eligible of representatives of the 100 The Veterans Administration Protest Official world. Secrecy American concerns who belong to Of Winter today announced that 98 per ■y the Associated Press Exploring In summer, when they are known cent] the chamber. of the World War II veterans who TOKYO, Mar. 17.—American to the outside world, these moun- Mr. McEvoy said “indiscrim- have entered GI training are eligi- businessmen in accuse tain slopes are blue and crimson Japan inate and use of "se- At Top of World ble for additional training. profligate” with flowers and alive with birds. Washington of imposing official cret” and lesser classifications on By January 31, a total of 6,228,- (The Navy icebreaker Edisto, Now they are a regiment of ghosts secrecy on business matters here affairs had 707 veterans had entered training nonmilitary prevented from, which Mr. Henry writes, is arrayed in single file, weirdly blue which have' nothing to do with businessmen from mu- ies8teas» FRIDAY at one time or another. Of these. discussing engaged in tests of winter oper- as moonlight falls on ice pools and military security. tual problems with occupation n 5,749,023 had trained under tie ating conditions in the Arctic.) ice evanescent as officials. -
THE VIRGINIAN a Horseman of the Plains by OWEN WISTER
THE VIRGINIAN A Horseman Of The Plains by OWEN WISTER To THEODORE ROOSEVELT Some of these pages you have seen, some you have praised, one stands new-written because you blamed it; and all, my dear critic, beg leave to remind you of their author's changeless admiration. TO THE READER Certain of the newspapers, when this book was first announced, made a mistake most natural upon seeing the sub-title as it then stood, A TALE OF SUNDRY ADVENTURES. "This sounds like a historical novel," said one of them, meaning (I take it) a colonial romance. As it now stands, the title will scarce lead to such interpretation; yet none the less is this book historical--quite as much so as any colonial romance. Indeed, when you look at the root of the matter, it is a colonial romance. For Wyoming between 1874 and 1890 was a colony as wild as was Virginia one hundred years earlier. As wild, with a scantier population, and the same primitive joys and dangers. There were, to be sure, not so many Chippendale settees. We know quite well the common understanding of the term "historical novel." HUGH WYNNE exactly fits it. But SILAS LAPHAM is a novel as perfectly historical as is Hugh Wynne, for it pictures an era and personifies a type. It matters not that in the one we find George Washington and in the other none save imaginary figures; else THE SCARLET LETTER were not historical. Nor does it matter that Dr. Mitchell did not live in the time of which he wrote, while Mr.