I the REFLECTION of FITZGERALD's LIFE in TENDER IS

Total Page:16

File Type:pdf, Size:1020Kb

I the REFLECTION of FITZGERALD's LIFE in TENDER IS THE REFLECTION OF FITZGERALD’S LIFE IN TENDER IS THE NIGHT AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By Sunardi Student Number : 934214035 Student Register Number : 930051120106130035 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2000 i ACKNOWLEDGEMENT First of all, I would like to thank God for giving me the strength to finally complete this thesis after all those problems that prevent me to finish this thesis. Because of His blessings that I finally could complete this thesis. Secondly, I would like to show my gratitude to Drs. Bambang Hendarto , M.Hum who has been willing to guide me in the beginning of writing this thesis. My deepest gratitude goes to Dra. Th. Enny A.. M.A. who is willing to spend her precious time to guide me in correcting and improving this study. Without their guidance, I will not be able to complete this thesis in time. I would like to show my deepest gratitude to my father and mother who have been patient enough in encouraging me to finish the thesis. Their prayers and blessing will always be in my heart. My special thanks also go to my sister and brother, I thank them for all their understanding and support. I dedicate this thesis to all of them to show my respect and love . Last but not the least, I would like to thank Utari, Hans, Yoesiantoro and Suryo who are continuously warning me with the dead line in submitting this paper. These guys are indeed friends, not a friend in need. Thanks for your encouragement in the last minutes before I am being dropped out from my study because of being unable to complete the thesis. Sunardi iv TABLE OF CONTENT PAGE OF TITLE…………………………………………………………………………..i PAGE OF APRROVAL…………………………………………………………………..ii PAGE OF APRROVAL………………………………………………………………….iii ACKNOWLEDGMENT………………………………………………………………....iv TABLE OF CONTENT…………………………………………………………………..v ABSTRACT……………………………………………………………………………..vii ABSTRAK……………………………………………………………………………...viii CHAPTER I INTRODUCTION………………………………………………………...1 A. Background of the Study…...…………………………………………1 B. Problem Formulation………………………………………………….5 C. Objectives of the Study……………………………………………….5 D. Benefits of the Study………………………………………………….6 II THEORETICAL REVIEW………………………………………………...7 A. Elements of Literature...……………………………………………….7 B. Literature and Biography……………………………………………...9 C. The Biography of Fitzgerald…………………………………………11 III METHODOLOGY………………………………………………………..17 IV ANALYSIS…….…………………………………………………………..21 A. The elements of the story which reflect Fitzgerald’s life………...….21 A.1. Setting………………………………………………………......22 A.2. Characters………………………………………………………28 A.3. Theme……………………………………………………….….41 v B. Fitzgerald’s intentions in writing Tender Is the Night……………....42 V Conclusion………………………………………………………………...…46 BIBLIOGRAPY…………………………………………………………………………49 APPENDIX………………………………………………………………………….…..50 vi ABSTRACT Sunardi : The Reflection of Fitzgerald’s life in Tender Is the Night Tender Is the Night is Fitzgerald’s longest and most ambitious novel intended to become his masterpiece. The novel reveals the tragic story of a man who is ruined by his own faults. It is the story about the young and clever psychiatrist who marries his wealthy mental patient because his need of being needed by her and because he likes to enter the top class society. The novel itself strongly reflects the biography of the author although the author still uses his creative invention in writing the book. The objectives of this study is to find out which elements of the story which reflects the life of the author and what is the intentions of the author in writing the novel by putting his own life into the story. The approach used to analyze this thesis is the biographical approach. In order to find out what are the similarities and differences between the novel and the author’s life, we have to know the life of the author thoroughly. The biographical approach seems to be the most appropriate tool in comparing and analyzing the novel and the life of the author. From the analysis we will be able to see how sometimes author is inspired by his own life in writing his book. Conclusively, the setting, characters, and theme of Tender is the Night are analyzed as the elements of the novel that reflect Fitzgerald’s life. The setting of the novel is taken from Fitzgerald’s experience while staying in Europe. The major characters of the novel are also inspired by Fitzgerald’s life. The theme of the novel is directly drawn from Fitzgerald’s life story, specially about the decline of his writing career. From the study of the novel and the life of Fitzgerald, we can see that Fitzgerald writes the novel as to reveal his heroic feeling and his decline in writing caused by the domestic problems with his wife . Fitzgerald puts his life into the story as he wants his readers to understand how much troubles he has been facing in completing the novel in nine years. He also wants his readers to learn that being disillusioned with something we wish to have will only lead us to an unhappy life. vii ABSTRAK Sunardi : The Reflection of Fitzgerald’s life in Tender Is the Night Tender Is the Night adalah novel Fitzgerald yang paling panjang and ambisius yang di harapkan menjadi puncak karyanya. Novel ini mengungkapkan cerita tragis tentang seseorang yang jatuh karena kesalahannya sendiri. Buku ini bercerita tentang seorang dokter yang mau mengawini pasiennya yang menderita sakit jiwa dan kebetulan kaya raya. Dokter itu mau kawin dengan pasien itu dengan alasan karena dia akan merasa selalu dibutuhkan oleh seseorang dan dia juga akan memasuki klas sosial yang tinggi. Buku ini sendiri secara kuat merefleksikan kisah hidup yang di alami pengarangnya walau pengarang buku ini masih malakuakn kreasi dalam menuliskan pengalaman hidupnya. Tujuan dari penulisan skripsi ini adalah untuk mencari bagian-bagian dari novel ini yang secara meyakinkan merefleksikan kisah hidup pengarangnya dan juga untuk menemukan apa tujuan pengarang dalam menulis novel ini. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan biografi. Untuk mengetahui persamaan dan perbedaan antara buku ini dan hidup pengarangnya, kita harus mengetahui secara detil biografi pengarang buku ini. Pendekatan biografi sangat tepat di pakai dalam menganalisa skripsi yang bertujuan untuk melihat sejauh mana buku ini mengungkapkan kisah hisup pengarangnya. Sebagai kesimpulannya, dengan membandingkan antara seting, karakter, dan tema dari novel in dengan kisah hidup pengarangnya. Setind dalam novel ini ditulis Fitzgerald berdasarkan pengalamannya ketika dia menetap di Eropa. Karakter utama dalam buku ini juga merupakan tuangan inspirasi Fitzgerald baik dengan hidupnya sendiri, istrinya, dan orang lain yang dia pernah kenal. Tema novel juga merupakan gambaran kisah tragis hidup Fitzgerald.Dari perbandingan antara novel ini dengan hidup pengarangnya, kita bisa melihat bahwa Fitzgerald menulis buku ini dengan tujuan untuk mengungkapkan perasaannya yang berjiwa satria, dan kisah kehancuran karier menulisnya yang disebabkan oleh masalah rumah tangga dengan istrinya. Fitzgerald banyak menuliskan kisah hidupnya dalam buku ini juga dengan tujuan agar para pembacanya bisa mengerti betapa banyak masalah dalam hidup yang harus dia hadapi dalam menyelesaikan novel in selama sembilan tahun. Fitzgerald juga ingin agar para pembacanya bisa mengambil pelajaran bahwa kalau kita terilusi untuk menginginkan sesuatu hal yang sulit kita capai, akhirnya kita akan menderita sendiri. viii CHAPTER I INTRODUCTION A. Background of the Study Literature is a reflection of human life since it presents and brings its readers back to the reality of life. Although it is the reflection of human life, literature does not merely copy life as it is. It is always recreated in a new and different way. Literature is also presented in an interesting and beautiful way. Indeed it enchants us to read it. Literature is needed in our lives because it pleases us. We like reading any literary works since there are some impulses behind our need of reading the works. In Understanding to the Study of Literature William Henry Hudson declares that we enjoy reading literary works because it is important for our self-expression, for our interest in what other people do, for our interest in the reality of world in which we live, for our fulfillment of our imagination, and for our love of its form and beauty. ( 1958:11 ) Literature is able to please us because what is expounded there is about our own lives. It is a kind of mirror that reflects ourselves. It is the nature of every man that we are interested in and curious about the way people live their lives. Trough literature we can see how people live with their cultural background differently. In his book, Understanding Fiction, Francis Conolly says: We read because of a hunger for information, or amusement, or solace, because of an appetite for truth that seems to grow by what it feeds on. Men read to discover themselves in their world, to assert special roles in the universe, to learn the meaning of the personal struggles in which they are engaged. ( 1955:1 ) 1 2 Literature is then created because it fulfils our need of pleasures and aesthetic feelings by imitating our lives or created life from the process of creative invention of the authors. In writing his works, usually an author uses either his experience in life or his imagination in order to dramatize his works or to make them more interesting. Trough literature we will learn a great deal of things. We may learn the cultural context which is completely new and different from our daily life and activities. We may even encounter with people from different social background and culture. Indeed, literature is very rich with the disparities between one culture and another. Literature also enables us to recognize human problems and struggles as to help us develop our mature sensibility and compassion for all aspects of our lives. Literature will provide us with abundant knowledge, understanding, and perception of which of course helpful in our process of growing mature and wise.
Recommended publications
  • Front Matter
    Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF F. SCOTT FITZGERALD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information First page of the surviving typescript of “Two Wrongs.” The anti-semitic slur in the last two lines did not appear in the Saturday Evening Post. Princeton University Libraries. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information TAPS AT REVEILLE *** F. SCOTT FITZGERALD Edited by JAMESL.W.WESTIII © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9780521766036 © 2013 Eleanor Lanahan and Christopher T. Byrne, Trustees under agreement dated 3 July 1975, created by Frances Scott Fitzgerald Smith. Introduction and notes © 2014 James L. W. West III This edition © 2014 Cambridge University Press This publication is in copyright.
    [Show full text]
  • Nervousness in the Works of F Scott Fitzgerald
    UNLV Retrospective Theses & Dissertations 1-1-2001 Nervousness in the works of F Scott Fitzgerald Michael Emil Tischler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Tischler, Michael Emil, "Nervousness in the works of F Scott Fitzgerald" (2001). UNLV Retrospective Theses & Dissertations. 2480. http://dx.doi.org/10.25669/2t6p-6eax This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, whOe others may b e from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy sutunitted. Broken or indistinct print, colored or poor quality illustrations and ptwtographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • F. Scott Fitzgerald's Ledger, 1919–1938
    F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 1 F. Scott Fitzgerald’s Ledger, 1919–1938 F. Scott Fitzgerald’s Ledger is one of the richest primary source documents in existence for any literary author. Fitzgerald began recording information in this business ledger sometime in 1919 or 1920 after leaving the Army and moving to New York to begin his professional life as a writer. Fitzgerald divided the Ledger into five sections: “Record of Published Fiction,” “Money Earned by Writing since Leaving Army,” “Published Miscelani (including movies) for which I was Paid,” “Zelda’s Earnings,” and “Outline Chart of my Life”. The “Record of Published Fiction” and “Published Miscelani” are spreadsheets listing everything he wrote and its publication history up to the time of its final disposition. He meticulously tracked his earnings from 1919 through 1937 in the section titled “Money Earned by Writing since Leaving Army.” In addition, he recorded Zelda’s earnings from her writing. In the autobiographical section, “Outline Chart of my Life,” he provided background about his early years but later included monthly entries for each year. F. Scott Fitzgerald’s Ledger is part of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections, located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The digital version of the Ledger, which includes access to the full text and is keyword-searchable, was produced by the staff of the Digital Collections Department of the University of South Carolina.
    [Show full text]
  • Truma and Gender Performance in F
    ABSTRACT BLITCHOK, AMY MARIE. Trauma and Gender Performance in F. Scott Fitzgerald’s Tender is the Night and The Last Tycoon. (Under the direction of Anne Baker.) This project uses biographical and historical information in conjunction with psychoanalytic and gender studies in order to show how F. Scott Fitzgerald recreates his own traumas of emasculation through his work, especially Tender is the Night and The Last Tycoon, in order to create a more appealing fictional narrative and imagined resolution to his personal tragedies. By examining biographical information in light of Fitzgerald’s particular historical moment and the social forces that contributed to his personal definition of masculinity we can begin to trace the evolution of his emasculated sense of self and how that progression was reflected in his work. After uncovering the way in which Fitzgerald used Tender is the Night as his own therapeutic outlet for expressing his gender anxieties, I show in Chapter Three how the collision of personal, emotional and professional circumstances lead him to a very different novel, The Last Tycoon. The achievement of some resolution in Tender is the Night allowed him to move beyond the flawed and doomed hero of his earlier novels. He was no longer bound to the repetition of earlier traumas, so in his final novel he was able to create his most admirable hero and essentially complete his own idealized narrative, which was free from the gender anxieties that had plagued his life and his work. TRAUMA AND GENDER PERFORMANCE IN F. SCOTT FITZGERALD’S
    [Show full text]
  • 1. Dear Scott/Dear Max: the Fitzgerald-Perkins Correspondence, Eds
    NOTES INTRODUCTION F. SCOTT FITZGERALD, "THE CULTURAL WORLD," AND THE LURE OF THE AMERICAN SCENE 1. Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence, eds. John Kuehl and Jackson R. Bryer (New York: Scribner's, 1971),47. Hereafter cited as Dear Scott/Dear Max. Throughout this book, I preserve Fitzgerald's spelling, punctuation, and diacritical errors as preserved in the edited volumes of his correspondence. 2. F. Scott Fitzgerald, A Life in Letters, ed. Matthew J. Bruccoli (New York: Simon and Schuster, 1994),67. Hereafter cited as Life in Letters. 3. F. Scott Fitzgerald, F. Scott Fitzgerald on Authorship, eds. Matthew J. Bruccoli and Judith S. Baughman (Columbia: University of South Carolina Press, 1996),83. Hereafter cited as Fitzgerald on Authorship. 4. For a superb discussion of the voguish "difficulty" associated with the rise of modernist art, see Leonard Diepeveen, The Difficulties ofModernism (New York: Routledge, 2003),1-42. 5. There is a further irony that might be noted here: putting Joyce and Anderson on the same plane would soon be a good indicator of provin­ cialism. Fitzgerald could not have written this statement after his sojourn in France, and certainly not after encouraging his friend Ernest Hemingway's nasty parody, The Torrents of Spring (1926). Anderson may be one of the most notable casualties from the period of ambitious claimants, such as Fitzgerald, Hemingway, and William Faulkner, to a place within "the cultural world." 6. Pierre Bourdieu, The Rules of Art: Genesis and Structure of the Literary Field, tr. Susan Emanuel (Stanford: Stanford University Press, 1996), 142. 7. "The principle of differentiation is none other than the objective and subjective distance of enterprises of cultural production with respect to the market and to expressed or tacit demand, with producers' strate­ gies distributing themselves between two extremes that are never, in fact, attained-either total and cynical subordination to demand or absolute independence from the market and its exigencies" (ibid., 141-42).
    [Show full text]
  • F. Scott Fitzgerald in Baltimore by Deborah Rudacille
    The Beautiful and the Damned: F. Scott Fitzgerald in Baltimore By Deborah Rudacille In the dark, a man paces. He gazes out over the city, but a gray mist obscures all landmarks. Suddenly, a specter appears. “Like a broken- stringed bow upon a throbbing fiddle— I see the real horror develop over the roof-tops, and in the strident horns of night-owl taxis and the shrill monody of revelers’ arrival over the way. Horror and waste. Waste and horror— what I might have been and done that is lost, spent and gone, dissipated, unrecapturable.” Asked which writer penned these despairing words in Baltimore, most would probably guess Edgar Allan Poe. But the ghostly echoes of pleasure-seeking gone sour point to the true author: F. Scott Fitzgerald. The laureate of the Jazz Age was only 36 when he came to Baltimore in 1932. But like the country, he had crashed. His wife and muse, Zelda, was mentally ill. He was drinking heavily. His income had plummeted. He hadn’t published a novel since “The Great Gatsby” in 1925, and he was struggling to finish “Tender is the Night,” a book he hoped would pull him out of debt and re-establish his reputation as the greatest writer of his generation. As it happened, neither of the tenuous hopes Fitzgerald nurtured on his arrival in Baltimore— that Zelda would be cured, that his new book would be a critical and commercial triumph— would be fulfilled. Even so, Baltimore gave the peripatetic Fitzgerald family something they’d never really had before: a home.
    [Show full text]
  • Oxford University Press American Addiction Centers. Alcoholism
    BIBLIOGRAPHY Abrams, M.H. (1976). The Mirror and the Lamp. London: Oxford University Press American Addiction Centers. Alcoholism. (N. Monico, Editor) Retrieved October 14, 2020, from alcohol.org: https://www.alcohol.org/alcoholism/ Baehr, A. R. Liberal Feminism. (E. N. Zalta, Editor) Retrieved September 4, 2020, from The Stanford Encyclopedia of Philosophy (Fall 2018 Edition): https://plato.stanford.edu/archives/fall2018/entries/feminism-liberal/ Barry, P. (1995). Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester University Press. Boyer, Clark, Kett, et al. (1993). The Enduring Vision: A History of the American People. Second Edition. D.C Health Company Bulo, Kate. (2018, March 1). The Gibson Girl: The turn of the century’s “ideal” woman, independent and feminine. Retrieved October 10, 2020, from The Vintage News: https://www.thevintagenews.com/2018/03/01/gibson-girl/ Cranston, Maurice (1967). ‘Liberalism,’ in The Encyclopedia of Philosophy, Paul Edwards (ed.), New York: Macmillan and the Free Press: 458–461. Economic Boom. Retrieved November 5, 2020, from Bitsize: https://www.bbc.co.uk/bitesize/guides/zw9wb82/revision/1 Editors, H. (2018, March 6). Flappers. Retrieved September 14, 2020, from https://www.history.com/topics/roaring-twenties/flappers Endraswara, S. (2013). Metode Penelitian Sastra. Yogyakarta: Pustaka Widyatama. Fitzgerald, F. S. (2010). Tender is the Night. London: Vintage. Flapper Outfit: How to Dress Like a 20s Flapper Girl. (2014, January 22). Retrieved October 21, 2020, from Vintage Dancer: https://vintagedancer.com/1920s/flapper-outfit-costume-guide/ Hall, John. (1979). The Sociology of Literature. London and New York: Longman Jaggar, Alison M. (1983). Feminist Politics and Human Nature, Philosophy and Society.
    [Show full text]
  • Tender Is the Night: Thirteen Propositions on the Nature of Boredom
    Journal X Volume 7 Number 2 Spring 2003 Article 7 2020 Tender is the Night: Thirteen Propositions on the Nature of Boredom Allan Hepburn McGill University Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the American Literature Commons Recommended Citation Hepburn, Allan (2020) "Tender is the Night: Thirteen Propositions on the Nature of Boredom," Journal X: Vol. 7 : No. 2 , Article 7. Available at: https://egrove.olemiss.edu/jx/vol7/iss2/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Hepburn: Tender is the Night: Thirteen Propositions on the Nature of Bored Tender is the Night: Thirteen Propositions on the Nature of Boredom Allan Hepburn Allan Hepburn, F. Scott Fitzgerald treats boredom as a tactic of Assistant Professor seduction, resistance, wish, and aggression in of English at McGill Tender is the Night. Always prone to speculate on University, has pub­ the tedium vitae of the wealthy and the famous in lished essays on his novels, Fitzgerald fumed when readers twentieth-century referred to his characters as trivial.1 Boredom, I literature, opera, piano music, and believe, varies from epoch to epoch in its signif­ cultural studies;. icance and origins. It is contingent on such fac­ His forthcoming tors as class, war, education, urbanity, etiquette, book surveys narra­ nationality, and age. Triviality is, however, one tives of espionage in way that boredom declares itself. Dick and fiction and film.
    [Show full text]
  • Tender Is the Night"
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1975 Nicole and the Gardens in "Tender is the Night" Suzanne Whitmore Jones West College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation West, Suzanne Whitmore Jones, "Nicole and the Gardens in "Tender is the Night"" (1975). Dissertations, Theses, and Masters Projects. Paper 1539624900. https://dx.doi.org/doi:10.21220/s2-yxze-r059 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. NICOLE AND THE GARDENS IN TENDER IS THE NIGHT A Thesis Presented to The Faculty of the Department of English C The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Piaster of Arts by Suzanne West 1975 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts y&uthor Approved, June 1975 J. Scott Donaldson C. David C. Jenkins Elsa Nettels ii LIBRARY College of William and Marv ACKNOWLEDGMENTS I especially wish to express my appreciation to Scott Donaldson for his guidance and criticism during my study of Fitzgerald and Tender is the Night* I am also indebted to David Jenkins and Elsa Nettels for their careful reading and criticism of the manuscript.
    [Show full text]
  • Babylon Revisited and Other Stories
    Babylon Revisited and Other Stories F. Scott Fitzgerald ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com This collection first published by Alma Classics Ltd in 2014 Extra Material © Richard Parker Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-380-4 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Babylon Revisited and Other Stories 1 Babylon Revisited 3 A New Leaf 27 A Freeze-out 44 Six of One… 69 Family in the Wind 86 What a Handsome Pair! 108 Crazy Sunday 131 One Intern 151 More than Just a House 174 The Fiend 200 The Night at Chancellorsville 207 Afternoon of an Author 213 Financing Finnegan 220 The Lost Decade 231 Last Kiss 235 Note on the Texts 256 Notes 256 Extra Material 261 F.
    [Show full text]
  • F. Scott Fitzgerald the Great Gatsby Read by William Hope 1 the Great Gatsby by F
    COMPLETE CLASSICS UNABRIDGED F. Scott Fitzgerald The Great Gatsby Read by William Hope 1 The Great Gatsby by F. Scott Fitzgerald – Chapter 1 6:18 2 It was lonely for a day or so… 5:23 3 And so it happened on a warm windy evening… 6:13 4 I told her how I had stopped off in Chicago… 6:30 5 ‘Tom’s getting very profound,’ said Daisy… 5:19 6 The telephone rang inside, startlingly… 4:43 7 When we came in she held us silent for a moment… 6:17 8 Chapter 2 6:15 9 We waited for her down the road and out of sight… 6:22 10 Just as Tom and Myrtle – after the first drink… 5:40 11 This absorbing information about my neighbor… 5:08 12 The bottle of whiskey – a second one… 5:39 13 Chapter 3 5:11 14 Dressed up in white flannels I went over… 5:06 15 The first supper – there would be another one… 5:10 16 I was still with Jordan Baker… 5:07 17 There was the boom of a bass drum… 5:28 18 As I waited for my hat in the hall… 6:55 19 Reading over what I have written so far… 6:43 20 Chapter 4 5:23 2 21 At nine o’clock, one morning late in July… 5:27 22 Little Montenegro! He lifted up the words… 5:36 23 Roaring noon. In a well fanned 42nd Street cellar… 5:02 24 Suddenly he looked at his watch, jumped up… 6:18 25 When I came opposite her house that morning… 6:10 26 Well, about six weeks ago, she heard the name Gatsby… 5:03 27 Chapter 5 4:38 28 The day agreed upon was pouring rain… 4:52 29 For half a minute there wasn’t a sound… 6:16 30 ‘Oh, hello, old sport,’ he said… 6:48 31 After the house, we were to see the grounds… 6:47 32 Chapter 6 6:08 33 He was employed in a vague personal capacity… 5:58 34 The rest of us walked out on the porch… 5:22 35 We were at a particularly tipsy table… 6:14 36 I stayed late that night.
    [Show full text]
  • TENDER IS the NIGHT by F
    TENDER IS THE NIGHT by F. Scott Fitzgerald THE AUTHOR Francis Scott Key Fitzgerald (1896-1940) was born in St. Paul, Minnesota, the namesake and second cousin three times removed of the author of the National Anthem. Fitzgerald’s given names indicate his parents’ pride in his father’s ancestry. His father, Edward, was from Maryland, with an allegiance to the Old South and its values. Fitzgerald’s mother, Mary (Mollie) McQuillan, was the daughter of an Irish immigrant who became wealthy as a wholesale grocer in St. Paul. Both were Catholics. During 1911-1913 he attended the Newman School, a Catholic prep school in New Jersey, where he met Father Sigourney Fay, who encouraged his ambitions for personal distinction and achievement. As a member of the Princeton Class of 1917, Fitzgerald neglected his studies for his literary apprenticeship. He wrote the scripts and lyrics for the Princeton Triangle Club musicals and was a contributor to the Princeton Tiger humor magazine and the Nassau Literary Magazine. On academic probation and unlikely to graduate, Fitzgerald joined the army in 1917 and was commissioned a second lieutenant in the infantry. Convinced that he would die in the war, he rapidly wrote a novel, The Romantic Egotist, which, after being rejected twice, was published in 1920 as This Side of Paradise. In June 1918 Fitzgerald was assigned to Camp Sheridan, near Montgomery, Alabama. There he fell in love with a celebrated belle, eighteen-year-old Zelda Sayre, the youngest daughter of an Alabama Supreme Court judge. The war ended just before he was to be sent overseas; after his discharge in 1919 he went to New York City to seek his fortune in order to marry.
    [Show full text]