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The Soraya Joins Martha Graham Dance Company and Wild up for the June 19 World Premiere of a Digital Dance Creation
The Soraya Joins Martha Graham Dance Company and Wild Up for the June 19 World Premiere of a Digital Dance Creation Immediate Tragedy Inspired by Martha Graham’s lost solo from 1937, this reimagined version will feature 14 dancers and include new music composed by Wild Up’s Christopher Rountree (New York, NY), May 28, 2020—The ongoing collaboration by three major arts organizations— Martha Graham Dance Company, the Los Angeles-based Wild Up music collective, and The Soraya—will continue June 19 with the premiere of a digital dance inspired by archival remnants of Martha Graham’s Immediate Tragedy, a solo she created in 1937 in response to the Spanish Civil War. Graham created the solo in collaboration with composer Henry Cowell, but it was never filmed and has been considered lost for decades. Drawing on the common experience of today’s immediate tragedy – the global pandemic -- the 22 artists creating the project are collaborating from locations across the U.S. and Europe using a variety of technologies to coordinate movement, music, and digital design. The new digital Immediate Tragedy, commissioned by The Soraya, will premiere online Friday, June 19 at 4pm (Pacific)/7pm (EST) during Fridays at 4 on The Soraya Facebook page, and Saturday, June 20 at 11:30am/2:30pm at the Martha Matinee on the Graham Company’s YouTube Channel. In its new iteration, Immediate Tragedy will feature 14 dancers and 6 musicians each recorded from the safety of their homes. Martha Graham Dance Company’s Artistic Director Janet Eilber, in consultation with Rountree and The Soraya’s Executive Director, Thor Steingraber, suggested the long-distance creative process inspired by a cache of recently rediscovered materials—over 30 photos, musical notations, letters and reviews all relating to the 1937 solo. -
Played 2013 IMOJP
Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy -
TIGER M Follow Me Hyperlink Journals | TIGER M December 2013
TIGER M Follow Me Hyperlink Journals | TIGER M December 2013 Page 2 TIGER M Follow Me Hyperlink Journals | TIGER M December 2013 Brought To You By: A Warm & Humble Welcome: Update From The Physical To The Digital! Final Month of The Year! =) THIRD Hyperlink Journals Series ^_^ Hey everybody! =D And an early “Happy New Year’s Day” 2014! ^_^ Merry Holiday Season! =) Simply to keep You in tune with how the “TIGERM Follow Me Hyperlink Journals” are going to continue to be done simply a reminder that the original “Official Release” of this series was completed in October. So, the addresses Journalized for “October 2013” (First Journal) actually list “September 2013” hyperlinks. The month each Journal is released, it covers the month before it. Certainly hope that makes sense! ^_^ The links this “TIGERM Follow Me Hyperlink Journals” series covers are links I visited “November 2013.” However, the month this Hyperlink Journal was printed to be published is this month: “December 2013.” As awesome as it would be if it could be done in this day and age… it is not possible just yet for me or anyone who I know—to “travel into the future” (at this time ^_^) and collect hyperlinks for the month “December 2013” prior to me “Surfing the pixels of cyberspace” in well… “December 2013…” ^^; So long tale told – long description short— Every “TIGERM Follow Me Hyperlink Journal” covers all links visited the month prior to it. Simply restating what was just stated so hopefully clarity is true and sense is keen. There is actually a “Journal Series” that I am printing but is not yet ready for public release—an extension of the “TIGERM Follow Me Hyperlink Journals” that I’ll talk about later on in the future World Willing. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
MTO 17.3: Osborn, Understanding Through-Composition
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres by Brad Osborn 2011 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Osborn, Brad. 2011. “Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres.” Music Theory Online 17, no. 3 Published version: http://www.mtosmt.org/issues/mto.11.17.3/ mto.11.17.3.osborn.pdf Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres (1) Brad Osborn NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.osborn.php KEYWORDS: form, through-composition, rock, experimental rock, post-millennial rock, art rock, post-rock, math-metal, progressive rock, Radiohead, Animal Collective, The Beatles ABSTRACT: Since the dawn of experimental rock’s second coming in the new millennium, experimental artists have begun distancing themselves from Top-40 artists through formal structures that eschew recapitulatory verse/chorus conventions altogether. In order to understand the correlation between genre and form more thoroughly, this paper provides a taxonomic approach to through-composition in several post-millennial experimental rock genres including post-rock, math-metal, art rock, and neo-prog. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas -
What's That Sound?
What‘s That Sound? Bittles‘ Magazine | Record Review When I tell you that there is lots of great music coming out this month I am not just saying this because I have been given lots of huge bribes. It is actually true! That is why, this month, the new album reviews will be spread out over two whole weeks instead of the usual one. By JOHN BITTLES And what a line up of fantastic records there is! This week alone we’ve got the raucous rock of Royal Blood, the psychedelic weirdness of The Wytches, the lush house of Roman Flügel, the strange, techno atmospherics of Ital and tons more. So get your ears ready, your headphones on your head, and let us begin. Since I have been obsessed with this record over these last couple of weeks it is only right to start with the gorgeous house stylings of Happiness is Happening by techno legend Roman Flügel. The follow-up to 2011’s excellent Fatty Folders has been a long time coming, yet it is more than worth the wait. With a light house feel the record’s ten tracks touch on ambient, shoegaze, acid and just about every style of music you would care to name. Opener Connecting The Ghost is a beautiful chug of a tune recalling M83 in its spectral majesty. Friendship Song quickly follows, with a laidback italo-style groove that leads us into the first half of the album which is stuffed full of gently chilled delights. The second half is more dancefloor-based, but is every bit as good.