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Remembering Kansai Yamamoto 32 | Auspicious Symbols and Unexpected Wonders of the City 60 | the Michinoku Coastal Trail
08 | Beat the Heat 12 | Remembering Kansai Yamamoto 32 | Auspicious Symbols and Unexpected Wonders of the City 60 | The Michinoku Coastal Trail AJET Issue No. 96 September 2020 Business & Language, Arts & Culture, Lifestyle, Community Business & Language, Arts Culture, CREDITS & CONTENT HEAD EDITOR HEAD OF DESIGN & HEAD WEB EDITOR Alice Ridley LAYOUT Rhema Baquero Meg Luedtke ASSITANT EDITOR SOCIAL MEDIA Damien Levi ASSISTANT DESIGNERS Shao Ting Nate Ryman SECTION EDITORS Rhiannon Haseltine COPY EDITORS Derek Hurst Lily Berthon Day Bulger Clarissa Combe Dianne Yett Shannon Stocker COVER PHOTO Natalie Andrews Cameron Peagler Meg Luedtke Jessica Craven Alice French GENERAL SECTION Clare Braganza TABLE OF CONTENTS EDITORS Lara Yi PHOTO Ashley Delahaye Rachel Fagundes Jaye Lasseigne Sarah Baughn Kayla Francis ART & PHOTOGRAPHY CONTRIBUTORS Meg Luedtke Samantha Harris Shannon Stocker Jaye Lasseigne Anna Thomas Mary Fisher Libby Rosof Sara Atwood Vikki Evans Ronald Douglas Frazier Earth Celebration Erica Ward Mary Fisher Nadine Primeau Sheila Mulherin Vikki Evans Greg Raines M. Louse João Jesus Samantha Harris Erica Ward Artem Beliaikin Anna Thomas Kayla Francis Viviane Okubo Sara Atwood Sheila Mulherin Kristian Seedorff Simon Yates Todd Diemer Christian Palmer Joe Kwong Tsz-Fung This magazine contains original photos used with permission, as well as free-use images. All included photos are property of the author unless otherwise specified. If you are the owner of an image featured in this publication believed to be used without permission, please contact the Head of Graphic Design and Layout, Meg Luedtke, at visualmedia. [email protected]. This edition, and all past editions of AJET CONNECT, can be found online at http://ajet.net/ajet- connect/magazine-issues/. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Choi Waru Devil W Download
Choi waru devil w download Continue Posted on March 26, 2019 - 11:07AM So they are releasing W's 7th single According to the website upfront (link: to coincide with the W reunion at Hina Fest 2019, their 7th single 'Choi Waru Devil/Dou ni mo Tomaranai', along with three tracklists from the canceled 'W3: Faithful' will be available for purchase digitally on March 30 via Mora, iTunes and Recochoku Tracklist from Solarblade: 1. Choi Waru Devil (ちょい悪デビ) 2. Du no mo Tomaranai (どうにもとまらない) 3. Harusaki Cobeni (春咲⼩紅) 4. Cojin Jugyo (個授業) 5. Uchi ni Kagitte Sonna Koto wa nai Hazu (うちにかぎってそんなことはないはず) Published: 26 Mar 2019 - 11:12AM I can't believe it. (I'd like to see how well it would do as a physical release though.) Published March 26, 2019 - 1:38PM Published March 26, 2019 - 1:40PM Too if they would never do that for EE JUMP though... Published March 26, 2019 - 02:47PM It's so freaking COOL. Published March 26, 2019 - 03:10 PM (Tracklist) 1. Choi Varu Devil (ちょい悪デビ) 2. Du no mo Tomaranai (どうにもとまらない) 3. Harusaki Cobeni (春咲⼩紅) 4. Cojin Jugyo (個授業) 5. Uchi ni Kagitte Sonna Koto wa nai Hazu (うちにかぎってそんなことはないはず) Published March 26, 2019 - 3:21PM I never thought I'd see it! Published march 26, 2019 - 03:57 26 March 2019 - 4:19PM I live as a 16-year-old. Published 26 March 2019 - 04:27 PM I was kind of hoping there would be a chance for release due to a hinafest reunion, but I still never thought it would actually happen published 26 March 2019 - 06:32 PM Holy Shit published 26 March 2019 - 08:22 PM This way more, I expected this reunion. -
Idols and Celebrity in Japanese Media Culture, Edited by Patrick W
Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Edited by Patrick W. Galbraith and Jason G. Karlin University of Tokyo, Japan Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Introduction, selection -
Kumoricon-2017-Program Book.Pdf
Start your 14-day free trial at funimation.com/subscribe TM Stream Anime. Anytime. Anywhere. TABLE OF CONTENTS Letter from the Chair . 4 Hours of Operation . 5 Guests of Honor . 6 Art Show and Charity Auction . 10 DJ Profi les . 12 Programming . 14 Main Events . 14 Guest Programming . ........................... 15 Industry Programmingg . .................... 20 Anime Music Videoseos . 21 Cosplay . ........................................................... .......................... ........... 22 Karaoke . ............................................................... ...................... .................. 22 Dance Lessons .................... ........................................................ ........................ 24 GeneralralProgramming...................................................... Programmingramming........... .......................... 25 Conventionntion MapsMaps........... ... ..................................... ..................... 30 Chibibi RRoomm . 39 Writing/Artting/Artt......... ................................................................ ....... ................................. 40 Craft s......................................................................s . ......... .......... .... ................................ 41 Videoeo Gaminging... .......................................................... ............... .... ................................ 41 Tabletopetop Gamingaming . .......................................................... .............. ..... ..................... 42 Board andCardGaming....................................................and -
Augsome Karaoke Song List Page 1
AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co. -
Country Women Piracy Gambit
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw CL V) W z HI CCVR H 3 -DIGIT 9011 'IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #90807GEE374EM002# BLBD 893 A06 B0093 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 111 UMW r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com JULY 5, 2003 Shal aTwzin at the HOT SPOTS recent Country Music Aw r Is. The Mercury Piracy Gambit artist is the lone female with a current top 10 country single. Raises Stakes RIAA Lawsuit Strategy Risks Consumer Backlash BY BILL HOLLAND and BRIAN GARRITY WASHINGTON, D.C.-The music 5 'Phoenix Rising industry's promised blitzkreig of law- suits against Internet song swappers- The new "Marry Potter and the including file-sharing teens-could Order of the Phoenix" flies out quickly become a legal quagmire. of retail outlets in record num- some critics warn. bers: 5 m Ilion in 24 hours. But with frustration levels running high after months of fruitless educa- tional campaigns, the industry is hell- bent on raising the stakes in the war on music pirates. As it launched its newest offensive June 25, the industry picked up a major ally in Congress. Rep. Lamar Smith, R- Texas, the anti -piracy cham- (Continued on page 74) Majors' Woes Continue 5 Jam On It Country Women Gov't Mule's Warren Haynes is Talks among the artists helping Along With Merger this summer's hot jam band Lose Hit Magic BY MATTHEW BENZ tour to jell. -
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Edited by Manuel Hernández-Pérez Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Media Cultures in Japan and Abroad Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Special Issue Editor Manuel Hern´andez-P´erez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Manuel Hernandez-P´ erez´ University of Hull UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) from 2018 to 2019 (available at: https://www.mdpi.com/journal/arts/special issues/japanese media consumption). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-008-4 (Pbk) ISBN 978-3-03921-009-1 (PDF) Cover image courtesy of Manuel Hernandez-P´ erez.´ c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
The Rise of J-Pop in Asia and Its Impact
COVER STORY • 7 The Rise of J-Pop in Asia and Its Impact By Ng Wai-ming APANESE pop music is commonly music, but also their images. They are bases to make Asian editions of J-pop Jreferred to as “J-pop,” a term coined mostly handsome young boys and cute albums for the Asian market. by Komuro Tetsuya, the “father of J- and pretty young girls who know how to Compared to Japanese editions, Asian pop,” in the early 1990s. The meaning sing, dance, talk, act and dress. Many J- editions are more user-friendly and of J-pop has never been clear. It was pop fans in Asia enjoy music videos affordable. They usually come with the first limited to Euro-beat, the kind of (MVs) as much as CDs. Due to physical Chinese translation of the lyrics. These dance music that Komuro produced. and cultural proximities, Asian youths Asian editions are much cheaper (about However, it was later also applied to feel close to Japanese idols. Unlike 50% less) than the Japanese originals many other kinds of popular music in Western idols who are too out of this and are only permitted to circulate in the Japanese music chart, Oricon, world to Asians, J-pop idols adopt a Asia outside of Japan. They have a wide including idol-pop, rhythm and blues down-to-earth approach and present circulation in Asia. For example, in (R&B), folk, soft rock, easy listening and themselves like the people next door. 2000, the Asian edition of Kiroro’s sometimes even hip hop. -
Imagining the Japanese Masses In
THE UNIVERSITY OF CHICAGO “RATHER A HUNDRED SINGING LABORERS THAN A SINGLE PROFESSIONAL”: IMAGINING THE JAPANESE MASSES IN THE UTAGOE MOVEMENT, 1948-PRESENT A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY JUN HEE LEE CHICAGO, ILLINOIS JUNE 2020 i Table of Contents List of Tables and Figures….……………………….……………………………………………iii Acknowledgements……………………………………………………………………………….vi Introduction: On Music as Cultural and Intellectual History…………………...…...………...…..1 Part I: Establishment of Music as Ideology in Twentieth-century Japan……………………..…17 Chapter 1: Imagining Japan’s National Music, 1880s-1945..........................................................22 Chapter 2: Early Utagoe under the Japanese Communist Party’s Cultural Policy……...……….47 Part II: Utagoe’s National and International Solidarity through Music………………….………99 Chapter 3: Remembering Araki Sakae the Laborer-Composer, Inside Out……………………106 Chapter 4: The Rise and Fall of Utagoe’s National Music Paradigm, 1953-1974……………..158 Part III: Dual History of Utagoe: the Cases of Utagoe Kissa…………………….…………….214 Chapter 5: “Utagoe Coffeehouse” Tomoshibi’s Cultural Ventures, 1962-1992……………….228 Chapter 6: Betwixt Movement and Nostalgia: Practicing Utagoe in Japan since 2011.……….290 Conclusion: In Place of the Coda.……………………………………………………...…….....355 Bibliography………………………………….…………..…………………………………….362 ii List of Tables and Figures Table 2.1: Timeline of institutional development of the Central Chorus and Nihon no Utagoe…....52 Figure 2.1: Seki Akiko leading rehearsal with the Central Chorus’s fifteenth class (1952).………...73 Figure 2.2 Sheet music for “Our Friends” (1949).…………………………………………………. 76 Figure 2.3 Participants from Tokyo performing at the 1954 Nihon no Utagoe Festival.…....……...79 Figure 2.4 A closer shot of the participants from Tokyo at the 1954 Nihon no Utagoe Festival.......80 Figure 2.5 Central Chorus members perofrming in Uchinada (1953) ……………………………. -
Songs by Artist
Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M. -
Media Convergence in Japan 03-06-16.Indd
Media Convergence in Japan Patrick W. Galbraith and Jason G. Karlin, 2016 This work is licensed under a Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2016 by Kinema Club “Convergence and Globalization in the Japanese Videogame Industry,” by Mia Consalvo, in Cinema Journal 48, no. 3: 135-141. Copyright 2009 by the University of Texas Press. All rights reserved. Reprinted with permission of the publisher. Typeset by IntegralDMS A Kinema Club Book kinemaclub.org Table of Contents Illustrations Acknowledgements Contributors Introduction: At the Crossroads of Media Convergence in Japan 1 Patrick W. Galbraith and Jason G. Karlin Part I: Media Convergence After 3/11 1. Precarious Consumption After 3/11: Television Advertising in 30 Risk Society Jason G. Karlin 2. Networking Citizens through Film Screenings: Cinema and 60 Media in Post-3/11 Social Movements Hideaki Fujiki Part II: Industrial Convergence 3. Convergence and Globalization in the Japanese Videogame 90 Industry Mia Consalvo 4. When the Media Do Not Quite Converge: The Case of Fuji 99 TV and Livedoor Shinji Oyama and Dario Lolli Part III: Cultural Convergence 5. Obasan and Kanryū: Modalities of Convergence of Middle- 124 Aged Japanese Women Around South Korean Popular Culture and Gender Divergence in Japan John Lie Part IV: Convergence of the Virtual and Real 6. On Two-Dimensional Cute Girls: Virtual Idols 144 Yoshida Masataka 7. Ensoulment and Effacement in Japanese Voice Acting 169 Shunsuke Nozawa 8. Producing Hatsune Miku: Concerts, Commercialization, and 200 the Politics of Peer Production Alex Leavitt, Tara Knight, and Alex Yoshiba Part V: Affective Convergence 9.