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Boosey & Hawkes
City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures...................................................................................................................................... -
Soprano Cornet
SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title A percussionist's practice Permalink https://escholarship.org/uc/item/1kt9v0km Author Stuart, Greg Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO A Percussionist’s Practice A dissertation submitted in partial satisfaction of the requirements for the Degree Doctor of Musical Arts in Contemporary Music Performance by Gregory William Stuart Committee in Charge: Professor Steven Schick, Chair Professor Rae Armantrout Professor David Borgo Professor Charlie Oates Professor Rand Steiger 2009 Copyright Gregory William Stuart, 2009 All rights reserved. The Dissertation of Gregory William Stuart is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii DEDICATION For my parents Thomas and Patricia Stuart. Without your love and support this would not have been possible. iv EPIGRAPH We live in a constellation Of patches and of pitches, Not in a single world, In things said well in music, On the piano and in speech, As in the page of poetry— Thinkers without final thoughts In an always incipient cosmos. The way, when we climb a mountain, Vermont throws itself together. Wallace Stevens George Mantor had an iris garden, which he improved each year by throwing out the commoner varieties. One day his attention was called to another very fine iris garden. Jealously he made some inquiries. The garden, it turned out, belonged to the man who collected his garbage. John Cage v TABLE OF CONTENTS Signature Page ............................................................................................... -
Multi-Percussion in the Undergraduate Percussion Curriculum Benjamin A
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2014-12 Multi-percussion in the Undergraduate Percussion Curriculum Benjamin A. Charles University of Miami, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Charles, Benjamin A., "Multi-percussion in the Undergraduate Percussion Curriculum" (2014). Open Access Dissertations. Paper 1324. This Open access is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. ! ! UNIVERSITY OF MIAMI ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM ! By Benjamin Andrew Charles ! A DOCTORAL ESSAY ! ! Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts ! ! ! ! ! ! ! ! ! Coral Gables,! Florida ! December 2014 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ©2014 Benjamin Andrew Charles ! All Rights Reserved UNIVERSITY! OF MIAMI ! ! A doctoral essay proposal submitted in partial fulfillment of the requirements for the degree of Doctor of Musical! Arts ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM! ! Benjamin Andrew Charles ! ! !Approved: ! _________________________ __________________________ -
A, Fl }J)-A?L~---- Dr
A SURVEY OF ACTIVE BRASS BANDS IN THE STATE OF OHIO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Diana Droste Herak, B.M.E. * * * * * The Ohio State University 1999 Master's Examination Committee: Approved by Dr. Jon Woods, Adviser Dr. Jere Forsythe __a,_fL_}j)-A?L~---- Dr. Russel Mikkelson v--- Adviser School of Music Copyright by Diana Droste Herak 1999 ABSTRACT In England, many adult amateur musicians continue playing their instruments throughout their lives in the brass band world. In contrast, American adult musicians rarely continue performing once their school days are over. By conducting a survey of the current status of active brass bands in Ohio, it is the intent of this study to offer an historical background of each band, bring more exposure to the brass band movement, and promote brass banding as a musically worthwhile activity for adult amateur musicians. Not much is known about the history and current status of the brass band movement in America. In 1992, Dr. Ned Mark Hosler completed a dissertation entitled “The Brass Band Movement in North America: A Survey of Brass Bands in the United States and Canada.” The intent of this thesis was to focus specifically on British-style brass bands in the state of Ohio. A questionnaire was administered to a sample population of British brass bands in Ohio. The categories covered in the survey included basic information, band origin, membership demographics, instrumentation, organizational structure, rehearsals/performances, public/community support, repertoire, the impact of the North American Brass Band Association, and general considerations. -
Loudoun County Public Schools
LOUDOUN COUNTY PUBLIC SCHOOLS DEPARTMENT OF BUSINESS & FINANCIAL SERVICES PROCUREMENT DIVISION 21000 Education Court, Suite #301 Ashburn, VA 20148 Phone (571) 252-1270 Fax (571) 252-1432 4/1/18 Contract Information Title: Percussion and Keyboards for New Schools and Ongoing Needs IFB/RFP Number: IFB #I18174 Supersedes: IFB #I17137 Vendor Name: See attached Vendor List for Multiple awards Debarment Form: Required: No Form on File: N/A Contractor Certification: Required: Yes Form on File: Yes Virginia Code 22.1-296.1 …the school board shall require the contractor to provide certification that all persons who will provide such services have not been convicted of a felony or any offense involving the sexual molestation or physical or sexual abuse or rape of a child. Pricing: See attached Pricing Sheet(s) Contract Period: April 1, 2018 to March 31, 2019 Contract Renewal new Number: Number of Renewals 4 Remaining: Procurement Contact: Beth Marling Procurement Director: Andrea Philyaw LOUDOUN COUNTY PUBLIC SCHOOLS DEPARTMENT OF BUSINESS & FINANCIAL SERVICES PROCUREMENT SERVICES 21000 Education Court, Suite #301 Ashburn, VA 20148 Phone (571) 252-1270 Fax (571) 252-1432 February 22, 2018 NOTICE OF AWARD IFB #I18174 PERCUSSION AND KEYBOARDS FOR NEW SCHOOLS AND ONGOING NEEDS In order to provide percussion and keyboard instruments to equip the new elementary and middle schools, and for the ongoing needs, Loudoun County Public Schools Procurement Office solicited bids from eighty-seven (87) vendors. Nine (9) bids were received. Award is being made to the lowest responsive and responsible bidder on the specified items, as per the attached staff recommendation. -
Check It out Here
www.musictrades.com DECEMBER 2017 THE GLOBAL ISSUE KANSTUL FAMILY-OWNED BRASSWINDS MAKER CARRIES ON TRADITION OF CRAFTSMANSHIP GLOBAL COMPANY PROFILES ducing a quality sound.” Trumpets have been arguably KMI’s KANSTUL highest-profile segment since that first contract to build the Besson line, yet Family-owned brasswinds maker carries on many of its other entries have found their tradition of craftsmanship own place in musical lore. KMI’s Model 1531 cornet was used by Doc Severinsen to record his famous Trumpet Spectacu- lar album, while its flagship 1525 cop- per-bell flugelhorn was used on the album Flight To Freedom by Arturo San- doval, who called it “the most incredible instrument I’ve ever played.” Three Kanstul contrabass trombones were used in Disney’s Alice In Wonderland. And as for tubas: the last major project of Zig Kanstul’s career was bringing back the York line sometimes known as the “Great American Tuba.” KMI even de- veloped an Eb tenor horn, used mostly in the U.K., so it could supply British-style brass bands with all their instruments. In one of its newest projects, KMI has re- created the iconic “Committee” trumpet played by greats including Wallace Roney, who plays a custom version of the instrument. In another new entry, it’s developed travel tubas in the key of C or Bb, both sized for modern airline re- WITH THE 1981 CLOSURE of the brasswinds company manufacturing en- quirements but drawing on the DNA of Benge brass instruments factory, a crew tirely in the United States. Although Zig classic models from the Kanstul line. -
Instrument Making of the Salvation Army
30 The Galpin Society Journal LXXIII (2020) ARNOLD MYERS Instrument Making of the Salvation Army he Salvation Army was formed as such in contribute to Army events across Britain; in 1880 the September 1878 as a development of the first corps (local congregation) band was established: earlier Christian Mission in the East End of 14 instrumentalists at Northwich.2 The 1880s were a London,T with origins in the Methodist Church, and period of remarkable growth of the Salvation Army became a separate Christian church. It was primarily across Britain (and overseas), and saw brass bands evangelical, and adopted military organisational develop an essential role for the Army in recruitment structures and metaphorical language as an effective and worship. The Salvation Army brass band stratagem. The poor were seen as neglected by the tradition and repertoire have been discussed in depth established churches, and converting the poor to by Boon,3 Herbert,4 Holz5 and Cox,6 allowing us to Christianity was the chief aim of the Salvation Army. focus here on instruments. Conversion was largely brought about by preaching Playing in brass bands was a widely practised the gospel in meetings, and people were attracted pastime for many, so the recruits to the early to meetings by street demonstrations and open- Salvation Army were often already brass band air acts of witness. These demonstrations featured musicians. Some brought their own instruments gospel singing which was usually accompanied by which they then had to sell to the local Army corps: instruments of different kinds. Brass instruments for the others the corps provided instruments which proved to be particularly effective, and the had to be bought from Headquarters. -
17-12-01 Musical Instruments & Suppliespdf
CONROE INDEPENDENT SCHOOL DISTRICT TABULATION RFP #17-12-01 - MUSICAL INSTRUMENTS AND SUPPLIES TOTAL Supplier QTY UOM Unit Price Extended Manufacturer Manuf Num EVALUATION SCORE Pianos, 48 inch Acoustical Upright with Bench; 88 Keys; Acrylic Resin White Key Surface; phenolic Resin Black Key Surface; Shift, Muller, Yamaha or 1 B3PE with J4010 Dolly Damper Pedal Type; Polished Ebony Finish; 60 inch W x 48 inch H x 24 Approved Equal inch D; Installed Dolly Romeo Music - Alternate 8 Each $5,500.00 $44,000.00 Baldwin 243e 88 Fort Bend Music Center (Cochran & 8 Each $5,339.00 $42,712.00 82 Cochran Ent. Inc) Alamo Music Center - Alternate 8 Each $4,810.00 $38,480.00 Pearl River EU122 polished ebony 81.5 Piano, Grand; 88 Keys; Ivorite White Key Surface; WPC Black Key Surface; Damper, Sostenuto, Shift Pedal Type; Double Caster; Prop Safety Stop on Yamaha or 2 C6X Lid; Key Cover: Lid Fallboard Locks, Soft Close Fallboard; 4 Back Posts; Approved Equal Polished Black Finish; Bench Alamo Music Center - Alternate 1 Each $24,850.00 $24,850.00 Ritmuller GH212R 87 Fort Bend Music Center (Cochran & 1 Each $43,539.00 $43,539.00 62 Cochran Ent. Inc) Piano, Baby Grand Digital; Supernatural Piano Modeling Sound; 307 Tones; Wood and Plastic Hybrid Structure Keyboard with Escapement and Ebony/Ivory Feel; 88 Keys; Progressive Damper Action Pedal; Acoustic Roland or 3 GP-607-PEC Projection; 113dB Volume Level; 363 Internal Songs; Bluetooth Version Approved Equal 3.0; AC Adapter; 55 7/16 inches W x 37 3/8 inches D x 59 15/16 inches H; Black Finish; Bench Included Romeo Music 1 Each $4,450.00 $4,450.00 86 Fort Bend Music Center (Cochran & 1 Each $3,689.00 $3,689.00 Yamaha CLP665GP 85 Cochran Ent. -
MUTES by You Do BESSON That 'DEAL' Better If You with Th·E Deal
PER AA ANNUAL SU3SCRIPTION REGISTERED FOR LIVERPOOL, FEBRU ARY 1, 1946 PRICE POST�· • No. 773 TRANSMISSION ABROAD 3d. Post Free 4/- QUARTETS POPULAR CORNET SOLOS BESSON FOR BRASS INSTRUMENTS NOW AVAILABLE (With Pianoforte Accompaniment) WILL BU Y YOUR ACCESSORIES s. d. 15 3 SURPLU S INSTRUMENTS Complete with Score and Parts New Standard Cornet Mouthpiece ... ... ... ... of 3 5 3 H. Moss "Mosquito" Trombone Valve Springs for Cornet, " N.V. A." ... per set 2 CORNETS 2 TROMBONES Valve Springs made of phosphor bronze- H. Moss " The Joker " Send particulars to : The Phantom Brigade . .. 2 6 3 6 Trumpets-Cornets-Horns ... ... ... set of I Demande et Reponse .. .. 2 6 Sutton " The Joy Wheel " BESSON, Department 19, West Street Baritone and Euphonium, 3 valve . ... ... 2 3 valve . .. 2 9 Clough "Winning Spurt" Charing 4 CORNETS Euphonium, 4 Cross Road, LONDON, W.C. 2 .. ... .. 2 9 Bal Masque 2 6 Eb and BBb Bass, 3 valves . .. Hartman "Facilita " Cornet . .. .. 3 3 Eb and BBb Bass, 4 valves .. .. TROMBONES 6 6 Percy Code "Lucille " 4 Waterkey Springs for all of above ... ... ... doz. Awake, Aeolian Lyre inside and outside, · · · · · above, complete sets "Zanette" · 2 o Corks for all of Percy Code Band Teachers, Adjudicators and Soloists Comrades in Arms } cork ... ... .. ... ... 2 6 including waterkey "Zelda" The Box of Soldiers ... ... 2 6 ... doz. 2 9 Percy Code Corks for waterkey, shellaced ready for fixing Baby's Sweetheart .. ... ... 2 6 11 "Triple Trumpeter" WILLIAM POLLAR Corks for waterkey, plain ... ... ... ... ... doz. I Grant D ... ... ... ... 10 3 2 CORNETS, HORN and EUPHONIUM Shanks for Cornet, Bb, silver-plated Templeton " Sonia" CORNET SOLOIST, BAND TEACHER, bottle I 6 Valve Oil .. -
Consumables Besson Professional Instruments
Consumables Besson Professional Instruments Sovereign/Prestige • Valve Springs • Valve Felts • Valve Spring Pads • Valve Guides • Finger Button Inlays 2016 Consumables Besson Sovereign/Prestige SP445360 SP445370 old codes: STD701A-26, ACP90940 old code: STD701A-17 ~ 40x9 mm ~ 41x15 mm Cornet 927/928/2028 (3x) Cornet 723/7023 (3x) Valve Tenor 950/2050 (currently) (3x) Tenor 752/7052 (3x) Tenor 950/2050 (previously) (3x) Springs 1:1 SP445260 SP640105 STD701A-21 old code: STD701A-13 old code: STD701A-11 NO LONGER AVAILABLE! ~ 44x13 mm ~ 57x17 mm ~ 56x16 mm Bariton 757/7057 (3x) Euphonium 762/7062/765/7065 (4x) Tuba 784/7084/794/7094 (1x) Baritone 955 (3x), 956/2056 (4x) (previously) Euphonium 967/968/2051/2052 (3x or 4x) Euphonium 967/968/2051/2052 (1x) (previously) (previously) Tuba 784/7084/794/7094 (3x or 4x) Tuba 983/984/993 (previously) (3x or 4x) SP640115 SP640125 SP445290 old code: STD701A-25 ~ 45x16 mm ~ 58x18 mm ~ 57x16 mm Tuba 980/981/982/994 (previousiy) (4th valve) Tuba 995 (4x) Tuba 980/981/982/994 (previousiy) (1st-3rd valve) 2016 MOL Consumables Besson Sovereign/Prestige SP640145 ~ 65x20 mm Euphonium 967/968/2051/2052 (1st valve) Plastic Tuba 980/981/982/983/984/993/994 (1st valve) Coated Springs 1:1 SP640155 SP640165 ~ 65x20 mm ~ 64x20 mm Euphonium 967/968/2051/2052 (2nd valve) Euphonium 967/968/2051/2052 (3rd valve) Tuba 980/981/982/983/984/993/994 (2nd valve) Tuba 980/981/982/983/984/993/994 (3rd valve) SP640175 SP640185 ~ 60x20 mm ~ 55x16 mm Euphonium 967/968/2051/2052 (4th valve) Baritone 955 (3x), 956/2056 (4x) (currently) -
Kanstul Trumpet & Cornet Models
Kanstul Trumpet & Cornet Models Moonlighting for Benge while working for F.E. Olds, Zigmant Kanstul met Irving Bush and Byron Autry. Later, after succeeding his mentor Foster Reynolds as head of the F.E. Olds factory, he worked with R. Dale Olson and came to know William Cardwell. Zig Kanstul’s career brought him into contact with these great figures in trumpet design and the business of making them, but his apprenticeships marked the end point of a long string of master to student knowledge transfer that encompassed names such as James Keat, Elbridge Wright, Samuel Graves, Henry Esbach, JW York, Pops Johnson, Foster Reynolds, HN White, Ory Berdan, HE McMillin, Frank Olds, RB Olds, Elden Benge, Renold Schilke, and through Schilke, the masters at Frank Holton & Co. wh.o redefined the trumpet in the 1920s. As Olson titled Kanstul’s biography, he was the last of the great masters. Together with Olson, Autry, Hal Oringer and others, he mastered the art of not just replicating the greatest horns of the past, but perfecting and then evolving those designs. Zig Kanstul left FE Olds in 1972 to run the Benge facility in California that, following the transfer of Benge to Eastlake Ohio, he ultimately purchased tooling from and founded Kanstul Musical Instruments in 1981. Zig Kanstul committed himself 100% to the company and even moved into an apartment in the plant, literally being at work 24 hours a day. Following in the shoes of Foster Reynolds, Zig Kanstul passed away in his plant in the fall of 2017. In March of 2019, his son Mark, the last Kanstul still at the plant daily, though son Jack continued the marketing from his Arizona home, made the decision to cease operations and liquidate the assets of the company.