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Michael Brecker Chronology
Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
40 Steve Gadd Master: the Urgency of Now
DRIVE Machined Chain Drive + Machined Direct Drive Pedals The drive to engineer the optimal drive system. mfg Geometry, fulcrum and motion become one. Direct Drive or Chain Drive, always The Drummer’s Choice®. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12 ©2017Modern DRUM Drummer WORKSHOP, June INC. ALL2014 RIGHTS RESERVED. ROLAND HYBRID EXPERIENCE RT-30H TM-2 Single Trigger Trigger Module BT-1 Bar Trigger RT-30HR Dual Trigger RT-30K Learn more at: Kick Trigger www.RolandUS.com/Hybrid EXPERIENCE HYBRID DRUMMING AT THESE LOCATIONS BANANAS AT LARGE RUPP’S DRUMS WASHINGTON MUSIC CENTER SAM ASH CARLE PLACE CYMBAL FUSION 1504 4th St., San Rafael, CA 2045 S. Holly St., Denver, CO 11151 Veirs Mill Rd., Wheaton, MD 385 Old Country Rd., Carle Place, NY 5829 W. Sam Houston Pkwy. N. BENTLEY’S DRUM SHOP GUITAR CENTER HALLENDALE THE DRUM SHOP COLUMBUS PRO PERCUSSION #401, Houston, TX 4477 N. Blackstone Ave., Fresno, CA 1101 W. Hallandale Beach Blvd., 965 Forest Ave., Portland, ME 5052 N. High St., Columbus, OH MURPHY’S MUSIC GELB MUSIC Hallandale, FL ALTO MUSIC RHYTHM TRADERS 940 W. Airport Fwy., Irving, TX 722 El Camino Real, Redwood City, CA VIC’S DRUM SHOP 1676 Route 9, Wappingers Falls, NY 3904 N.E. Martin Luther King Jr. SALT CITY DRUMS GUITAR CENTER SAN DIEGO 345 N. Loomis St. Chicago, IL GUITAR CENTER UNION SQUARE Blvd., Portland, OR 5967 S. State St., Salt Lake City, UT 8825 Murray Dr., La Mesa, CA SWEETWATER 25 W. 14th St., Manhattan, NY DALE’S DRUM SHOP ADVANCE MUSIC CENTER SAM ASH HOLLYWOOD DRUM SHOP 5501 U.S. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title A percussionist's practice Permalink https://escholarship.org/uc/item/1kt9v0km Author Stuart, Greg Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO A Percussionist’s Practice A dissertation submitted in partial satisfaction of the requirements for the Degree Doctor of Musical Arts in Contemporary Music Performance by Gregory William Stuart Committee in Charge: Professor Steven Schick, Chair Professor Rae Armantrout Professor David Borgo Professor Charlie Oates Professor Rand Steiger 2009 Copyright Gregory William Stuart, 2009 All rights reserved. The Dissertation of Gregory William Stuart is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii DEDICATION For my parents Thomas and Patricia Stuart. Without your love and support this would not have been possible. iv EPIGRAPH We live in a constellation Of patches and of pitches, Not in a single world, In things said well in music, On the piano and in speech, As in the page of poetry— Thinkers without final thoughts In an always incipient cosmos. The way, when we climb a mountain, Vermont throws itself together. Wallace Stevens George Mantor had an iris garden, which he improved each year by throwing out the commoner varieties. One day his attention was called to another very fine iris garden. Jealously he made some inquiries. The garden, it turned out, belonged to the man who collected his garbage. John Cage v TABLE OF CONTENTS Signature Page ............................................................................................... -
Multi-Percussion in the Undergraduate Percussion Curriculum Benjamin A
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2014-12 Multi-percussion in the Undergraduate Percussion Curriculum Benjamin A. Charles University of Miami, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Charles, Benjamin A., "Multi-percussion in the Undergraduate Percussion Curriculum" (2014). Open Access Dissertations. Paper 1324. This Open access is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. ! ! UNIVERSITY OF MIAMI ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM ! By Benjamin Andrew Charles ! A DOCTORAL ESSAY ! ! Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts ! ! ! ! ! ! ! ! ! Coral Gables,! Florida ! December 2014 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ©2014 Benjamin Andrew Charles ! All Rights Reserved UNIVERSITY! OF MIAMI ! ! A doctoral essay proposal submitted in partial fulfillment of the requirements for the degree of Doctor of Musical! Arts ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM! ! Benjamin Andrew Charles ! ! !Approved: ! _________________________ __________________________ -
Loudoun County Public Schools
LOUDOUN COUNTY PUBLIC SCHOOLS DEPARTMENT OF BUSINESS & FINANCIAL SERVICES PROCUREMENT DIVISION 21000 Education Court, Suite #301 Ashburn, VA 20148 Phone (571) 252-1270 Fax (571) 252-1432 4/1/18 Contract Information Title: Percussion and Keyboards for New Schools and Ongoing Needs IFB/RFP Number: IFB #I18174 Supersedes: IFB #I17137 Vendor Name: See attached Vendor List for Multiple awards Debarment Form: Required: No Form on File: N/A Contractor Certification: Required: Yes Form on File: Yes Virginia Code 22.1-296.1 …the school board shall require the contractor to provide certification that all persons who will provide such services have not been convicted of a felony or any offense involving the sexual molestation or physical or sexual abuse or rape of a child. Pricing: See attached Pricing Sheet(s) Contract Period: April 1, 2018 to March 31, 2019 Contract Renewal new Number: Number of Renewals 4 Remaining: Procurement Contact: Beth Marling Procurement Director: Andrea Philyaw LOUDOUN COUNTY PUBLIC SCHOOLS DEPARTMENT OF BUSINESS & FINANCIAL SERVICES PROCUREMENT SERVICES 21000 Education Court, Suite #301 Ashburn, VA 20148 Phone (571) 252-1270 Fax (571) 252-1432 February 22, 2018 NOTICE OF AWARD IFB #I18174 PERCUSSION AND KEYBOARDS FOR NEW SCHOOLS AND ONGOING NEEDS In order to provide percussion and keyboard instruments to equip the new elementary and middle schools, and for the ongoing needs, Loudoun County Public Schools Procurement Office solicited bids from eighty-seven (87) vendors. Nine (9) bids were received. Award is being made to the lowest responsive and responsible bidder on the specified items, as per the attached staff recommendation. -
Jones. Philly Joe Jones. Max Roach. I Got to Hear All Those Guys. You
Stteve Gadd iis one off tthe mostt rrespectted drrummerrs off allll ttiime.. Equalllly att home on sttage orr iin tthe sttudiio,, comfforrttablle iin allll sttylles ffrrom iinttrriicatte jjazz tto tthe siimpllestt pop,, Gadd brriings iimpeccablle ttastte,, ffeell,, and musiiciianshiip tto everry prrojjectt he grraces.. No wonderr he’’s been tthe drrummerr off choiice fforr Paull Siimon,, James Tayllorr,, Arrettha Frranklliin,, Stteviie Wonderr,, Stteelly Dan,, Barrbrra Sttrreiisand,, Erriic Cllaptton,, Carrlly Siimon,, Chiick Correa,, Frrank Siinattrra,, and counttlless ottherr arrttiistts.. Yamaha rrecenttlly cellebrratted ttheiirr tthiirrtty--yearr rrellattiionshiip wiitth Gadd by rrelleasiing tthe lliimiitted--ediittiion Stteve Gadd 30tth Anniiverrsarry Drrum Kiitt,, a ffas -- ttiidiious rreplliica off tthe custtom Yamaha kiitt Stteve has used on counttlless rrecorrdiings.. IItt iincorrporrattes a numberr off Gadd’’s siignatturre iinnovattiions,, such as a miix off maplle and biirrch shelllls and tthe use off a hiigh 10” ttom.. Gadd lliives iin Rochestterr,, New Yorrk,, tthe ttown wherre he grrew up.. Butt when we ttrracked hiim down,, he was iin New Yorrk Ciitty,, rrehearrsiing wiitth Paull Siimon fforr an upcomiing allbum and ttourr.. How old were you when you decided to become a drummer? Jones. Philly Joe Jones. Max Roach. I got to hear all those guys. Was there a particular record you worked on that marked a turning as coming up with innovative ideas, that’s not just about me. It’s always a Well, I never really decided—I always just did it. I started drumming when point toward that more simplified style? group effort involving the artist, the producer, and the other musicians. You started out playing jazz. -
Videos + Dvds Künstler Titel DVD a Absolute Beginners Drums DVD Acuna, Alex Drums&Percussion Acuna, Alex South American,Carribean
Videos + DVDs Künstler Titel DVD A Absolute Beginners Drums DVD Acuna, Alex Drums&Percussion Acuna, Alex South American,Carribean.... Acuna, Alex The Rhythm Collector DVD Acuna, Alex Live At PAS Abercrombie/Erskine Band Live In New York City Adler, Henry Hand Development Technique Alaoui, Ali The Darabuka DVD Alexander, Tim Tim Alexander DVD Ameen, Robbie Funkifying The Clave Aronoff, Kenny Laying It Down & DVD Aronoff, Kenny Power Workout I & DVD Aronoff, Kenny Power Workout II & DVD Ashbaugh, Billy Takin` Care of Business DVD B Bachmayer / Höllerer Rudimental Secrets DVD Baker, Ginger Master Drum Techniques Basic Conga Pearl Percussion Video Beauford, Carter Under The Table And Drumming & DVD Beauford, Carter & Victor Wooten Making Music & DVD Belloni, Alessandra Rhythm is the cure DVD Bellson, Louis A Musical Drummer Bellson, Louis Drumcourse For Beginners Bergamo, John Joy Of Hand Drumming Berroa, Ignacio Afro Cuban Drumming Bissonette, Gregg Private Lesson Bissonette, Gregg Playing With A Band Bissonette, Gregg Musical Drumming in Different Styles DVD Black, Dave Drummer’s Toolkit DVD Black, Dave & Randy Feldstein Drums DVD Blackmann, Cindy Multiplicity & DVD Blackwell, John Technique, Groove, Showmanship DVD Bohr, Manni von Master Your Drumsound & DVD Borden, Jamie Stepping it up DVD Bowders, Jeff Double Bass Drumming Workshop DVD Bozzio, Terry Solo Drums Bozzio, Terry Melodic Drumming 1 Bozzio, Terry Melodic Drumming 2 Bozzio, Terry Melodic Drumming 3 Bozzio, Terry Live In Concert Bozzio/Wackermann Solos & Duets DVD Bozzio/Wackermann -
Unassuming Yet Engaging, the Gaddabouts
JAN/FEB 2011 ISSUE MMUSICMAG.COM REVIEWS HOLE TNobody’sHE GADDABOUTS Daughter [Universal] The Gaddabouts [Racecarlotta] The first album released under the Hole moniker since 1998’s Celebrity Skin is Whilereally it’s only natural to mistake the Gaddabouts’ self-titled debut for frontwoman Courtney Love’s second solo album—co-founder,another Edie Brickell album—perhaps a companion piece to the eponymous songwriter and lead guitarist Eric Erlandson isn’t involved,effort she released in January—that assumption misses the mark. This is an nor is any other previous Hole member. So it’s Love andall-star three assemblage, with Brickell being but one of the headliners alongside ringers on 11 new songs—10 of which Love wroteveteran with drummer Steve Gadd, Who bassist Pino Palladino and British collaborators like Billy Corgan,guitarist Linda Andy Perry Fairweather-Low. and new Gadd, who played with Brickell on the guitarist Micko Larkin. (Perry gets full credit on one tune, “Letter to God.”) initial demos that birthed the band, not only steers the pace but sets the Much of the riveting intensity of the group’s 1990s heyday appears to havetone left asalong well. with The her formerGaddabouts Daniel Jackson mines his trademark shuffle and his easy bandmates, but there are fl ashes here of the snarling Too often, though, the slower songs trip her up. While once fury Love deployed to suchamble, devastating from effect the breezyback in the sway day. ofthey the were aptly showcases titled for“Let harrowing It Slide” displays to theof naked gypsy- emotion, She spits out her vocals with vengeful disdain on “Skinny Little Love sounds more dispassionate these days. -
17-12-01 Musical Instruments & Suppliespdf
CONROE INDEPENDENT SCHOOL DISTRICT TABULATION RFP #17-12-01 - MUSICAL INSTRUMENTS AND SUPPLIES TOTAL Supplier QTY UOM Unit Price Extended Manufacturer Manuf Num EVALUATION SCORE Pianos, 48 inch Acoustical Upright with Bench; 88 Keys; Acrylic Resin White Key Surface; phenolic Resin Black Key Surface; Shift, Muller, Yamaha or 1 B3PE with J4010 Dolly Damper Pedal Type; Polished Ebony Finish; 60 inch W x 48 inch H x 24 Approved Equal inch D; Installed Dolly Romeo Music - Alternate 8 Each $5,500.00 $44,000.00 Baldwin 243e 88 Fort Bend Music Center (Cochran & 8 Each $5,339.00 $42,712.00 82 Cochran Ent. Inc) Alamo Music Center - Alternate 8 Each $4,810.00 $38,480.00 Pearl River EU122 polished ebony 81.5 Piano, Grand; 88 Keys; Ivorite White Key Surface; WPC Black Key Surface; Damper, Sostenuto, Shift Pedal Type; Double Caster; Prop Safety Stop on Yamaha or 2 C6X Lid; Key Cover: Lid Fallboard Locks, Soft Close Fallboard; 4 Back Posts; Approved Equal Polished Black Finish; Bench Alamo Music Center - Alternate 1 Each $24,850.00 $24,850.00 Ritmuller GH212R 87 Fort Bend Music Center (Cochran & 1 Each $43,539.00 $43,539.00 62 Cochran Ent. Inc) Piano, Baby Grand Digital; Supernatural Piano Modeling Sound; 307 Tones; Wood and Plastic Hybrid Structure Keyboard with Escapement and Ebony/Ivory Feel; 88 Keys; Progressive Damper Action Pedal; Acoustic Roland or 3 GP-607-PEC Projection; 113dB Volume Level; 363 Internal Songs; Bluetooth Version Approved Equal 3.0; AC Adapter; 55 7/16 inches W x 37 3/8 inches D x 59 15/16 inches H; Black Finish; Bench Included Romeo Music 1 Each $4,450.00 $4,450.00 86 Fort Bend Music Center (Cochran & 1 Each $3,689.00 $3,689.00 Yamaha CLP665GP 85 Cochran Ent. -
May 4, 1978 Cal Poly Report
CAl ~VOillEil I JP>OlY +UPFPOil A series of seminars, panel discus Women", Cynthia Johnson, and Slide sions, and multimedia presentations Show "Women-The Way We Were, on the current concerns of women will 12:15 pm, Staff Dining Room; Work be presented during a week-long shop "Women in Management - How REPORT to Further Your Career", 1:30 pm, "Women Up Front" celebration to be California Polyteclinic State University held at Cal Poly from Sunday (May 7) Staff Dining Room. San Luis Obispo, California 93407 through Friday (May 12). To be held in TUESDAY (MAY 9)- Panel Discussion a number of campus locations, the "Minority Women and Discrimina series is being sponsored by the Dean tion: The Case In Education", 11 am, of Students Office. May 4, 1978 Administration 211D; Panel Discus The celebration will begin with an sion "Women and Money", noon, opening ceremony at 5 pm on Sunday, Administration 211 D. Volume 29, Number 34 (May 7) in the University Union Plaza WEDNESDAY (MAY 10) - Panel and continue through Friday, May 12. Discussion "New Horizons", 11 am A two-and-a-half mile "Awareness and noon, University Union 220; Fun Run" for women will Immediately Symposium "The Hidden Profes follow the opening ceremony during sional", 11 am and noon, University Stadium which Mary E. Kennedy will speak Union 219. briefly. Participation In the run, which THURSDAY (MAY 11) - Keynote improvements will begin at the University Union Address ''Women's Place???'', Elaine Plaza, wind through the university St. Johns, 11 am, University Union on the way campus, and return to the plaza, is 204; Presentation "Total Body open to any women who wish to take A scaled-down plan to renovate Mus Helath", Jeanette Reese, 11 am, part. -
Brecker and Patterns
Brecker and Patterns An Analysis of Michael Brecker's Melodic and Instrumental Devices Thesis for the degree of Master of Music Sibelius Academy (Helsinki, Finland) Department of Composition and Music Theory Autumn 1998 - Spring 1999 Ari Poutiainen © Ari Poutiainen 1999 ALL RIGHTS RESERVED Brecker and Patterns - An Analysis of Michael Brecker's Melodic and Instrumental Devices ABSTRACT Only a few scientific studies or articles exist on Michael Brecker's improvisational style. The present work approaches Michael Brecker's style through a detailed analysis of his solos in the compositions "Straphangin'," "Nothing Personal," and "Peep." The approach to this analysis is similar to that of which jazz musicians use themselves. The analysis is based on selected audio material and transcriptions. David Baker's "Giants of Jazz" series was applied as a model for the form of the study. The applied theoretical framework of contemporary jazz improvisation is based on David Liebman's "A Chromatic Approach to Jazz Harmony and Melody," and various other works. In this study, the aim was to define and describe certain melodic and instrumental devices which are characteristic of Brecker's expression. In the analysis, attention was given to the melodic devices which are based on the diminished, altered, pentatonic, and augmented scales, and on the superimposed "Giant Steps" chord progressions. For the instrumental devices, the focus of the analysis was on alternate fingerings, multiphonics, and fingering mannerisms. The use of these devices was divided into functional and non-functional. Some of the devices and their usage could not be discussed deeply enough in the three solo analyses alone, and further examples were therefore traced from Brecker's other performances.