Gerry Anderson – Anything Can Happen Kim Stanley Robinson
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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
'Fab' Tribute to Puppet Genius Gerry Anderson
P News Release RS 6 December 2010 ROYAL MAIL PAYS ‘FAB’ TRIBUTE TO PUPPET GENIUS GERRY ANDERSON AND THUNDERBIRDS ARE GO, ON ‘MOVING’ MINI SHEET The puppet characters in Stingray, Joe 90, Captain Scarlett and Thunderbirds have enthralled millions since they first arrived on our TV screens in the 1960s, and they are now set to visit our homes again as Royal Mail pays tribute to their creator in a new set of special stamps. Issued on 11 January, FAB: The Genius of Gerry Anderson marks the 50th anniversary of these ground-breaking programmes, which began with Supercar in 1961. The set of stamps also includes Royal Mail’s first ‘motion stamps’ on a miniature sheet which using microlenticular printing reveals the Thunderbirds take off when tilted back and forth. Gerry Anderson said: “I feel incredibly proud that my work has been chosen to appear on a set of commemorative stamps and to see actual animation of the opening scenes of Thunderbirds on motion stamps, for me, is wonderful.” The stamps, split between 1st Class and 97p values, feature six of his most popular shows: Supercar, Fireball XL5, Stingray, Thunderbirds, Captain Scarlet and Joe 90, highlighting the ingenious characters and incredible vehicles created by Anderson. For many of course, it’s his most celebrated creation, Thunderbirds, that we remember, especially its dramatic 5! 4! 3! 2! 1! opening sequence. Now people can relive that moment through a four-stamp miniature sheet. The countdown begins with Thunderbird 5 - the Earth-orbiting space station keeping a watchful eye from within the miniature sheet’s border, whilst a moving image of lift off is revealed for Thunderbirds 1, 2, 3 and 4. -
Super! Drama TV August 2020
Super! drama TV August 2020 Note: #=serial number [J]=in Japanese 2020.08.01 2020.08.02 Sat Sun 06:00 06:00 06:00 STAR TREK: DEEP SPACE NINE 06:00 STAR TREK: DEEP SPACE NINE 06:00 Season 5 Season 5 #10 #11 06:30 06:30 「RAPTURE」 「THE DARKNESS AND THE LIGHT」 06:30 07:00 07:00 07:00 CAPTAIN SCARLET AND THE 07:00 STAR TREK: THE NEXT 07:00 MYSTERONS GENERATION Season 6 #19 「DANGEROUS RENDEZVOUS」 #5 「SCHISMS」 07:30 07:30 07:30 JOE 90 07:30 #19 「LONE-HANDED 90」 08:00 08:00 08:00 ULTRAMAN TOWARDS THE 08:00 STAR TREK: THE NEXT 08:00 FUTURE [J] GENERATION Season 6 #2 「the hibernator」 #6 08:30 08:30 08:30 THUNDERBIRDS ARE GO Season 「TRUE Q」 08:30 3 #1 「'CHAOS' Part One」 09:00 09:00 09:00 information [J] 09:00 information [J] 09:00 09:30 09:30 09:30 NCIS: NEW ORLEANS Season 5 09:30 S.W.A.T. Season 3 09:30 #15 #6 「Crab Mentality」 「KINGDOM」 10:00 10:00 10:00 10:30 10:30 10:30 NCIS: NEW ORLEANS Season 5 10:30 DESIGNATED SURVIVOR Season 10:30 #16 2 「Survivor」 #12 11:00 11:00 「The Final Frontier」 11:00 11:30 11:30 11:30 information [J] 11:30 information [J] 11:30 12:00 12:00 12:00 NCIS Season 9 12:00 NCIS Season 9 12:00 #13 #19 「A Desperate Man」 「The Good Son」 12:30 12:30 12:30 13:00 13:00 13:00 NCIS Season 9 13:00 NCIS Season 9 13:00 #14 #20 「Life Before His Eyes」 「The Missionary Position」 13:30 13:30 13:30 14:00 14:00 14:00 NCIS Season 9 14:00 NCIS Season 9 14:00 #15 #21 「Secrets」 「Rekindled」 14:30 14:30 14:30 15:00 15:00 15:00 NCIS Season 9 15:00 NCIS Season 9 15:00 #16 #22 「Psych out」 「Playing with Fire」 15:30 15:30 15:30 16:00 16:00 16:00 NCIS Season 9 16:00 NCIS Season 9 16:00 #17 #23 「Need to Know」 「Up in Smoke」 16:30 16:30 16:30 17:00 17:00 17:00 NCIS Season 9 17:00 NCIS Season 9 17:00 #18 #24 「The Tell」 「Till Death Do Us Part」 17:30 17:30 17:30 18:00 18:00 18:00 MACGYVER Season 2 [J] 18:00 THE MYSTERIES OF LAURA 18:00 #9 Season 1 「CD-ROM + Hoagie Foil」 #19 18:30 18:30 「The Mystery of the Dodgy Draft」 18:30 19:00 19:00 19:00 information [J] 19:00 THE BLACKLIST Season 7 19:00 #14 「TWAMIE ULLULAQ (NO. -
Vector 179 Cary 1994-06
June/July 1994 The Critical Journal of the BSF A Vector 2 Contents 3 Front Line Dispatches Readers' Letters Contributions: Good articles are always wanted. All MSS should 5 Best Books of 1993 be typed double spaced on one side of the page . Reviewers' Poll Submissions may also be accepted as ASCII text 12 Horribly Real files on IBM, Alari ST or Mac 3,5" discs William Gibson interview Maximum preferred length is 6000 words; excep tions can and wilt be made. A preliminary letter is ad 18 Children's Fantasy visable but not essential. Unsolicited MSS cannot be A Roundup Review returned without an SAE. 23 Compass Points 10 Please note that there is no payment for publica The Memory of Whiteness tion. Members who wish to review books should first write to the appropriate editor 24 Compass Points 11 The Last Spaceship from Earth Artists: 26 Future Histories in SF Cover Art, Illustrations and fillers are always Stephen Baxter welcome 28 Twilight's Last Gleaming A Historical Survey of TV SF The British Science Fiction Association Ltd. - Company Limited by Guarantee - Company No 36 First Impressions 921500 - Registered Address - 60 Bournemouth Reviews edited by Catie Cary Rd, Folkestone, Kent , CT19 SAZ 45 Paperback Graffiti Reviews edited by Stephen Payne Nuts & Bolts Front Cover Artwork by Claire Willoughby Just room for a couple of notes: Editor & Hardback Reviews We have here the bumper issue promised to Catie Cary make up for last issues shortfall. You may notice that 224 Southway, Park Barn, Guildford , I've been redesigning again - this is because I have Surrey , GU2 60N finally abandoned my trusty Atari ST in favour of a Phone: 0483 502349 PC in the interests of better productivity. -
The 007Th Minute Ebook Edition
“What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I. -
In the Great Tradition of Postponed NASA Launches, the York Maze
THUNDERBIRDS ARE GROW! A Thunderbirds fan has created an amazing tribute to 50 years of the iconic show by producing the World’s biggest ever Thunderbird 2, carved into an 15 acre field of growing maize plants near York, England. Tom Pearcy came up with the idea after hearing about the 50th anniversary. Says Tom Pearcy, “As a kid I remember watching Gerry Anderson’s great TV shows like Stingray & Captain Scarlet, but Thunderbirds was my favourite. I wanted to do something big to mark the 50th anniversary. As a child Thunderbird 2 captured my imagination, I think it’s the most iconic of all the Thunderbirds and being green it works perfectly carved into the field of maize plants!” Measuring over 350m (1150ft) long, Thunderbird 2 has been painstakingly carved out of over 1 million living maize plants. It took Mr Pearcy and his team of helpers nearly a week to cut out the 6km of pathways in his 15 acre field near York to form the giant Thunderbird image together with the words ‘Thunderbirds Are 50’. The pathways in the field form an intricate maze for visitors to explore. The York Maze is believed to be the largest maze in Europe and one of the largest in the world. Jamie Anderson, son of Thunderbirds creator the late Gerry Anderson, was so impressed when he heard about Mr Pearcy’s amazing maze that he had to come to York to see it for himself. Jamie took a helicopter flight over the giant 15 acre maize maze to see the design. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
Known Nursery Rhymes Residencies Fruit Eaten Remembered World
13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T. -
Infinity Magazine
INFINITY - THE INDEX - VOLUME 1 (ISSUES 1-12) From Alien to Z.P.G. - via Creepozoids, Blake’s 7 and Bunty - here’s an exhaustive index from INFINITY contributor Mark Campbell. It includes everything in the first 12 issues of your favourite Sci-Fi / Nostalgia magazine NB: Interviews and features will only appear in the following categorised lists if they give the subject more than just a passing mention. I know this is subjective, but I’ve tried to use my judgement as to what constitutes ‘meat on the bone’, if you see what I mean. You’ll find wide-ranging interviews and articles that cover many subjects in the Miscellaneous section at the end. What follows is strictly alphabetical, except with franchises like Star Wars where you’ll find them chronologically listed for ease. Reviews will normally be of the DVD, Blu-ray or cinema release. If it says ‘Feature’ then that will be solely on the subject in question; if, say, ‘John Carpenter feature’, then it will be part of a wider article. Contributors’’ initials are in brackets. CONTRIBUTORS AB: Allan Bryce DB: David Brilliance JA: Jon Abbott MP: Mark Phillips RF: Robert Fairclough AJ: Adrian James DF: David Flint JM: John Martin MR: Martin Ruddock RH: Richard Holliss AL: Andrew Llewellyn DM: Denis Meikle JO: Joseph Oldham NP: Neil Pettigrew RME: Rick Melton AP: Andy Pearson DR: David Ryan JW: John Walsh PF: Peter Fuller RM: Richard Molesworth API: Andrew Pixley ES: Eugene Smith KC: Kevin Coward PJ: Pat Jankiewicz SG: Steve Green BJR: Brian J Robb GL: Giacomo Lee LR: Liam Ronan PM: Paul Mount -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
We Can Each Make a Difference in 2020
We Can Each Make a Difference in 2020 Kluwer Mediation Blog December 28, 2019 John Sturrock (Core Solutions Group) Please refer to this post as:John Sturrock, ‘We Can Each Make a Difference in 2020’, Kluwer Mediation Blog, December 28 2019, http://mediationblog.kluwerarbitration.com/2019/12/28/we-can-each-make-a-difference-in-2020/ One of the most enjoyable aspects of the festive season is receiving and reading books that one might not have come across otherwise. This year, I have been enjoying two quite contrasting works of literature. The first is a Manual for Spectrum Agents (Haynes Publishing) providing “detailed information about the Spectrum organisation”, based on the classic 1960’s Supermarionation television series, Captain Scarlet and the Mysterons. For those of us who grew up with Captain Scarlet (and its predecessor, Thunderbirds), produced by the visionary Gerry and Sylvia Anderson, it is hard to understate to remarkable effect these TV programmes, set 100 years into the future, had on our generation. The book brings it all back. It is a serious exercise in nostalgia. The book reminds us that the basic premise of the TV series was that, by 2068, peace and prosperity had been achieved for the majority of the world’s inhabitants, under the guidance and control of a World Government. A Treaty of Tranquility had been signed in 2046, banning acts of war and aggression between countries and binding them together to fight for one cause – the defence of the Earth. The Republic of Britain was an early dissenter, though it had signed by 2050 following the overthrow of its military dictatorship in 2047. -
Television for Children: Problems of National Specificity and Globalisation
Television for children: problems of national specificity and globalisation Book or Report Section Accepted Version Bignell, J. (2011) Television for children: problems of national specificity and globalisation. In: Lesnik-Oberstein, K. (ed.) Children in Culture, Revisited: Further Approaches to Childhood. Palgrave Macmillan, Basingstoke, pp. 167-185. ISBN 9780230275546 Available at http://centaur.reading.ac.uk/21378/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online NOTE: This is a chapter published as Bignell, J., ‘Television for children: problems of national specificity and globalisation’ in K. Lesnik-Oberstein (ed.), Children in Culture, Revisited: Further Approaches to Childhood (Basingstoke: Palgrave Macmillan 2011), pp. 167-185. The whole book is available to buy from Palgrave at http://www.palgrave.com/gb/book/9780230275546. My published work is listed and more PDFs can be downloaded at http://www.reading.ac.uk/ftt/about/staff/j-bignell.aspx. Jonathan Bignell Television for children: problems of national specificity and globalisation In the developed nations of Europe, and in the USA, it has long been assumed that television should address children. Thus, notions of what ‘children’ are have been constructed, and children are routinely discussed as an audience category and as a market for programmes.