Context Is King Television in the Multiscreen Era
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Weaponized Humor: the Cultural Politics Of
WEAPONIZED HUMOR: THE CULTURAL POLITICS OF TURKISH-GERMAN ETHNO-COMEDY by TIM HÖLLERING B.A. Georg-August Universität Göttingen, 2008 M.Ed., Georg-August Universität Göttingen, 2010 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Germanic Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2016 © Tim Höllering, 2016 Abstract My thesis aims to show how the humor of Turkish-German ethno-comedians fulfills a double purpose of entertaining its audience while advancing a cultural political agenda that Kathrin Bower called “transnational humanism.” It includes notions of human rights consensus, critical self-reflection, respect, tolerance, and openness to cultural diversity. Promoting these values through comedy, the artists hope to contribute to abating prejudice and discrimination in Germany’s multi-ethnic society. Fusing the traditional theatrical principle of “prodesse et delectare” with contemporary cultural politics, these comedians produce something of political relevance: making their audience aware of its conceptions of “self” and “other” and fostering a sense of community across diverse cultural identifications. My thesis builds mainly on the works of Kathrin Bower, Maha El Hissy, Erol Boran, Deniz Göktürk, and Christie Davies. Whereas Davies denies humor’s potential for cultural impact, Göktürk elucidates its destabilizing power in immigrant films. Boran elaborates this function for Turkish-German Kabarett. El Hissy connects Kabarett, film, and theater of polycultural artists and ties them to Bakhtin’s concept of the carnivalesque and the medieval jester. Bower published several essays on the works of ethno-comedians as humorous catalysts for advancing a multiethnic Germany. -
Systematic Scoping Review on Social Media Monitoring Methods and Interventions Relating to Vaccine Hesitancy
TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy www.ecdc.europa.eu ECDC TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy This report was commissioned by the European Centre for Disease Prevention and Control (ECDC) and coordinated by Kate Olsson with the support of Judit Takács. The scoping review was performed by researchers from the Vaccine Confidence Project, at the London School of Hygiene & Tropical Medicine (contract number ECD8894). Authors: Emilie Karafillakis, Clarissa Simas, Sam Martin, Sara Dada, Heidi Larson. Acknowledgements ECDC would like to acknowledge contributions to the project from the expert reviewers: Dan Arthus, University College London; Maged N Kamel Boulos, University of the Highlands and Islands, Sandra Alexiu, GP Association Bucharest and Franklin Apfel and Sabrina Cecconi, World Health Communication Associates. ECDC would also like to acknowledge ECDC colleagues who reviewed and contributed to the document: John Kinsman, Andrea Würz and Marybelle Stryk. Suggested citation: European Centre for Disease Prevention and Control. Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy. Stockholm: ECDC; 2020. Stockholm, February 2020 ISBN 978-92-9498-452-4 doi: 10.2900/260624 Catalogue number TQ-04-20-076-EN-N © European Centre for Disease Prevention and Control, 2020 Reproduction is authorised, provided the -
The Complete Guide to Social Media from the Social Media Guys
The Complete Guide to Social Media From The Social Media Guys PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 08 Nov 2010 19:01:07 UTC Contents Articles Social media 1 Social web 6 Social media measurement 8 Social media marketing 9 Social media optimization 11 Social network service 12 Digg 24 Facebook 33 LinkedIn 48 MySpace 52 Newsvine 70 Reddit 74 StumbleUpon 80 Twitter 84 YouTube 98 XING 112 References Article Sources and Contributors 115 Image Sources, Licenses and Contributors 123 Article Licenses License 125 Social media 1 Social media Social media are media for social interaction, using highly accessible and scalable publishing techniques. Social media uses web-based technologies to turn communication into interactive dialogues. Andreas Kaplan and Michael Haenlein define social media as "a group of Internet-based applications that build on the ideological and technological foundations of Web 2.0, which allows the creation and exchange of user-generated content."[1] Businesses also refer to social media as consumer-generated media (CGM). Social media utilization is believed to be a driving force in defining the current time period as the Attention Age. A common thread running through all definitions of social media is a blending of technology and social interaction for the co-creation of value. Distinction from industrial media People gain information, education, news, etc., by electronic media and print media. Social media are distinct from industrial or traditional media, such as newspapers, television, and film. They are relatively inexpensive and accessible to enable anyone (even private individuals) to publish or access information, compared to industrial media, which generally require significant resources to publish information. -
Estudio De Derecho Comparado Sobre La Responsabilidad De Los Intermediarios En Internet Por Violaciones De Derechos De Autor
COMPARATIVE ANALYSIS ON NATIONAL APPROACHES TO THE LIABILITY OF INTERNET INTERMEDIARIES FOR INFRINGEMENT OF COPYRIGHT AND RELATED RIGHTS Ignacio GARROTE FERNÁNDEZ-DÍEZ1 Associate Professor of Civil Law Autonomous University of Madrid 1 The author would like to thank Prof. Juan José Marín López, Professor of Civil Law at the University of Castile-La Mancha (Spain), for his generosity when it came to providing a good part of the material used in the research that led to the drafting of this paper. Thanks for their collaboration must also go to Carlos Castro (Colombia), Adriana Mauleón (Mexico), Anastasia Amosova (Russia) and Federico Mastrolilli (Italy). Any possible errors committed in this paper are the author's exclusive responsibility. TABLE OF CONTENTS I. INTRODUCTION .................................................................... 3 II. ARGENTINA ......................................................................... 5 III. BELGIUM ......................................................................... 7 IV. BRAZIL ......................................................................... 14 V. CHILE ......................................................................... 17 VI. FINLAND ......................................................................... 21 VII. FRANCE ......................................................................... 24 VIII. GERMANY ......................................................................... 32 IX. ITALY ......................................................................... 41 -
Youtube at a Glance
Viacom International, Inc. v. Youtube, Inc. Doc. 395 10-3270 10-3342 IN THE UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT VIACOM INTERNATIONAL INC., COMEDY PARTNERS, COUNTRY MUSIC TELEVISION, INC., PARAMOUNT PICTURES CORPORATION, BLACK ENTERTAINMENT TELEVISION LLC, Plaintiffs-Appellants, (caption continued on inside cover) ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK SUPPLEMENTAL JOINT APPENDIX VOLUME VIII OF IX (Pages SJA-1788 to SJA-2085) – PUBLIC VERSION Paul M. Smith Theodore B. Olson William M. Hohengarten Matthew D. McGill Scott B. Wilkens GIBSON, DUNN & CRUTCHER LLP Matthew S. Hellman 1050 Connecticut Avenue, NW JENNER & BLOCK LLP Washington, DC 20036 1099 New York Avenue, NW (202) 955-8500 Washington, DC 20001 (202) 639-6000 Attorneys for Plaintiffs-Appellants (10-3270) (Counsel continued on inside cover) Dockets.Justia.com v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees. THE FOOTBALL ASSOCIATION PREMIER LEAGUE LIMITED, on behalf of themselves and all others similarly situated, BOURNE CO., CAL IV ENTERTAINMENT, LLC, CHERRY LANE MUSIC PUBLISHING COMPANY, INC., NATIONAL MUSIC PUBLISHERS’ ASSOCIATION, THE RODGERS & HAMMERSTEIN ORGANIZATION, EDWARD B. MARKS MUSIC COMPANY, FREDDY BIENSTOCK MUSIC COMPANY, dba Bienstock Publishing Company, ALLEY MUSIC CORPORATION, X-RAY DOG MUSIC, INC., FEDERATION FRANCAISE DE TENNIS, THE MUSIC FORCE MEDIA GROUP LLC, SIN-DROME RECORDS, LTD., on behalf of themselves and all others similarly situated, MURBO MUSIC PUBLISHING, INC., STAGE THREE MUSIC (US), INC., THE MUSIC FORCE, LLC, Plaintiffs-Appellants, ROBERT TUR, dba Los Angeles News Service, THE SCOTTISH PREMIER LEAGUE LIMITED, Plaintiffs, v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees. -
Strong Regularities in Growth and Decline of Popularity of Social Media Services
Strong Regularities in Growth and Decline of Popularity of Social Media Services Christian Bauckhage Kristian Kersting University of Bonn, TU Dortmund University, Fraunhofer IAIS Fraunhofer IAIS Bonn, Germany Dortmund, Germany ABSTRACT Google Trends Google Trends 100 shifted Gompertz 100 shifted Gompertz 80 80 We analyze general trends and pattern in time series that 60 60 40 40 characterize the dynamics of collective attention to social 20 20 media services and Web-based businesses. Our study is 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 based on search frequency data available from Google Trends (a) buzznet (b) failblog and considers 175 different services. For each service, we collect data from 45 different countries as well as global av- Google Trends Google Trends 100 shifted Gompertz 100 shifted Gompertz erages. This way, we obtain more than 8,000 time series 80 80 60 60 which we analyze using diffusion models from the economic 40 40 20 20 sciences. We find that these models accurately characterize 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 the empirical data and our analysis reveals that collective (c) flickr (d) librarything attention to social media grows and subsides in a highly regular and predictable manner. Regularities persist across Google Trends Google Trends 100 shifted Gompertz 100 shifted Gompertz regions, cultures, and topics and thus hint at general mech- 80 80 60 60 anisms that govern the adoption of Web-based services. We 40 40 discuss several cases in detail to highlight interesting find- 20 20 ings. -
Unclassified DSTI/ICCP/IE(2006)7/FINAL
Unclassified DSTI/ICCP/IE(2006)7/FINAL Organisation de Coopération et de Développement Economiques Organisation for Economic Co-operation and Development 12-Apr-2007 ___________________________________________________________________________________________ English - Or. English DIRECTORATE FOR SCIENCE, TECHNOLOGY AND INDUSTRY COMMITTEE FOR INFORMATION, COMPUTER AND COMMUNICATIONS POLICY Unclassified DSTI/ICCP/IE(2006)7/FINAL Working Party on the Information Economy PARTICIPATIVE WEB: USER-CREATED CONTENT English - Or. English JT03225396 Document complet disponible sur OLIS dans son format d'origine Complete document available on OLIS in its original format DSTI/ICCP/IE(2006)7/FINAL FOREWORD This report was presented to the Working Party on the Information Economy (WPIE) in December 2006 and declassified by the Committee for Information, Computer and Communications Policy in March 2007. The report was prepared by Sacha Wunsch-Vincent and Graham Vickery of the OECD's Directorate for Science, Technology and Industry as part of the WPIE work on Digital Content (www.oecd.org/sti/digitalcontent). It is published on the responsibility of the Secretary-General of the OECD. © OECD/OCDE 2007 2 DSTI/ICCP/IE(2006)7/FINAL TABLE OF CONTENTS SUMMARY.................................................................................................................................................. 4 PARTICIPATIVE WEB: USER-CREATED CONTENT (UCC) ............................................................... 7 INTRODUCTION ....................................................................................................................................... -
List of Search Engines
A blog network is a group of blogs that are connected to each other in a network. A blog network can either be a group of loosely connected blogs, or a group of blogs that are owned by the same company. The purpose of such a network is usually to promote the other blogs in the same network and therefore increase the advertising revenue generated from online advertising on the blogs.[1] List of search engines From Wikipedia, the free encyclopedia For knowing popular web search engines see, see Most popular Internet search engines. This is a list of search engines, including web search engines, selection-based search engines, metasearch engines, desktop search tools, and web portals and vertical market websites that have a search facility for online databases. Contents 1 By content/topic o 1.1 General o 1.2 P2P search engines o 1.3 Metasearch engines o 1.4 Geographically limited scope o 1.5 Semantic o 1.6 Accountancy o 1.7 Business o 1.8 Computers o 1.9 Enterprise o 1.10 Fashion o 1.11 Food/Recipes o 1.12 Genealogy o 1.13 Mobile/Handheld o 1.14 Job o 1.15 Legal o 1.16 Medical o 1.17 News o 1.18 People o 1.19 Real estate / property o 1.20 Television o 1.21 Video Games 2 By information type o 2.1 Forum o 2.2 Blog o 2.3 Multimedia o 2.4 Source code o 2.5 BitTorrent o 2.6 Email o 2.7 Maps o 2.8 Price o 2.9 Question and answer . -
PK Space-Shifting 1201 Filing
Long Comment Regarding a Proposed Exemption Under 17 U.S.C. 1201 [ ] Check here if multimedia evidence is being provided in connection with this comment Item 1. Commenter Information This proposal is respectfully submitted by Public Knowledge. Public Knowledge is a nonprofit organization dedicated to representing the public interest in digital policy debates. Public Knowledge promotes freedom of expression, an open internet, and access to affordable communications tools and creative works. Interested parties are encouraged to contact Michael Weinberg ([email protected]) or Sherwin Siy ([email protected]) as Public Knowledge’s authorized representatives in this matter. Public Knowledge’s contact information is as follows: Public Knowledge 1818 N St. NW Suite 410 Washington, DC 20036 (202) 861-0020 Item 2. Proposed Class Addressed This comment addresses Proposed Class 8: Audiovisual works – space-shifting and format-shifting. The class includes audiovisual works purchased by consumers in physical media such as DVD and Blu-ray discs, as well as those purchased by consumers as digital downloads. The class is intended to include audiovisual works whether they portray images in succession in order to create the impression of motion or not; e.g., an audiovisual slideshow embodied in a DVD or a downloaded file should also be considered a part of the class. Item 3. Overview Beginning with the introduction of DVDs, the most common forms of commercially distributed audiovisual works have been offered with the addition of technological protection measures. These TPMs have served as a barrier to consumers shifting the movies they have legally purchased onto other devices for personal, noncommercial uses, as they can readily do with unprotected audio and audiovisual works. -
Fragmentation of the Single Market for On-Line Video-On-Demand Services: Point of View of Content Providers
FRAGMENTATION OF THE SINGLE MARKET FOR ON-LINE VIDEO-ON-DEMAND SERVICES: POINT OF VIEW OF CONTENT PROVIDERS FINAL REPORT A study prepared for the European Commission DG Communications Networks, Content & Technology by Digital Agenda for Europe This study was carried out for the European Commission by iMinds (SMIT), Gaston Crommenlaan 8, 9050 GENT, Belgium Authors: Dr. Sophie De Vinck Dr. Heritiana Ranaivoson Dr. Ben Van Rompuy with the collaboration of Anca Birsan and Katharina Hölck Internal identification Contract number: 30-CE-0540861/00-45 SMART number: 2012/0027 DISCLAIMER By the European Commission, Directorate-General of Communications Networks, Content & Technology. The information and views set out in this publication are those of the author(s) and do not necessarily reflect the official opinion of the Commission. The Commission does not guarantee the accuracy of the data included in this study. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein. ISBN 978-92-79-38400-4 DOI 10.2759/49194 © European Union, 2014. All rights reserved. Certain parts are licensed under conditions to the EU. Reproduction is authorised provided the source is acknowledged. Table of Contents Executive Summary ................................................................................................................................. 1 1.1 Purpose, scope and method ................................................................................................... -
Master Law & Technology
Tilburg Law School Tilburg Institute for Law, Technology and Society (TILT) Master Law & Technology (LL.M) Master Thesis Liability of Internet Society Service Providers and the (upcoming) role of content recognition technologies Name: Romy van Limpt ANR: 678380 SNR: U1254490 Supervisor: Mr. Ir. M.H.M. Schellekens Second supervisor: S. de Conca Table of Contents Table of Contents .............................................................................................................. 2 List of abbreviations ......................................................................................................... 3 1. Introduction ................................................................................................................ 4 1.1. Background ..................................................................................................................................4 1.2. Research questions .......................................................................................................................6 1.3. Methodology .................................................................................................................................7 1.4. Structure .......................................................................................................................................7 2. Terminology and Intermediary Liability ................................................................. 8 2.1. Introduction ..................................................................................................................................8 -
Broadcasters and the Broadcasters and the Internet
Broadcasters and the Broadcasters and the Internet Internet EBU Members’ Internet Presence Distribution Strategies Online Consumption Trends Social Networking and Video Sharing Communities November 2007 European Broadcasting Union Strategic Information Service (SIS) L’Ancienne-Route 17A CH-1218 Grand-Saconnex Switzerland Phone +41 (0) 22 717 21 11 Fax +41 (0)22 747 40 00 www.ebu.ch/sis European Broadcasting Union l Strategic Information Service Broadcasters and the Internet EBU Members' Internet Presence Distribution Strategies Online Consumption Trends Social Networking and Video Sharing Communities November 2007 The Report Staff This report was produced by the Strategic Information Service of the EBU. Editor: Alexander Shulzycki Production Editor: Anna-Sara Stalvik Principal Researcher: Anna-Sara Stalvik Special appreciation to: Danish Radio and Television (DR) Swedish Television (SVT) Swedish Radio (SR) Cover Design: Philippe Juttens European Broadcasting Union Telephone: +41 22 717 2111 Address: L'Ancienne-Route 17A, 1218 Geneva, Switzerland SIS web-site: www.ebu.ch/director_general/sis.php SIS contact e-mail: [email protected] BROADCASTERS AND THE INTERNET TABLE OF CONTENTS INTRODUCTION.............................................................................................................. 1 OVERVIEW .............................................................................................................................1 1. The general Internet landscape: usage, websites, advertising ............................................