The Apocalypse of Zerubbabel in Judaeo-Arabic 1
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The Iqta' System of Iraq Under the Buwayhids Tsugitaka Sato
THE IQTA' SYSTEM OF IRAQ UNDER THE BUWAYHIDS TSUGITAKA SATO* In 334 A. H. (946 A.D.), having established his authority in Baghdad, Mu'izz al-Dawla granted iqta's in the Sawad to his commanders, his asso- ciates, and his Turks. This is the formation of the so-called "military" iqta' system in the Islamic history. The appearance of the military iqta's brought about not only the evolution of the Islamic state, but also the transformation of the Iraqi society during the 10-11th centuries and of the other countries in the following periods. Nizam al-Mulk understood this as the change from bistagan (cash pay) to iqta',(1) while al-Maqrizi described as the change from 'ata' to iqta' in the same meaning.(2) As for the iqta' system under the Buwayhids, H. F. Amedroz first translated the Miskawayh's text into English with annotations,(3) and then C. H. Becker tried to realize the iqta' system in the history of 'Lehen' from the early Islamic period to the Ottoman Turks.(4) A. A, al-Duri, who studied the economic history of the Buwayhid Iraq, made clear the character of iqta' comparing it with milk (private land) and waqf, though the reality of iqta' holding remained to be investigated in future.(5) On the other hand, Cl. Cahen published the general survey of iqta' in the history of the Islamic land holding, which gave us usefull informations concerning the right and obligation of soldiers, and the fall of peasants by way of himaya (protection) and the loan at high interest.(6) We also find the general description of iqta' in the study of H. -
WITH OUR DEMONS a Thesis Submitted By
1 MONSTROSITIES MADE IN THE INTERFACE: THE IDEOLOGICAL RAMIFICATIONS OF ‘PLAYING’ WITH OUR DEMONS A Thesis submitted by Jesse J Warren, BLM Student ID: u1060927 For the award of Master of Arts (Humanities and Communication) 2020 Thesis Certification Page This thesis is entirely the work of Jesse Warren except where otherwise acknowledged. This work is original and has not previously been submitted for any other award, except where acknowledged. Signed by the candidate: __________________________________________________________________ Principal Supervisor: _________________________________________________________________ Abstract Using procedural rhetoric to critique the role of the monster in survival horror video games, this dissertation will discuss the potential for such monsters to embody ideological antagonism in the ‘game’ world which is symptomatic of the desire to simulate the ideological antagonism existing in the ‘real’ world. Survival video games explore ideology by offering a space in which to fantasise about society's fears and desires in which the sum of all fears and object of greatest desire (the monster) is so terrifying as it embodies everything 'other' than acceptable, enculturated social and political behaviour. Video games rely on ideology to create believable game worlds as well as simulate believable behaviours, and in the case of survival horror video games, to simulate fear. This dissertation will critique how the games Alien:Isolation, Until Dawn, and The Walking Dead Season 1 construct and themselves critique representations of the ‘real’ world, specifically the way these games position the player to see the monster as an embodiment of everything wrong and evil in life - everything 'other' than an ideal, peaceful existence, and challenge the player to recognise that the very actions required to combat or survive this force potentially serve as both extensions of existing cultural ideology and harbingers of ideological resistance across two worlds – the ‘real’ and the ‘game’. -
A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism" (2019)
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2019 A Sense of Unending: Apocalypse and Post- Apocalypse in Novels of Late Capitalism Brent Linsley University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the American Literature Commons, Literature in English, North America Commons, and the Modern Literature Commons Recommended Citation Linsley, Brent, "A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism" (2019). Theses and Dissertations. 3341. https://scholarworks.uark.edu/etd/3341 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Brent Linsley Henderson State University Bachelor of Arts in English, 2000 Henderson State University Master of Liberal Arts in English, 2005 August 2019 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. _____________________________________ M. Keith Booker, Ph.D. Dissertation Director _____________________________________ ______________________________________ Robert Cochran, Ph.D. Susan Marren, Ph.D. Committee Member Committee Member Abstract From Frank Kermode to Norman Cohn to John Hall, scholars agree that apocalypse historically has represented times of radical change to social and political systems as older orders are wiped away and replaced by a realignment of respective norms. This paradigm is predicated upon an understanding of apocalypse that emphasizes the rebuilding of communities after catastrophe has occurred. -
Battleswithbitsofrubber.Com Page 1 CONTENTS
battleswithbitsofrubber.com Page 1 CONTENTS Credits and thanks....................................................................................... Page 3 Foreword by Joe Nazzaro ........................................................................... Page 4 Introduction ................................................................................................. Page 5 Effects in chronological order 1. ‘Haven’t you had your tea?’ ................................................................... Page 6 2. ‘In the garden ... there’s a girl’................................................................ Page 7 3. ‘He’s got an arm off...’ ............................................................................. Page 9 4. ‘Which one do you want? Girl or bloke?’ ........................................... Page 11 5. ‘We take care of Philip.’ .......................................................................... Page 13 6. ‘We’re gonna borrow your car, okay...’ ................................................ Page 13 7. ‘I guess we’ll have to take the Jag.’ ...................................................... Page 14 8. ‘I’ll just flip the mains breakers...’ ........................................................ Page 15 9. ‘I didn’t want to say anything.’.............................................................. Page 16 10. ‘Cock it!’.................................................................................................. Page 17 11. ‘I’m sorry Mum.’ ..................................................................................... -
On Saints, Sinners, and Sex in the Apocalypse of Saint John and the Sefer Zerubbabel
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Theology & Religious Studies College of Arts and Sciences 12-30-2016 On Saints, Sinners, and Sex in the Apocalypse of Saint John and the Sefer Zerubbabel Natalie Latteri Follow this and additional works at: https://repository.usfca.edu/thrs Part of the Christianity Commons, History of Religion Commons, Jewish Studies Commons, and the Social History Commons Apocalypse of St. John and the Sefer Zerubbabel On Saints, Sinners, and Sex in the Apocalypse of St. John and the Sefer Zerubbabel Natalie E. Latteri, University of New Mexico, NM, USA Abstract The Apocalypse of St. John and the Sefer Zerubbabel [a.k.a Apocalypse of Zerubbabel] are among the most popular apocalypses of the Common Era. While the Johannine Apocalypse was written by a first-century Jewish-Christian author and would later be refracted through a decidedly Christian lens, and the Sefer Zerubbabel was probably composed by a seventh-century Jewish author for a predominantly Jewish audience, the two share much in the way of plot, narrative motifs, and archetypal characters. An examination of these commonalities and, in particular, how they intersect with gender and sexuality, suggests that these texts also may have functioned similarly as a call to reform within the generations that originally received them and, perhaps, among later medieval generations in which the texts remained important. The Apocalypse of St. John and the Sefer Zerubbabel, or Book of Zerubbabel, are among the most popular apocalypses of the Common Era.1 While the Johannine Apocalypse was written by a first-century Jewish-Christian author and would later be refracted through a decidedly Christian lens, and the Sefer Zerubbabel was probably composed by a seventh-century Jewish author for a predominantly Jewish audience, the two share much in the way of plot, narrative motifs, and archetypal characters. -
The Legend of Armilus.Pdf
Who is Armilus? Rabbi Levi bar Ido / B’nai Avraham NOTE: This is not intended to be a teaching directly from Scripture concerning the Anti-Messiah. This teaching merely reveals the ancient Jewish tradition of Armilus and how it plays into Jewish eschatology. Many are unaware of this ancient character in Jewish tradition and how this tradition has fashioned the Jewish view of the end of days. “And when the ish hamufkarut (man of lawlessness-Anti-Messiah) will be revealed, whom HaAdon will destroy by the Ruach of His mouth...” 2 Thess.2:8a ARMILUS is the person in Jewish eschatology and tradition known as the anti-Moshiach. Armilus appears frequently in the later Apocalyptic Midrashim , such as Midrash Va-Yosha, Sefer Zerubbavel , and Nistarot shel R. Shimon b. Yohai . He is also mentioned in the Targum pseudo-Jonathan, Yeshayahu 11:14 and in the Targum Yerushalmi A (Devarim 34:3 ). Armilus 1 is first mentioned in Saadiah Gaon's (b.892, d.942) Emunot ve-De'ot (Ma'amar 8), apparently under the influence of Sefer Zerubbavel . The ancient tradition of Armilus thus originated not earlier than the beginning of this period at the latest. Its basis, however, is the Talmudic legend of Moshiach the Son of Yosef, who would be slain in the war between the nations prior to the redemption that would come through Moshiach the Son of David ( Suk. 52a ). In Otot ha-Mashi'ah (Midreshei Ge'ullah, p. 320 ), there is reference to "Ha Satan” Armilus whom the Goyim (nations) call Anti-Messiah. • Talmud - Mas. -
Fatimid-Buyid Diplomacy During the Reign of Al-Aziz Billah
The Institute of Ismaili Studies * FÓimid-BÔyid Diplomacy During the Reign of Al-Az¯z billh (365/975- 386/996) Shainool Jiwa Abstract It is a coincidence of history that perhaps the greatest sovereign of the Fatimid dynasty, al- ‘Aziz billah, and the most powerful representative of Buyid rule, ‘Adud al-Dawla, were contemporaries. It was in the time of these two great rulers that Fatimid-Buyid diplomacy reached its high watermark. This article seeks to examine the reasons for the inception and termination of diplomacy between these two powers. Keywords Fatimid, Buyid, initiation of diplomacy, Abd al-Dawla, al-Aziz, strengthening Buyid rule, terminating the alliance Introduction The emergence of the FÓimids in North Africa ushered in a major revolution in the Islamic world. For the first time in Muslim annals, there were two rival caliphates, the active and expanding caliphate of the FÓimids and the waning authority of the `Abbsids of Baghdad, effectively controlled by their BÔyid protectors. When the FÓimids moved east to Egypt (in 358/969), interaction between these two caliphates became inevitable. It is a coincidence of history that perhaps the greatest sovereign of the FÓimid dynasty, al-`Az¯z billh, and the most powerful representative of BÔyid rule, `Aud al-Dawla (338/944-372/983), were contemporaries. It was in the time of these two great rulers that FÓimid- BÔyid diplomacy reached its high-water mark. Prior to `Aud al-Dawla's appearance on the political scene at Baghdad and after his departure from it, the other BÔyid am¯rs were too involved in interfamilial strife to have any contact – friendly or otherwise - with the FÓimid ruler al-`Az¯z. -
Apocalypse in the Novels of Cormac Mccarthy
“The Salitter drying from the earth”: Apocalypse in the novels of Cormac McCarthy A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Christopher Yee University of Canterbury 2010 Contents Acknowledgements ................................................................................................................... 3 Abstract ..................................................................................................................................... 4 Introduction ............................................................................................................................... 5 1. Apocalypse ........................................................................................................................ 6 2. Manifest Destiny ............................................................................................................... 8 3. Overview of Chapters...................................................................................................... 12 Chapter One: Apocalyptic Time in Blood Meridian ............................................................... 18 1. Resistance of linear time: Holden and the narrator ......................................................... 20 2. The Kid ............................................................................................................................ 32 3. The Epilogue .................................................................................................................. -
“Apocalypse Whatever,” by Tara Isabella Burton “Chaos of Facts,” by Nathan Jurgenson “What Was the Nerd” by Willie Osterweil “Broken Windows, Broken Code,” by R
FASCISM “Apocalypse Whatever,” by Tara Isabella Burton “Chaos of Facts,” by Nathan Jurgenson “What Was the Nerd” by Willie Osterweil “Broken Windows, Broken Code,” by R. Joshua Scannell With the rise of fascist leaders in the U.S. and elsewhere, it’s natural to want to investigate the degree to which new communication technologies have facilitated it. Much as Horkheimer and Adorno indicted the incipient mass media and the “culture industry” for mid–20th century fascism, we might look at 21st century social media in the same light. Online platforms have become instruments for meting out brutality, suppressing freedom of thought, reinforcing marginalization and social exclusion, and enforcing orthodoxy. But it makes sense also to think of fascism itself as a political technology, an approach to social control that relies on negating the truth, sowing confusion, destabilizing shared values, and setting unmoored bureaucracies against the population and one another. We face an unprecedented combination of seemingly opposed ideologies that have come to reinforce each other: Big Data positivism generates an endless stream of uninterpretable information that post-truth demagoguery can triumphantly push aside. —Rob Horning FASCISM APOCALYPSE magic”—when something espoused and af- firmed in the digital realm also becomes true be- WHATEVER yond it. Memes about Hillary Clinton being sick, The making of a racist, for example, “came true” when she collapsed of pneumonia this past September 11. And Fidel sexist religion of nihilism Castro’s death—occurring on the capitalist on 4Chan by TARA ISABELLA BURTON holiday of Black Friday—has been making the Twitter rounds with the same “praise Kek” tag. -
Durham E-Theses
Durham E-Theses The diwan of Abu Al-Hasan Al-Tihami Al-Furayh, Osman Saleh How to cite: Al-Furayh, Osman Saleh (1969) The diwan of Abu Al-Hasan Al-Tihami, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9931/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk THE DIWAN OF' ABU AL-HASAN AL-TIHAMI THESIS FOR THE DEGREE OP M.A. BY OSMA1I SALEH AL-PURAYH SCHOOL OP ORIENTAL STUDIES UNIVERSITY OP DURHAM, U.K. JUNE 1969. (a) PREFACE There was an abundance of poets in the fourth and fifth centuries. Unfortunately, little is known of their work. There were many whose works were not published and I chose Abu-al- Hasan al-Tihami because I was impressed by his poems. The Alexandria copy, published in 1893 contains many grammatical and poetical mistakes. -
The Zombies Are Coming Comp Copy
Complimentary Copy – Not for Distribution 1 Complimentary Copy – Not for Distribution The Zombies are Coming! The Realities of the Zombie Apocalypse in American Culture Kelly J. Baker 2 Complimentary Copy – Not for Distribution The Zombies are Coming! The Realities of the Zombie Apocalypse in American Culture Copyright © 2013 by Kelly J. Baker Cover art to the electronic edition copyright © 2013 by Bondfire Books, LLC. All rights reserved. No part of this book may be used or reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. See full line of Bondfire Books titles at www.bondfirebooks.com. Electronic edition published 2013 by Bondfire Books LLC, Colorado. ISBN XXXXXXXXXXXXXX 3 Complimentary Copy – Not for Distribution The Zombies Are Coming! The Realities of the Zombie Apocalypse in American Culture Kelly J. Baker “[A] culture’s main task is to survive its own imaginative demise.”—Edward Ingebretsen1 “Dear Lord, please let there be a zombie apocalypse so I can start shooting all these motherfuckers in the face”—Someecards user card Introduction: “Mommy, zombies aren’t real” I first believed in the zombie apocalypse in the stairwell of a local parking garage. Despite the sunlight that filled much of the garage, the stairs were dark and littered with debris. As I started my descent, a vision of zombies appeared unbidden. I could imagine zombies swarming the bottom of the stairs and blocking my exit. Or perhaps, they would stumble upon me from the stairs above.