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Robertson Davies Fifth Business Fifth Business Definition: Those Roles Which, Being Neither Those of Hero Nor Heroine, Confidant
Robertson Davies Fifth Business Fifth Business Definition: Those roles which, being neither those of Hero nor Heroine, Confidante nor Villain, but which were nonetheless essential to bring about the Recognition or the denouement, were called the Fifth Business in drama and opera companies organized according to the old style; the player who acted these parts was often referred to as Fifth Business. —Tho. Overskou, Den Daaske Skueplads I. Mrs. Dempster 1 My lifelong involvement with Mrs. Dempster began at 8 o’clock p.m. on the 27th of December, 1908, at which time I was ten years and seven months old. I am able to date the occasion with complete certainty because that afternoon I had been sledding with my lifelong friend and enemy Percy Boyd Staunton, and we had quarrelled, because his fine new Christmas sled would not go as fast as my old one. Snow was never heavy in our part of the world, but this Christmas it had been plentiful enough almost to cover the tallest spears of dried grass in the fields; in such snow his sled with its tall runners and foolish steering apparatus was clumsy and apt to stick, whereas my low-slung old affair would almost have slid on grass without snow. The afternoon had been humiliating for him, and when Percy as humiliated he was vindictive. His parents were rich, his clothes were fine, and his mittens were of skin and came from a store in the city, whereas mine were knitted by my mother; it was manifestly wrong, therefore, that his splendid sled should not go faster than mine, and when such injustice showed itself Percy became cranky. -
Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
Performing in Gasworks Circus Showdown
Gasworks Circus Showdown 2020 Entering Circus Showdown Gasworks Circus Showdown is Gasworks Arts Park's professional development program for circus and physical theatre artists and one of the only opportunities of its kind in Victoria. We provide a platform for circus performers to develop innovative acts for presentation, culminating in an on-stage showcase in front of a live audience and industry experts. Entries received are shortlisted, and finalists perform in one of two Heats, and if selected, go on to perform at the Finale. Due to the current restrictions to help control the spread of COVID-19, postponed dates are subject to Government health advice. The new 2020 dates are: Wed 14 (Heat 1), Thu 15 (Heat 2) and Sat 17 (Finale) October. Gasworks will advise ASAP if further postponement becomes necessary. What kind of work are we looking for? Entries are invited from individuals or groups of circus performers of all kinds. Acts or excerpts of acts must be between 10 to 15 minutes in duration. Preference will be given to work that has not had a ticketed season in Melbourne. You must complete all sections of the entry form and be available for the rehearsal and performance dates including the Finale show. You will need to ensure you (and, where applicable, your group) can be available for rehearsals, which will take place the week before the Heats and Finale. As dates may be subject to further changes, we encourage you to apply and we can discuss your availability further. Mon 5 Oct: bump-in (you may need to drop off/rig/test your apparatus) Tue 6 - Wed 7 Oct: lighting plot during the day, rehearsals/rigging in the evening for acts in Heat 1 Thu 8 - Fri 9 Oct: lighting plot during the day, rehearsals/rigging in the evening for acts in Heat 2 How does the selection process work? Submit your completed entry form along with supplementary materials of your work. -
Climate Anxiety 24 Michelle Rivero ’94 Shapes How Facing Fears About a Warming the City Supports Immigrants Planet, Macalester Students and Refugees
MACALESTER WINTER 2020 Today CL I M AT E ANXIETY How the looming threat of global catastrophe is galvanizing today’s students to take action and seek solutions. SEE PAGE 24 MACALESTER Today WINTER 2020 12 14 20 FEATURES Welcome to Minneapolis 12 Climate Anxiety 24 Michelle Rivero ’94 shapes how Facing fears about a warming the city supports immigrants planet, Macalester students and refugees. are responding with education, organizing, and growing activism. Second Act 14 How alumni are finding meaningful How Macalester work and service in the second half Made Me the Republican TURNER; J. DAVID LEFT: FROM of their lives. I am Today 30 RJ Laukitis ’02 parlayed debates Curtain Call 20 on campus into bipartisan Before he retires, Dan Keyser collaboration on Capitol Hill. ON THE COVER: walks us through more than a MARIA SIRIANO; Generation Z grew up century of Mac theater. Lecture Notes 32 worrying about what will We asked Michael Griffin how happen to our warming news has changed in the twenty- ARCHIVES COLLEGE MACALESTER planet. Now channeling their climate anxiety into first century. action, these activists seek solutions to halt climate change. PHOTO ILLUSTRATION BY CHARLES JISCHKE STAFF EDITOR Rebecca DeJarlais Ortiz ’06 [email protected] ART DIRECTION The ESC Plan / theESCplan.com CLASS NOTES EDITOR Robert Kerr ’92 PHOTOGRAPHER David J. Turner CONTRIBUTING WRITER Julie Hessler ’85 ASSISTANT VICE PRESIDENT FOR MARKETING AND COMMUNICATIONS Julie Hurbanis 24 30 CHAIR, BOARD OF TRUSTEES Jerry Crawford ’71 PRESIDENT DEPARTMENTS Brian Rosenberg VICE PRESIDENT FOR ADVANCEMENT Household Words 2 D. Andrew Brown Correspondence 3 ASSISTANT VICE PRESIDENT FOR ENGAGEMENT 1600 Grand 4 Katie Ladas A new magazine, a hoops milestone, MACALESTER TODAY (Volume 108, Number 1) and the microbiology of beer is published by Macalester College. -
The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Keith Resume
347-404-0422 Height: 5’ 11’’ [email protected] Weight: 185 lbs. bindlestiff.org Hair: Dk Brown, Long Keith Nelson Eyes: Brown VARIETY ENTERTAINER * J UGGLER * S IDESHOW MARVEL * C LOWN * M ASTER OF CEREMONIES PERFORMING PROFESSIONALLY SINCE 1994 Performance Skills Sideshow Feats: Circus Skills: Diabolo Bullwhip Sword Swallowing Clowning Balloon Sculpture Archery Fire-eating Stilt Walking Balancing Gun Spinning Bed of Nails Unicycling Mouth sticks Human Blockhead Basic Tumbling/Acrobatics Bottle and glass tricks Additional Skills Mental Floss Tuba Straight Jacket Escape Prop Manipulation: Western Skills: Concertina Juggling Trick Rope Spinning Magic Plate Spinning Knife Throwing Basic Tap Dancing Work Experience - Venues & Festivals Avery Fischer Hall (w/ Ornette Coleman), NYC King Opera House, Van Buren, AK Hall & Christ’s World of Wonders, NJ San Diego Street Scene, CA Yale Cabaret, Yale University, CT Blue Angel Cabaret, NY Toyota Comedy Festival, NY Knitting Factory, NY Burning Man Festival, NV Bonnaroo, TN Glastonbury Festival, UK All Good Festival, WV Coney Island Sideshow by the Seashore, NY MGM Grand Theater, Washington, DC Wild Style Tattoo Convention, Austria Borgata Hotel and Casino, Atlatnic City Television/Film/Video Late Late Show with James Corden “The Today Show,” NBC “On the Inside,” BBC Late Night w/ David Letterman,” CBS “Twisted Lives of Contortionist,” “Tudo de Bom,” MTV Brazil “Carson Daly Show,” NBC Discovery “Tonigh Show wih Jay Leno” “Oddville,” MTV “Rock of Ages,” VH-1 “OZ.” HBO “212,” FOX Clients Bendel’s -
By Peter Dell ' O Rto and S Ean Punch
BY P ETER D ELL’ORTO AND S EAN P UNCH Written by PETER DELL’ORTO and SEAN PUNCH Additional Material by VOLKER BACH and C.J. CARELLA Edited by SEAN PUNCH Cover Art by BOB STEVLIC Illustrated by ABRAR AJMAL and BOB STEVLIC ISBN 978-1-55634-762-7 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES Committed Attack . 99 Defensive Attack. 100 Evaluate . 100 Feint . 100 ONTENTS Ready . 101 C Who Draws First?. 103 Move . 105 Realism Level . 29 INTRODUCTION . 4 Move and Attack . 107 Beginning Students as PCs. 30 Publication History . 4 Wait . 108 About the Authors . 4 CHARACTER TEMPLATES . 31 ADDITIONAL COMBAT OPTIONS . 109 Del Duque (350 points) . 33 Melee Attack Options . 109 1. HISTORY . 5 Frauds . 35 A Matter of Inches . 110 Adrian Froste (200 points) . 37 TIMELINE . 6 Untrained Fighters . 113 Kai Lian (250 points) . 39 ASIA . 8 Close-Combat Options. 114 China . 8 ADVANTAGES, DISADVANTAGES, Teeth. 115 Xia . 8 AND SKILLS . 42 Grab and Smash! . 118 Monks and Martial Arts . 9 Advantages . 42 Ranged Attack Options . 119 India . 10 Desirable Advantages . 43 Rapid Fire with Thrown Weapons. 120 Northern vs. Southern Kung Fu . 10 Chi Powers for Martial Artists . 46 Active Defense Options . 121 Religion, Philosophy, and Fists . 11 Perks . 49 Harsh Realism for Indonesian Archipelago. 12 Disadvantages. 53 Unarmed Fighters . 124 Japan . 12 Common Disadvantages. 53 CINEMATIC COMBAT . 125 Ryu . 12 Skills . 54 Multiple Attacks . 126 Ninja: Legend vs. History . 13 Combat Skills . 55 Chambara Fighting . 128 Korea. 14 Wildcard Skills for Styles . 60 Mind Games . 130 Other Nations. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Annual Report 2018 1 Legal & Administration Details
DCP Fire Flies by Maria Teresa Goulart Maria Teresa Flies by Fire DCP Annual Report For the year ended 31 December 2018 Table Of Contents Legal & Administration Details Page 2 Chairperson’s Statement Page 3 Directors’ Report 2018 Page 4 - 13 Classes & Masterclasses Page 6 Youth Programmes Page 7 Social Outreach Page 8 DCP Productions Page 9 Community Events & Festivals Page 10 Corporate Events & Performance Hire Page 11 The Dublin Circus Centre Page 12 Financial Summary 2018 Page 13 DublinCircus DublinCircus DublinCircusProject DublinCircusProject Dublin Circus Project - Annual Report 2018 1 Legal & Administration Details As of December 31st 2018 Directors Laura Ivers Brendan Fahy (appointed 19th April 2018) James McDermott (resigned 7th August 2018) Erika Brocca (resigned 19th April 2018)) Maria Ciccone (appointed 19th April 2018) Richard Brennan (appointed 7th August 2018) Secretary Maria Ciccone (appointed 19th April 2018) Registered Office Dublin Circus Project Bannow Business Centre 76g Bannow Road D07 DH04, Dublin 7 Company Status Company Limited by Guarantee Company Registration Number 496247 Auditors Hayden Brown Chartered Accountants Grafton Buildings 34 Grafton Street D02 XY06, Dublin 2 Principal Bankers Allied Irish Banks, p.l.c 126 Capel Street D01 VW89, Dublin 2 A Member of: Irish Street Arts, Circus and Spectacle Network (ISACS) Proudly supported by: The Arts Council of Ireland, Dublin City Council, Dublin City Arts Office, European Juggling Convention 2014 Fund. Dublin Circus Project - Annual Report 2018 2 Chairperson’s Statement Dear valued members, supporters, and friends of Dublin Circus Project, Welcome to our 2018 Annual Report! In the following pages, you will learn about everything we have been up to over the last year, and our plans for 2019 as we continue on our mission to bring the circus arts to life in Dublin and beyond. -
Dissertation Occupational Injuries Among Craft
DISSERTATION OCCUPATIONAL INJURIES AMONG CRAFT BREWERY WORKERS IN COLORADO Submitted by Colleen Brents Department of Environmental and Radiological Health Sciences In partial fulfillment of the requirements For the Degree of Doctor of Philosophy Colorado State University Fort Collins, Colorado Spring 2021 Doctoral Committee: Advisor: John Rosecrance William Brazile Brooke Anderson Alyssa Gibbons Jeff Biegert Copywrite by Colleen Brents 2021 All Rights Reserved ABSTRACT OCCUPATIONAL INJURIES AMONG CRAFT BREWERY WORKERS IN COLORADO Workers at craft breweries in the U.S. are an understudied occupational cohort in a rapidly growing industry. Between 2015 and 2019, the number of craft breweries in Colorado grew 120% (Brewers Association, 2020). At the start of 2020, Colorado had more than 420 craft breweries with more than 9,100 workers. California is the only state with more craft breweries than Colorado. In the U.S., 8,000 craft breweries employed 161,000 workers (Brewers Association, 2020). As craft brewery workers produce beer through manufacturing processes, they are exposed to numerous occupational hazards that have been associated with injuries. These hazards include awkward body postures, lifting/carrying heavy loads, highly repetitive activities, sharp edges on materials and equipment, hot surfaces, and high levels of noise. According to national injury surveillance data, occupational injury rates are higher among brewery workers compared to all industries including private, state, and local government. Unfortunately, the national injury surveillance data do not differentiate between large and craft breweries. Craft breweries are substantially smaller than large industrialized breweries. An analysis of national injury data that includes all sizes of breweries may lead to erroneous perceptions of injuries affecting craft brewery workers. -
Unholy Ghosts in the Age of Spirit: Identity, Intersectionality, and the Theological Horizons of Black Progress
Unholy Ghosts in the Age of Spirit: Identity, Intersectionality, and the Theological Horizons of Black Progress The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:40046529 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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