DON DAVIS D Irector of P H O T O G R a P H Y

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DON DAVIS D irector of P h o t o g r a p h y official website COMMERCIALS (Partial List) Metro Credit Union, Pet Armor, Peacock, OneMain, Cadillac, Spectrum, Walmart, Viberzi, Cumberland Farms, Maryland Lottery, Georgia Lottery, Lifetime, Progressive, US Cellular, Zaxby’s, Marshall, Aspercreme, NBC Promo, GMC, Comcast, Mini Cooper, Wilson, WWE, Uber, Truly Radiant, Allegra, Budweiser, Best Buy, Tru-Moo, Fox Sports, Build-a-Bear, NFL, Smirnoff, Mercedes, Coke, Gatorade, Nike, McDonald’s, Coors Light, Got Milk, Apple, BMW, Honda, Toyota, Jeep, Ford, Mazda, Nissan, EA Games, Atari, Diet Coke, Goodyear, Adidas, Sprite, Powerade, Victoria’s Secret, AT&T, Verizon, Boost Mobile, Samsung, Energizer, Valvoline, Hershey’s, 7 Eleven, Adelphia, Pringles, Holtz Children Hospital, Acuvue, American Express, AAA, Panasonic, Dish Network, Modell’s, Black & Decker, Footlocker, Garmin, HP, Playstation, Converse, Puma, Maxfli, Ricola, Style Network, Radio City Music Hall, Wendy’s MUSIC VIDEOS (Partial List) MAROON 5 “Give A Little More” GAVIN DEGRAW “I’m In Here With A Girl” JUSTIN TIMBERLAKE “I’m Lovin’ It” NAS “Made You Look” MARY J. BLIGE “Take Me As I Am” LIL’ KIM “The Jump Off” AMERIE “One Thing” R. KELLY “Ignition” JA RULE “Put It On Me” DMX “Do You” STONE TEMPLE PILOTS “Days of the Week” WYCLEF JEAN “It Doesn’t Matter” LL COOL J “Imagine That” BOYS II MEN “Color of Love” G-DEP FEAT. P DIDDY “Special Delivery” BUSTA RHYMES “Get Out” KRS-1 “Hot” JAMIE FOXX “Unpredictable” MOBB DEEP “Hey Luv” “Burn” RUN DMC “Let’s Stay Together” ERYKAH BADU “Love of my Life” FABOLOUS “This Is My Party” BLUES TRAVELER “Girl Inside My Head” RUBEN STUDDARD “Change Me” PAULA DEANDA “Walk Away” LLOYD BANKS “Hands Up” KEYSHIA COLE “Let It Go” NELLY “WADSYANAME” RICKY MARTIN & EROS “Non Siamo SOl” DIRECTORS (Partial List) David Jellison, Todd Heyman, The Perlorian Brothers, Craig Brownrigg, Nick Jasenovec, Josh Taft, Paul Hunter, JEAN, Jaume Collet-Serra, Arni & Kinski, Jason Zada, Benzo Theodore, Defiant, Don Hoeg, Marcus Raboy, Shane Valdes, Simon Cole, Jim Sonzero, Marcus Nispel, Wayne Isham, Trey Fanjoy, Neil Tardio, Maurice Marable, Nzingha Stewart, Chris Robinson, George Hickenlooper, Peter Darley Miller, Renny Maslow, Nicholas Barker, Nanette Burstein, Kevin Kerslake, Hype Williams, Little X, Kevin Bray, Bryan Barber, Benny Boom, Evan Bernard, Russell James, Diane Martel, Nick Quested, Irv Gotti, Bille Woodruff, Guy Guillet, Todd Factor, Scott Wittig, Alexander Kosta, Erik White, Mike Palmieri, Eden Tyler, Scott Kalvert, Mike Wang, Catherine Berclaz, Randy Pyburn, Jonathan Bekemeier, Jonathan Lennard, Juan Delcan, Larry Frey, Peter Gilbert, Sam Crawford, Ulf, Marshall Vernet, Jake & Jim, John Bonito, Philip Boston, Brendan Malloy, Les Sharpe, Andrew Jenkins, Kevin Thomas, Duane Crichton, Reggie Hudlin, Sean Ehringer, Jason Woliner, Todd Heyman, Scott Weintrob FEATURES/TELEVISION (Partial List) SNATCH (Season 2) Crackle Creator: Alex De Rakoff Trailer VITAL SIGNS (Season 1) Apple TV Dir: Paul Hunter *MOJAVE Atlas Independent Dir: William Monahan Trailer S.W.A.T.: FIRE FIGHT Sony, Stage 6 Films Dir: Benny Boom Trailer MAN VS. NATURE (Documentary) Sophie Keller/Independent Dir: Oli Barry *2015 TRIBECA FILM FESTIVAL PREMIERE .

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From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space).
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Amy Allen Choreographer
Amy Allen Choreographer TELEVISION Jimmy Kimmel Live – Jason Derulo Choreographer ABC America’s Got Talent – Jason Derulo Choreographer NBC Good Morning America – Jason Derulo Choreographer ABC 106th & Park BET Experience – Jason Derulo Choreographer BET 2013 MTV Movie Awards Opening Asst. Choreographer MTV / Chor: Aakomon Jones The Voice – Usher Asst. Choreographer NBC / Chor: Aakomon Jones Dancing With the Stars – 2013 Macy’s Presents Asst. Choreographer ABC / Chor: Aakomon Jones 2012 Kids Choice Awards Asst. Choreographer Nickelodeon / Chor: Aakomon Jones 2011 European Music Awards Choreographer MTV Europe 2011 Halo Awards – Jason Derulo Choreographer TeenNick Ellen Degeneres Show – Jason Derulo Choreographer NBC So You Think You Can Dance – Keri Hilson Asst. Choreographer FOX / Chor: Aakomon Jones 2011 Teen Choice Awards – Jason Asst. Choreographer FOX / Chor: Aakomon Jones Dancing With the Stars – Jason Derulo Asst. Choreographer ABC / Chor: Aakomon Jones Dancing With the Stars – Florence + The Machine Asst. Choreographer ABC / Chor: Paul Kirkland Dancing With the Stars – 2010 Macy’s Presents Asst. Choreographer ABC / Chor: Rich + Tone Talauega So You Think You Can Dance – Usher Co-Choreographer FOX American Idol – Usher Co-Choreographer FOX FEATURE FILM Centerstage 2 Asst. Choreographer Chor: Aakomon Jones Coyote Ugly Asst. Choreographer Shaggy Dog Asst. Choreographer Chor: Hi Hat MUSIC VIDEOS Jason Derulo “Stupid Love” Choreographer Dir: Gil Green Jason Derulo “Marry Me” Choreographer Dir: Hannah Lux Davis Jason Derulo “Talk Dirty To Me” ft. 2Chainz Choreographer Dir: Colin Tilley Jason Derulo “The Other Side” Asst. Choreographer Dir: Colin Tilley Faith Hill “American Heart” Choreographer Dir: Trey Fanjoy Ne-Yo “Let Me Love You” Asst. Choreographer Dir: Christopher Sims Justin Bieber “Boyfriend” Asst.
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M I K E S a R K I S S I a N Credits
MIKE SARKISSIAN CREDITS _____________________________________________________________________________ EXECUTIVE PRODUCER / PRODUCER FILM The White Stripes Under Great White Northern Lights Emmett Malloy Jack Johnson En Concert Emmett Malloy Jack Johnson A Weekend at the Greek Emmett Malloy Jack White Jack White Kneeling at The Anthem Emmett Malloy TV Paramount Dream: Birth of the Modern Athlete The Malloy Brothers National Geographic Breakthrough Season 2 Series Producer Revolution Studios Pilot – Everyday People Tim Wheeler GSN / Revolution Studios Drew Carey’s Improv-A-ganza 40 eps Liz Zannin The Dead Weather Live at the ROXY Tim Wheeler Jack Johnson Kokua Festival 05-09 Emmett Malloy From The Basement Raconteurs / Kills / Fleet Foxes Nigel Godrich From The Basement Queens of the Stone Age Nigel Godrich Sundance Channel 5 Years of Change – KOKUA Emmett Malloy Selena Gomez Girl Meets World – Disney Channel Tim Wheeler James Blunt Live & SPPP Studios Tim Wheeler Disney Channel Radio Disney Concert Special Tim Wheeler Nickelback Live at Home Nigel Dick Marie Digby Live At Rick Ruben Studios Mike Piscitelli Grace Potter Live In Burlington Tim Wheeler Alpha Rev Live @SPPP Studios Tim Wheeler Kate Vogel Live @SPPP Studios Tim Wheeler ZZ Ward Live @ The Troubadour Tim Wheeler Nick Jonas Live @ Capitol Records Giles Dunning Grace Potter Live @ The Waterfront Tim Wheeler R5 Live @ the O2 London Tim Wheeler COMMERCIALS Honda Happy Honda Days ’19 Campain Jed Hathaway Apple Apple TV+ 2019 March Launch Robin Cosimir Waze Waze Carpool Jeff + Pete Accenture Talent, Resilience, Disruption Jordan Bahat Google Google Cloud Jordan Bahat Amazon Fire TV Twin Peaks Pie Shop, Playlist Jeff + Pete Always Prepared, No Chance Whip It, Whip it Good Sharknado by the Sea Chicken Little Fingers Dove Real Moms Acura Emotion Is In IBM / Watson Not Easy Nicolas Davenel Max Factor Miracle Touch Camilla Akrins Visa Snapchat / Olympics Giles Dunning McDonalds Fans vs Critics Jordan Bahat Navy Federal Credit Union Veterans Bond Jeff + Pete Dr.
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The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement.
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ALEX DELGADO Production Designer
ALEX DELGADO Production Designer PROJECTS DIRECTORS STUDIOS/PRODUCERS THE KEYS OF CHRISTMAS David Meyers YouTube Red Feature OPENING NIGHTS Isaac Rentz Dark Factory Entertainment Feature Los Angeles Film Festival G.U.Y. Lady Gaga Rocket In My Pocket / Riveting Short Film Entertainment MR. HAPPY Colin Tilley Vice Short Film COMMERCIALS & MUSIC VIDEOS SOL Republic Headphones, Kraken Rum, Fox Sports, Wendy’s, Corona, Xbox, Optimum, Comcast, Delta Airlines, Samsung, Hasbro, SONOS, Reebok, Veria Living, Dropbox, Walmart, Adidas, Go Daddy, Microsoft, Sony, Boomchickapop Popcorn, Macy’s Taco Bell, TGI Friday’s, Puma, ESPN, JCPenney, Infiniti, Nicki Minaj’s Pink Friday Perfume, ARI by Ariana Grande; Nicki Minaj - “The Boys ft. Cassie”, Lil’ Wayne - “Love Me ft. Drake & Future”, BOB “Out of My Mind ft. Nicki Minaj”, Fergie - “M.I.L.F.$”, Mike Posner - “I Took A Pill in Ibiza”, DJ Snake ft. Bipolar Sunshine - “Middle”, Mark Ronson - “Uptown Funk”, Kelly Clarkson - “People Like Us”, Flo Rida - “Sweet Spot ft. Jennifer Lopez”, Chris Brown - “Fine China”, Kelly Rowland - “Kisses Down Low”, Mika - “Popular”, 3OH!3 - “Back to Life”, Margaret - “Thank You Very Much”, The Lonely Island - “YOLO ft. Adam Levine & Kendrick Lamar”, David Guetta “Just One Last Time”, Nicki Minaj - “I Am Your Leader”, David Guetta - “I Can Only Imagine ft. Chris Brown & Lil’ Wayne”, Flying Lotus - “Tiny Tortures”, Nicki Minaj - “Freedom”, Labrinth - “Last Time”, Chris Brown - “She Ain’t You”, Chris Brown - “Next To You ft. Justin Bieber”, French Montana - “Shot Caller ft. Diddy and Rick Ross”, Aura Dione - “Friends ft. Rock Mafia”, Common - “Blue Sky”, Game - “Red Nation ft. Lil’ Wayne”, Tyga “Faded ft.
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Maital Sabban Make-Up Artist
6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST DIRECTORS & PHOTOGRAPHERS: Alberto Tolot David La Chapelle Kevin Kerslake Allan Fis David Steinberg Kieran Walsh Anastacia & Ian David Tsay Kinka Usher Andrew McPherson Davis Factor Larson & Talbert Andrew Southam Dick Buckley Lauren Greenfield Andy Morahan Dominique Guillemont Lita Wilson Angela Alvarado Rosa Eika Aoshima Lorenzo Agius Angelina Venturella Emily Shur Mark Anderson Anghel Decca Fatima Mark Seliger Annie Leibovitz Francis Lawrence Martin Scholler Anouk Besson Frank Samuels Mary Ellen Mark Anthea Benton Gavin Bond Matthew Rolston Anthony Mandler Geoff Moore Meirt Avis Arnold Turner Giuliano Bekor Memo del Bosque Art Streiber Graham Michael Martin Blake Little Gustavo Garzon Michael Muller Bob Giraldi Helmut Newton Michel Gondry Brian Bowen Smith Henman Mike Ruiz Cam Archer Herb Ritts Miranda Penn Turin Carl Rinsch Jack Guy Moshe Brakha Charles Jensen James Houston Nancy Bardawil Chris Applebaum Jeff Berlin Nigel Dick Chris Floyd Jeff Katz Noriyuki Tanaka Chris Fortuna Jeff Lipsky Norman Jean Roy Chris McPherson Jeremy Goldberg Omar Cruz Christopher Beyer Jerry Avenaim Pablo Alfaro Christy Bush Jim Gable Patrick Anderson Craid De Cristo Jim Wright Patrick Demarchelier Craig Cutler John Russo Paul Hunter Danny Ducovny Joseph Kahn Randall Mesdon David Hogan Joseph Murray Randee St. Nicholas David Kellogg Joseph Pluchino Rankin 6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST (CONT’D.) DIRECTORS & PHOTOGRAPHERS (CONT’D.): Rent Sidon Stephan Kyndt Tom Gatsoulis Richard McLaren Steve Ramser Tony Duran Robert Ascroft Steve Shaw Traktor Robert Fleischauer Steven Lippman Wayne Isham Robert Rodriguez Steven Ziegler Walter Iooss Roger Erickson Stylewar Willie Maldonado Sheryl Nield The Malloy Bros.
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In the Thicke of It Jessie M
SURGE Center for Public Service 9-2-2013 In The Thicke Of It Jessie M. Pierce Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/surge Part of the American Popular Culture Commons, Domestic and Intimate Partner Violence Commons, and the Gender and Sexuality Commons Share feedback about the accessibility of this item. Pierce, Jessie M., "In The Thicke Of It" (2013). SURGE. 84. https://cupola.gettysburg.edu/surge/84 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/surge/84 This open access blog post is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. In The Thicke Of It Abstract If you’ve been anywhere near your Facebook newsfeed in the last few days, you’re probably familiar with the most recent images of Miley Cyrus at her less-than-graceful VMA performance. From CNN’s front page headline, “What Was Miley Thinking?” to Buzzfeed’s gifset of a cartoon Cyrus twerking on famous paintings, her antics have, for better or for worse, become a hyper-inflated mega-sensation that I, frankly, don’t care about at all. I’m not going to talk about Miley anymore. Instead, let’s talk about her co-performer, Robin Thicke. [excerpt] Keywords Surge, Surge Gettysburg, Gettysburg College, Center for Public Service, VMA awards, Miley Cyrus, Robin Thicke, rape culture Disciplines American Popular Culture | Domestic and Intimate Partner Violence | Gender and Sexuality Comments Surge is a student blog at Gettysburg College where systemic issues of justice matter.
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G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail.
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MALIK H. SAYEED Director of Photography
MALIK H. SAYEED Director of Photography official website COMMERCIALS (partial list) Verizon, Workday ft. Naomi Osaka, IBM, M&Ms, *Beats by Dre, Absolut, Chase, Kellogg’s, Google, Ellen Beauty, Instagram, AT&T, Apple, Adidas, Gap, Old Navy, Bumble, P&G, eBay, Amazon Prime, **Netflix “A Great Day in Hollywood”, Nivea, Spectrum, YouTube, Checkers, Lexus, Dobel, Comcast XFinity, Captain Morgan, ***Nike, Marriott, Chevrolet, Sky Vodka, Cadillac, UNCF, Union Bank, 02, Juicy Couture, Tacori Jewelry, Samsung, Asahi Beer, Duracell, Weight Watchers, Gillette, Timberland, Uniqlo, Lee Jeans, Abreva, GMC, Grey Goose, EA Sports, Kia, Harley Davidson, Gatorade, Burlington, Sunsilk, Versus, Kose, Escada, Mennen, Dolce & Gabbana, Citizen Watches, Aruba Tourism, Texas Instruments, Sunlight, Cover Girl, Clairol, Coppertone, GMC, Reebok, Dockers, Dasani, Smirnoff Ice, Big Red, Budweiser, Nintendo, Jenny Craig, Wild Turkey, Tommy Hilfiger, Fuji, Almay, Anti-Smoking PSA, Sony, Canon, Levi’s, Jaguar, Pepsi, Sears, Coke, Avon, American Express, Snapple, Polaroid, Oxford Insurance, Liberty Mutual, ESPN, Yamaha, Nissan, Miller Lite, Pantene, LG *2021 Emmy Awards Nominee – Outstanding Commercial – Beats by Dre “You Love Me” **2019 Emmy Awards Nominee – Outstanding Commercial ***2017 D&AD Professional Awards Winner – Cinematography for Film Advertising – Nike “Equality” MUSIC VIDEOS (partial list) Arianna Grande, Miley Cyrus & Lana Del Rey, Kanye West feat. Nicki Minaj & Ty Dolla $ign, N.E.R.D. & Rihanna, Jay Z, Charli XCX, Damian Marley, *Beyoncé, Kanye West, Nate Ruess, Kendrick Lamar, Sia, Nicole Scherzinger, Arcade Fire, Bruno Mars, The Weekend, Selena Gomez, **Lana Del Rey, Mariah Carey, Nicki Minaj, Drake, Ciara, Usher, Rihanna, Will I Am, Ne-Yo, LL Cool J, Black Eyed Peas, Pharrell, Robin Thicke, Ricky Martin, Lauryn Hill, Nas, Ziggy Marley, Youssou N’Dour, Jennifer Lopez, Michael Jackson, Mary J.
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Smr Td Resume 2011
FILM | TELEVISION MUSIC VIDEOS PRODUCTION DESIGNER PRODUCTION DESIGNER Disney XD • Zero Displacement • Director: Pat Notaro DUFFY • Keeping the Baby • Director: Petro Pappa • DRAW PICTURES Babylon Beach • Infidelis Productions • Director: Eric Bergemann FRANKI LOVE • Shadows • Director: Bryan Robbins • DI POST Red Weather • ABC | Disney • Director : Jordan Downey (Pre - Production) • Super Duper Love • Director: David LaChapelle • HSI JOSS STONE Small Town News (pilot) • STN LLC • Directors : Holt Bailey & Eric Steele PLACEBO • Follow the ... • Director: Daniel Askill • RADICAL MEDIA Lost • SILVERCREST FILM • Director: Darren Lemke • Producer : Ralph Winter THRICE • Come All You... • Director : Zach Merck • RADICAL MEDIA Down South • BEDFORD FILMS • Director : Hank Bedford SWITCHFOOT • Oh! Gravity • Director: P.R. Brown • RADICAL MEDIA Emergency • EMERGENCY LLC • Director : Jordan Downey Way of the Tiger • THE MINE • Director: Chris Salzgeber TRANSPLANTS • What I Can’t... • Director: Estevan Oriol • HSI THE BRAVERY • Fearless • Director: Diane Martel • DNA THE ACADEMY IS • The Phrase...• Director: Marvin Jarrett • TOYSTORE ART DIRECTOR • [2nd Unit / Pick-Ups] SHANE M. RICHARDSON Harold and Kumar... • SENATOR FILMS • Director : Danny leiner VHS OR BETA • You Got Me • Director: Ryan Rickett • REFUSED TV [email protected] LIMBECK • People Don’t Change • Director: Ryan Rickett • REFUSED TV SET DECORATOR | PROPMASTER KARRI KIMMEL • Not Make Believe • Director: Garreth O’Neil • DISNEY www.tandemdesign.biz Jingles (reality gameshow) • MARK
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Script to Screen a ONE DAY FILM INTENSIVE Program Guidelines
Script to Screen A ONE DAY FILM INTENSIVE Program Guidelines IMPORTANT DATES APPLICATION DEADLINE Tuesday, January 2, 2018 – 11:59 pm SCRIPT TO SCREEN WORKSHOP When: Friday, Feb. 16, 2018 (if selected, applicant must be able to attend on this day) Where: Campus of Fayetteville State University Time: 8:30 am – 5 pm OVERVIEW PROGRAM PURPOSE The purpose of Script to Screen is to provide students who are exploring a career in the film industry an opportunity to experience the many facets of film production under the guidance of a professional active in the industry. In this one-day film production intensive with noted writer, producer and Jamel "Mel City" Thornton. Students in grades 9-12 will learn theory and application in six key areas of film production: • Development and scriptwriting • Pre-production • Production • Wrap • Post-Production • Pitch and shopping distribution ABOUT MEL CITY Mel City got his start in the industry on Spike Lee’s infamous He Got Game. His extensive resume includes work on OX’s hit television series New York Undercover; Belly; countless music videos for artists such as DMX, The Lox, Ja Rule, Mobb Deep, Sean “Diddy” Combs, and Janet Jackson. Mel City has also worked with highly sought after directors like Chris Robinson, Director X (formerly Little X), Dave Myers and Benny Boom and is currently producing FLINT 6, a fictional-biopic which confronts the Flint Water Crisis head on. An Army veteran, Mel City holds a B.S. in Communication Arts & Mass Communication from St. John’s University, attended Thurgood Marshall School of Law (Houston, Texas) and is currently studying for the New York Uniform Bar Exam.
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Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80.
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