Historical Studies Journal 2009
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Texas POW Camp Hearne, Texas
Episode 2, 2005: Texas POW Camp Hearne, Texas Gwen: Our final story explores a forgotten piece of World War II history that unfolds on a mysterious plot of land deep in the heart of Texas. It’s summer, 1942, and Hitler’s armies are experiencing some of their first defeats, in North Africa. War offi- cials in Great Britain are in crisis. They have no more space to house the steadily mounting numbers of captured German soldiers. Finally, in August, America opened its borders to an emergency batch of prison- ers, marking the beginning of a little-known chapter in American history, when thousands of German soldiers marched into small town, U.S.A. More than 60 years later, that chapter is about to be reopened by a woman named Lisa Trampota, who believes the U.S. government planted a German prisoner of war camp right on her family land in Texas. Lisa Trampota: By the time I really got interested and wanted to learn more, everyone had died that knew anything about it. I’d love to learn more about my family’s history and how I’m connected with that property. Gwen: I’m Gwen Wright. I’ve come to Hearne, Texas, to find some answers to Lisa’s questions. Hi, Lisa? Lisa: Hi. Gwen: I’m Gwen. Lisa: Hi, Gwen, it’s very nice to meet you. Gwen: So, I got your phone call. Now tell me exactly what you’d like for me to find out for you. Lisa: Well, I heard, through family legend, that we owned some property outside of Hearne, and that in the 1940s the U.S. -
A Memoir of the Siege of Tobruk
I Confess A Memoir of the Siege of Tobruk Author: Major General John Joseph Release date: August 2011 Murray, DSO & Bar, MC, VD Format: PB 210 x 148mm ISBN: 978-0-9870574-8-8 Pages: 256 Publisher: Big Sky Publishing Price (incl. GST): $29.99 I Confess is an intimate portrayal of command in the crucible of war. But Major General John Joseph Murray’s portrait of wartime leadership is not the stuff of military textbooks and his war is no set-piece battle. Murray commanded the Australian 20th Brigade during the siege of Tobruk, that grinding, tortuous desert defence that saw the German forces label his men ‘rats’, a badge they have worn since with pride and honour. Murray’s account, as he explains in the humorous, deprecating whimsy that characterises his memoir, is not a story of raging battles and hard- fought actions, but of the essence of command. This is a portrait of the relationship Murray forges with his men through the long days of the siege against a relentless enemy and as supplies dwindle, tempers fray and exhaustion threatens. Major General John Joseph Murray DSO and Bar, MC, VD, fought in the AIF in both the First and Second World Wars. He won the Military Cross as a company commander during the disastrous Battle of Fromelles and the Distinguished Service Order at Peronne. At the beginning of the Second World War he raised the 20th Brigade at Ingleburn before embarking for Palestine. In 1941, the brigade joined the 9th Division in pursuit of the Italian Army in North Africa but came face to face with Rommel’s Afrika Korps. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Bonnie and Clyde and the Sixties Bruce Campbell
“Something’s happening here”: Bonnie and Clyde and the Sixties Bruce Campbell Something’s happening here What it is ain’t exactly clear (Buffalo Springfield) It was a tumultuous time; 1967, the Age of Aquarius, the time of Flower Power, free love, and hippies.1 There were “Be-Ins” on both coasts. In the Haight-Ashbury section of San Francisco, there was a celebration called the “Summer of Love,” and a top-ten song advised “if you’re going to San Francisco, be sure to wear some flowers in your hair” (McKenzie). Young people were encouraged to “turn on, tune in, drop out,” and the nation suddenly learned about LSD.2 A generation just coming of age called for “peace and love.” Others wanted quicker, more violent change. Young men were being sent to Vietnam to fight what many considered an unjust war. Figures from the US National Archives show that more than eleven thousand young Americans died in Vietnam in 1967. The next year, the number would rise to more than eighteen thousand. The war was costing taxpayers billions of dollars a year, and each month, thousands of young men were being drafted into military service.3 When there were demonstrations against the draft and the war, protestors were met by police and National Guard troops. Groups like the Weathermen began using bombs to strike at “the system.”4 Blacks seeking equality grew frustrated with the slow progress of Martin Luther King’s nonviolent approach to achieving racial equality. In the summer of 1967, race riots plagued Newark, Detroit, and other cities. -
A New Nation Struggles to Find Its Footing
November 1965 Over 40,000 protesters led by several student activist Progression / Escalation of Anti-War groups surrounded the White House, calling for an end to the war, and Sentiment in the Sixties, 1963-1971 then marched to the Washington Monument. On that same day, President Johnson announced a significant escalation of (Page 1 of 2) U.S. involvement in Indochina, from 120,000 to 400,000 troops. May 1963 February 1966 A group of about 100 veterans attempted to return their The first coordinated Vietnam War protests occur in London and Australia. military awards/decorations to the White House in protest of the war, but These protests are organized by American pacifists during the annual were turned back. remembrance of the Hiroshima and Nagasaki atomic bombings. In the first major student demonstration against the war hundreds of students March 1966 Anti-war demonstrations were again held around the country march through Times Square in New York City, while another 700 march in and the world, with 20,000 taking part in New York City. San Francisco. Smaller numbers also protest in Boston, Seattle, and Madison, Wisconsin. April 1966 A Gallup poll shows that 59% of Americans believe that sending troops to Vietnam was a mistake. Among the age group of 21-29, 1964 Malcolm X starts speaking out against the war in Vietnam, influencing 71% believe it was a mistake compared to only 48% of those over 50. the views of his followers. May 1966 Another large demonstration, with 10,000 picketers calling for January 1965 One of the first violent acts of protest was the Edmonton aircraft an end to the war, took place outside the White House and the Washington bombing, where 15 of 112 American military aircraft being retrofitted in Monument. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
The Systematic Identification and Articulation of Content Standards and Benchmarks. Update. INSTITUTION Mid-Continent Regional Educational Lab., Aurora, CO
DOCUMENT RESUME ED 403 308 TM 026 040 AUTHOR Kendall, John S.; Marzano, Robert J. TITLE The Systematic Identification and Articulation of Content Standards and Benchmarks. Update. INSTITUTION Mid-Continent Regional Educational Lab., Aurora, CO. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. PUB DATE Mar 95 CONTRACT RP91002005 NOTE 598p. AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) Reports Descriptive (141) EDRS PRICE MF03/PC24 Plus Postage. DESCRIPTORS Art; *Course Content; *Educational Improvement; Elementary Secondary Education; Geography Instruction; Health Education; History Instruction; *Identification; Language Arts; Mathematics Education; Science Education; *Standards; Thinking Skills IDENTIFIERS *Benchmarking; *Subject Content Knowledge ABSTRACT The project described in this paper addresses the major issues surrounding content standards, provides a model for their identification, and applies this model to identify standards and benchmarks in subject areas. This update includes a revision of content standards and benchmarks published in, earlier updates and the synthesis and identification of standards in new areas. Standards and benchmarks are provided for science, mathematics, history, geography, the arts, the language arts, and health. Also included are standards in thinking and reasoning and an analysis and description of knowledge and skills considered important for the workplace. Following an introduction, the second section presents an overview of the current efforts towards standards in each of these subject areas. Section 3 describes the technical and conceptual differences that have been apparent in the standards movement and the model adopted for this study. Section 4 presents key questions that should be addressed by schools and districts interested in a standards-based strategy. -
DEMA Annual Report 2015
ARIZONA DEPARTMENT OF EMERGENCY AND MILITARY AFFAIRS 2015 Annual Report Office of the Adjutant General 5636 E. McDowell Rd Phoenix, AZ 85008 Web site: dema.az.gov Social Media: Arizona National Guard AZNationalGuard AZNationalGuard RSS Arizona Division of Emergency Management ArizEIN azein AzEINvideo azeinblog RSS Cover: Soldiers and Airmen from the Arizona National Guard assemble in a mass formation during the Arizona National Guard Muster Dec. 7 at Arizona State University's Sun Devil Stadium in Tempe, Ariz. More than 4,000 Guard Members from throughout the state were present for the historic muster formation. (U.S. Army National Guard Photo by Staff Sgt. Brian A. Barbour) 2 Soldiers and Airmen from the Arizona National Guard assemble in a mass formation during the Arizona National Guard Muster Dec. 7 at Arizona State University's Sun Devil Stadium in Tempe, Ariz. More than 4,000 Guard Members from throughout the state were present for the historic muster formation. (U.S. Army National Guard Photo by Staff Sgt. Brian A. Barbour) INTRODUCTION AND EXECUTIVE SUMMARY On September 2, 1865, the Arizona National Guard was established with the first muster of the First Infantry Regiment of Arizona, comprised of five companies of more than 350 enlisted Soldiers and nine officers. From that first muster to serving as the acting Guard of Honor for President Woodrow Wilson during the treaty negotiations ending World War I to the 158th “Bushmasters” being recognized by General Douglas MacArthur as “No greater fighting combat team has ever deployed for battle” to our recent deployments to Afghanistan and Iraq, the Arizona National Guard has established a long and distinguished history of service to Arizona and our nation. -
Nationalsozialismus in Der Österreichischen Provinz
Am Umschlag: "Beschauschein vom 11. 4. 1945. Der Beschauarzt verübte beim Zusammenbruch Selbstmord." Aus: Erlaftal-Bote, 90. Jg., Nr. 17, 23. April1980. MITTEILUNGEN DES INSTITUTS FÜR WISSENSCHAFT UND KUNST, 46. JG. 1991 I NR. 4, öS 50,- 1 WlFIBJM_~ ' EDITORIAL INHALT Historische Forschung und Vermittlung darf nicht Jacqueline Vansant auf Gedenktage und Jubiläen beschränkt bleiben. NATIONALSOZIALISMUS UND Der Arbeitskreis "Nationalsozialismus in der Öster• AUTOBIOGRAPHIEN VERFOLGTER reichischen Provinz" versucht die insbesonders FRAUEN ... :. 2 durch das Gedenkjahr 1938/88 in Fluß gekommene Beschäftigung mit dem deutschen Faschismus in Klaus-Dieter Mulley Österreich interdisziplinär weiterzuführen und auch "AHNENGAU DES FÜHRERS" Lokalforschern eine Plattform für die Präsentation Alltag und Herrschaft in "Niederdonau" und Konfrontation ihrer Forschungsergebnisse zu 1 938-1945 . 7 geben. Die folgenden Beiträge zeigen eine Vielfalt der Zugänge zum regionalen und lokalen Gesche hen. Eine Ablöse der "alten Heimatgeschichten", in Franz Steinmaßl welchen die Zeit 1938 bis 1945 ausgeklammert DAS HAKENKREUZ IM HÜGELLAND oder auf die Erwähnung von ein paar überregiona• Widerstand und Verfolgung im len Ereignissen beschränkt, somit die Mitwirkung ei Bezirk Freistadt 1938-1945 ................ 18 nes Großteils der Bevölkerung an der Etablierung und Aufrechterhaltung des NS-Regimes schamhaft Ernst Langthaler verschwiegen wurde, scheint sich anzubahnen. Im THESEN ZUR GESELLSCHAFTS Arbeitskreis werden nicht nur Regional- oder Lokal GESCHICHTE DES NATIONAL geschichten diskutiert, sondern - wie der Beitrag SOZIALISMUS AM BEISPIEL "Nationalsozialismus und Autobiographien verfolg FRANKENFELS 1932-1956 ................ 22 ter Frauen" zeigt - auch "überregionale" Aspekte und Konsequenzen des Nationalsozialismus vorge tragen, besprochen und zum "heimatlichen" Ge Robert Streibel schehen in Beziehung gesetzt. Was Altred Pfoser in DIE "GAUHAUPTSTADT" KREMS einem anderen Zusammenhang schrieb, gilt auch Eine Geschichte in vier Bildern ............. -
Commissioners' Minutes 2008 (PDF)
COMMISSIONERS’ PROCEEDINGS CLOUD COUNTY, KANSAS JANUARY 7, 2008 UNOFFICIAL PROCEEDINGS Regular session of the January meetings of the Cloud County Board of Commissioners was called to order at 9:00 a.m. on January 7, 2008 in the Commissioners’ room at the Courthouse with Chairman Bill Garrison, Members Gary Caspers and Johnita Crawford, and County Clerk Linda Bogart present. County staff attending were: Cynthia Weber, Health Administrator; Justin Murdock, Solid Waste Director; Jerry Collins, IT Tech; Jim Johnson, Maintenance Manager; Robert Walsh, County Attorney; Larry Bergstrom, Sheriff. Others attending were: Mark Skiles, Concordia City Manager; Mari Detrixhe, Clyde Economic Development Director; Toby Nosker, KNCK. On motion by Commissioner Crawford, second by Commissioner Caspers, unanimous vote the Board approved the 2008 Employment Agreement with Cynthia Weber as Health Administrator, with a salary of $38,546.82. Weber and the Board discussed maintenance and office space at the Service Center (Health Dept. Bldg). The Board will attend the Health Dept. Advisory Board meeting on Thursday, January 10, 2008, to be held at the Health Dept. beginning at 9:30 a.m. On motion by Commissioner Caspers, second by Commissioner Crawford, unanimous vote the Board approve Abatements #2007-00058 to #2007-00061 totaling $261.78. On motion by Commissioner Garrison, second by Commissioner Crawford, unanimous vote the Board approved the minutes of the previous meeting as presented. Justin Murdock, Solid Waste Director discussed a meeting he attended with FEMA representatives and others concerning the costs related to the cleanup from the recent storms. Murdock reported work is continuing on the addition to the Transfer Station office. -
Jack Tworkov: Becoming Himself
Jack Tworkov: Becoming Himself By Carter Ratcliff, May 2017 Jack Tworkov developed an acclaimed Abstract Expressionist style and then left it behind, seeking to transcend style and achieve true selfexpression through painting. In 1958, the Museum of Modern Art in New York launched one of its most influential exhibitions. Titled “The New American Painting,” it sent works by leading Abstract Expressionists on a tour of eight European cities. Responses were varied. Some Old World critics saw canvases by Jackson Pollock, Barnett Newman, and their colleagues as unnecessarily large and aesthetically naïve. Others acknowledged, with differing degrees of reluctance, that the unfamiliar imagery confronting them was genuinely innovative. A critic in Berlin praised Jack Jack Tworkov, X on Circle in the Square (Q4-81 #2), Tworkov for dispensing 1981, acrylic on canvas, 49 x 45 in.; Courtesy Alexander with ready-made premises Gray Associates, New York © Estate of Jack Tworkov / and assumptions, seeing the Licensed by VAGA, New York, NY world afresh, and painting what is “real.” “The New American Painting” advanced an ambitious hypothesis: the Abstract Expressionists now formed the modernist vanguard. Convinced that they were no less significant than Impressionists or Cubists, the painters themselves had come to this conclusion a decade earlier. No longer American provincials, they had merged personal ambition with historical destiny. with historical destiny. Understandably, then, when an Abstract Expressionist achieved a mature style he—or she, in the cases of Lee Krasner and Joan Mitchell—tended to stay with it. Of course, signature styles evolved over the years. Mark Rothko’s imagery grew darker. -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture.