Minnamurra Aka Wrangler Music Credits
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Pandoras Box CD-List 06-2006 Short
Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim. -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
The Routledge Companion to Actor-Network Theory
The Routledge Companion to Actor-Network Theory This companion explores ANT as an intellectual practice, tracking its movements and engagements with a wide range of other academic and activist projects. Showcasing the work of a diverse set of ‘second generation’ ANT scholars from around the world, it highlights the exciting depth and breadth of contemporary ANT and its future possibilities. The companion has 38 chapters, each answering a key question about ANT and its capacities. Early chapters explore ANT as an intellectual practice and highlight ANT’s dialogues with other fields and key theorists. Others open critical, provocative discussions of its limitations. Later sections explore how ANT has been developed in a range of so cial scientific fields and how it has been used to explore a wide range of scales and sites. Chapters in the final section discuss ANT’s involvement in ‘real world’ endeavours such as disability and environmental activism, and even running a Chilean hospital. Each chapter contains an overview of relevant work and introduces original examples and ideas from the authors’ recent research. The chapters orient readers in rich, complex fields and can be read in any order or combination. Throughout the volume, authors mobilise ANT to explore and account for a range of exciting case studies: from wheelchair activism to parliamentary decision-making; from racial profiling to energy consumption monitoring; from queer sex to Korean cities. A comprehensive introduction by the editors explores the significance of ANT more broadly and provides an overview of the volume. The Routledge Companion to Actor-Network Theory will be an inspiring and lively companion to aca- demics and advanced undergraduates and postgraduates from across many disciplines across the social sciences, including Sociology, Geography, Politics and Urban Studies, Environmental Studies and STS, and anyone wishing to engage with ANT, to understand what it has already been used to do and to imagine what it might do in the future. -
PURE PRAIRIE LEAGUE/THE SHOE FIT Simon, Capt
March 13, 1976 >T1 CD (t) SD es '21 D (-3 CD C) "Nee. PURE PRAIRIE LEAGUE/THE SHOE FIT Simon, Capt. & Tennille, Ian, Sondheim - Grammy Winners WB Demonstrates R&B Credentials With California Soul Concerts In N.Y. Fire Destroys One -Stop In Chicago k MCA Earnings And Sales Set Records In 1975 Music & Dollars - The Happy Medium (Ed) www.americanradiohistory.com *Also available on Tape. "Livin'forZs458- the Weekend"is the blistering new O'Jays single with"monster"written all over it.It's the follow-up single to their million-seller,"I Love Music;'and it's from their platinum plus album,"Family Reunion'."`Livin'for the Weekend"is hot off the presses, and it's already hitbound on Top 40 stations all over. The OJays Family Reunion /Love Music/Leviincluding:ForThe And Weekend She's OnlyOn/ Unity/youWoman/Stairway Me To Heaven "Livin'for the Weekend'. Thank God it's The O'Jays. On Philadelphia Records. DIS-RIBUTED BY CBS RECORDS ® 1976 CBS INC. www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY CASHVOLUME XXXVII BOXNUMBER 43 -- March 13. 1976 7CM1-1VC PeLOGIII I President and Publisher MARTY OSTROW Executive Vice President cash box editorial Editorial DAVID BUDGE Editor In Chief IAN DOVE East Coast Editorial Director New York GARY COHEN BOB KAUS PHIL DIMAURO Music & Dollars --- The Happy Medium ERIC RUDOLPH Hollywood The sales and earnings reports of companies involved in the JESS LEVITT MARC SHAPIRO record industry are important news to For record STEPHEN FUCHS everyone. the J B. CARMICLE JOHN MANKIEWICZ business, like any other business, is a money making enterprise. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna. -
Shame Music Credits
Original Music by Mario Millo Music Engineering Cos Russo 'He's My Man' Composed and Arranged by Lucky Oceans Composer Mario Millo: At time of writing, Millo had an eponymous website here, which contained this biography, together with other details: Mario Millo was born in Sydney, Australia in May 1955 to Italian parents, both whom had musical backgrounds. His music career began at the age of five when his father taught him to play the mandolin. By nine, he had begun performing in various Sydney night-clubs and was fast becoming an accomplished guitar player. In 1967, at twelve years of age, he formed his first band, wrote his first song and two years later his second band "The Clik" were the winners of a major "battle of the bands" launching the group into mainstream live venues and their first record release. "The Clik" broke up in late 1973 and Millo decided to join Sydney band "Sebastian Hardie". It was with this band that he began to develop his unique writing style and in 1975, Sebastian Hardie released their debut album "Four Moments" which achieved gold status soon after its release. The bands second album "Windchase" was released a year later - both these albums were hailed as classic progressive rock performances, with Sebastian Hardie recognised as one of the most innovative rock bands of the seventies. The band toured Australia with many international acts including Santana, Lou Reed, Osibisa and Focus. Sebastian Hardie held their own alongside these major acts in the eyes and ears of audiences and the press with Millo's melodic and soulful guitar playing gaining the respect of legend guitarists Carlos Santana and Jan Akkermann and the praise of his many followers. -
The Alignment of Screens
The Alignment of Screens Felipe Raglianti , B.A.; M.A. Submitted for the degree of Doctor of Philosophy (PhD) Department of Sociology, Lancaster University, 2016 Declaration I declare that this thesis is my own work and that it has not been submitted in any form for the award of a higher degree elsewhere. Felipe Raglianti, June 2016 1 Abstract This thesis makes a distinction between screen and surface. It proposes that an inquiry into screens includes, but is not limited to, the study of surfaces. Screens and screening practices are about doing both divisions and vision. The habit of reducing screens to the display neglects their capacity to emplace separations (think of folding screens). In this thesis an investigation of screens becomes a matter of asking how surfaces and the gaps in between them articulate alignments of people and things with displays that, in practice, always leave something out of sight. Rather than losing touch with screens by reducing them to surfaces, in other words, I am interested in alternative screen configurations. For this task I sketch an approach that touches on screens through the figures of lines, surfaces, textures, folds, knots and cuts. Lines help me to make the case for thinking about screens as alignments. I then ask what kinds of observers emerge from reducing screens to single or digital surfaces. I trace that concern with Google Glass, a pair of “smartglasses” with a transparent display. To distinguish between screen and surface I suggest, through a study of biodetection and assistance dogs, how to qualify or texture screens within webs of relations. -
Migration Experiences Australia Is a Nation Built on Migration
Unit 3 The globalising world (1945–the present) Migration experiences Australia is a nation built on migration. Since the end of World War II, more than seven million new migrants have settled here. Some have come seeking better opportunities. Others have come to escape conflicts, disasters or persecution elsewhere. Major world events, such as the Vietnam War, have influenced the range and number of people arriving in Australia. As a result, government policies have evolved under successive leaders to manage the numbers and types of people wishing to settle here. With time, policies that discriminated on the basis of race have been replaced by a system based on skills and eligibility. With one in four Australians born overseas, migration has made Australia the culturally and ethnically diverse nation it is today. chapter Source 1 Refugees fleeing the war in Vietnam for the safety of Australia during the 151970s often had to escape on cargo boats. Many were forced to wait at sea before disembarking and being sent to refugee camps. 15A 15B DRAFT15C 15D How have world events How have government policies How did the Vietnam War How has migration shaped influenced migration to influenced migration to affect migration to Australia? Australia’s identity and global Australia since World War II? Australia since World War II? 1 What affect do you think the Vietnam War had on relationships? the types of people coming to Australia? 1 Brainstorm three important world events that have 1 At the end of World War II, most Australians 1 Australia is now a culturally diverse society made taken place since 1945 and discuss how these supported immigration policies that restricted 2 Why do you think so many Vietnamese people up of people from many different cultural, religious events might have affected migration to Australia. -
Introducing PROC SIMSYSTEM for Systematic Nonnormal Simulation
Paper SAS4281-2020 Introducing PROC SIMSYSTEM for Systematic Nonnormal Simulation Bucky Ransdell and Randy Tobias, SAS Institute Inc. ABSTRACT Simulation is a key element in how decisions are made in a wide variety of fields, from finance and insurance to engineering and statistics. Analysts use simulation to estimate the probability that a business process will succeed, that an insurance portfolio will fail, or that a statistical method will control Type I error. Often, the base case that is used to devise such processes depends on assuming that random variation is normal (Gaussian). Normal variation is common and is often easier to compute with. But it is still an assumption, so robust simulation studies should explore what happens when that assumption is violated. The SIMSYSTEM procedure, new in SAS® Visual Statistics 8.5, enables you to simulate random variation from a wide class of distributions. You can use PROC SIMSYSTEM to generate random variates with any possible values for skewness and kurtosis, which define the asymmetry and tail behavior of the underlying distribution. Key tools are computational facilities for handling the Pearson and Johnson families of distributions, whose parameters span this skewness/kurtosis space. This paper introduces PROC SIMSYSTEM and demonstrates its utility with examples that simulate complex processes in science and industry. INTRODUCTION—MOMENTS OF DISTRIBUTIONS Simulation is widely used in science, engineering, and business to study the behavior of complex systems. It is an essential tool for studying a real-world system for which conducting controlled experiments is not feasible; examples include the earth’s climate, the global economy, or even (as in the extended example later in this paper) personal finance. -
Paws Music Credits
music by mario Millo Orchestrations Mario Millo Orchestra Australian Studio Orchestra Conductor Christopher Gordon Concert Master Phillip Hartl Music Supervisor Cos Russo Assistant Engineer James Cadsky Orchestra recorded at Eugene Goosens Hall, ABC, Sydney by Christo Curtis Additional Music recorded at Silver City Studio, Sydney Music mixed by Christo Curtis at the Crystal Palace, Soundfirm, Sydney Additional Music Performed by "Men from Mars" Guitars & Mandolins Mario Millo Piano & Hammond Cos Russo Bass Guitar Jeff Camilleri Drums Nick Lister also featuring on Trombones, Trumpets & Saxophone Ralph White Bagpipe Player Ron Clement "Papa Loves Mambo" By Al Hoffman, Dick Manning, Bix Reichner Used by Permission of Al Hoffman Songs, Inc. (ASCAP) and Shapiro, Bernstein & Co., Inc. New York Courtesy of J Albert & Sons Pty Ltd/Campbell Connelly (Aust) Pty Ltd Performed by Perry Como. Licensed by BMG Australia Limited "Peter Gunn" By H. Mancini All Nations Music Publishing/EMI Music Publishing Australia Pty Ltd Arranged by Mario Millo & Ralph White Performed by Men from Mars featuring Ralph White "Do-Re-Me" R. Rodgers/O. Hammerstein, Williamson Music International EMI Music Publishing Australia Pty Ltd "Back to the Blues" Written by F. Cavaleri, N. Cavaleri, M. Holden Performed by Nathan Cavaleri Published by Mushroom Music/Chrysalis Music Courtesy Mushroom Records Int. BV for Australia & New Zealand Courtesy Sony Records/MJJ Records for all other Territories "Gone Skits" Written by F. Cavaleri, N. Cavaleri, Published by EMI Music Publishing Australia Pty Ltd Performed by Nathan Cavaleri Courtesy Mushroom Records Int. BV for Australia & New Zealand Courtesy Sony records/MJJ Records for all other Territories "Bad Dog" Composed and Performed by Mario Millo CD: A CD of the soundtrack was released: CD (ST) Larrikin. -
Lighthorsemen Music Credits
(Cast) Bugler Kingsley MacDonald (Matthew Randell as a British sergeant also purports to lead the singing of 'Skipper' Francis's patriotic song in a café, and Tim McKenzie as Chiller briefly purports to play the mouth organ in the sunset-lit beach scene). Music Composed by Mario Millo Music Mixer Peter D. Smith Music The Victorian Philharmonic Orchestra recorded on location at Robert Blackwood Hall Melbourne Recording Engineer Roger Savage Orchestrations Mario Millo Music Assistant Cos Russo Conductor William Motzing Music Co-Ordinator Liz Millo "Australia Will Be There" Music and Lyrics by W.W. 'Skipper' Francis by arrangement with Allans Music (Australia) Pty. Limited In his DVD commentary, director Simon Wincer promises a discussion of the music for the film later in the commentary, noting that he had first worked with composer Mario Millo on the mini- series Against the Wind, which had been produced by Ian Jones, and his then wife Bronwyn Binns. But in the end Wincer settles for mentioning that composer Millo's father died during his writing of the score, which resulted in the end piece of thematic music being very emotional for Millo. According to Wincer, the theme, which appears over the end montage of the characters, with titles explaining what happened to them, was the first piece of music for the film that Millo wrote, and it embodied and established the themes used in the movie. As a result, it affected Millo when the music turned up in the mix. Wincer also mentions that, because the production had such a large orchestra, the band couldn't fit into a conventional recording studio, and as a result the score was recorded in the Robert Blackwell hall in Melbourne.