Gonzo 389-90 Cnd.Pub
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Symposium Programme
Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4. -
The Amadeus Quartet
The Uuive ·cal Society The Presents The Amadeus Quartet NORBERT BRAININ, Violinist PETER SCHIDLOF, Violist SIEGMUND NISSEL, Violinist MARTIN LOVETT, Cellist THURSDAY EVENING, APRIL 6, 1978, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Quartet in B-flat major, K. 458 ("Hunting") MOZART Allegro vivace assai Menuetto: moderato Adagio Allegro assai Quartet No.2 in C major, Op. 36 BRITTEN Allegro colmo senza rigore Vivace Chacony: sostenuto, molto piu andante, molto piu adagio INTERMISSION Quartet in F major, Op. 96 ("American") DVORAK Allegro rna non troppo Lento Molto vivace Vivace rna non troppo Deutsche Grammophon, Angel, and Westminster Records. Watch for alLnlJ"ltliCement next week of the new 1978-1979 Chamber Arts Series, part of next season's International Presentations marking the 100th year of the University Musical Society. Eighth Concert Fifteenth Annual Chamber Arts Series Complete Programs 4121 About the Artists England's internationally famous Amadeus Quartet has become one of America's favorite chamber music ensembles since its United States debut in 1952. Although their home base is in London, only one member of the Quartet, Martin Lovett, is a native Englishman. His colleagues, Norbert Brainin, Siegmund Nissel, and Peter Schidlof, are Austrian-born and received their early training in Vienna. To escape the oppressive Nazi regime, the families moved to England in 1938. In spite of such parallel events, they did not meet until 1941 when all four boys, employed in various war factories, were pursuing their music studies under Max Rostal. Thus began the association which led to the iormation of a permanent quartet, with their first public appearance in 1948. -
Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna. -
Songs by Title
Sound Master Entertainment Songs by Title smedenver.com Title Artist Title Artist #thatPower Will.I.Am & Justin Bieber 1994 Jason Aldean (Come On Ride) The Train Quad City DJ's 1999 Prince (Everything I Do) I Do It For Bryan Adams 1st Of Tha Month Bone Thugs-N-Harmony You 2 Become 1 Spice Girls Bryan Adams 2 Legit 2 Quit MC Hammer (Four) 4 Minutes Madonna & Justin Timberlake 2 Step Unk & Timbaland Unk (Get Up I Feel Like Being A) James Brown 2.Oh Golf Boys Sex Machine 21 Guns Green Day (God Must Have Spent) A N Sync 21 Questions 50 Cent & Nate Dogg Little More Time On You 22 Taylor Swift N Sync 23 Mike Will Made-It & Miley (Hot St) Country Grammar Nelly Cyrus' Wiz Khalifa & Juicy J (I Just) Died In Your Arms Cutting Crew 23 (Exp) Mike Will Made-It & Miley (I Wanna Take) Forever Peter Cetera & Crystal Cyrus' Wiz Khalifa & Juicy J Tonight Bernard 25 Or 6 To 4 Chicago (I've Had) The Time Of My Bill Medley & Jennifer Warnes 3 Britney Spears Life Britney Spears (Oh) Pretty Woman Van Halen 3 A.M. Matchbox Twenty (One) #1 Nelly 3 A.M. Eternal KLF (Rock) Superstar Cypress Hill 3 Way (Exp) Lonely Island & Justin (Shake, Shake, Shake) Shake KC & The Sunshine Band Timberlake & Lady Gaga Your Booty 4 Minutes Madonna & Justin Timberlake (She's) Sexy + 17 Stray Cats & Timbaland (There's Gotta Be) More To Stacie Orrico 4 My People Missy Elliott Life 4 Seasons Of Loneliness Boyz II Men (They Long To Be) Close To Carpenters You 5 O'Clock T-Pain Carpenters 5 1 5 0 Dierks Bentley (This Ain't) No Thinkin Thing Trace Adkins 50 Ways To Say Goodbye Train (You Can Still) Rock In Night Ranger 50's 2 Step Disco Break Party Break America 6 Underground Sneaker Pimps (You Drive Me) Crazy Britney Spears 6th Avenue Heartache Wallflowers (You Want To) Make A Bon Jovi 7 Prince & The New Power Memory Generation 03 Bonnie & Clyde Jay-Z & Beyonce 8 Days Of Christmas Destiny's Child Jay-Z & Beyonce 80's Flashback Mix (John Cha Various 1 Thing Amerie Mix)) 1, 2 Step Ciara & Missy Elliott 9 P.M. -
Zpět Ke Světlu (Brian
Neil Daniels zpět ke světlu Brian May – neúplný průvodce jeho hudbou Neil Daniels Back to the Light – A Casual Guide to the Music of Queen´s Brian May translation © Johana Martinová copyright © Neil Daniels, 2015 ISBN 978-80-7511-203-3 ISBN 978-80-7511-204-0 (pdf) ISBN 978-80-7511-205-7 (epub) Neil Daniels zpět ke světlu Brian May – neúplný průvodce jeho hudbou evokace Poděkování Brian May patří mezi nejpopulárnější a nejvíce oceňované kyta- risty na světě – často také bývá označován jako čaroděj hmatníku. Navíc je to inteligentní, vzdělaný člověk a gentleman. Samozřejmě se nejvíce proslavil jako kytarista skupiny Queen, která navzdo- ry tragickému a předčasnému úmrtí Freddieho Mercuryho stále koncertuje, a to s novým frontmanem Adamem Lambertem, který nastoupil po několikaleté epizodě (zahrnující dvě turné a jedno studiové album!) s bývalým zpěvákem skupin Free a Bad Compa- ny, Paulem Rodgersem. Tohle však nemá být knížka o Queen, ale spíše o Brianu Mayovi. Se svým podomácku vyrobeným červeným speciálem, který je dnes ikonickým nástrojem rockové hudby, May složil některé z nejslavnějších rockových skladeb jako například ‚We Will Rock You‘, ‚Tie Your Mother Down‘, ‚Fat Bottomed Girls‘, ‚Save Me‘, ‚Hammer To Fall‘, ‚Who Wants To Live Forever‘, ‚Now I’m Here‘ nebo ‚I Want It All‘. Život tohoto nesmírně nadaného a inteligent- ního muže však zahrnuje mnohem víc než léta strávená s kapelou Queen. Brian May je nadšený aktivista a vášnivý bojovník za práva zvířat, horlivý a oblíbený blogger, autor několika publikací a no- sitel doktorátu z astrofyziky, který získal v roce 2007 na Imperial College. V letech 2008 až 2014 navíc působil jako rektor Liverpool- ské univerzity Johna Moorese – není tedy jen muzikant, ale věnuje se také akademické dráze. -
The Hilltop 11-7-1997
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 11-7-1997 The iH lltop 11-7-1997 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 11-7-1997" (1997). The Hilltop: 1990-2000. 200. https://dh.howard.edu/hilltop_902000/200 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. News You Can Use S ince 1924 \IE 81, No . 11 THE NATION'S LARGEST BLACK COLLEGIATE NEWSPAPER NOVEMBER 7, 1997 THIS Discontinued \VEEK'S ISSUE E-mail Relieves tPUS CLDC Student A A DOPTS OR CITIZEN 1E As PART Or Workers \1 UNITY By KENYATTA M ATTHEWS E.\CH Hilltop St(lfJ Writer The Computer Learning and Design Center decided not to discontinue e-mail account services for current users, but instead it will restrict new accounts to School of Engineering and Architecture students. \' t,. - Reducing e-mail accounts is just one phase of CLDC's transition from Photos by Danette Lambert Information Systems and Services back to the School of Engineering. RIC Howard vendor James McLaughlin sells student Nicole Gordon snacks In between classes. "We arc relieved," said Nate Woodard, a system administrator for RG IA AVFNl IE A CLDC. "Maintaining the system for 500 instead of7,000 students is a big difference. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
Migration Experiences Australia Is a Nation Built on Migration
Unit 3 The globalising world (1945–the present) Migration experiences Australia is a nation built on migration. Since the end of World War II, more than seven million new migrants have settled here. Some have come seeking better opportunities. Others have come to escape conflicts, disasters or persecution elsewhere. Major world events, such as the Vietnam War, have influenced the range and number of people arriving in Australia. As a result, government policies have evolved under successive leaders to manage the numbers and types of people wishing to settle here. With time, policies that discriminated on the basis of race have been replaced by a system based on skills and eligibility. With one in four Australians born overseas, migration has made Australia the culturally and ethnically diverse nation it is today. chapter Source 1 Refugees fleeing the war in Vietnam for the safety of Australia during the 151970s often had to escape on cargo boats. Many were forced to wait at sea before disembarking and being sent to refugee camps. 15A 15B DRAFT15C 15D How have world events How have government policies How did the Vietnam War How has migration shaped influenced migration to influenced migration to affect migration to Australia? Australia’s identity and global Australia since World War II? Australia since World War II? 1 What affect do you think the Vietnam War had on relationships? the types of people coming to Australia? 1 Brainstorm three important world events that have 1 At the end of World War II, most Australians 1 Australia is now a culturally diverse society made taken place since 1945 and discuss how these supported immigration policies that restricted 2 Why do you think so many Vietnamese people up of people from many different cultural, religious events might have affected migration to Australia. -
Paws Music Credits
music by mario Millo Orchestrations Mario Millo Orchestra Australian Studio Orchestra Conductor Christopher Gordon Concert Master Phillip Hartl Music Supervisor Cos Russo Assistant Engineer James Cadsky Orchestra recorded at Eugene Goosens Hall, ABC, Sydney by Christo Curtis Additional Music recorded at Silver City Studio, Sydney Music mixed by Christo Curtis at the Crystal Palace, Soundfirm, Sydney Additional Music Performed by "Men from Mars" Guitars & Mandolins Mario Millo Piano & Hammond Cos Russo Bass Guitar Jeff Camilleri Drums Nick Lister also featuring on Trombones, Trumpets & Saxophone Ralph White Bagpipe Player Ron Clement "Papa Loves Mambo" By Al Hoffman, Dick Manning, Bix Reichner Used by Permission of Al Hoffman Songs, Inc. (ASCAP) and Shapiro, Bernstein & Co., Inc. New York Courtesy of J Albert & Sons Pty Ltd/Campbell Connelly (Aust) Pty Ltd Performed by Perry Como. Licensed by BMG Australia Limited "Peter Gunn" By H. Mancini All Nations Music Publishing/EMI Music Publishing Australia Pty Ltd Arranged by Mario Millo & Ralph White Performed by Men from Mars featuring Ralph White "Do-Re-Me" R. Rodgers/O. Hammerstein, Williamson Music International EMI Music Publishing Australia Pty Ltd "Back to the Blues" Written by F. Cavaleri, N. Cavaleri, M. Holden Performed by Nathan Cavaleri Published by Mushroom Music/Chrysalis Music Courtesy Mushroom Records Int. BV for Australia & New Zealand Courtesy Sony Records/MJJ Records for all other Territories "Gone Skits" Written by F. Cavaleri, N. Cavaleri, Published by EMI Music Publishing Australia Pty Ltd Performed by Nathan Cavaleri Courtesy Mushroom Records Int. BV for Australia & New Zealand Courtesy Sony records/MJJ Records for all other Territories "Bad Dog" Composed and Performed by Mario Millo CD: A CD of the soundtrack was released: CD (ST) Larrikin.