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July/August Vehicles for Improvisation
July Sunday, 7th Sunday, 21st Bear & Missile (Adelaide) - Debut Stephen Byth Quartet (Boston/Melbourne) Bear & Missile is an Adelaide-based ensemble comprised of young talents, Returning briefly to Melbourne from his studies in Boston USA, outstanding Presenting original jazz & improvised Bernard Alexander (saxophones), Benjamin Finnis (guitar), Dylan Kuerschner young Monash graduate tenor saxophonist/composer Stephen Byth brings music in Melbourne since 1983 (bass), and Morgan Fletcher (drums). Having collaborated in various groups together his quartet to present a set of new original music that draws in Adelaide for several years, these four artists developed a simpatico musical inspiration from the music of John Coltrane, African/Cuban folk traditions, and personal relationship that resulted in this co-led ensemble. With each and the blues (as well as some swinging tunes from the jazz standard member regularly contributing original compositions, Bear & Missile’s music repertoire). This quartet will feature Kade Brown (piano), Hiroki Hoshino stems from a diverse range of musical influences and genres, from Herbie (bass) and Luke Andresen (drums). Hancock to Henry Threadgill, and Bebop to RnB. The group’s compositions explore elements of the jazz canon that feel particularly relevant to them as Sunday, 28th young people, such as soulful melodies, dancing rhythms, and high-energy Niko Schauble’s “Then This” – Premiere July/August vehicles for improvisation. Drummer/composer/bandleader Niko Schauble’s latest project brings together four exciting musicians, playing a selection of lesser-known Sunday, 14th. standards and new originals by Schauble. Their combined musical Svoboda/O’connor/Green (Brisbane/ Melbourne) backgrounds - together with the bass-less format of the ensemble - will & Laurence Pike (Sydney) – CD Launch create a setting which allows for unique and surprising twists and turns. -
ORQUESTRA JAZZ DE MATOSINHOS Convida Carlos Bica & Azul (FEAT: FRANK MÖBUS E JIM BLACK) 21:00 SALA SUGGIA
14 DEZ | 2014 ORQUESTRA JAZZ DE MATOSINHOS conviDa cARlOS bIcA & AZUl (FEaT: FRANK MÖbUS E JIM blAcK) 21:00 SaLa SUGGia Pedro Guedes direcção musical Carlos Bica contrabaixo Frank Möbus guitarra Jim Black bateria Programa (ordem sujeita a alterações): ‑se a sua imagem de marca. A crítica costuma salientar a O Profeta (1) forma como na música de Carlos Bica interpenetram‑se Believer (2) referências de diferentes universos, da música erudita Heranças (1) contemporânea à folk, ao rock, ao jazz e às músicas im‑ John Wayne (1) provisadas. O que corresponde, como seria natural, à sua 2011 (1) própria trajectória. Alguém olhará por ti (1) Aprendeu a tocar contrabaixo na Academia dos Amado‑ Deixa pra lá (3) res de Música e no Conservatório Nacional, tendo finaliza‑ Vale (3) do os estudos superiores de música na Escola Superior de Canção número dois (3) Música de Würzburg como bolseiro do DAAD. Foi mem‑ Password (3) bro da Orquestra de Câmara de Lisboa, assim como de diversas orquestras de câmara alemãs, tais como a Bach Todas as composições de Carlos Bica Kammerorchester e a Wernecker Kammerorchester. Arranjos de (1) Carlos Azevedo, (2) Telmo Marques Fez muita música improvisada, durante anos tocou e (3) Pedro Guedes com Maria João, trabalhou e gravou na área da música popular portuguesa com Carlos do Carmo, José Mário ciclo jazz sonae Branco, Camané, Cristina Branco e Janita Salomé e parti‑ cipou em inúmeros festivais de jazz internacionais. O projecto Azul nasceu em 1996 com um disco em trio, Em finais de 1995 gravou o seu primeiro álbum, Azul liderado por Carlos Bica, e prosseguiu com uma colabo‑ (Polygram), com Möbus e Black, onde se afirma não só ração de rara longevidade no jazz, sempre com o guitar‑ como instrumentista inovador mas também como com‑ rista alemão Frank Möbus e o baterista norte ‑americano positor. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
Catalogue.Pdf
MASTER TAPE SOUND LAB sonic upstream www.MasterTapeSoundLab.com For Orders: [email protected] MASTER TAPE CATALOGUE Masterpieces on Master Tape: 64 Master Tapes, about 30 min. each Limited release on 1 generation 2 track 15 ips IEC master tape dubs: Jazz, Classical, Vocals, other. Pricing & formats: www.mastertapesoundlab.com. Samples & recording process: http://www.reel2reel.tv/transformer/recordings_intro.htm All recordings on this catalogue were licensed for limited master tape release by Master Sound Tape Lab and are hereby offered for personal use only. Any reproduction of the tapes offered here is forbidden and subject to copy right law. "I just received the samples this morning. Utterly brilliant. The finest capture of the natural acoustic I have ever heard". - Howard Popeck, SIMPLY STAX, UK "Wonderful recording - you have captured the airy and spacious acoustic perfectly, there is lovely delicacy in the treble and the mids are liquid; in short, very very analogue." - Mike Kontor, designer of NotePerfect Loudspeakers. "I do love Mercury Living Presence recordings and I thought that the sound was impossible to get again, now you did it!" - Vincenzo Fratello, SAP, Nagra Italy. "In essence, it's audio 'vanity publishing': Metaxas has issued a disc of recordings from his own archives. But the results will simply astound you". Ken Kessler, Hi Fi News & Record Review. A. Jazz: 1. Anita Hustas Trio, BMW EDGE, Melbourne 2005 2-3. Andrea Keller - Jazz Ensemble, BMW EDGE, 2005 Tapes 1&2 4-5. Aaron Choulai Trio at BENNETTS LANE, Melbourne 2005, Tapes 1&2 6-7. Aaron Choulai Trio, at BMW EDGE, 2005, Melbourne, Tapes 1&2 8-9. -
Drew Gress, Artistic Integrity, and Some Kind of Accep- Portunity to Engage Visiting Artists and Craig Taborn, Tim Berne Tance, Even Within Its Own Mainstream
Welcome to the 2006 Earshot Jazz Festival This year, “Seattle’s most important in three-day residency with the Seattle Roosevelt High School Band shares a bill annual jazz event” includes more than Repertory Jazz Orchestra that includes with the Ted Nash Quintet. 60 events over 18 days between October open rehearsals and workshops as well Th e Earshot Jazz Festival is by far the 19 and November 5. With more than as two concerts. biggest undertaking of the Earshot Jazz 200 artists participating, from around Once again, we’ll feature Seattle’s award- organization, but it is far from our only the world and around our city, this year’s winningest high-school jazz ensembles in activity. We present our own concerts event off ers as much as any of its prede- mainstage concerts with special guest throughout the year, collaborate on con- cessors to music lovers of the Seattle area. artist. Guest artists who have rehearsed cert presenting initiatives like SAM’s Art Th e festival includes main stage concerts, and performed with Garfi eld and Roos- of Jazz, the Anacortes Jazz Festival, and, club dates, meet-the-artist receptions, evelt High School Bands in the past have coming up, EMP’s Jazz in January. We jazz fi lms, and plenty of opportunities included saxophonists Ravi Coltrane publish the monthly Earshot Jazz news- for all fans of all ages to learn a bit more and Joshua Redman and New Orleans letter, and work to provide educational about the music and the musicians. trumpeter Nicholas Payton. Th is year, opportunities and advancements to the We’re excited about this festival. -
Burke CV2018
Associate Professor Robert Burke Curriculum vitae 2018 Personal Details Full name: Associate Professor Robert Louis Burke Current position: Convenor of Jazz and Popular Music Department/ Monash University School/ Sir Zelman Cowen School of Music Faculty/Division: Faculty of Arts Correspondence address: 14 Albert St Caulfield North 3161 Email address: [email protected] ABOUT In 2002, Rob Burke instigated, launched and is currently the Convenor of Jazz and Popular Studies at Monash University (Melbourne Australia). Rob recognised an unfulfilled need in Melbourne's jazz academic landscape, established its course curriculum and provided a clear pathway for musicians to develop their proficiency and aptitude for their academic and performance outcomes. His background as a classically educated musician also enables him to traverse many musical genres and he is in a unique position to speak to students and colleagues about their requirements/concerns and provide balanced outcomes. His ongoing research focuses on issues relating to how we respond to improvised jazz: artistically, critically and personally. His work includes studying the processes and outcomes of music participation and music listening. An internationally acclaimed performer and composer, Rob has released 12 CD's under his own name and has composed and performed on a further 300 CD's. His sensitive and balanced perspective has allowed Rob to traverse many different styles and this has, in part, been expressed as collaborative performances with international leaders in classical, jazz and experimental music. His embrace of many genres of music and the clear expression of his diversity in his role as an educator, researcher and performer, has given rise to a vibrant dialect that resonates through his students and also his performances. -
At the W Ardrobe Info 0113 269 4077
Brad Shepik was born in Walla Walla,Washington 1966 and raised in Seattle. He played Wednesday November 10 The Wardrobe £10/8 guitar and saxophone in school bands and attended Cornish College of the Arts where he Brad Shepik Trio studied with Jerry Granelli, Julian Priester, Dave Peck, James Knapp, Dave Petersen and Brad Shepik – guitar, saxaphone Ralph Towner. Tom Rainey – drums In 1990 Brad moved to New York and dived head first into the music scene. He quickly Matt Penman – bass became involved in the formation of a loose collective of improvising musicians who were into experimenting and playing each other’s music, as well as different folk musics including Balkan and Eastern European musics. Out of this environment was born many groups that Shepik continues to perform with today including the Tiny Bell Trio 1992, Paradox Trio 1992, Pachora 1993, and BABKAS 1992–8. In 1991 Bill Frisell recommended Shepik to Paul Motion for his Electric Be Bop Band which Shepik toured and recorded with for five years. “Shepik’s got the mind of a pioneer.The rhythmic complexity of his compositions has few parallels in jazz – or any other genre,for that matter.With all his exotic influences, and all his different axes,he makes us rethink what it means to be a guitarist and a musician.There’s no telling where he’ll go next.” allaboutjazz.com Iconoclastic and prolific jazz-rock guitarist David ‘Fuze’ Fiuczynski, a jazz player who “doesn’t want to Thursday November 18 The Wardrobe £12/10 play just jazz”, has been hailed by the world press as an incredibly inventive guitar hero, who continues Screaming Headless Torsos to deliver with music that is unclassifiable, challenging and invigorating. -
26 November 2007 Federation Square Melbourne
Finalist exhibition 12 – 26 November 2007 Federation Square Melbourne Melbourne Prize for Music 2007 fi nalists / Brenton Broadstock / Paul Grabowsky / David Jones / Paul Kelly / Richard Mills Outstanding Musicians Award fi nalists / Clare Bowditch / David Chisholm / The Cat Empire / Luke Howard and Leonard Grigoryan / Cameron Hill / Andrea Keller / Genevieve Lacey / Stephen Magnusson / Geoffrey Morris / Flinders Quartet Development Award fi nalists / Sam Anning / Sophie Brous / Aura Go / Julian Langdon / Tristram Williams The Melbourne Prize for Music 2007 The free public exhibition of fi nalists will be catalogue provides a review of the fi nalists held in the Atrium at Federation Square in the following award categories: between 12 – 26 November 2007. Visitors can read about each fi nalist and listen to examples / Melbourne Prize for Music 2007 of their music. / Outstanding Musicians Award For further information on the Melbourne Prize / Development Award Trust and Melbourne Prize for Music 2007 please visit www.melbourneprizetrust.org or call 03 9650 8800. The Melbourne Prize for Music 2007 is made possible by the support of our partners and patrons. The Melbourne Prize Trust would like to thank all partners for their generosity. Government Partner Founding Partners Patrons Diana Gibson AO Megg Evans Melbourne Prize for Music 2007 Partners Venue & Exhibition Partner Exhibition Design Exhibition Construction Digital Printing & Banners Exhibition Photography Exhibition Consultants Coleby Consulting Audio Equipment PartnerMedia Communications Professional Services Print Partner Winners Trophies Website Fundere Foundry The Melbourne Prize for Music 2007 celebrates excellence and talent in music and demonstrates the value our community places on its creative resources. With the generous support of all our partners, we have been able to recognise and reward the abundant and diverse musical talent we have in Victoria and make this accessible to the public. -
Aria Awards: by the Numbers and the Aria Goes To
DECEMBER 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT ARIA AWARDS: BY THE NUMBERS AND THE ARIA GOES TO... Sony Music Australia had plenty to cheer about at the 2017 ARIA Awards. Denis Handlin spoke to TMN about the label’s stellar year, and its immediate plans to take Aussie acts Gang of Youths and Amy Shark, to global heights. By Christie Eliezer ony Music Entertainment One artist that the label is Australia’s sweep of last seriously banking on, Amy Sweek’s ARIA’s was one of Shark, was voted Breakthrough the major’s biggest tally yet. Artist and her Night Thinker EP got Best Pop Release. Six of the 20 major awards were claimed by Sony artists, and this Peking Duk’s ‘Stranger’ (ft. year marked the first time in 22 Elliphant) was voted Song of years it took Album of the Year. The Year by the public, Harry Styles took Best International This was won by Gang of Artist and Daryl Braithwaite’s Youths’ Go Farther In Lightness, induction into the ARIA Hall which also went home with of Fame was met with an trophies for Best Group, Best outpouring of affection by Rock Album and Producer of colleagues. the Year. Handlin explains the factors Understandably, the chairman behind Sony’s success: “This and CEO of Sony Music business, like music itself, is Entertainment Australia and always changing, which makes New Zealand, and President of it both an exciting and a highly Sony Music Entertainment Asia challenging industry. was pretty chuffed with the result. “There is constant refining of how we work, and through this “It was a brilliant night for our the A&R and marketing teams artists,” Denis Handlin AO told are more closely integrated than TMN. -
SS&H Journal Lhg.UG S46 the UNIVERSITY of QUEENSLAND
SS&H Journal THE UNIVERSITY LHg.UG S46 OF QUEENSLAND LIBRARY Semper floreiHr; £003 x^ Received on: 04-11-03 SEMPER FLOREAT ENDGAME EDITION 2003 Contents: Indigenous people have been, often violently, dispossessed of their land EDITORIALS and culture. They remain some of the most marginalised in our society. STUFF There can be no social progress without recognition of the Injustices Dream Job in the Last Stalinist State 6 suffered by Indigenous Australians. A Test not Primarily of Speed 7 Interview with John Birmingham 8 Dude, Where's my haggis? 11 The End 12 SEMPER FLOREAT Inconceivable: A life without music 13 THE UQ UNION NEWSPAPER Whinge for a whinge, More Whinging, and Whinge 14 Aunty Jan: I Need a Man 16 Unleash the Gimp 19 Editors: David Lavercombe Shona Nystrom UNION STUFF Jim Wilson Arts Editor: Sofia Ham What you need to know and do when you vote. 20 What student politicians mean when they say 21 Polling places and times 21 Telephone: 3377 2237 President's report 22 Facsimile: 3377 2220 Resignation 25 [email protected] Annual Budget 26 Paying the Printer _ 26 27 Semper Floreat Offices Red Room Incident 27 Union Complex Idle Threats 'Yes' campaign 28 The University of Queensland On being defamed, and Mojo mumbo jumbo 29 St Lucia, 4067 How to Succeed in the UQ Union 30 Quotes from the year 34 The views expressed in Semper Floreat do not necessarily reflect OTHER STUFF those of the editors, the UQ Union, or The University of Queensland. To my friends in the Ministry of Truth. -
Addendum About the Wangaratta Festival of Jazz & Blues
Submission to the Senate Enquiry on the Impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts Submitted by Paul Squires, Chair, on behalf of the Board of Wangaratta Festival of Jazz Inc. Summary This submission expresses our concerns about the Commonwealth budget in 2014 and 2015, as it relates to our festival specifically; and expresses our concerns on behalf of the Australian jazz sector on the whole. In brief, our concern is that the cuts in funding for the Arts in the Commonwealth budget in 2014 and 2015, and some of the associated or consequent outcomes, could have a number of serious adverse consequences. The most significant of these is the reduced opportunities for developing excellence in the Australian Jazz and Blues sector, which consists entirely of small to medium organisations, individuals and emerging artists (those most adversely impacted by the cuts), whom our festival depends on to produce artistic excellence during our festival. As the foremost platform for Australian Jazz and Blues music, we need certainty of funding for multi-year operational support so that we can continue to develop and showcase Australia’s reputation for excellence in these art forms, and contribute between $3 and $5 million annually to our local regional economy. wangarattajazz.com.au 1 PO Box 860 Wangaratta VIC 3677 03 5722 1666 Key Issues We urge the Senate to re-examine the budget allocation to the Australia Council in 2014 and 2015, to consider whether a significant budget increase ought to be a priority; and to consider the following key issues for our organisation and the wider sector: 1. -
BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov.