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Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus Emwinromwankhoe Osakpolor, University of Benin, [email protected] Volume 9. 1 (2021) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2021.299 | http://cinej.pitt.edu Abstract This study investigates the portrayal of women in contemporary Nollywood films, using Isoken (2017) and King of Boys (2018) as case studies. The objective was to highlight the various ways in which women in the films are portrayed to viewers and ascertain whether contemporary Nollywood movies are an improvement on the issues of gender stereotypes and sexism which are hitherto prevalent in the industry. Anchored on the cultivation theory, the study adopted the qualitative content analysis method. Findings showed that women in the studied films are negatively portrayed in various ways and that these portrayals are, at best, parallel to the stereotypical ways in which women were portrayed in previous Nollywood movies. Taking cognizance of the fact that both films are directed by women, the researcher recommends that Nollywood female directors should look beyond the lenses of financial gains and set a pace with regards to changing the narrative and portraying Nigerian women in a positive light. Keywords: Portrayal; women; Nollywood; Nollywood films; Isoken; King of Boys New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus Emwinromwankhoe Osakpolor Introduction Film, also referred to as movie, motion picture, theatrical film or photo-play, is unarguably a medium of mass communication. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Davido New Music Video Assurance
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Directed by Dammy Twitch Jowo Is Featured on His Critically-Acclaimed Album a Better Time Watch “Jowo” Here
INTERNATIONAL SUPERSTAR DAVIDO RELEASES COMPANION VISUAL TO “JOWO” DIRECTED BY DAMMY TWITCH JOWO IS FEATURED ON HIS CRITICALLY-ACCLAIMED ALBUM A BETTER TIME WATCH “JOWO” HERE December 4, 2020 — Multiple award-winning Nigerian superstar DAVIDO today releases the visual to the standout track “Jowo” taken from his critically acclaimed third studio album A BETTER TIME released through Davido Worldwide/Sony Music U.K./RCA Records. “Jowo” (meaning “please” in Yoruba) is a mid-tempo sultry Afro-pop record produced by Napji and Magic Boi. Watch “Jowo” on YouTube HERE. Directed by Dammy Twitch, the visuals for “Jowo” were shot in Lagos, Nigeria. Here, a twisted love story of two gang leaders played by Davido and Nigerian ‘Big Brother’ TV ce- lebrity Rebecca Nengi Hampson is told. The gang leaders have been put up against each other by a brutally feared Godfather figure played by renowned Nollywood veteran Richard Mofe-Damijo. Will they be able to finish off the mission? The visual release of “Jowo” continues a successful year for Davido. He made a victorious return to music with “FEM” - his first solo release of 2020 and the first single taken from A BETTER TIME which shot straight to the No.1 spot in the Apple Music charts in over 8 countries including Nigeria, where it held the top position for 4 weeks. “FEM” has since enjoyed over XM streams globally, viewed over 8m times on YouTube and reached #19 on US iTunes chart - the highest for an Afrobeats record in the United States. Listen to A Better Time”: https://smarturl.it/ABetterTime FOLLOW DAVIDO INSTAGRAM | TWITTER | FACEBOOK | YOUTUBE About Davido: Born in Atlanta, Georgia and raised in Nigeria, 27-year-old Davido (real name David Adedeji Adeleke) has been a champion for the continent of Africa. -
The-People-Daily-Friday-5.10
Friday, October 5, 2018 / PEOPLE DAILY Friday, October 5, 2018 / PEOPLE DAILY www.peopledaily.co.ke // www.epaper.peopledaily.co.ke 12 .HQ\D·V PG2 NewsBeat PG15 Business Hub )5((1HZVSDSHU TSC, Knut Tea revenue up, average fallout over farmers pay teachers' goes down contracts Commission adamant that performance contracting 'here to stay', as People Daily union threatens NO.06664 Friday, October 5, 2018 wildcat strike DNA nails 'Jowie' to Monica 1)0504".6&-,"3*6,* murder Samples collected from deceased's body and blood stains in TV journalist Maribe's house match 99 per cent with those extracted from prime suspect - page 5 Living proudly as an intersex... Darlan Rukih, a charismatic, confident and jovial 'Apostle', is renowned gospel artiste who has defied the stigma of being born with both male and female genitalia to earn rare acceptance in conservative rural Migori - Pg 6 2 NEWS BEAT Friday, October 5, 2018 / PEOPLE DAILY News World Business Feature Legislator Dutch Lower unga Keeping decries ‘thwart prices, cartels from increasing Russian President affordable POINTERS rape cases cyber attack’ tells millers housing P8Gatundu North P14Military intelligence P16 Uhuru also warns P21 Measures aimed MP says families allegedly targeted NCPB against paying at deterring crooks are compromised the Organisation for unscrupulous traders from derailing the to weaken cases in the Prevention of to the disadvantage State affordable court Chemical Weapons of maize farmers housing agenda $UUHVWLOOLFLW EUHZVHOOHUV VD\WUDGHUV 3HUIRUPDQFHFRQWUDFWV E\&OHPHQW.DPDX #3HRSOH'DLO\.H Bar owners in Kikuyu, Kiambu county, have urged the National and County governments to take action against traders selling sec- KHUHWRVWD\LQVLVWV76& ond generation liquor. -
Simisola Album Mp3 Download Naija
simisola album mp3 download naija Download: Simi – O Wa N’bę [Audio+Video+Lyrics] Simisola Bolatito Ogunleye who simply goes by the stage name Simi , is a Nigerian soul singer and songwriter who started her career as a gospel singer, releasing her debut studio album in 2008 titled Ogaju . Now signed to X3M Music , Simi ‘s musical career however came into spotlight in 2014 after she released “Tiff“, which got nominated in two categories at The Headies 2015 and further brought her to mainstream recognition. From her sophomore studio album Simisola , TopNaija.ng brings you “ O Wa Nbe ” by Simi . Watch, download and enjoy! LYRICS. [Verse 1] All the party wey them dey do for Lagos City Na there where you go find Mummy Risi She no dey carry last oh; She no dey gree (eh eh) Ye oh, ye oh, ye oh, ye, ki lon wa ki ri? Ah, Mummy Yetunde, won tun la ya’wo (ah) Won fe ra gele lo s’ibi Iyawo (Iyawo) Daddy Suliya, won fe lo s’aye (ki lo de?) Won ti de fila pe k’a lo j’aye (o ga gan) Won j’amala, won tun lo sayo (omuti) Won pe Sunny Ade, won pe Baddo (Baddo) [Chorus] Eyi tun le gan o, won ni Ijo ti mo jo lana (ko ma i to mi rara oh eh) Aye ti mo je lojo yen oh ohh (ko ma i to mi rara oh eh) Onilu, sa ma rora oh (ko ma i to mi rara oh eh) Ijo ti fe ma wo’ra oh oh (ko ma i to mi rara oh eh) [Verse 2] Na so you dance and forget yourself (ehh) You take Jalopy block Mercedes Benz (eh eh ehh) Uncle Jide see us You brought me Aunty Susan Susie, she don see fire (fire) You say you no go leave am Ah, won fe lo da’wo (da’wo); o wo Aso Ebi lo s’ibi Iyawo (Iyawo oh) Daddy Suliya, won fe lo s’aye (ah) Won ti de fila pe k’a lo j’aye (k’a lo j’aye) Won j’amala, won mu Champagne (omuti eh) Won pe Chief Commander k’on wa play. -
The Nigerian Cyber Fraudsters (Yahoo Boys) and Hip Hop Artists
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PhilPapers VOLUME 19, ISSUE 2, PAGES 63–80 (2018) Criminology, Criminal Justice, Law & Society E-ISSN 2332-886X Available online at https://scholasticahq.com/criminology-criminal-justice-law-society/ Birds of a Feather Flock Together: The Nigerian Cyber Fraudsters (Yahoo Boys) and Hip Hop Artists Suleman Lazarus Independent Researcher. A B S T R A C T A N D A R T I C L E I N F O R M A T I O N This study sets out to examine the ways Nigerian cyber-fraudsters (Yahoo-Boys) are represented in hip-hop music. The empirical basis of this article is lyrics from 18 hip-hop artists, which were subjected to a directed approach to qualitative content analysis and coded based on the moral disengagement mechanisms proposed by Bandura (1999). While results revealed that the ethics of Yahoo-Boys, as expressed by musicians, embody a range of moral disengagement mechanisms, they also shed light on the motives for the Nigerian cybercriminals' actions. Further analysis revealed additional findings: “glamorization/de-glamorization of cyber-fraud” and “sex-roles-and-cultures”. Having operated within the constraint of what is currently available (a small sample size), this article has drawn attention to the notion that Yahoo-Boys and some musicians may be “birds of a feather.” Secondly, it has exposed a “hunter-and-antelope- relationship” between Yahoo-Boys and their victims. Thirdly, it has also highlighted that some ethos of law-abiding citizens is central to Yahoo-Boys’ moral enterprise. -
An Appraisal of the State of Professional Songwriting
AN APPRAISAL OF THE STATE OF PROFESSIONAL SONGWRITING ON THE NIGERIAN MUSIC INDUSTRY CHAPTER ONE INTRODUCTION 1.0 Introduction Nelson (2010), making reference to a Music quote by Henry Giles, mentioned that “A song will outlive all sermons in the memory”. “Every song is like a painting”, Dale (2013) and every picture tells a story. Also, “Great music is that which penetrates the ear with facility and leaves the memory with difficulty because Magical music never leaves the memory”, Beecham (2015). Songwriting may mean different things to different songwriters and at different times. Songwriting, like any other creative endeavor, can be meaningful in a variety of ways. So while there are some objective ways to determine “good” or “bad” when it comes to songwriting, it is also a creative space open to a myriad of options. “A Creative mind has the ability to make discoveries and create innovations”, Rivera, (2014). 1.1 Background to the Study The American Heritage Dictionary of English language, 5thEdition, (2013) defines a songwriter as one who writes lyrics or tunes (or both). They are often referred to as ballad makers, tunesmiths, composers - someone who writes the lyrics and usually the Music of Songs. To some extent a songwriter is much like a storyteller and the listeners are his captive audience. Most songs revolve around a central theme such as love, friendship, struggle, triumph, or other forms of experiences, etc. Every song tells a different story while each song usually contains an atom or 1 atoms of uniqueness which makes them differ from the works of other composers and songwriters. -
Davido If Mp4 Download Download Video: Davido X Chris Brown – Blown My Mind Mp4
davido if mp4 download Download Video: Davido x Chris Brown – Blown My Mind Mp4. Mr Frank is the Founder and CEO of Mzigotv Media Group. He is a Professional blogger, Wordpress designer, Developer and Innovator on digital ideas around the world. He is skilled for more than ten years. Vision of mzigotv.com is to connect Music industry and fans in the same room easily. Recommended for you. JIFUNZE MAHUSIANO KATIKA MAPENZI. TRENDING SONGS. Nyimbo Mpya 2021, Video Mpya, Bongo flava, Singeli, Ngoma za mbele, Nigeria Wimbo Mpya, Ngoma Leo, Mp3 New Songs Mp4, 2018, 2019 Harmonize, Qaswida,African Music, Mapenzi, Jux, South africa, Nyimbo za dini, South Africa Nyimbo za Injili, Download Audio, Video Mpya, Vichekesho, Comedy, Alikiba, Audio. All songs uploaded are respectively to their owners. Mzigotv do not claim any ownership of songs uploaded. If you feel your rights are being infringed please contact us [email protected] © 2021 Mzigotv Media Group. TRENDING SONG. Alikiba Ft. Mayorkun – Jealous: Download Video Mp4. Alikiba Ft Mayorkun – Jealous: Download Audio Mp3 Download Video: Rayvanny Ft. Mayorkun. Download Video: Davido – 1 Milli Mp4. Mr Frank is the Founder and CEO of Mzigotv Media Group. He is a Professional blogger, Wordpress designer, Developer and Innovator on digital ideas around the world. He is skilled for more than ten years. Vision of mzigotv.com is to connect Music industry and fans in the same room easily. Recommended for you. JIFUNZE MAHUSIANO KATIKA MAPENZI. TRENDING SONGS. Nyimbo Mpya 2021, Video Mpya, Bongo flava, Singeli, Ngoma za mbele, Nigeria Wimbo Mpya, Ngoma Leo, Mp3 New Songs Mp4, 2018, 2019 Harmonize, Qaswida,African Music, Mapenzi, Jux, South africa, Nyimbo za dini, South Africa Nyimbo za Injili, Download Audio, Video Mpya, Vichekesho, Comedy, Alikiba, Audio. -
Tush Magazine 2019 Issue 24.Pdf
Content 30 08 20 26 36 4. MY NIGERIAN EXPERIENCE 20. COVER STORY 7. HEALTH ARTICLE 26. MUSIC FIZZERS – OZEDIKUS 8. SPOTLIGHT ACT – FOLASHEVA NWANNE 10. OUR NEW CRUSH – DAMI 28. SCREEN KINGS – ENIIVY ONIRU 30. FASHION - TITO 12. PACKAGING 101 32. SCREEN KINGS – SHEILA 14. HOPPING COZY OUTDOOR 34. ART – UTHMAN WAHAB SPOTS IN LAGOS 36. ANDROGYNOUS FASHION 18. WHY THE 9 – 5 LIFE SUCKS FOR 38. SPORT SOME OF US Editorial Team Editor-In-Chief: Anslem Jon Editorial Consultant: Joyce Imiegha Featured Writers: Ibironke Tobi, Alexander Ndace, Imiegha Phidelia, David Hundeyin, Mercy Imiegha, Violet Johnson Graphics/Illustration: John Etokhana Cover Photography: Eshiet Edidiong Eddie Production/Research: Tush Kingdom Media Proof Read: Elite Resources Media is a publication of Tush Kingdom Media, a registered media outfit into magazine publishing, events organizing and coverage. Tush Kingdom Media possesses rights to every published interview, articles and pictures unless stated otherwise. - For comments, criticisms, suggestions and editorial submission, kindly write to us via: [email protected] Connect with us on our social media platforms: Facebook: Tush Magazine, Twitter: @TushMagazineNig, IG: TushMagazineNig ISSUE 24 www.tushmagazine.com.ng 2 EDITORS NOTE EDITORS NOTE TIME FOR GENERATION Z HAS COME t is getting harder to keep with new generations. No sooner have older ones come to grips with Millennials than Generation Z has arrived in the ecosystem. Though the first of Generation Z are finishing school, they Iare not interested in careers. They prefer “side” work or setting up their own business online and are more attuned to opportunities living online. Like Millennials, they expect instant satisfaction but their ambitions are said to be more realistic, more to do with financial stability and social responsibility. -
COVID-19 and the Entertainment Industries in Nigeria
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Vol. 13, No. 1, January-March, 2021. 1-11 Full Text: http://rupkatha.com/V13/n1/v13n109.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v13n1.09 COVID-19 and the Entertainment Industries in Nigeria V.O Eze1, Uche Uwaezuoke Okonkwo2, Cindy Anene Ezeugwu3 Chinyere Christiana Ukwueze4 and Felicia O. Ezeugwu5 1 Department of General Studies, University of Nigeria, Nsukka, [email protected]. 2Department of History, University of Nigeria, Nsukka, [email protected] (Corresponding author) 3Department of Theatre and Film Studies, University of Nigeria, Nsukka [email protected] 4Department of Music, University of Nigeria, Nsukka, [email protected] 5Department of Music, University of Nigeria, Nsukka, [email protected] Abstract This paper examines not only on the socio-economic implication of the lockdown on practitioners in the entertainment industry namely the cinema halls, live performances, and the film industries among others, but also it explores the ways E-entertainment was being introduced especially in music and drama industry. With the lockdown orchestrated by the Covid-19 pandemic outbreak in Nigeria, show lovers were being entertained through E-concerts, drive in theatre performances, and television live shows like Owambe and Pepsi Dance Party that was being showed every weekend with the audience responding on face book, Instagram and WhatsApp platforms among others. The research method is qualitative and analytical. The study employed a survey method of data collection to gather relevant material from published and unpublished materials in hard and soft copies which included online materials.