JAN KIESSER, ASC, CSC Director of Photography Jankiesser.Com

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JAN KIESSER, ASC, CSC Director of Photography jankiesser.com PROJECTS DIRECTORS PRODUCERS/STUDIOS FALLING SKIES Season 5 Various Directors Grace Gilroy / DreamWorks / TNT MARK AND RUSSELL’S WILD RIDE MOW Jon Rosenbaum Kim Arnott, Ian Smith / Disney PANTS ON FIRE MOW Jon Rosenbaum Kim Arnott, Gaylyn Fraiche / Disney NO CLUE Carl Bessai Tracey Nomura / Alliance Films Canada A CHRISTMAS STORY 2 Brian Levant Chris Foss / Warner Premiere THE THAW Mark Lewis Mary Anne Waterhouse, Rob Nelson Nomination, Best Cinematography – Leo Awards SCOOBY DOO: IN THE BEGINNING MOW Brian Levant Brian Levant, Brian J. Gilbert / Warner Bros. BEOWULF AND GRENDEL Sturla Gunnarsson Paul Stephens Nomination, Best Feature Cinematography – CSC FIDO Andrew Currie Blake Corbett, Mary Anne Waterhouse Winner, Best Cinematography – Leo Awards Lionsgate Official Selection – Sundance Film Festival REEFER MADNESS Musical MOW Andy Fickman Rose Lam / Showtime Nomination, Best Cinematography – ASC Premiere – Sundance Film Festival AN UNEXPECTED LOVE MOW Lee Rose Gary Randall, Fritzi Horstman / Lifetime DOOR TO DOOR MOW Steven Schachter David Rosemont / TNT Nomination, Best Cinematography – Emmy Awards JACK MOW Lee Rose Rose Lam / Showtime RARE BIRDS Sturla Gunnarsson Paul Pope, Sam Feldman / Lionsgate Nomination, Best Cinematography – Genie Award BRUNO Shirley MacLaine Jamie Beardsley / Doug Mankoff / MGM HOLIDAY HEART Robert Townsend Jane Rosenthal / Tribeca / Showtime DR. T AND THE WOMEN Robert Altman Robert Altman / Sony Classics TRIXIE Alan Rudolph Robert Altman / Sony Classics SUCH A LONG JOURNEY Shot in India Sturla Gunnarsson Simon McCorkindale Nomination, Best Cinematography – Genie Award GEORGIA Ulu Grossbard Barbara Turner / CIBY 2000 MRS. PARKER AND THE VICIOUS CIRCLE Alan Rudolph Robert Altman / Fine Line V.I. WARSHAWSKI Jeff Kanew Doug Claybourne / Disney CLEAN & SOBER Glenn Caron Tony Ganz / Warner Bros. SOME KIND OF WONDERFUL Howard Deutch John Hughes / Paramount MADE IN HEAVEN Alan Rudolph David Blocker / Lorimar CHOOSE ME Alan Rudolph Carolyn Pfeiffer, David Blocker 2ND UNIT / ADDITIONAL PHOTOG. WITCHES OF EAST END Series Various Directors Paul Lukaitis, Maggie Friedman Add’l Photography Fox 21 TV / Lifetime PERCY JACKSON & THE OLYMPIANS: Chris Columbus Tom Hammel, Wendy Williams THE LIGHTNING THIEF 2nd Unit & Peter MacDonald Fox 2000 THE FAST AND THE FURIOUS: Justin Lin Clayton Townsend / Universal TOKYO DRIFT 2nd Unit 4 Months – Tokyo, LA & Terry Leonard I SPY 2nd Unit Romania & Vancouver Betty Thomas Warren Carr / Columbia & Billy Burton X-FILES: THE MOVIE 2nd Unit Rob Bowman Peter Burrell / 20th Century Fox & E.J. Foerster OUT OF SIGHT Add’l Photography Steven Soderbergh Fred Brost / Universal JUMANJI Add’l Photography Joe Johnston Brent O’Connor KING OF THE HILL Add’l Photography Steven Soderbergh Albert Berger / Universal Mr. Kiesser is local in both Los Angeles, and Vancouver, B.C. .

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SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others.
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2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
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Alan Rudolph
Alan Rudolph Quirky, off kilter, stylishly romantic and filled with moments of wry humor, Alan Rudolph makes movies with dreamy eyed protagonists searching for love in all the wrong places. He often mashes up genres into something new and unique and peppers his films with elements not always beholden to realism. He began his four decade career under the watchful eye of mentor Robert Altman, but he soon created a body of work that is clearly his own vision. SYMPOSIUM . JUNE 4 & 5, 2018 SCREENINGS . JUNE 3 - 5, 2018 Michigan Theater The Unreal Reality of Alan Rudolph: 603 E. Liberty Street Conversations with the Filmmaker & Collaborators SUNDAY, JUNE 3 MONDAY, JUNE 4 Midwest Premiere Gallery, Hatcher Graduate Library 7:00 pm 913 S. University Avenue Ray Meets Helen (Alan Rudolph, 2018) Q&A with Director and Actress, Sondra Locke 1:00 pm Opening Remarks MONDAY, JUNE 4 1:30 pm 7:00 pm A Knack for the Unexpected: Why Remember My Name (Alan Rudolph, 1978) Alan Rudolph’s Films Matter 9:00 pm Krin Gabbard . Professor, Stony Brook University Choose Me (Alan Rudolph, 1984) Richard Ness . Professor, Western Illinois University Dan Sallitt . Film Director and Critic Caryl Flinn, Moderator and Professor, University of Michigan TUESDAY, JUNE 5 8:15 pm 3:15 pm The Moderns (Alan Rudolph, 1988) Interview: Alan Rudolph: A Singular Perspective EXHIBIT . JUNE 1-7, 2018 Alan Rudolph . Film Director Gallery, The Institute for the Humanities 4:30 pm 202 S. Thayer Ribbon Cutting Still Images, Moving Pictures: The On-Set Official opening of the Rudolph Archive & Opening Photography of Joyce Rudolph Reception for the Exhibits EXHIBIT .
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Keith Carradine Regis Dialogue Formatted
Keith Carradine Regis Dialogue with Phil Anderson, 1991 Phil Anderson: Well anyway, thanks for coming yourself. I want to start, I have a small question and I have a big question. Small question is simple. How did you get involved with the Material Girl video directed by Mary Lambert? Keith Carradine: They called me up. Phil Anderson: Why do you think they asked you? What do you think they needed from you? Keith Carradine: I don't know. I was requested by her ladyship and Mary Lambert, the director. Apparently I was their first choice to play the part, this Howard Hughes-esque character who was supposed to be this mysterious wealthy owner of the studio for which she is one of their stars. There was something about what I had done, I guess, that they saw, that they thought was right for this. So they called me up and I said, "Yeah. Sure, what the heck?" Phil Anderson: Well I asked that because who wouldn't? Keith Carradine: Well, actually, there are a few people that might not. Phil Anderson: It seems that throughout your career, people seem to think you stand for something. At certain points in your career, you stand for different things. But in this and in many other things, you seem to stand for a kind of purity or a sense of morality, whereas in other times you're quite evil, quite sneaky. You're not on trial here, but I have some character references I found. There is a current article in American Film about you, based on The Ballad of the Sad Café where the author Will Schneider says, "Carradine relishes a full day on a ski slope, sews is a top-notched kid-sized Spider- Man costume, saddles a horse deftly and rides easily, and hasn't raised his voice at his agent once in their seven-year relationship." Another reference I found that people in your family apparent describe you as the white sheep of the Carradine family.
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Geraldine Chaplin
Geraldine Chaplin 66422_Rybin.indd422_Rybin.indd i 008/07/208/07/20 111:001:00 AAMM International Film Stars Series Editors: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin www.euppublishing.com/series/ifs 66422_Rybin.indd422_Rybin.indd iiii 008/07/208/07/20 111:001:00 AAMM Geraldine Chaplin The Gift of Film Performance Steven Rybin 66422_Rybin.indd422_Rybin.indd iiiiii 008/07/208/07/20 111:001:00 AAMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge
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Survivors' Recount Fiery Last Moments of KA
JJNIV1:KS1l'I' OF HAWAll UBRJUl arianas %rietYr;~ Micronesia's Leading Newspaper Since 1972 ~ ews Boria.. slams Gov.· Tenorio's status overtures: oto public' By Zaldy Dandan that happening. dependent Northern Marianas. make it clear to Congress that his "But we're adults, and we Variety News Staff Most of the local residents "It's his personal opinion, and "request" for an independent or a should sit down, negotiate and try ONLY the people of the CNMI would prefer that the CNMI re it should stay that way-it is not freely associated state status is his to arrive at a compromise." can ask the United States to grant main in political union with the the opinion of a majority of the (Tenorio) opinion alone. In a media conference Wednes independence to the Northern Unites States, Borja said, react people," Borja, who is running Borja, at the same, reiterated day, Tenorio said if the Clinton Marianas, and Lt. Gov. Jesus C. ing to Gov. Froilan C. Tenorio's against Tenorio, said. that CNMI should pursue nego administration continues to insist Borja yesterday said he can't see statement Wednesday on an in- The governor, he added, shou Id tiations with the Clinton adminis on the federalization of the tration through the Covenant Sec CNMI's immigration and mini tion 902 talks. mum wage policies, he would ask "We should state our position Congress to grant independence in a reasonable and cogent man or a "freely associated state" sta ner," he said. tus to the Northern Marianas. Tenorio' s "attitude," Borja said, He said the CNMI will survive "is, 'If you make me angry I'll being independent, but not with take the marbles and go home.' Continued on page 54 Survivors' recount fiery last moments of KA 801 By JU-YEON KIM it went down in a heavy rain , AGANA, Guam (AP) - A Ko storm on approach to the air rean Air jetliner shook viole!1tly port.
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Away from Her, a Film by Sarah Polley, Starring Julie Christie, Gordon
Mongrel Media Presents AWAY FROM HER A Film By SARAH POLLEY Starring Julie Christie Gordon Pinsent Olympia Dukakis (2006, 110 mins, Canada) Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html AWAY FROM HER SYNOPSIS AWAY FROM HER is the lyrical screenplay adaptation of celebrated author Alice Munro’s short story “The Bear Came Over the Mountain”. AWAY FROM HER is a beautifully moving love story that deals with memory and the circuitous, unnamable paths of a long marriage. Married for 50 years, Grant (Gordon Pinsent) and Fiona’s (Julie Christie) commitment to each other appears unwavering, and their everyday life is full of tenderness and humour. This serenity is broken only by the occasional, carefully restrained reference to the past, giving a sense that this marriage may not always have been such a fairy tale. This tendency of Fiona’s to make such references, along with her increasingly evident memory loss, creates a tension that is usually brushed off casually by both of them. As the lapses become more obvious and dramatic, it is no longer possible for either of them to ignore the fact that Fiona is suffering from Alzheimer’s disease. Eventually, Fiona decides that it is time for her to enter into Meadowlake, a retirement home that specializes in the disease.
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Les Apparences Trompeuses De L'art / the Moderns
Document generated on 09/30/2021 8:12 a.m. 24 images Les apparences trompeuses de l’art The Moderns Maurice Tourigny Montréal cinéma Number 39-40, Fall 1988 URI: https://id.erudit.org/iderudit/22511ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Tourigny, M. (1988). Review of [Les apparences trompeuses de l’art / The Moderns]. 24 images, (39-40), 96–97. Tous droits réservés © 24 images inc., 1988 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ THE MODERNS par Maurice Tourigny Le peintre Nick Hart (Keith Carradine): art et plagiat. Les apparences trompeuses de l'art our Alan Rudolph, Paris 1926 Me. Il sait allier l'ironie et la réflexion Cézanne, «Le balcon» de Manet et de devient Montréal 1987, le génie du dans un cadre fignolé. Malgré des accrocs nombreux instantanés de Cartier-Bresson P peintre se confond à l'habileté du importants, Rudolph atteint ici une unité et Lartigue. Les similitudes biographiques faussaire, les morts restent parfois vivants inspirée : il moule le sujet à la fabrication entre Nick Hart et Kees Van Dongen sont et un nom peut en cacher un autre; The du film et vice versa.
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Cast Bios Lesley Ann Warren
‘BOUND BY A SECRET’ CAST BIOS LESLEY ANN WARREN (Jane) – Lesley Ann Warren is the quintessential actress, consistently giving audiences reason to agree with Pauline Kael of New Yorker Magazine, who hailed her as “one of the greatest beauties of the screen and an actress who delivers spectacular performances.” Warren finished shooting a lead role in the USA pilot, “In Plain Sight” for producers David Maples and Paul Stupin. Warren most recently appeared in a fantastic recurring role on the hit series “Desperate Housewives.” For her exceptional performance, she has received national publicity. She was last seen in the feature “10 th And Wolf” written and directed by Academy Award winner Bobby Moresco, alongside Val Kilmer, Giovanni Ribisi and Dennis Hopper, and has also wrapped on the feature “Constellation” opposite Zoe Saldana, Gabrielle Union and Billy Dee Williams. She was most recently seen in the Indie hit film “Secretary,” co-starring Maggie Gylenhaal and James Spader. She also recently starred in Robert Altman’s production of Alan Rudolph’s comedic mystery “Trixie,” with Nick Nolte and Emily Watson, as well as Steven Soderbergh’s “The Limey” with Terence Stamp and Peter Fonda. Warren also co-starred in the critically acclaimed independent feature “Twin Falls Idaho” for Sony Pictures Classics. She recently starred in the features “When Do We Eat?” and “Deepwater,” 2005 Seattle Film Festival selection, with Lucas Black and Mia Maestro, and the AFI Film Festival selection “My Tiny Universe” with Debi Mazar and John Heard. After winning the Most Promising Newcomer Award as the ingénue lead in 110 In the Shade on Broadway, she found stardom on the small screen as Cinderella in the original television version of the Rogers and Hammerstein classic.
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Cast Bios Marion Ross
CAST BIOS MARION ROSS (Leslie Clyde Onstott) – Marion Ross was born in a small Minnesota community called Watertown. At the age of 13, she changed the spelling of her name from "Marian" to "Marion" because she thought it would look better on a marquee. After her sophomore year in high school, she moved to Minneapolis and took a job as an au pair so she could take drama lessons at the MacPhail Center for the Arts. A year later, her family moved to San Diego, California, and Marion enrolled in San Diego State College. As a freshman, Ross was named the school's most outstanding actress. After graduating, she performed in summer theater in La Jolla. The director was quite impressed by her talent and urged her to give Hollywood a shot. With the assistance of an old college professor, Ross worked her way into a contract for Paramount. Ross has a number of feature film credits including "Forever Female," "The Glenn Miller Story," "Sabrina," and "Operation Petticoat" (1959). Her television credits include starring roles on the series "Life with Father," “Happy Days” and “Brooklyn Bridge”; recurring roles on “The Gilmore Girls,” “The Drew Carey Show” and “That ‘70’s Show”; and countless guest starring stints. Ross lives in Los Angeles with actor Paul Michael, her longtime beau, on “Happy Days” farm – the home she built with her salary from the series. She has two grown children, also in show business: actor Jim Meskimen (“How the Grinch Stole Christmas”) and writer/producer Ellen Plummer (“Friends”). She is also the official spokeswoman for the town of Marion, Illinois.
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Download the Season Brochure
CHURCHILL ARTS COUNCIL ACKNOWLEDGEMENTS CAC programs and activities are sponsored, in part, by the National Endowment for the Arts; the Robert Z Hawkins Foundation; the City of Fallon; the Nevada Arts Council; Lahontan Valley News; the Fallon Convention & Tourism Authority; the Bretzlaff Foundation; the E.L. Cord Foundation; CLM Design, Advertising & Interactive; the Nevada Commission on Tourism; Systems Consultants; CC Communications; and Holiday Inn Express. Additional support has also been provided by Churchill County; The Depot/Widmer & Mills, CPAs; Mackedon-Erquiaga, PC; Fallon Nugget/Bonanza Inn & Casino/Fernley Nugget; and the Cousie C. Nelson Endowment. The Churchill Arts Council proudly pours Great Basin Brewing Company’s Icky IPA and Outlaw Oatmeal Stout at all its events. The free performances by Miles Nielsen & the Rusted Hearts and Mariachi Flor de Toloache are presented in cooperation with the Mayor, City Council and City of Fallon. Additional support for the performances and conversations by Adonis Puentes & the Voice of Cuba Orchestra and Kat Edmonson has been provided by Tourwest, Churchill Arts Council • Season Brochure 2017 – 2018 a program of the Western States Arts Federation. PERFORMANCES • EXHIBITIONS www.ChurchillArts.org [E] [email protected] CONVERSATIONS • FILM [V] 775.423.1440 PO Box 2204, Fallon, NV 89407 The Churchill Arts Council is a private, non-profit arts organization bringing high quality arts events to Fallon, Churchill County and northern Nevada. For three decades, we’ve enriched the cultural and social life of our region by offering educational and experiential opportunities in the arts on many levels — performances, art exhibitions, films, literary readings and conversations with artists in all disciplines.
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SPENCER HUTCHINS Cinematographer – Local 600 – Full Sail University (310) 402-9128 Direct / Email: [email protected]
SPENCER HUTCHINS Cinematographer – Local 600 – Full Sail University (310) 402-9128 direct / email: [email protected] Feature Films BURNING AT BOTH ENDS - Slingshot Media Group Producers | Joshua Fine, Roderick Flint, Guy Louthan Matthew Hill & Landon Johnson, Directors RAY MEETS HELEN - Moonstone Entertainment Producers | Keith Carradine, Sondra Locke, Lesley Ann Warren, Steven Wolfe, Ernst Stroh Alan Rudolph, Director F*&% THE PROM - Big Block Media Holdings / Fine Brothers Entertainment Producers | Jaime Bendell, Scott Prisand, Benny Fine, Raﬁ Fine Benny Fine, Director GHOST HUNTERS - Vox and Hound Productions Producers | David Rimawi, David Latt Pearry Teo, Director NIGHT OF THE WILD - Vox and Hound Productions Producers | David Rimawi, David Latt Eric Red, Director JOE DIRT 2 - 2nd Unit DP - Happy Madison Productions Producers | Adam Sandler, David Spade, Jaime Burke, Amy Kim, Brian Tanke Fred Wolf, Director BENEATH - 2nd Unit DP - Elevative Entertainment Producers | Sean Gowrie, Nick Phillips, Kelly Wagner Ben Ketai, Director Television - 2nd Unit DP STEP UP - 2nd Unit DP - season 1 (10 eps.) Producers | Holly Sorenson, Adam Shankman, Channing Tatum, Jenna Dewan, Salli Newman Lionsgate, YouTube RED SCREAM QUEENS - 2nd Unit DP - seasons 1 & 2 (21 eps.) Producers | Ryan Murphy, Brad Falchuk, Ian Brennan Ryan Murphy Television CHOSEN - 2nd Unit DP - seasons 1&2 (12 eps.) Producers | Ben Ketai, Ryan Lewis, Milo Ventimiglia, Amy Kim, Evan Charnov, Russ Candiff Sony Pictures STAN AGAINST EVIL - 2nd Unit DP - season 3 (8 eps.)
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