DOCSLIB.ORG

TRUE COMPANIONS Part One

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TRUE COMPANIONS Part One 41 LGY#842 SPENCER OTTLEY RATHBURN I’M GOING TO CALL “THE VERMINS “BOOMER- THIS ADVENTURE SAGA.” MAN.” FAIRBAIRN “BEST FRIENDS.” NOPE. THAT’S NOT THE PLURAL-- STOP TALKING AND START PUNCHING! RATED T US TRUE $3.99 1 1 1 4 COMPANIONS 0 PART ONE 9 – DETAILS – INSIDE! 6 3 9 8 0 YOU’RE NOT 6 0 HELPING! 6 DIGITAL EDITION DIGITAL 9 5 7 BONUS BONUS PETER PARKER was bitten by a radioactive spider and gained the proportional speed, strength, and agility of a SPIDER, adhesive fingertips and toes, and the unique precognitive awareness of danger called “SPIDER-SENSE”! After the tragic death of his Uncle Ben, Peter understood that with great power there must also come great responsibility. He became the crimefighting super hero called… TRUE COMPANIONS Part One Spider-Man has tons of problems he would like to fi x, but he’s frequently interrupted by problems he MUST fi x right away. That means there are always three or four fl avors of trouble simmering away while Spidey fi ghts the fi res of the day. Consider the fallout from Kraven the Hunter’s fi nal run at a glorious death: Kraven’s son and Kraven’s half brother, the Chameleon, both want revenge, there are Vermin in the sewers, someone (something?) called Kindred is watching… Then there’re the ongoing facts of Kingpin being mayor, Fred Myers (A.K.A. Boomerang) being one of Peter Parker’s roommates, and the Mayor wanting something from Fred that he absolutely cannot give up… Do you guys smell something burning? NICK SPENCER CLIFF RATHBURN | inker NATHAN FAIRBAIRN | colorist writer VC’s JOE CARAMAGNA | letterer RYAN OTTLEY and NATHAN FAIRBAIRN | cover artists RYAN BROWN [SPIDER-WOMAN] | variant cover artist ANTHONY GAMBINO | designer KATHLEEN WISNESKI | associate editor RYAN OTTLEY NICK LOWE | editor C.B. CEBULSKI | editor in chief penciler SPIDER-MAN created by STAN LEE and STEVE DITKO THE AMAZING SPIDER-MAN No. 41, May 2020. Published Twice Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 1290 Avenue of the Americas, New York, NY 10104. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2020 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S. $26.99; Canada $42.99; Foreign $42.99. POSTMASTER: SEND ALL ADDRESS CHANGES TO THE AMAZING SPIDER-MAN, C/O MARVEL SUBSCRIPTIONS P.O. BOX 727 NEW HYDE PARK, NY 11040. TELEPHONE # (888) 511-5480. FAX # (347) 537-2649. [email protected]. KEVIN FEIGE, Chief Creative Officer; DAN BUCKLEY, President, Marvel Entertainment; JOHN NEE, Publisher; JOE QUESADA, EVP & Creative Director; DAVID BOGART, Associate Publisher & SVP of Talent Affairs; TOM BREVOORT, SVP of Publishing; DAVID GABRIEL, VP of Print & Digital Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; DAN EDINGTON, Managing Editor; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. For information regarding advertising in Marvel Comics or on Marvel.com, please contact Vit DeBellis, Custom Solutions & Integrated Advertising Manager, at [email protected]. For Marvel subscription inquiries, please call 888-511-5480. Manufactured between 02/14/2020 and 02/24/2020 by FRY COMMUNICATIONS, MECHANICSBURG, PA, USA. .
Load more

Recommended publications
  • Vs. PETER PARK E
    0 0 4 1 1 $3.99 RATED LGY#805 US 4 7 5 9 6 0 6 0 8 9 3 6 9 T BONUS DIGITAL EDITION – DETAILS INSIDE! SPENCER •OTTLEYSPENCER •RATHBURN •MARTIN v s . P E T E R P A R K E R ? ! ? ! PETER PARKER was bitten by a radioactive spider and gained the proportional speed, strength and agility of a SPIDER, adhesive fingertips and toes, and the unique precognitive awareness of danger called “SPIDER-SENSE”! After the tragic death of his Uncle Ben, Peter understood that with great power there must also come great responsibility. He became the crimefighting super hero called… BACK TO BASICS Part Four Remember that radioactive spider we mentioned? At the top of this page? Well, the Isotope Genome Accelerator made it that way. And Peter just got caught in an experiment designed to reverse engineer its capabilities, and was split in two! One mild-mannered civilian, Peter, and one fast- talking super hero, Spider-Man! Initially, both were excited--Peter could have a normal life without endangering his loved ones, and Spider-Man could fight and tame the Tri-Sentinel (for example). But Dr. Connors--the experiment’s designer--and Peter have come come to realize the Isotope Genome Accelerator divides personality traits as well as physical attributes. Who is Peter Parker without his wit or love of science? And more importantly, who is Spider-Man without his sense of responsibility? NICK SPENCER | writer RYAN OTTLEY | penciler CLIFF RATHBURN | inker LAURA MARTIN | colorist SPIDER-MAN created by VC’S JOE CARAMAGNA | letterer PETER PANTAZIS and JASEN SMITH | color assistants STAN LEE RYAN OTTLEY and LAURA MARTIN | cover artists and CHRIS SPROUSE, KARL STORY and DAVE McCAIG | FANTASTIC FOUR variant cover artists STEVE DITKO special thanks to ANTONIO RUIZ ANTHONY GAMBINO | designer KATHLEEN WISNESKI | assistant editor NICK LOWE | editor C.B.
    [Show full text]
  • We Are the Walking Dead:” Zombie Spaces, Mobility, and The
    “WE ARE THE WALKING DEAD:” ZOMBIE SPACES, MOBILITY, AND THE POTENTIAL FOR SECURITY IN ZONE ONE AND THE WALKING DEAD A RESEARCH PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTERS OF ARTS BY JESSIKA O. GRIFFIN DR. AMIT BAISHYA – ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2012 “We are the walking dead:” Zombified Spaces, Mobility, and the Potential for Security in Zone One and The Walking Dead “I didn’t put you in prison, Evey. I just showed you the bars” (170). —V, V For Vendetta The zombie figure is an indispensible, recurring player in horror fiction and cinema and seems to be consistently revived, particularly in times of political crisis. Film is the best-known medium of zombie consumption in popular culture, and also the most popular forum for academic inquiry relating to zombies. However, this figure has also played an increasingly significant role in written narratives, including novels and comic books. Throughout its relatively short existence, no matter the medium, the zombie has functioned as a mutable, polyvalent metaphor for many of society’s anxieties, with zombie film production spiking during society’s most troublesome times, including times of war, the height of the HIV/AIDS epidemic, and, more recently, 9/11.1 In Shocking Representations, Adam Lowenstein describes the connection between historical events and cinema by first describing how history is experienced collectively. Lowenstein describes historical traumas as “wounds” in the sense that they are painful, but also in that they continue to “bleed through conventional confines of time and space” (1).
    [Show full text]
  • Banda Deseñada Americana
    BANDA DESEÑADA AMERICANA BIBLIOTECA MUNICIPAL Saga / guión, Brian K. Vaughan ; dibujo, Fiona Staples ; coordinador, Eric Stephenson Localización: COMIC VAU sag [vermello] La Visión / Tom King, guión ; Gabriel Hernández Walta, Michael Walsh, dibujo y entintado ; Jordie Bellaire, color ; [traducción, Santiago García y Uriel López]. Localización: COMIC KIN vis [vermello] The Wicked + The divine / Kieron Gillen, guión ; Jamie McKelvie, dibujo ; Matthew Wilson, color ; Clayton Cowles, rotulación original Localización: COMIC GIL wic [vermello] Ojo de halcón seis días en la vida de... / Matt Fraction ; portada de David Aja. Localización: COMIC FRA ojo [vermello] Monstress / Marjorie Liu, guión ; Sana Takeda, dibujo Localización: COMIC LIU mon [vermello] Capitán América.1,Otro tiempo / Ed Brubaker, Steve Epting. Localización: COMIC CAP BRU cap [vermello] Batman : el regreso del caballero oscuro / Frank MIller, Klaus Janson, Lynn Varley Localización: COMIC BAT MIL bat [vermello] Spiderman / guión, Stan Lee ; dibujo, Steve Ditko, Jack Kirby. Localización: COMIC SPI LEE spi [vermello] Star Wars : saga completa : episodios I a VI / [traducción, Diego de los Santos ; guión, Henry Gilroy ... et al. ; dibujo, Jan Duursema ... et al.]. Localización: COMIC STA [vermello] Los muertos vivientes / guión, Robert Kirkman ; dibujos, Tony Moore, Charlie Adlard ; tonos grises, Cliff Rathburn. Localización: COMIC KIR mue [vermello] Maus : relato dun supervivente / Art Spiegelman ; [tradución Diego García Cruz]. Localización: COMIC SPI mau [vermello] Watchmen / Alan Moore, guión ; Dave Gibbons, dibujo ; John Higgins, color. Localización: COMIC MOO wat [vermello] Daredevil : born again / [guión, Frank Miller ; dibujo, David Mazzucchelli] Localización: COMIC MIL dar [vermello] La cosa del pantano / Alan Moore, Stephen Bisette, John Totleben ; [traducción, Fran San Rafael]. Localización: COMIC MOO cos [vermello] Hellboy / guión y dibujo, Mike Mignola ; color Dave Stewart ; [traducción, Carles M.
    [Show full text]
  • Title of Book/Magazine/Newspaper Author/Issue Datepublisher Information Her Info
    TiTle of Book/Magazine/newspaper auThor/issue DaTepuBlisher inforMaTion her info. faciliT Decision DaTe censoreD appealeD uphelD/DenieD appeal DaTe fY # American Curves Winter 2012 magazine LCF censored September 27, 2012 Rifts Game Master Guide Kevin Siembieda book LCF censored June 16, 2014 …and the Truth Shall Set You Free David Icke David Icke book LCF censored October 5, 2018 10 magazine angel's pleasure fluid issue magazine TCF censored May 15, 2017 100 No-Equipment Workout Neila Rey book LCF censored February 19,2016 100 No-Equipment Workouts Neila Rey book LCF censored February 19,2016 100 of the Most Beautiful Women in Painting Ed Rebo book HCF censored February 18, 2011 100 Things You Will Never Find Daniel Smith Quercus book LCF censored October 19, 2018 100 Things You're Not Supposed To Know Russ Kick Hampton Roads book HCF censored June 15, 2018 100 Ways to Win a Ten-Spot Comics Buyers Guide book HCF censored May 30, 2014 1000 Tattoos Carlton Book book EDCF censored March 18, 2015 yes yes 4/7/2015 FY 15-106 1000 Tattoos Ed Henk Schiffmacher book LCF censored December 3, 2007 101 Contradictions in the Bible book HCF censored October 9, 2017 101 Cult Movies Steven Jay Schneider book EDCF censored September 17, 2014 101 Spy Gadgets for the Evil Genius Brad Graham & Kathy McGowan book HCF censored August 31, 2011 yes yes 9/27/2011 FY 12-009 110 Years of Broadway Shows, Stories & Stars: At this Theater Viagas & Botto Applause Theater & Cinema Books book LCF censored November 30, 2018 113 Minutes James Patterson Hachette books book
    [Show full text]
  • Urzedowy Wykaz Drukow
    ISSNISSN 2719-308X 1689-6521 URZĘDOWY WYKAZ DRUKÓW WYDANYCH W RZECZYPOSPOLITEJ POLSKIEJ PRZEWODNIK BIBLIOGRAFICZNY BIBLIOTEKA NARODOWA R. 7775(87) (89) Warszawa, Warszawa, 23–31 19–25 grudnia lipca 2021 2019 r. r. Nr Nr 52 29 Poz. Poz. 37771–38349 23385–24036 WYKAZ DZIAŁÓW UKD 0 DZIAŁ OGÓLNY. Nauka i wiedza. Bibliologia. 622 Górnictwo Informacja. Bibliografia. Bibliotekarstwo. 629 Technika środków transportu Organizacje. Muzea 63 Rolnictwo 0/9(03) Encyklopedie i leksykony o treści ogólnej 630 Leśnictwo 004 Informatyka 631/635 Uprawa roślin. Ogrodnictwo 005 Zarządzanie 636/639 Zootechnika.Weterynaria 07 Mass media. Środki masowego przekazu. 64 Gospodarstwo domowe. Hotelarstwo. Medioznawstwo Gastronomia 1 FILOZOFIA 65 Telekomunikacja. Przemysł poligraficzny. 159.9 Psychologia Działalność wydawnicza 2 RELIGIA. TEOLOGIA 656 Organizacja transportu 27 Chrześcijaństwo. Kościoły chrześcijańskie 657 Rachunkowość. Księgowość 272 Katolicyzm. Kościół rzymskokatolicki 658 Organizacja przedsiębiorstw. Organizacja 3 NAUKI SPOŁECZNE i technika handlu 30 Metodologia nauk społecznych. Polityka 659 Reklama. Public relations społeczna. Gender studies. Socjografia 66/68 Przemysł. Rzemiosło 311+314 Statystyka. Demografia 69 Przemysł budowlany 316 Socjologia 7 SZTUKA. ROZRYWKI. SPORT 32 Nauki polityczne. Polityka 71 Planowanie przestrzenne. Urbanistyka. 33 Nauki ekonomiczne. Praca. Gospodarka Architektura krajobrazu regionalna. Spółdzielczość 72 Architektura 336 Finanse. Podatki 73/76 Sztuki plastyczne. Rzeźba. Rysunek. 338/339 Gospodarka narodowa. Handel. Gospodarka Rzemiosło artystyczne. Malarstwo. Grafika światowa 77 Fotografia 338.48 Turystyka 78 Muzyka 34+351/354 Prawo. Administracja publiczna 79 Rozrywki towarzyskie. Taniec. Zabawy. Gry 355/359 Wojskowość. Nauki wojskowe. Sztuka wojenna. 791/792 Film. Teatr Siły zbrojne 796/799 Sport. Kultura fizyczna 36 Opieka społeczna. Ubezpieczenia. 8 JĘZYKOZNAWSTWO. NAUKA Konsumeryzm O LITERATURZE. LITERATURA PIĘKNA 37 Oświata.Wychowanie.
    [Show full text]
  • Surviving the End
    Surviving The End A study of encounters with post-apocalyptic evil and survival strategies in Matheson’s I am Legend, McCarthy’s The Road, and Kirkman’s The Walking Dead: Compendium One ENG-3992 Kristian Bø Master’s Thesis in English Literature Faculty of Humanities, Social Studies and Education University of Tromsø Spring 2013 “Whoever fights monsters should see to it that in the process he does not become a monster. And when you look into an abyss, the abyss looks back into you” --Friedrich Nietzsche, Beyond Good and Evil ii Acknowledgements I would like to thank my tutor professor dr.philos. Gerd Karin Bjørhovde. Thank you for your patience, knowledge and your constructive criticism. To Henriette, thank you for your support and tips regarding my thesis. When writing such a paper it is always good to have someone to talk to. Thank you for being there. To my parents and family, thank you for your support and the interest you have shown in my thesis. You have repeatedly asked me the simple question: “What are you writing about?” which prompted me to think: “What Am I writing about?”. iii Abstract In this thesis the aim is to explore the dichotomy/duality of man in three post-apocalyptic texts and discuss how and why survivors react to the post-apocalyptic setting. Since a majority of post- apocalyptic fictional texts focus on the destruction of the world set to contemporary issues, this thesis will explore how the post-apocalyptic setting will force survivors into making difficult survival choices and discuss how the survivors cope with living in a devastated place.
    [Show full text]
  • Previews #323 (Vol
    PREVIEWS #323 (VOL. XXV #8, AUG15) PREVIEWS PUBLICATIONS PREVIEWS #325 OCTOBER 2015 SAME GREAT PREVIEWS! NEW LOWER PRICE: $3.99! Since 1988, PREVIEWS has been your ultimate source for all of the comics and merchandise to be available from your local comic book shop… revealed up to two months in advance! Hundreds of comics and graphic novels from the best comic publishers; the coolest pop-culture merchandise on Earth; plus PREVIEWS exclusive items available nowhere else! Now more than ever, PREVIEWS is here to show the tales, toys and treasures in your future! This October issue features items scheduled to ship in December 2015 and beyond. Catalog, 8x11, 500+pg, PC SRP: $3.99 MARVEL PREVIEWS VOLUME 2 #39 Each issue of Marvel Previews is a comic book-sized, 120-page, full-color guide and preview to all of Marvel’s upcoming releases — it’s your #1 source for advanced information on Marvel Comics! This October issue features items scheduled to ship in December 2015 and beyond. FREE w/Purchase of PREVIEWS Comic-sized, 120pg, FC SRP: $1.25 PREVIEWS #325 CUSTOMER ORDER FORM — OCTOBER 2015 PREVIEWS makes it easy for you to order every item in the catalog with this separate order form booklet! This October issue features items scheduled to ship in December 2015 and beyond. Comic-sized, 62pg, PC SRP: PI COMICS SECTION PREMIER VENDORS DARK HORSE COMICS ABE SAPIEN #27 Mike Mignola (W/Cover), Scott Allie (W), Alise Gluškova (A/C), and Dave Stewart (C) Abe’s memories of his life as a man in the nineteenth century come to the surface as secret societies fight over an object that could prove the true origins of the human race! FC, 32 pages SRP: $3.50 B.P.R.D.
    [Show full text]
  • Ausgabe 117 Mitte Juli 2012
    Ausgabe 117 Mitte Juli 2012 Liebe Leserinnen und Leser, liebe Kolleginnen und Kollegen, in unserer etwa zwölf Mal im Jahr erscheinenden Publikation möchten wir Sie über interessante Romane, Sachbücher, Magazine, Comics, Hörbücher und Filme aller Genres informieren. Gastbeiträge sind herzlich willkommen. RATTUS LIBRI ist als Download auf folgenden Seiten zu finden: http://rattus-libri.taysal.net/ www.beam-ebooks.de/kostenlos.php http://blog.g-arentzen.de/ www.foltom.de www.geisterspiegel.de/ www.light-edition.net www.literra.info www.phantastik-news.de www.rezensenten.de www.terranischer-club-eden.com/ www.uibk.ac.at/germanistik/dilimag/ Einzelne Rezensionen erscheinen bei: www.buchrezicenter.de; www.sfbasar.de; www.filmbesprechungen.de; www.phantastiknews.de; www.literra.info; www.rezensenten.de; www.terracom-online.net; Kultur-Herold/Crago-Verlag: www.kultur-herold.de; www.edition.heikamp.net; www.crago-verlag.de. Für das PDF-Dokument ist der Acrobat Reader 6.0 erforderlich. Diesen erhält man kostenlos bei www.adobe.de. Die Rechte an den Texten verbleiben bei den Verfassern. Der Nachdruck ist mit einer Quellenangabe, einer Benachrichtigung und gegen ein Belegexemplar erlaubt. Das Logo hat Freawyn für RATTUS LIBRI entworfen: http://elfwood.lysator.liu.se/loth/u/t/uta/uta.html Wir bedanken uns vielmals bei allen Verlagen und Autoren, die uns Rezensionsexemplare für diese Ausgabe zur Verfügung stellten, und den fleißigen Kollegen, die RATTUS LIBRI und die Rezensionen in ihren Publikationen einbinden oder einen Link setzen. Nun aber viel Spaß mit der Lektüre der 117. Ausgabe von RATTUS LIBRI. Mit herzlichen Grüßen Ihr RATTUS LIBRI-Team Seite 1 von 69 RUBRIKEN Kinder-/Jugendbuch ........................................................................................................
    [Show full text]
  • Multimedia Reviews.8
    Page 143 MULTI­MEDIA REVIEWS Glossary: Nintendo DS: latest handheld Nintendo game system. It has a secondary touch screen, adding a greater interactive gaming experience. Survival Horror: Video games where your only mission is to survive. Slowdown: Occurs during game play, when too many things occur on screen at one time, resulting in the graphics slowing down or jumping. FMV: ‘Full Motion Video’ – a video sequence you watch rather than play, often used to advance the plot. NPC: ‘Non­Playable Character’ – any characters that are controlled by the computer rather than the player. Survival Horror: The Good, the Bad and the Zombie Eoin Murphy What differentiates video games from movies is that they do away with the barrier placed between the participant and the action depicted onscreen. In other words, a video game puts the player squarely in the midst of the story. Your choices, rather than those of the author or director decide what happens next, whether you live to fight on to another level or end up as a mindless zombie scrabbling for brain matter. This article is intended to welcome the non­initiated to the world of horror games and give you a taste of what’s been missing in your life. The taste of raw human flesh… Horror games have been around for almost as long as games consoles. The original of these games was Sweet Home, produced for the Famicon, the Japanese name for the Nintendo Entertainment System. The game tells the story of five people going to the mansion of dead artist Manyimas to take photos of her frescos.
    [Show full text]
  • We Are the Walking Dead”: Morality in Robert Kirkman’S Comics Series
    Grand Valley State University ScholarWorks@GVSU Masters Theses Graduate Research and Creative Practice 8-2019 “We Are The alW king Dead”: Morality in Robert Kirkman’s Comics Series Amy L. Jacobs Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/theses Part of the English Language and Literature Commons, Fiction Commons, and the Social and Behavioral Sciences Commons ScholarWorks Citation Jacobs, Amy L., "“We Are The alW king Dead”: Morality in Robert Kirkman’s Comics Series" (2019). Masters Theses. 951. https://scholarworks.gvsu.edu/theses/951 This Thesis is brought to you for free and open access by the Graduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. “We Are The Walking Dead”: Morality in Robert Kirkman’s Comics Series Amy Lynne Jacobs A Thesis Submitted to the Graduate Faculty of GRAND VALLEY STATE UNIVERSITY In Partial Fulfillment of the Requirements For the Degree of Master of Arts English August 2019 Dedication In dedication to Dave Jacobs and Karol Jacobs. I love you both so very much, and my identity, humanity, and morality define themselves by the examples you set. 3 Acknowledgments Completion of this thesis would not have been possible without the help and support of three people in the English department at Grand Valley State University. Professor Robert Rozema’s endless patience, constant attention to what felt like endless drafts, and continued efforts to push me to completion served as the most important sources of academic encouragement.
    [Show full text]
  • The Narratology of Comic Art
    The Narratology of Comic Art By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tra­ dition. This involves not just the exploration of those properties in com­ ics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked as well. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narrato­ logy is brought to bear on comics, equally comics are brought to bear on narratology. Kai Mikkonen is Associate Professor of Comparative Literature at the University of Helsinki, Finland. Routledge Advances in Comics Studies Edited by Randy Duncan, Henderson State University Matthew J. Smith, Radford University 1 Reading Art Spiegelman Philip Smith 2 The Modern Superhero in Film and Television Popular Genre and American Culture Jeffrey A. Brown 3 The Narratology of Comic Art Kai Mikkonen The Narratology of Comic Art Kai Mikkonen First published 2017 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2017 Taylor & Francis The right of Kai Mikkonen to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
    [Show full text]
  • Titelbild: Terracom 142 Von Heiko Popp
    142 Titelbild: Terracom 142 von Heiko Popp 1/141 Impressum: TERRACOM: Das eFanzine der PROC-Community Nr. 142 – April -Juli 2012 Redaktion: Die TERRACOM darf nur in unveränderter Leserbriefe: Nils Hirseland Form weiterverbreitet werden. Bitte schickt eure Leserbriefe per EMail an: Layout: Kai Lanio [email protected]. Das Copyright der Beiträge und Grafiken Beim Abdruck von Leserbriefen behält sich eMail: [email protected] liegt bei den jeweiligen Autoren und die Redaktion das Recht auf Kürzung vor. Zeichnern. Copyright: TERRACOM, das eFanzine der Perry Rhodan®, Atlan® und Mausbiber PROCCommunity (www.proc.org), erscheint Namentlich gekennzeichnete Beiträge Gucky® sind eingetragene Warenzeichen monatlich als nichtkommerzielle geben nicht unbedingt die Meinung der der Pabel-Moewig Verlag KG, Publikation unter: www.terracom-online.net Redaktion, der PROC-Community oder Rastatt. deren Vertreter wieder. www.perry-rhodan.net © 2012 der Gesamtausgabe by Perry Rhodan Online Club e.V. (PROC – PERRY RHODAN erscheint wöchentlich seit www.proc.org) dem 8. September 1961. 2/141 1998-2012 Perry Rhodan Online Club e. V. Inhaltsverzeichnis Impressum: 2 TERRACOM: Das eFanzine der PROC-Community..............................................................................2 Nr. 142 – April -Juli 2012................................................................................................................................2 Terracom-Vorwort............................................................................................................................8
    [Show full text]