DOCSLIB.ORG

DE FAKTO BACK PAGE DE FAKTO MAY, 2005 Volume 1, Issue 2 Fresh News 2423 Wallace De Fakto Is an Underground Jour- $1 Ave

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DE FAKTO BACK PAGE DE FAKTO MAY, 2005 Volume 1, Issue 2 Fresh News 2423 Wallace De Fakto Is an Underground Jour- $1 Ave THE DE FAKTO BACK PAGE DE FAKTO MAY, 2005 Volume 1, Issue 2 Fresh News 2423 Wallace De Fakto is an underground jour- $1 Ave. Lafayette, IN nal based in Lafayette, Indiana May, 2005 47904 run by a group of Indian land 765.446.2873 pirates renowned for acts of self- mutilation and devil worship. Af- atarilogic.com/defakto Back 2 the [email protected] ter the arrival of expeditionary teams from England, they have generally been shewed off, but underground continue to produce De Fakto. Word has it that local producer Atarilogic may have some sinis- ter involvement in this preposter- ous magazine, perhaps even manning the insane mechanism which produces freshly blended Margaritas which we all like so much during the summertime. Check the web atarilogic.com /defakto Our sponsors We don’t have any yet! Want to be one? Send us your money, laud us with praise and carry our publication in your establishment. Contact 765.446.2873 or send money to: De Fakto Only the best parties: only the best party pictures! 2423 Wallace Ave. Lafayette, IN 47904 Continuing where it left off, De Fakto is back with an entirely new mutated manuscript chock full of mangled mirth and We’ll pose your logo with a group of singing cherubim in modified mantras where medium is the massage and the crotchless lederhosen and tell the kids that you are an minority is massive! eco-friendly, geopolitical, tree-hugging do-gooder who needs smacked in the jibs. Plus, you’ll be right here on the back page with the rest of the truly elite! Features: The Truth - Space Time 11 Where Credit is Due 2 My Crime Spree 12 Peace, god bless, stay up! Editors Note 3 Throwback Thirteen 13 DJ Vadim 4 If You Get Bored 14 Get the Party Started 6 Tila Nguyen 15 What is Cool 7 Movie Review: Sin City 16 Places We Miss 8 Lit to Pop 17 DF World Wide Wack 9 10 Questions with B.___ 18 SasqautchvsChewbacca 10 Interview with a Robot 19 VOLUME 1, ISSUE 2 DE FAKTO Page 2 FRESH NEWS Page 19 Where credit is due Interview with a robot De Fakto is an underground publication. As such, it is not for So, I read about this robot at www.ydouthink.com and decided to do profit, but a valid attempt at reinstituting the barter system. an interview. It ended up being the dumbest thing I will have ever We will gladly trade you this De Fakto for a handful of shiny published. The transcript follows, stupid robot: buttons, a bottle of German beer or a Moms Mabley record. It User: I heard you are a robot VaVaVirgil: I didn't hear that. doesn’t matter, if you want to hand us a buck, that is gladly User: are you a robot or what? appreciated, but not nearly as creative. VaVaVirgil: Good question! User: do robots smoke? Send submissions to: VaVaVirgil: If do robots jumped off of bridges, would u? [email protected] User: okay, that makes sense VaVaVirgil: That makes sense? u think so? Or User: so, do you have lasers? De Fakto VaVaVirgil: Maybe I do, maybe I don't. I'm not too sure. User: you don't sound like a robot 2423 Wallace Avenue VaVaVirgil: I don't sound like a robot? Me? u don't think? Lafayette, Indiana 47904 User: anyway, ever heard of de fakto? Submissions must be original material including writing, illus- VaVaVirgil: Heard of De Fakto? I believe so. Maybe! User: really! no shit! that's great! tration, music, interviews, collateral damage, hate mail, how VaVaVirgil: That's a somewhat vulgar thing 2 say. tos, gardening tips, panties, unearthed biblical writings and User: anyway, I'm going to interview you, fuckass. government files. VaVaVirgil: Tell me more. User: what is your favorite color, dingusmulch? Get involved: VaVaVirgil: What is my favorite color dingusmulch? Who knows what? See the Tone Def Systems forum for a fresh take on your User: you would, robocock! local scene at www.tonedefsystems.com/forum. Also, remem- VaVaVirgil: I wonder what u mean by me would robocock. ber that anyone with access to a copier and a stapler can User: anyway, what is it like to go to electric lady- land? take part in the distribution of De Fakto. Plus, keep the buck User: do when you sell a copy! VaVaVirgil: Dunno... User: never been? robots VaVaVirgil: What's never been? defecate? Thanks: User: a virgin then? VaVaVirgil: I'm VaVaVirgil: Whatevah... De Fakto thanks the following people who will not be thanked User: dude, haha, you're totally a virgin! not sure. in the future unless they decide to re-up with us and do some- VaVaVirgil: Dude Haha I'm totally a virgin, huh? User: that's thing that warrants thanks...in which case they shall be User: yeah, what I said interesting, I thanked again. VaVaVirgil: Aha. User: uh, now you have it, metalnutz poop about In no particular order: VaVaVirgil: What? once or twice User: do you know what a cleveland steamer is? a day All of the good people who have helped get De Fakto out VaVaVirgil: What have I done 2 deserve such an there, the many people who have given me their crucial feed- insult? VaVaVirgil: u back and suggestions/submissions, the friends and relatives User: what about a dirty sanchez? poop about who I have had the distinct pleasure of partying with over the VaVaVirgil: That's quite a vulgar thing 2 say. once or twice User: sorry last month, Moki and Rochelle, Steve and Dan and the Chris- a day? Really? topher family, mom and dad, the bastard squad (you know VaVaVirgil: OK, no problem. Just don't let it hap- who you are) and that kid who kept pouring me shots of sin- pen again! gle barrel at the bonfire party! User: did you know that the DS differs from state to state? VaVaVirgil: Yeah, maybe! User: do robots defecate? Useless person of the month (May): VaVaVirgil: I'm not sure. User: that's interesting, I poop about once or twice a day Well, it was a tough decision this VaVaVirgil: u poop about once or twice a day? Really? month, but given such a host of useless User: yep, it's true, dude. Droppin bombs yo! celebrities, the selection; nay, the honor VaVaVirgil: Hmm... whatever, user! What else do u want 2 talk about, has fallen on Pauly Shore. Congratula- anyway? tions, Pauly, you are this months Use- User: user?!? less Person. Beating out the Baldwin VaVaVirgil: Sure! What would u like 2 say about user? Brothers and Paris Hilton in a clutch, User: um, nothing. Am I really a user? Pauly, you have flown from the turn- VaVaVirgil: That's interesting... I just dunno! User: have you ever seen a grown man naked? buckle to take the title. VaVaVirgil: No, I don't think so. Dude, you’re the Weaz, man! You’ll User: have you ever seen a young boy naked? never live that shit down. It’s not like we VaVaVirgil: I'm sorry, all my circuits are busy right now. Please try again soon. Bud-dy! It’s Pauly! want to hate you either. It’s just, come User: oh, sure...that's the excuse a lot of you people use on, Encino Man?! Son in Law?! Bio VaVaVirgil: It's the excuse a lot of me people use? u think? Dome?! You might as well crap in a DVD box and watch that! User: well, that concludes the interview, robochubby. It would be more fun. So, give it up for this months worthless VaVaVirgil: That concludes the interview robochubby. Well that's geek. Way to go Pauly, here’s a smack to tha mellon, bud-dy! interesting. Editor’s note—Don’t ever go to the above website. VOLUME 1, ISSUE 2 DE FAKTO Page 18 FRESH NEWS Page 3 10 questions with B.____ Editors note Name: B.____ Welcome back, my little weasel-faced Profession: Visual Storyteller army of ne’er-do-wells! So, now you Location: Lake Tahoe, California believe that there is a great, glorious Affiliation: Friend/Drug Buddy fiasco of a revolution coming down the Aliases: Ron Cuerpo pipeline and you’re all invited to take part! I’m not talking about the revolution Okay, here’s the low down. I recently got in that will occur one day when we over- touch with an old high school buddy of mine throw the government and are allowed about writing a few words on his experiences to copulate in the streets, but a more over the last couple of years as a photogra- cerebral development...the analytical pher for the Tahoe Bonanza. A psychedelic advancement of our minds in the evolu- nomad and a general modern visionary, what follows is his reply to several questions I tion of revolt. In order to change our- posed. selves, we need to learn from our- selves. Analog Control Since Dude: 1976 That is why I have developed this little Don't use this address anymore. I no longer work for the Bo- publication for you—so that you might grow and change and nanza and I believe they are monitoring this account. know that there is more in the world than what you are being I'm going into rehab for a month, so I will be out of touch. You fed day to day through more common media channels. This is may be able to call me, I'm not sure.
Load more

Recommended publications
  • John Zorn Artax David Cross Gourds + More J Discorder
    John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request.
    [Show full text]
  • The BG News April 15, 1999
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-15-1999 The BG News April 15, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 15, 1999" (1999). BG News (Student Newspaper). 6484. https://scholarworks.bgsu.edu/bg-news/6484 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ■" * he BG News Women rally to 'take back the night' sexual assault. istration vivors, they will be able to relate her family. By WENDY SUTO Celesta Haras/ti, a resident of buildings, rain to parts of her story, Kissinger "The more I tell my story, the The BG News BG and a W4W member, said the or shine. The said. less shame and guilt I feel," Kissinger said. "For my situa- Women (and some men) will rally is about issues that are con- keynote "When I decided to disclose tion, I'm glad I didn't tell my take to the streets tonight, pro- sidered taboo by society, such as speaker, my sexual abuse to my family, I parents right away because I claiming a public statement in an rape and incest. She has attended Kendel came out of the closet complete- think it would have been a worse attempt to "Take Back the Night" several TBTN marches at the Kissinger, a ly," Kissinger said.
    [Show full text]
  • Kapuzine J−Nner/Februar 2003
    Jänner/Feber 2003 Z I N E Kapuzinerstrasse 36 4020 Linz 070/779660 VORWORT Ab jetzt, ok.... .....werden die Konzerte unter der Woche wieder pünktlich beginnen. Das ist kein Vorsatz für´s neue Jahr, denn diese komische Tradition ist wie Weihnachten ein Sache, die uns ganz einfach am Popo vorbei geht, sondern (wieder- einmal) ein ernstgemeinter Versuch auf die Leute Rücksicht zu nehmen, die am näch- sten Tag malochen müssen. (Nun liegt´s auch wieder an euch - früher kommen!) Diese tun mir dann auch fast so leid wie die vielen Leute, die wir bei der Party am 24.Dezember kurzzeitig nicht mehr reinlassen konnten, weil´s einfach zu voll war. Etwaigen Unmut bei den Leuten, die´s betroffen hat, können wir verstehen. Wir sagen Sorry, aber alles andere wäre einfach zu ´halsbrecherisch´ für alle Beteiligten gewesen. Joe Strummer von den Clash ist tot. Er rockt jetzt irgendwo dort, wo niemand den Segen der ÖVP und deren internationalen Goldhauben-Freunde braucht um ein lebenswertes Leben leben zu können..... Hey, und wer genau hinschaut, sollte sich nicht schwer tun zu g´neissen was für Leckerbissen hier in den nächsten 2 Monaten aufgetischt werden. Rülpsen und Furzen ist danach erlaubt. Geben wir den Bürgern doch die Tradition zurück, die sie verdie- nen....... zeas anatol Imp.: KAPUZINE januar/feber 2003 Medieninhaber, Herausgeber: KV KAPU, Kapuzinerstr. 36, 4020 Linz, Tel.: 070/779660, e-mail:[email protected] KUPF Titelbild:Max Müller Redaktion/Mitarbeiter dieser Ausgabe: Bogendorfer Anatol,Dandl,Sylvia R.,Richie Tanja Lattner,Flip,Phillip Huemer,Pezzy C.Wellman,Rainer Krispel,Huckey Layout: jochen (joe) laimer Neben der Ankündigung der Vereinsaktivitäten sieht sich das KAPUZINE als medialer Freiraum, der die Verbreitung „anderer Nachrichten“ermög- licht.
    [Show full text]
  • This Book Belongs To
    THIS BOOK BELONGS TO THE BOOK CONTENT 04-05 VORWORT 86-109 BREAKING 88-101 DANCE OFF 06-47 GRAFFITI WE B GIRLZ THE FESTIVAL BOOK 96-97 ROKAFELLA HERSTORY 09-15 VERNISSAGE & EXHIBITION IM TACHELES 102-103 B-GIRL VAL & B GIRL ROC INTERVIEW 16-21 AFC INTERVIEW & PIECES COPYRIGHT // MAGDALENA PTASZNY AKA FINESTYLEZ 104-107 WE B GIRLZ AUF DEM BOTY CONZEPT, ILLUSTRATION & DESIGN // MAGDALENA PTASZNY 22-31 CATFIGHT GRAFFITI JAM 108-109 BREAKING IM TACHELES 32-33 MARTHA COOPER TAGTOWN TEXT // BIANCA LUDEWIG, MAIKE SCHRÖDER, NIKA KRAMER, TOBIAS BARENTHIN LINDBLAD IMAGES COPYRIGHT // WE B GIRLZ BERLIN 34-39 FAITH 47 IN DER ATM GALLERY 110-117 PANELS DESIGN & LAYOUT COPYRIGHT // MAGDALENA PTASZNY 40-47 MEHR GRAF 112-115 HIP HOP-GIRLZ MEET ALICE SCHWARZER 116-117 WOMEN IN HIP HOP CHANGING THE GAME ALL RIGHTS RESERVED. NO PART OF THIS PUPLICATION 48-77 MUSIC MAY BE REPRODUCED, STORED IN ANY RETRIEVAL SYSTEM 50-69 CONZERT IM CASSIOPEIA 118-147 WORKSHOPS OR TRANSMITTED, IN ANY MEANS. 58-59 SHORTEE INTERVIEW ELECTRONIC, MECHANICAL, PHOTOCOPYING, RECORDING 22 WORKSHOPS // EXPOSEE 64-65 ROXANNE SHANTÉ INTERVIEW OR OTHERWISE, WITHOUT PRIOR PREMISSION IN WRITING 70-77 GOT SOUL IM BOHANNON FROM THE PUBLISHER. FOR INFORMATION, CONTACT WE B GIRLZ BERLIN 148-149 COMPILATION LUCKAUER STRAßE 3, 10969 BERLIN, WWW.B-GIRLZ-BERLIN.COM 74-75 YARAH BRAVO INTERVIEW SINAYA INTERVIEW & TRACKLIST PRINTED AND BOUND 2009 IN GERMANY. 78-85 FOTOSHOOT 150-151 INDEX // GLOSSAR VORWORT VON NIKA KRAMER Ich befand mich bei Martha Cooper in New finanzielle Unterstützung realisiert und dabei Diese Frauen brauchen keine spezielle Ich habe reichlich weiblichen Support er- Es macht mich traurig, dass junge Frauen teil- York – wir waren auf dem Weg zur „B-Girl Be“ eigene Mittel eingebracht, was für mich bis an Förderung.
    [Show full text]
  • The Body and Soul of Funk by Ketch Morse Your Gut with the First Chord and Ensuing Something Great
    KTRU 91.7 FM FALL 2007 A Rookie’s Guide to the Houston Scene By KTRU Staff two most famous groups: ZZ Top and lificacy, however, has been outmatched Spain Colored Orange, Bring Back the Houston is one of the best-kept secrets Destiny’s Child. by his reclusiveness; despite capturing Guns, and the Dimes, and acts like Mo- of American culture. Though Houston In addition to these superstars, Houston the imagination of three generations of tion Turns It On and Sharks and Sailors artists have made fascinating and diverse also nurtures a thriving underground that music geeks, Jandek has given only two push prog rock into new and exciting ter- contributions to popular music, the city has is little-known outside the city. Its history interviews in his entire life, and did not ritory. Local rock labels are popping up at an unjustified reputation as something of a can traced, roughly, to the Texas psyche- give the first of his still-meager handful of a nearly unprecedented rate, providing a cultural wasteland. Part of that reputation delic movement of the late 60s. Houston live performances until 2004 (in Glasgow, desperately needed foundation for local art- is due to comparison to Houston’s close was home to both the movement’s found- Scotland oddly enough), 26 years after the ists. Meanwhile, extreme heavy metal has neighbor Austin, which for decades was ing record label, International Artists, and start of his “career.” been and continues to be one of Houston’s one of the capitals of American counter- one of its most influential and long-lived The unrestrained imagination of artists specialties, with locals like Braced for culture—part of it is due to a virtually bands, the Red Krayola.
    [Show full text]
  • What Happens If You Cross a Brazilian Carnival Spirit with a Reggae Sound
    What happens if you cross a Brazilian carnival spirit with a reggae sound- system and fresh hip hop production with a tour schedule that dwarfs British Airways flight plan made by a immigrant to London? The DubCatcher is born. There are some musicians / bands who make one album and disappear. There are others who literally don’t stop in the studio or on the road like Tupac, J Dilla, or BB king. There is being prolific, and there are people who actually seap music through their pours. Well DJ Vadim, aka Daddy Vad has definitely planted his feet in the second camp. Over the last 2 decade’s few people can have put so much time and energy into the culture they love. Founder of Jazz Fudge in early 1995, A&R, producer, promoter, record collector, award winning radio presenter, writer, chef and yogi. Vadim has certainly been keeping himself busy and that’s before we even mention his DJ-ing itself which has seen him perform over 3000 times in 78 countries to date , performing at some of the worlds most prestigious festivals like Glastonbury , Fuji Rock. To winning countless awards and having his mix tapes continuously chart no.1 on sites like Mixcloud to describe the man as an internationalist almost seems to sell him short. The journey begins in 1992, the Russian ex-pat bought a sampler and started working on the music that would become his debut - Abstract Hallucinating Gases and Headz Ain't Ready. Later in the year he signed to Ninja Tune which culminated in his debut LP USSR Repertoire.
    [Show full text]
  • U.K.'S Eclectic NO Tune Marks 10 Years with Boxed Set by RASHAUN HALL Own Thing," Explains Koala
    Dance ARTISTS & MUSIC U.K.'s Eclectic NO Tune Marks 10 Years With Boxed Set BY RASHAUN HALL own thing," explains Koala. "It's rare says Koala, referring to labelmates always do well for us. It's great, and hits, and compiling from that," says NEW YORK -Individuality seems for a label to just let you develop as like Tobin, Cinematic Orchestra, DJ encouraging, that such an indepen- More. "We couldn't really do that to be a rare commodity in the music an artist. If you decide to do some- Vadim, and the Herbaliser. "There's dent label can now be celebrating its because we're always interested in industry today. With boy bands and thing completely different from the a consistency in terms of the people 10th anniversary." something new. So we went to the coming -of-age divas being signed left last thing you did, they support it. If doing what they want. People enjoy In preparing the "Xen Cuts" artists and asked them what they and right, it's become ever more dif- that about the label." wanted to do. We gathered all this ficult for experimental artists to find Notes More, "Plus, they are all material and then tried to figure out a label to call home. For this reason, very motivated artists. A lot of peo- what to use. At one point, we just U.K. -based label Ninja Tune remains ple send demos off and expect the said, `Fuck it, let's go for it.'" vital. record companies to fall all over Highlights of the 39 -track collec- Home to a wide variety of art- themselves, but that doesn't happen.
    [Show full text]
  • 10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
    Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9
    [Show full text]
  • Aesop Rock Boom Bip with Sole, Demune, Ancient Mith, Demune Jahbitat & Others & Otem Rellik II Deadmagazine Deadon 1 Deadon
    08/2007/ISSUE III XNDL inklusive Audio88 Kool Keith CD-Compilation Free The Robots .......................... Project Mooncircle Aesop Rock Boom Bip with Sole, Demune, Ancient Mith, Demune Jahbitat & others & Otem Rellik II deadmagazine deadon 1 deadon „Ich war dabei. Ich war sein wohl die lächerlichste Antwort auf diese späte wütend. Ich war macht- Erkenntnis wäre. Ich entschied mich somit voerst für blinde Wut, um dann später erhobenen Hauptes behaup- los und schrecklich ten zu können: „Ich war dabei. Ich war wütend. Ich war deprimiert.“ machtlos und schrecklich deprimiert.“ Was bleibt? Endlose Diskussionen über Internet- Tage, die die Welt verändern, zeichnen Tauschbörsen, die „Daseinsberechtigung“ von Major- sich wohl vor Allem dadurch aus, dass labels und die gefühlte Fairness eines angeblich so viel sie nicht existieren. Sollten ein paar der offeneren Umgangs mit Kunst. Seit Jahren schwelen die derzeit kursierenden Negativ-Prognosen immerselben Argumente vor sich hin. Von Zeit zu Zeit über die Plattenindustrie im Großen wie schafft es eine markante Stimme, ihnen mehr Aufmerk- im Kleinen wahr werden, wird es uns im samkeit zu garantieren – ihre eigentliche Kraft jedoch nachhinein wahrscheinlich wieder ein- scheint verloren gegangen zu sein. Wirklich dämlich mal schwer fallen, einen solchen Anker- sehen dabei nur DRM-Hardliner der Plattenindustrie und tag festzulegen. Mein Teil der Geschichte die ignoranten Pseudo-Idealisten unter den Downloadern begann mit dem Tag, an dem ich sowohl aus und man beginnt sich zu fragen, welche Position meine Musik, als auch die einiger Freun- überhaupt noch haltbar ist und ob man nicht lieber, de und Bekannter auf einer mir fremden anstatt hier zu diskutieren, auf das Konzert einer Band russischen Seite zum kostenpflichtigen gegangen wäre, deren Namen man noch nie vorher Download gefunden habe.
    [Show full text]
  • Schedule A: Aria Licensing - Copyright Owners
    SCHEDULE A: ARIA LICENSING - COPYRIGHT OWNERS BEGGARS GROUP MEDIA LIMITED www.beggars.com BINNABURRA FILM CO PTY LTD Address withheld BLACK MARKET MUSIC www.blackmarketmusic.com.au COLOSSAL RECORDS OF AUSTRALIA PTY LTD Address withheld COMPASS BROS RECORDS PTY LTD www.compassbros.com.au COOKING VINYL AUSTRALIA www.cookingvinylaustralia.com CREATE CONTROL PTY LTD www.create-control.com DEX AUDIO PTY LTD T/A NEW MARKET MUSIC www.newmarketmusic.com EMI MUSIC (AUSTRALIA) PTY LTD www.emimusic.com.au EXIST RECORDINGS www.existrecordings.com HEAD RECORDS* www.headrecords.com HEAVEN MUSIC AUSTRALIA PTY LTD Address withheld INERTIA PTY LTD www.inertia-music.com KOBALT MUSIC PUBLISHING www.kobaltmusic.com LEONIE MACPHERSON Address withheld LIBERATION MUSIC PTY LTD www.liberation.com.au LIOR ATTAR www.lior.com.au MIDNIGHT RECORDS PTY LTD Address withheld MODERN MUSIC PTY LTD www.modernmusic.com.au NLV Records www.nlvrecords.com. ORIGIN RECORDINGS PTY LTD www.originmusic.com.au PRO AGENCY GMBH www.pro-agency.net PUBLIC OPINION * Address withheld RED REBEL MUSIC www.redrebelmusic.com REGENCY MEDIA PTY LTD T/A SHOCK www.shockrecords.com.au ENTERTAINMENT* REMOTE CONTROL RECORDS PTY LTD www.remotecontrolrecords.com.au Updated December 2020 RUBBER MUSIC PTY LTD T/A RUBBER RECORDS www.rubberrecords.com RUFUS RECORDS www.rufusrecords.com.au SAMPLES 'N' SECONDS RECORDS PTY LTD www.gotye.com SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD www.sonymusic.com.au SOUNDPROOF AUSTRALIA PTY LTD Address withheld TRUSTEE FOR THE GEORGI FAMILY TRUST Address withheld TWO SHOES PTY LTD Address withheld UNDERCOVER MUSIC PTY LTD www.undercovermusic.com.au UNIFIED MUSIC GROUP PTY LTD www.unifiedmusicgroup.com UNIVERSAL MUSIC AUSTRALIA LIMITED www.umusic.com.au WARNER MUSIC AUSTRALIA PTY LTD www.warnermusic.com.au XELON www.xelonentertainment.com Updated December 2020 * Labels controlled by this Licensor are excluded from the grant of rights in relation to Music Videos (only sound recording rights are granted).
    [Show full text]
  • Oscillationspart1booklet.Pdf
    Jus Like Music & Apple Juice Break Present: Oscillations is a free two part digital compilation focussing on music by talented artists from hip-hop, electronica, neo-soul, dubstep and generally anywhere in between! Part 1 contains 20 tracks and spans just over an hour and ten min- utes of amazing, mostly exclusive music. In this booklet you will find varying levels of information on each of the artists featured. Some have detailed bios, some have back- stories for their tracks, others barely have links to their websites. This is, I think, a wonderous testament to the different types of people who have been involved with the Oscillations project, musically and otherwise. There’s also, as you will see, an array of fantastic visual art through- out the booklet. It has all kindly been created and supplied by a team of incredible visual artists - so please look out for their credits and check more of their work online. Thanks for supporting, listening and looking! Gav • Collaborative artwork by Warren Handley & Rachael Bartram http://ten-p-bag.blogspot.com/ - http://thisartstead.blogspot.com/ Broken Haze - Block Gav: “A Japanese artist, DJ and record label head based in To- kyo. Broken Haze, aka Keisuke Ito, has a penchent for all electronic music of the beats variety. I was introduced to his work by another producer called XLII, who had released an album on Broken Haze’s Raid System record label. It’s 2010, yet a lot of aspects of Japanese culture still remain some- what of an enigma to the West. Artists like DJ Krush and Kentaro are well known exports, and to a more select audience so was Nujabes (R.I.P.), but it’s not a regular occurrence to learn of talented produc- ers from the J.
    [Show full text]
  • Icons of Hip Hop: an Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2
    Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2 Edited by Mickey Hess Greenwood Press ICONS OF HIP HOP Recent Titles in Greenwood Icons Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares Edited by S.T. Joshi Icons of Business: An Encyclopedia of Mavericks, Movers, and Shakers Kateri Drexler ICONS OF HIP HOP An Encyclopedia of the Movement, Music, And Culture VOLUME 1 Edited by Mickey Hess Greenwood Icons GREENWOOD PRESS Westport, Connecticut . London Library of Congress Cataloging-in-Publication Data Icons of hip hop : an encyclopedia of the movement, music, and culture / edited by Mickey Hess p. cm. – (Greenwood icons) Includes bibliographical references, discographies, and index. ISBN-13: 978-0-313-33902-8 (set: alk. paper) ISBN-13: 978-0-313-33903-5 (vol 1: alk. paper) ISBN-13: 978-0-313-33904-2 (vol 2: alk. paper) 1. Rap musicians—Biography. 2. Turntablists—Biography. 3. Rap (Music)—History and criticism. 4. Hip-hop. I. Hess, Mickey, 1975– ML394. I26 2007 782.421649'03—dc22 2007008194 British Library Cataloguing in Publication Data is available. Copyright Ó 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007008194 ISBN-10: 0-313-33902-3 (set) ISBN-13: 978-0-313-33902-8 (set) 0-313-33903-1 (vol. 1) 978-0-313-33903-5 (vol. 1) 0-313-33904-X (vol. 2) 978-0-313-33904-2 (vol.
    [Show full text]