DOCSLIB.ORG

Mm__L * Liiillenniumprojecu I-Or I-Ou HEAL ALOITI Afld H2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mm__L * Liiillenniumprojecu I-Or I-Ou HEAL ALOITI Afld H2 THAT "ALTERNATIVE OR MARGINAL" MAGAZINE FROM CITR 101.9 FM unuon <WEM jomion o-ucc D MIPE**? FUR-*" _\mm__L_* liiiLLEnnium PROJECU i-or i-ou HEAL ALOITI AflD H2» PACCAGE MIAPCA^E FLOORS aFFUM VlslTDUR CANADA'S LARGEST AND BEST KNOWN RECORD STORE «RbAW^ FLOOR 568 SEYMOUR ST. www.samscd.com EEn________™_3_SS_i- Features HOT HOT HEAT MILLENNIUM PROJECT SNAPCASE ATOM AND HIS PACKAGE CHUCK D SUPER FURRY ANIMALS LINTON KWESI JOHNSON the editing times: barbara andersen the ad times: maren hancock the art times: robert horsman the production times: DAS BOOK tristan winch LOUDER THAN A BOMB the design times: VlDEOPHILTER UNDER REVIEW chad christie, rob horsman, REAL LIVE ACTION mike josephson, ken paul, ON THE DIAL tristan winch CHARTS the photography and DATEBOOK illustrations times: rob brownridge, jason da silva, christine gfroerer, ann goncalves, patrick I DIDN'T WANT ANYTHING IN THIS ISSUE TO MAKE REFERENCE TO hemingway, wonder knack OUR ARBITRARY DATING SYSTEM'S IMMINENT TURNOVER, BUT THE the proofing times: CONTRIBUTORS ARE THE BOSS OF ME SO WHAT CAN I DO. nick bradley, chris dryden, NEVERTHELESS, I LOVE THIS COVER BY LOCAL STAY AS You ARE ann goncalves, hancunt, CREATOR BRAD YUNG. DESIGN BY ROB HORSMAN. jannine lasaleta, dorerta "DiSCORDER" 1999 by the Student Radi lau, rowan lipkovits, rsity of British Columbia. All rights reserved. Ci duncan mchugh, christa i, anthony i, payabl* schrag, erin shaw, $15 fore graeme worthy the contributor times: ke cheques tania a, rob b, chris c, DEADLINES: Copy deadline for the February issue is January julie c, mike c, mike d, 1 2. Ad space is available until January 19 and can be booked by bryce d, robin f, jamaal f, calling Maren at 604.822.3017 ext. 3. Oi christine g, John h, upon request. DiSCORDER is not responsible for loss, damage, hancunt, alia h, john k, any other injury to unsolicited manuscripts, unsolicited ai samuel k, Jamie m, christa iding but not limited to drawings, photographs and m, luke m, gary o, gibby transparencies), or any other unsolicited material. Material can be submitted on disc (Mac, preferably) or in type. As always, English p, anthony s, mar s, erin is preferred. s, tobias w, not x From UBC to Langley and Squamish to Bellingham, CiTR can be the dial times: heard at 101.9 fM as well as through all major cable systems in anna friz the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ the charts times: line at 822.2487, our office at 822.3017 ext. 0, or ou julie colero and sports lines at 822.301 7 ext. 2. Fax us at 822.9364, the datebook times: barbara http://www.ams.ubc.ca/media/citr or just pick up a goddi pen and write #233-6138 SUB Blvd., Vancouver, BC, V6T 1 the distro times: CANADA. matt steffich the us distro times: g-baby resch the publishing times: printed in cascadia aaron nakama Dear Palinkas Airhead Eats #233-6138 SUB BLVD, VANCOUVER, BC, V6T 1Z1 Dear Airhead: In your November would tell Agnostic Front (big, tat­ office gofer if only for the sake MAJOR CHUTNEYS in truth it probably isn't and they '99 issue, you printed a review tooed ex-cons, by the way), of your publication's credibility. 3432 Cambie St. probably don't. Many restau­ and not even any Indians eating by Gibby Peach of Agnostic Rancid, and Epitaph to fuck off And Gibby — get a life, Have you ever been riding the rants that we consider "ethnic" there. Apart from the wonderful Front's Riot, Riot Upstart. Who is in person? Probably not And schmuck! Punk will outlive your bus, totally lost in thought, star­ (assuming that hamburgers are smell of the kitchen, Major this clown? And why do you give he/she says that "punk is dead" ing blindly at the neck of the devoid of an ethnic component), Chutneys could be any other him/her space to write in your and "hardcore is on its way out " person sitting ahead of you? I serve the "traditional" food from "non-ethnic" restaurant in the publication? Mr/Ms. Peach Again, who the fuck are you? Yours truly, found that I was in such a situa­ countries that are generally begins by labelling Agnostic city. The rice even had a sprig Those pronouncements might be Jim Fraser tion when considering what I among the poorest in the world. Front as "posers" and then sug­ of parsley on it. As vague as this would be writing for this month's That aside, what is "real" ethnic gests they are "characteristic of sounds, I thought it had a real one like Iggy Pop or Joe Keithley, Gibby Peach responds I review. Usually these bus food anyway? As I am sure any the [Epitaph] disease that has "West Coast" feel to it (whatever but from DiSCORDER bozo want to thank you (from the thoughts follow a forking path, student of the social sciences ravaged the punk/hardcore com­ the hell that is). I ordered a Gibby Peach? Give me a break. deepest recesses of my soul, I leading to a conclusion that has would tell you, the idea of an munity for too long " Nevermind chicken curry. You can tell that The likely truth is that Agnostic assure you) for the pick-me-up. I little relevance. At best, these authentic experience with the that Agnostic Front predates the they use quality ingredients Front were playing solid hard­ thought, upon first glance, that thoughts end up sounding half- "other" is one that has been seri­ Epitaph label, and has been because the entire meal was core when little Gibby was poo- you might be serious. It wasn't baked, and when I share them ously called into question. If we paving the way for NYC hard­ quite simply awesome The ing his/her pants and listening to until the part about Joe "king of with others the looks I get are are willing to admit that cultures core bands like Sick Of It All and chicken itself was sliced breast Sharon, Lois, ond Bram. the acoustic guitar" Keithley akin to the ones I reserve for late change and contain many dif­ Gorilla Biscuits since 1982, meat that my mom couldn't cook Admittedly, like any other band, (proud Ford Windstar owner) night drunken philosophers or ferences, then it is therefore we're supposed to give a shit if any better. The curry was spicy, Agnostic Front puts out a and Iggy "King of" Pop (great my parents (which sometimes impossible to speak of an they spell "mothafucka" with an but not to the point where the mediocre album from time to new album; MJ ain't got nothing are one and the same). All I ask authentic Thai, Indian, or O or with a U. I'm sure Mr /Ms flavour suffered. As far as the time But stating that they are an on the Iggster) that I knew you is for your patience while I try to Mexican. To expect some kind Peach is an authority on spelling rice went, it made me jealous embarassment to hardcore is like were just joshin' me Meaningful make a point, which hopefully I of generic or authentic Thai, "mothafucka" because he/she that I never have and never will stating that John Coltrane is a pronouncements about the punk will do. Indian or Mexican would grew up in the mean streets of be able to make rice like that. A jazz pretender. Now, I under­ rawk scene coming from them- amount to nothing more than the ghetto. Chances are pretty I have always known that stand that a CD review repre­ would be like the Rolling Stones racism. Why then do we expect great meal. On the down side good that Mr/Ms. Peach is a the act of eating out at a restau­ sents an opinion. But when the commenting on the state of rock an authentic Thai dinner? though, I really wanted a glass privileged, white, piece of shit rant is one that is based on cer­ review goes too far as to insult n' roll Your letter had me gig­ Thinking a Thai dinner to be of wine, but Major Chutneys is college kid who hides behind a tain values and privilege created individuals and a whole label gling like a pubescent cheer­ authentic is like going to one of not licensed. The bill for dinner flowery pen name and big words in a class society. Growing up in and then decrees from on high leader. Keep up the good work! those tourist's Luaus in Hawaii, for two was just over $25, not in order to compensate for low a family with relatively little dis­ that two entire music genres are thinking "this is what it is like to too bad. I can't believe that I self-esteem and a lack of social as dead as Elvis, well, that's a lit­ posable income, I know that used to live four blocks away See you at Warped Tour Y2K, be Hawaiian." standing. How else do you tle much. So, DiSCORDER starr, being able to eat out is based and have never been to Major Gibby Peach (privileged, explain his pretentious ranting? do yourselves a favour and rele­ on the ability to pay. This seems Thanks to early colonialists Chutneys before. Do you think that Mr /Ms. Peach gate Gibby Peach to the status of white, ex-college kid) obvious. Also, the decadent act bringing back the stories and I think that Major Chutneys of paying someone else to pre­ spices of far off lands, we have serves quality Indian-style dishes pare your food is a sign of your developed cultured palates.
Load more

Recommended publications
  • Linton Kwesi Johnson: Poetry Down a Reggae Wire
    LINTON KWESI JOHNSON: POETRY DOWN A REGGAE WIRE by Robert J. Stewart for "Poetry, Motion, and Praxis: Caribbean Writers" panel XVllth Annual Conference CARIBBEAN STUDIES ASSOCIATION St. George's, Grenada 26-29 May, 1992 LINTON KWESI JOHNSON: POETRY DOWN fl RE66flE WIRE Linton Kwesi Johnson had been writing seriously for about four years when his first published poem appeared in 1973. There had been nothing particularly propitious in his experience up to then to indicate that within a relatively short period of time he would become an internationally recognized writer and performer. Now, at thirty-nine years of age, he has published four books of poetry, has recorded seven collections of his poems set to music, and has appeared in public readings and performances of his work in at least twenty-one countries outside of England. He has also pursued a parallel career as a political activist and journalist. Johnson was born in Chapelton in the parish of Clarendon on the island of Jamaica in August 1952. His parents had moved down from the mountains to try for a financially better life in the town. They moved to Kingston when Johnson was about seven years old, leaving him with his grandmother at Sandy River, at the foot of the Bull Head Mountains. He was moved from Chapelton All-Age School to Staceyville All-Age, near Sandy River. His mother soon left Kingston for England, and in 1963, at the age of eleven, Linton emigrated to join her on Acre Lane in Brixton, South London.1 The images of black and white Britain immediately impressed young Johnson.
    [Show full text]
  • DOXA Festival 2004
    2 table of contents General Festival Information - Tickets, Venues 3 The Documentary Media Society 5 Acknowledgements 6 Partnership Opportunities 7 Greetings 9 Welcome from DOXA 11 Opening Night - The Take 13 Gals of the Great White North: Movies by Canadian Women 14 Inheritance: A Fisherman’s Story 15 Mumbai, India. January, 2004. The World Social Forum. by Arlene Ami 16 Activist Documentaries 18 Personal Politics by Ann Marie Fleming 19 Sherman’s March 20 NFB Master Class with Alanis Obomsawin 21 Festival Schedule 23 Fragments of a Journey in Palestine-Israel 24 Born Into Brothels 25 The Cucumber Incident 26 No Place Called Home 27 Word Wars 29 Trouble in the Image by Alex MacKenzie 30 The Exhibitionists 31 Haack: The King of Techno + Sid Vision 33 A Night Out with the Guys (Reeking of Humanity) 34 Illustrating the Point: The Use of Animation in Documentary 36 Closing Night - Screaming Men 39 Sources 43 3 4 general festival information Tickets Venues Opening Night Fundraising Gala: The Vogue Theatre (VT) 918 Granville Street $20 regular / $10 low income (plus $1.50 venue fee) Pacific Cinémathèque (PC) 1131 Howe Street low income tickets ONLY available at DOXA office (M-F, 10-5pm) All programs take place at Pacific Cinémathèque except Tuesday May Matinee (before 6 pm) screenings: $7 25 - The Take, which is at the Vogue Theatre. Evening (after 6 pm) screenings: $9 Closing Night: $15 screening & reception The Vogue Theatre and Pacific Cinémathèque are Festival Pass: $69 includes closing gala screening & wheelchair accessible. reception (pass excludes Opening Gala) Master Class: Free admission Festival Information www.doxafestival.ca Festival passes are available at Ticketmaster only (pass 604.646.3200 excludes opening night).
    [Show full text]
  • CD LIST Title Save 7/9/2015 9:22:00 PM Print 7/9/2015 9:22:00 PM OPEN This on Your Computer
    CD LIST Title SAve 7/9/2015 9:22:00 PM Print 7/9/2015 9:22:00 PM OPEN this on your computer. Place your cursor in the “X” Colum. Use the down arrow to move down the cell and place an “X” infront of the song you want played. Forward the file by attachment to [email protected] X TITLE ARTIST DISK TRACK Year BPM # 1 Nelly Oct01 16 #1 Nelly Top 40 #30 (Everything I Do) I Do It For You Bryan Adams MB02 17 91 066 (I Can’t Get No) Satisfaction Rolling Stones MB08 16 65 135 (I Wanna Take) Forever Tonight Cetera, Peter MB14 15 95 106 (I’ve Had) The Time Of My Life Bill Medley & Jennifer Warnes MB11 01 87 109 (There’s Gotta Be) More To Life Staci Orrico July03 07 (This Is) Song for The Lonely Cher Jan02 6 (We’re Gonna) Rock Around The Clock Bill Haley and His Comets MB07 21 55 ’03 Bonnie & Clyde Jay-ZBeyonce Nov02 21 …On The Radio (Remember The Days) Nelly Furtado Feb02 8 1 Thing Amerie f./Eve May05 15 100 1,2 Step Ciara Feat. Missy Elliott Nov04 6 1,2,3,4, (Sumpin’ New) Coolio MB16 05 96 114 10 Out Of 10 Louchie Lou & Michie One Jan01 15 100 Years Five For Fighting Jan04 18 100% Pure Love (Radio Mix) Crystal Waters MB02 10 94 120 19-2000 Gorillaz Dec01 11 1979 Smashing Pumpkins MB18 05 1985 Bowling For Soup July04 16 21 Questions 50 Cent Rap # 6 21 Questions 50 Cent Rap 6 04 24 Jem MAR05 13 40 Kinds Of Sadness Ryan Cabrera Apr05 10 93 7 Days Craig David Nov01 5 8:15 To Nowhere Vicious Pink Retro Progressive 8th World Wonder Kimberley Lacke Jan04 12 99 Problems Jay-Z June04 7 Page 1 of 87 2 X TITLE ARTIST DISK TRACK Year BPM A Broken Living McBride, Martina A Dream El Debarge R & B #5 A Fine Romance Sax Melodies A Lifetime Better Than Ezra MAR05 7 A Little Bit Jessica Simpson Sept01 2 A Little Less Conversation Elvis Vs.
    [Show full text]
  • John Zorn Artax David Cross Gourds + More J Discorder
    John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request.
    [Show full text]
  • The BG News April 15, 1999
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-15-1999 The BG News April 15, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 15, 1999" (1999). BG News (Student Newspaper). 6484. https://scholarworks.bgsu.edu/bg-news/6484 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ■" * he BG News Women rally to 'take back the night' sexual assault. istration vivors, they will be able to relate her family. By WENDY SUTO Celesta Haras/ti, a resident of buildings, rain to parts of her story, Kissinger "The more I tell my story, the The BG News BG and a W4W member, said the or shine. The said. less shame and guilt I feel," Kissinger said. "For my situa- Women (and some men) will rally is about issues that are con- keynote "When I decided to disclose tion, I'm glad I didn't tell my take to the streets tonight, pro- sidered taboo by society, such as speaker, my sexual abuse to my family, I parents right away because I claiming a public statement in an rape and incest. She has attended Kendel came out of the closet complete- think it would have been a worse attempt to "Take Back the Night" several TBTN marches at the Kissinger, a ly," Kissinger said.
    [Show full text]
  • The Performance of Accents in the Work of Linton Kwesi Johnson and Lemn Sissay
    Thamyris/Intersecting No. 14 (2007) 51-68 “Here to Stay”: The Performance of Accents in the Work of Linton Kwesi Johnson and Lemn Sissay Cornelia Gräbner Introduction In his study Accented Cinema, Hamid Naficy uses the term “accent” to designate a new cinematic genre. This genre, which includes diasporic, ethnic and exilic films, is char- acterized by a specific “accented” style. In his analysis of “accented style,” Naficy broad- ens the term “accent” to refer not only to speech but also to “the film’s deep structure: its narrative visual style, characters, subject matter, theme, and plot” (Naficy 23). Thus, the term “accent” describes an audible characteristic of speech but can also be applied to describe many characteristics of artistic products that originate in a par- ticular community. “Accented films” reflect the dislocation of their authors through migration or exile. According to Naficy, the filmmakers operate “in the interstices of cultures and film practices” (4). Thus, Naficy argues, “accented films are interstitial because they are created astride and in the interstices of social formations and cinematic practices” (4). Naficy’s use of the term interstice refers back to Homi Bhabha, who argues that cultural change originates in the interstices between different cultures. Interstices are the result of “the overlap and displacement of domains of difference” (Bhabha 2). In the interstice, “social differences are not simply given to experience through an already authenticated cultural tradition” (3). Thus, the development of alternative styles and models of cultures, and the questioning of the cultures that dominate the space outside the interstice is encouraged.
    [Show full text]
  • Roosevelt Public Library Proudly Celebrates
    Roosevelt Public Library 27 W. Fulton Avenue, Roosevelt, NY 11575 (516) 378-0222 www.rooseveltlibrary.org “We’re More Than Just Books” Roosevelt Public Library proudly celebrates... APRIL 12-18, 2015 National Library Week (Unlimited Possibilities @ Your Li- and redesign collections, systems, and services to help improve brary) is celebrated April 12-18, 2015. In 1957, the National Book and maximize their reading experiences. We need to be vocal, Committee developed a plan for National Library Week based flexible and patient as the longstanding relationship between on the idea that once people were motivated to read, they would readers and the libraries that serve them continues to evolve. support and use libraries. With the cooperation of the American Library Association and help from the Advertising Council, the - Submitted by Carol Gilliam - Black Heritage Librarian first National Library Week was observed in 1958 with the theme “Wake Up and Read”. * * * * * * “Reading is crucial to getting and holding a job, to teach- The following celebrations during National Library Week are ing our children, to staying informed on issues that affect our National Library Workers Day, Tuesday of National Library Week lives deeply, both as individuals and as citizens in a democracy. (April 14, 2015), a day for library staff, users, administrators and From reading a street sign to applying for a home mortgage, Friends groups to recognize the valuable contributions made by from gaining entrance to the world of literature to understanding all library workers; the instructions on a bottle of medicine, reading is a vital part of National Bookmobile Day, Wednesday of National Library our daily activities and the path to share in the American Dream”.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • Research Horizons
    Research Horizons Pioneering research from the University of Cambridge Issue 36 Spotlight Work Feature Mapping the galaxy Feature Obesity: the complex truth www.cam.ac.uk/research Issue 36, June 2018 2 Contents Contents News Things 4 – 5 Research news 18 – 19 “Natural history museums can save the world” Features Spotlight: Work 6 – 7 Field notes: crowdfunded to Crusoe 20 – 21 Solving the UK’s productivity puzzle 8 – 9 Turing’s wager and the mathematical mind 22 – 23 The fifty percenters 10 – 11 Muslims leaving prison talk about the layers of their lives 24 – 25 The boss of me 12 – 13 A weighty problem 26 – 27 Legislating labour in the long run 14 – 15 Galaxy quest 28 – 29 For better, for worse: how emotions shape our work life 16 – 17 The ‘brain’ that’s helping reduce carbon emissions 30 – 31 The stresses and strains of work and unemployment 3 Research Horizons Welcome 32 – 33 How do education and economic growth add up? Work shapes people’s identity and the nation’s prosperity. ‘Good’ work gives citizens security, self-worth and respect, a 34 – 35 Making the numbers count route to social mobility and, for some, the chance to turn ideas into innovations. For a country, this contributes to a healthier 36 – 37 Humans need not apply population, increasing productivity, better living standards and the development of skills that drive economic growth. Good work sounds a simple enough concept to strive towards, but the world of work is continually being buffeted by political, societal This Cambridge Life and economic forces. New technologies, demographics, free markets, gender pay gaps, zero-hours contracts, ‘gig economies’: all of these are shaping and reshaping how we work, while the labour market 38 – 39 The ‘King of Scuttle Flies’ who continues to discover continues to feel the impact of the global financial crisis and faces new species the uncertainties of Brexit.
    [Show full text]
  • Complete Band and Panel Listings Inside!
    THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple.
    [Show full text]
  • Pinning the Daffodil and Singing Proudly: an American's Search for Modern Meaning in Ancestral Ties Elizabeth C
    Student Publications Student Scholarship 3-2013 Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties Elizabeth C. Williams Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Nonfiction Commons Share feedback about the accessibility of this item. Williams, Elizabeth C., "Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties" (2013). Student Publications. 61. https://cupola.gettysburg.edu/student_scholarship/61 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 61 This open access creative writing is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties Abstract This paper is a collection of my personal experiences with the Welsh culture, both as a celebration of heritage in America and as a way of life in Wales. Using my family’s ancestral link to Wales as a narrative base, I trace the connections between Wales and America over the past century and look closely at how those ties have changed over time. The piece focuses on five location-based experiences—two in America and three in Wales—that each changed the way I interpret Welsh culture as a fifth-generation Welsh-American.
    [Show full text]
  • Kunstmuseum Basel, Museum Für Gegenwartskunst Dundee Contemporary Arts
    Kunstmuseum Basel, Museum für Gegenwartskunst Dundee Contemporary Arts LOOK BEHIND US, A BLUE SKY Johanna Billing Support for the exhibition in Basel and its accompanying publication has been provided by the “Fonds für künstlerische Aktivitäten im Museum für Gegenwartskunst der Emanuel Hoffmann-Stiftung und der Christoph Merian Stiftung” Die Ausstellung in Basel und die Publikation wurden unterstützt vom »Fonds für künstlerische Aktivitäten im Museum für Gegenwartskunst der Emanuel Hoffmann-Stiftung und der Christoph Merian Stiftung« Expanded Footnotes CONTENTS INHALTSVERZEICHNIS Projects for Revolution Radio Days; Tour Diary Perfect Pop Pleasures Lightning Never Strikes Here 9 Rob Tufnell Johanna Billing, Helena Jacob Wren Anymore… 92 Holmberg, Annie 178 Karl Holmqvist Fletcher, Tanja Elstgeest, Waiting for Billing and Frédérique Bergholtz Pass the Glue Making †ings Happen 12 Making †ings Happen Maria Lind 126 Volker Zander Polly Staple Polly Staple 103 180 You Make Me Digress More Films about Songs, 40 More Films about Songs, Some Notes on Billing, Åbäke †e Lights Go out, Cities & Circles Cities & Circles Stein, and Repetition 150 the Moon Wanes A Conversation between Ein Gespräch zwischen Malin Ståhl Anne Tallentire Johanna Billing & Helena Selder Johanna Billing & Helena Selder 108 More Texts about Songs 185 & Buildings Forever Changes 70 Forever Changes Getting †ere Magnus Haglund A Possible Trilogy A Conversation between Ein Gespräch zwischen Chen Tamir 155 Jelena Vesie Johanna Billing & Philipp Kaiser Johanna Billing & Philipp
    [Show full text]