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THE FREE WESSEX ARTS and CULTURE GUIDE EVOLVER May and June 2019 EVOLVER 111:Layout 1 23/04/2019 18:50 Page 2
EVOLVER_111:Layout 1 23/04/2019 18:49 Page 1 THE FREE WESSEX ARTS AND CULTURE GUIDE EVOLVER May and June 2019 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 2 2 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 3 EVOLVER 111 EXHIBIT A ZARA MCQUEEN: ‘AS THE CROW FLIES’ Mixed media (120 x 150 cm) ARTIST’S STATEMENT: “Drawing and painting is part of who I am. It is how I respond to my world. I am driven by mood and intuition. I always begin outside. In that sense I am a landscape painter. Seasonal changes catch my attention and I can rarely resist the changing colours and textures of the natural year. I sketch and paint in watercolour, charcoal or oil then return to the studio where I make larger mixed media pieces guided by memory and feeling. Work gets cut down, torn up, collaged and reformed. Fragments of self portraits often lay hidden in fields, branches or buildings.” ‘DRAWN IN’ 11 May - 15 June: Bridport Arts Centre, South Street, BRIDPORT, DT6 3NR. Tuesday - Saturday 10am - 4pm. 01308 424204 / bridport-arts.com. zara-mcqueen.co.uk EVOLVER Email [email protected] THE WESSEX ARTS AND CULTURE GUIDE Telephone 01935 808441 Editor SIMON BARBER Website evolver.org.uk Assisted by SUZY RUSHBROOK Instagram evolvermagazine Evolver Writer Twitter @SimonEvolver FIONA ROBINSON www.fionarobinson.com Facebook facebook.com/EvolverMagazine Graphic Design SIMON BARBER Published by EVOLVER MEDIA LIMITED Website OLIVER CONINGHAM at AZTEC MEDIA Pre-Press by FLAYDEMOUSE Front Cover 01935 479453 / flaydemouse.com JEREMY GARDINER: ‘WEST BAY IV’ Printed by STEPHENS & GEORGE (Painting) Distributed by ACOUSTIC See page 4. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Newsletter 271, November 1979
THE INTERNATIONAL CONCERTINA ASSOCIATION No. 271 N E W S L E T T E R Nov. 1979 President: Rev. Kenneth Loveless, V.R.D., F.S.A., F.S.A. Scot., R.N.R. Secretary: J. Harvey, 44 St. Barnabas Street, London S.W.1. Treasurer: F.J. Hutcherson, 45 Valentine Avenue, Bexley, Kent. Notices The next meeting is our Christmass Social, which is on Saturday 8th December, at Montem School Annexe, Hornsey Road, Holloway, London N.7. from 2.00pm to 6.00pm. Nearest Tube stations are Holloway Road, and Finsbury Park. Note the earlier time than usual. The Annual General Meeting will be held on Saturday January 26th at the Conway Hall, Red Lion Square, Holborn, London. Further details in the next Newsletter. We still have no nominations for next year's committee. If you have any suggestions, write to Jim Harvey, address above. We also need an Auditor. If you think you can do the job, or know someone capable of doing it, please write to John Hutcherson, address above. Christmass Message from the President This year the concertina has been celebrating its 150th anniversary. It is one of only two instruments that we have so far managed to invent, the other being the Northumbrian smallpipes, on which so many young people are beginning to be wonderfully proficient. Our instrument was patented in 1829, and had its heyday in the early years of the 20th century, when it could be described as a 'parlour instrument'. These were the times when families made their own music in their own houses and often invited the neighbours in for what was called a 'musical evening'. -
YLO89 Magazine
•YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional -
Hydrogeological Field Guide to the Wessex Basin
Hydrogeological Field Guide to the Wessex Basin Technical Report IR/00/77 R Tyler-Whittle, P Shand, K J Griffiths and W M Edmunds This page is blank BRITISH GEOLOGICAL SURVEY Natural Environment Research Council TECHNICAL REPORT IR/00/77 Hydrogeology Series Technical Report IR/00/77 Hydrogeological Field Guide to the Wessex Basin R Tyler-Whittle, P Shand, K J Griffiths and W M Edmunds This report was prepared for an EU BASELINE fieldtrip. Bibliographic Reference Tyler-Whittle R, Shand P, Griffiths K J and Edmunds W M, 2000 Hydrogeological Field Guide to the Wessex Basin British Geological Survey Report IR/00/77 NERC copyright 2000 British Geological Survey Keyworth, Nottinghamshire BRITISH GEOLOGICAL SURVEY BRITISH GEOLOGICAL SURVEY KEYWORTH NOTTINGHAM NG12 5GG UNITED KINGDOM TEL (0115) 9363100 FAX (0115) 9363200 DOCUMENT TITLE AND AUTHOR LIST Hydrogeological Field Guide to the Wessex Basin R Tyler-Whittle, P Shand, K J Griffiths and W M Edmunds CLIENT CLIENT REPORT # BGS REPORT# IR/00/77 CLIENT CONTRACT REF BGS PROJECT CODE CLASSIFICATION Restricted SIGNATURE DATE SIGNATURE DATE PREPARED BY CO-AUTHOR (Lead Author) CO-AUTHOR CO-AUTHOR PEER REVIEWED BY CO-AUTHOR CHECKED BY CO-AUTHOR (Project Manager or deputy) CO-AUTHOR APPROVED BY CO-AUTHOR (Project Director or senior staff) CO-AUTHOR APPROVED BY OS Copyright (Hydrogeology acknowledged Group Manager) Assistant Director Layout checked by clearance (if reqd) BRITISH GEOLOGICAL SURVEY The full range of Survey publications is available from Keyworth, Nottingham NG12 5GG the BGS Sales Desk at the Survey headquarters, ☎ 0115-936 3100 Telex 378173 BGSKEY G Keyworth, Nottingham. The more popular maps and Fax 0115-936 3200 books may be purchased from BGS-approved stockists Murchison House, West Mains Road, Edinburgh, EH9 3LA and agents and over the counter at the Bookshop, Gallery ☎ 37, Natural History Museum, Cromwell Road, (Earth 0131-667 1000 Telex 727343 SEISED G Fax 0131-668 2683 Galleries), London. -
Representations of Rural England in Contemporary Folk Song
Representations of Rural England in Contemporary Folk Song Heather Skinner Institute of Place Management, UK [email protected] Purpose: This paper explores aural representations of the countryside and English rurality through the contemporary cultural product of folk song. Methodology: A textual analysis was undertaken of the sleeve notes and lyrics of Steve Knightley, songwriter and founder member of the folk/roots band Show of Hands. Findings: The concept of the rural idyll is thoroughly debunked in the majority of these lyrics. Many songs make specific reference to place, and these, in the main, focus on the historical and contemporary hardships of living in rural England, in many cases also making explicit reference to the historical or contemporary social issues deemed by the lyricist to be at the root of the problems faced by people living in English rural communities. Research limitations: This article analyses data obtained in lyrics of only one songwriter within only one music genre, but the artist is one of the most respected within the contemporary folk genre, and Show of Hands have won a number of prestigious nationally recognised folk awards. Originality/value: The extant literature contains little concerning aural representations of place identities through song. The contribution this paper makes is therefore in presenting a conceptual framework that shows how folk song, as a contemporary cultural product contributes to the construction and communication of rural place identities. Keywords: Country life; Show -
Swanage and Portland: Historical
1 Swanage and Portland: Historical IN THE BEGINNING On the 6th of January 1786 two men scaled the cliff near Seacombe. Unlike climbers today this pair were not driven by challenge but by necessity. They were crew of the Dutch East Indiaman Halsewell, which had been blown onto the rocks by a violent gale. They raised help and, although the captain’s daughters perished, being too terrified to leave their cabin, another eighty of the ship’s complement of 240 were saved from the sea. One of their number was coloured and therefore a rare sight for the insular locals. Unfortunately, he was not to survive the short journey to shelter up at Worth Matravers; the stile where he died is still known as Black Man’s Gate. Interest in the considerable extent of limestone along the Dorset coastline near Swanage can be traced back to the obscure origins of the cliffstone trade in medieval times. Serious quarrying activity dates from about 1700 and continued up to the mid-nineteenth century. It was during this period that the platforms at Tilly Whim, Dancing Ledge, Winspit, etc. were cut, a legacy later to be enjoyed by the climbing fraternity and in those days put to extensive use by the smugglers whose affairs were rife all along the Dorset coast. Quarrying of the cliffs themselves finally ceased with the closing of Seacombe in the 1920s and of Winspit in the 1950s. For the first documented ascent of any part of the Swanage cliffs other than for commercial gain, we have to go back to the latter part of the nineteenth century, the time of the Empire and the great Victorian pioneers, when famous alpinists such as Mummery, Tyndall, Whymper, and the notorious Aleister Crowley were practising their alpine climbing on the chalk precipices of Beachy Head and at St Margaret’s Bay. -
Youth Folk Opportunities Around England 2020
Youth Folk Opportunities around England 2020 Directory collated and produced by the English Folk Dance and Song Society. This directory is produced as part of the English Folk Dance and Song Society’s National Youth Folk Ensemble programme, which aims to promote, develop and link youth folk music activities across England. There are lots of ways to get involved in folk music through a wide range of organisations in England. Here we share a selection of regional and national opportunities for young people who play or are interested in exploring folk and traditional music. These include folk bands, summer schools, competitions, courses, bursaries, and creative learning projects. If you would like to add to this directory in the future, or if you’re interested in finding out more about youth folk music, please contact [email protected] You can download a PDF of this directory from efdss.org/youth-folk-opportunities National pages 3–5 London pages 5–6 North East page 6–7 North West page 7 South East page 8 South West pages 8–9 West Midlands page 9 Yorkshire and the Humber pages 9–10 These listings were compiled before the Coronavirus pandemic. Since then, many events have been postponed or cancelled. Please contact the organisations directly to find out more The English Folk Dance and Song Society has compiled these listings in good faith. However it cannot guarantee the accuracy of any information listed here, or the quality and safety of the activities. Please contact individual organisations for information about their programmes and safeguarding policies. EFDSS is the national folk arts development organisation for England. -
This Is a Self-Archived Version of an Original Article. This Version May Differ from the Original in Pagination and Typographic Details
This is a self-archived version of an original article. This version may differ from the original in pagination and typographic details. Author(s): Karjalainen, Noora Title: Imagined, remembered, gendered : Narratives of cosy other in the media representations of female folk singers Year: 2018 Version: Published version Copyright: © Kirjoittaja & SES 2019. Rights: In Copyright Rights url: http://rightsstatements.org/page/InC/1.0/?language=en Please cite the original version: Karjalainen, N. (2018). Imagined, remembered, gendered : Narratives of cosy other in the media representations of female folk singers. Etnomusikologian vuosikirja, 30, 66-91. https://doi.org/10.23985/evk.69076 Noora Karjalainen IMAGINED, REMEMBERED, GENDERED: Narratives of cosy other in the media representations of female folk singers This article examines the ways in which contemporary folk singers Julie Fowlis (Scotland), Muireann Nic Amhlaoibh (Ireland), Emily Portman and Kate Rusby (England) are constructed in the media as what I call the ‘cosy other’. Discussed here in relation to these Western European artists, I argue that my concept of cosy otherness derives from the internal other that is both European and foreign (Bohlman 2000: 189–193; Gelbart 2007: 64; McKerrell 2016: 126; O’Flynn 2014: 238). Unlike the conventional definition of a post-colonial other and the concept of an internal other, the cosy other is not ominous, competing, or negative. Rather, it appears charming and unthreateningly different with singular cultural traits such as a performance language other than English, a discernible regional dialect, or a pronounced regionalism. The cultural baggage accumulated over time – for example the troubled history of both Ireland and Scotland with England – is wrapped up in cosiness, niceness and nostalgia. -
The C-SCOPE Marine Plan (Draft)
The C-SCOPE Marine Plan (Draft) C-SCOPE Marine Spatial Plan Page 1 Contents List of Figures & Tables 3 Chapter 5: The Draft C-SCOPE Marine Plan Acknowledgements 4 5.1 Vision 67 Foreword 5 5.2 Objectives 67 The Consultation Process 6 5.3 Policy framework 68 Chapter 1: Introduction 8 • Objective 1: Healthy Marine Environment (HME) 68 Chapter 2: The international and national context for • Objective 2: Thriving Coastal Communities marine planning (TCC) 81 2.1 What is marine planning? 9 • Objective 3: Successful and Sustainable 2.2 The international policy context 9 Marine Economy (SME) 86 2.3 The national policy context 9 • Objective 4: Responsible, Equitable and 2.4 Marine planning in England 10 Safe Access (REA) 107 • Objective 5: Coastal and Climate Change Chapter 3: Development of the C-SCOPE Marine Plan Adaptation and Mitigation (CAM) 121 3.1 Purpose and status of the Marine Plan 11 • Objective 6: Strategic Significance of the 3.2 Starting points for the C-SCOPE Marine Plan 11 Marine Environment (SS) 128 3.3 Process for producing the C-SCOPE • Objective 7: Valuing, Enjoying and Marine Plan 16 Understanding (VEU) 133 • Objective 8: Using Sound Science and Chapter 4: Overview of the C-SCOPE Marine Plan Area Data (SD) 144 4.1 Site description 23 4.2 Geology 25 Chapter 6: Indicators, monitoring 4.3 Oceanography 27 and review 147 4.4 Hydrology and drainage 30 4.5 Coastal and marine ecology 32 Glossary 148 4.6 Landscape and sea scape 35 List of Appendices 151 4.7 Cultural heritage 39 Abbreviations & Acronyms 152 4.8 Current activities 45 C-SCOPE -
Durham E-Theses
Durham E-Theses English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene ROBINSON, ALICE,MERIEL How to cite: ROBINSON, ALICE,MERIEL (2021) English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13924/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 English Folk under the Red Flag: The Impact of Alan Bush’s ‘Workers’ Music’ on 20 th Century Britain’s Left-Wing Music Scene Alice Robinson Abstract Workers’ music: songs to fight injustice, inequality and establish the rights of the working classes. This was a new, radical genre of music which communist composer, Alan Bush, envisioned in 1930s Britain. -
The Ammonite Faunas of the Osmington Oolite Formation (Jurassic, Middle Oxfordian) of the Dorset Coast
G Model PGEOLA-140; No. of Pages 8 Proceedings of the Geologists’ Association xxx (2011) xxx–xxx Contents lists available at ScienceDirect Proceedings of the Geologists’ Association journal homepage: www.elsevier.com/locate/pgeola The ammonite faunas of the Osmington Oolite Formation (Jurassic, Middle Oxfordian) of the Dorset coast John K. Wright * Department of Earth Sciences, Royal Holloway, Egham Hill, Egham, Surrey TW20 0EX, United Kingdom ARTICLE INFO ABSTRACT Article history: A detailed study of the lithologies of each of the beds present in the Osmington Oolite Formation of south Received 30 June 2010 Dorset is used to allocate numerous loose-collected ammonites to their correct stratigraphic horizons. Received in revised form 16 February 2011 Much new material has been collected by the author in addition to the limited amount of material Accepted 17 February 2011 available in museum collections. The age of the faunas of the three constituent members of the Available online xxx Osmington Oolite Formation is each assessed and placed into the context of Middle Oxfordian ammonite sequences elsewhere in England and in Europe. Keywords: ß 2011 The Geologists’ Association. Published by Elsevier Ltd. All rights reserved. Stratigraphy Oxfordian stage Dorset Osmington Oolite Formation Oxfordian ammonites 1. Introduction seems incongruous. However, some of the facies present, i.e., cross- bedded oolites, are generally unsuitable for ammonite preserva- The Osmington Oolite Formation, one of the principal members tion. Other more suitable facies,