Implications for Therapy Do Scientists Understand the Public? Black Humor
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Vision BLACK ARTS + WELLNESS JOURNAL
$FREE .99 tHe VIsiON BLACK ARTS + WELLNESS JOURNAL THE GOLDEN ISSUE T h E G O l D e n I S s u E “She diDn'T reAD boOKs so sHe diDn'T kNow tHat sHe waS tHe woRlD anD tHe heAVenS boILed doWn to a dRop.” - Zora Neale Hurston, Their Eyes Were Watching God T h E G O l D e n I S s u E leTtER fRom The EdiTOr To be Black is to be divine. To be Black is to be exceptional simply by existing. To breathe while Black is to thrive. To move, and wake up, and allow ourselves the glorious, Godly space to be Black, without fear of retribution or limiting the infinite space we are blessedly entitled to -- is a revolution. There is nothing I love more than seeing us flourish, seeing us beam and shine and glow like the beloved moonlight on water. Yes, we too can be soft. We too create. In fact, the wombs, heartbreak, song, seeds sown by our foremothers birthed this entire nation. While their mouths suckled from our breasts, their whips cracked our back. While we used braiding to design escape routes, they call it KKK boxer braids. They hold vigils for Charleston, and metanoias against White Supremacy, only to have a White woman tell us to praise the police who pushed, shoved, lied, belittled and protected a eugenicist. A Latinx man was expelled for his artistic expression of his resistance to a Klan-run administration that served as an affirmation for those of us who aren't of the caucaus mountains. -
Higher Ed in Transition
THE MAGAZINE OF THE MASTER BUILDERS’ ASSOCIATION OF WESTERN PENNSYLVANIA JULY/AUGUST 2016 Higher Ed in Transition Mid-Year Results The Trend in Student Housing CMU’s New Scott Hall What to Expect from the Cracker STONE VENEER CLAY BRICK HARDSCAPE MASONRY Carnegie Mellon University Sherman and Joyce Bowie Scott Hall Congratulations to CMU on their new Sherman and Joyce Bowie Scott Hall. A 100,000 SF building, home for Nano Fabrication, Wilton E. Scott Institute for Energy Innovation and a new campus location for the Biomedical Engineering Department. Jendoco is a proud partner of CMU Carnegie Mellon University Industry Intelligence. Focused Legal Perspective. HIGH-YIELDING RESULTS. Meet our construction attorneys at babstcalland.com. Whether it’s negotiating a construction contract, litigating a mechanics’ lien or bond claim, resolving bid protests or dealing with delay, inefficiency, or acceleration claims, we help solve legal problems in ways that impact your business and add value to your bottom line. PITTSBURGH, PA I CHARLESTON, WV I STATE COLLEGE, PA I WASHINGTON, DC I CANTON, OH I SEWELL, NJ Babst_Construction_DEVPGH_8.625x11.125.indd 1 3/6/16 9:41 PM Contents2016 PUBLISHER Tall Timber Group www.talltimbergroup.com EDITOR Jeff Burd 412-366-1857 Cover image: [email protected] Carnegie Mellon’s Scott Hall. PRODUCTION Carson Publishing, Inc. Kevin J. Gordon ART DIRECTOR/GRAPHIC DESIGN Carson Publishing, Inc. Jaimee D. Greenawalt CONTRIBUTING EDITORS Anna Burd CONTRIBUTING PHOTOGRAPHY Tall Timber Group Master Builders’ Association -
Excerpt from Back in the World, a Dramatic Full-Length Produced Play in One Act
1 EXCERPT FROM BACK IN THE WORLD, A DRAMATIC FULL-LENGTH PRODUCED PLAY IN ONE ACT. The play, a series of interconnected monologues delivered by four black veterans of the Vietnam War recall, reflect on and relive some of their searing experiences before, during and after their service in Vietnam. A fifth character—The Man—is a homeless Vietnam Veteran who lives day-to-day in Detroit and fights to maintain his sanity against the backdrop of urban gunfire and the sounds of police helicopters patrolling the skies and sounding (at least to him) like the Huey helicopters he became familiar with in Vietnam. The Man has something in common with the other characters; they may not remember his name but at one point or another, this nameless man has touched the lives of the other characters. Theatrically, he serves as something of a ghost providing “memory dialogue” with the other characters. Anthony “Jam” Brazil is from Indianapolis. He is a veteran of the Fourth Infantry Division: “Duc Pho, May ’69. Saigon, October ’71, December ’71.” He has seen a lot of action and the persistent memory of it hurts. As he states early on in his monologue he has killed about as many people as are in the theater listening to him—some Viet Cong, some Chinese. But it is the innocent casualties he remembers most. Brazil: I killed a seven-year old boy once. Seven or eight. Easiest thing I’ve ever done. Killin’ that boy. Didn’t look back, don’t regret it. I mean, that’s what bein’ a soldier’s all about, right? No frets, no regrets. -
Getting Real
Getting Real Black Women Taking Charge in the Fight Against AIDS By Hilary Beard Black AIDS Institute December 2005 Getting Real: Black Women Taking Charge in the Fight Against AIDS is designed for educational purposes only and is not engaged in rendering medical advice or professional services. The information provided through this publication should not be used for diagnosing or treating a health problem or a disease. It is not a sub- stitute for professional care. Rev. 1.0 Table of Contents 5 Overview The State of AIDS Among Black Women 11 Chapter One Is Your Relationship History Bad for Your Health? 19 Chapter Two The Condom Conundrum 27 Chapter Three Broken Bonds: Black America’s Relationship Crisis 35 Chapter Four Growing Out of the Down Low Rut 41 Chapter Five Parenting Power 49 About the Author 50 About the Black AIDS Institute Getting Real: Black Women Taking Charge in the Fight Against AIDS is a publication of the Black AIDS Institute, 1833 West Eighth Street, Los Angeles, California 90057-4257, 213-353-3610, 213-989-0181 fax, info@BlackAIDS. org, www.BlackAIDS.org. © 2005 BAI. All rights reserved. The slogan “Our People, Our Problem, Our Solution” is a trademark of the Black AIDS Institute. Views and opinions expressed in this publication are not necessarily those of the Black AIDS Institute. Publication of the name or photograph of a person does not indicate the sexual orientation or HIV status of the person or necessarily constitute an endorsement of the Institute or its policies. Some photographs in this publication use professional models. -
You Know My Steez
1. INTRODUCTION: YOU KNOW MY STEEZ My style be wilder than a kamikaze pilot Don’t try it, I’m about to start more than a friggin’ riot Style’s unsurpassable . For I be speakin from my parables and carry you beyond The mic’s either a magic wand Or it gets tragic like the havoc of a nuclear bomb . Phat beats, they play on Want dope rhymes, put me on Word is bond . You know my steez —Guru, “You Know My Steez,” 1998 My style’s incognito I’m sharper than a razor blade dressed up in a black tuxedo Word to Reggie Noble, and to Shaq Forget Schwarzenegger, I’ll be back You know my steelo . You know my style, you know my steelo. You know my style, you know my steelo —E. Sermon, “My Style, My Steelo,” 1994 It’s necessary, we styles in Burburry And our walk is mean in them Frankie B. jeans bwoy Its necessary, we stays in Burburry And a Mark Jacob bag and a H-Tod shoe (Whooooo!) —Foxy Brown, “Stylin,” 2002 I mean, for like, to be cool, to be labeled Hip Hop and like in that category, you have to, for boys, it’s like the whole sag thing. You can’t have your pants all the way up here like Alonzo! [laughter] . He has his pants way up here with the belt and he’s like . like how Bilal and Careem have their pants right now, like here, saggin a little is cool, but you’re labeled like a square if you have 1 DownloadedPADS89.01.Chap1.indd from http://read.dukeupress.edu/pads/article-pdf/89/1/1/452189/PADS89.01.Chap1.pdf1 1/21/2005, 4:32 PM by guest on 28 September 2021 2 pads 89: you know my steez your pants like here [high on your waist] and they’re tight . -
Universities and Innovation Ecosystems: a Dynamic Capabilities Perspective Sohvi Heaton,1,* Donald S
Industrial and Corporate Change, 2019, 1–19 doi: 10.1093/icc/dtz038 Original article Downloaded from https://academic.oup.com/icc/advance-article-abstract/doi/10.1093/icc/dtz038/5526923 by Loyola Marymount University user on 08 July 2019 Universities and innovation ecosystems: a dynamic capabilities perspective Sohvi Heaton,1,* Donald S. Siegel,2 and David J. Teece3 1College of Business, Loyola Marymount University, Los Angeles, CA 90045-2659, USA. e-mail: [email protected], 2School of Public Affairs, Arizona State University, Phoenix, AZ 85004-0687, USA. e-mail: [email protected] and 3Institute for Business Innovation, Haas School of Business, U.C. Berkeley, Berkeley, CA 94720-1234, USA. e-mail: [email protected] *Main author for correspondence. Abstract Universities play an important role in innovation ecosystems. In addition to developing human capital and advancing technology, they are increasingly expected to participate as economic development partners with industry and local, state, and national governments. Models such as the “Triple Helix” have been advanced to frame the assessment of interactions among academia, industry, and govern- ments that may foster economic development. Such models highlight the boundary-spanning roles of universities and provide a predetermined list of actions universities could take to strengthen their eco- system. Unfortunately, the flexible and entrepreneurial management of universities required to make this model work has virtually been ignored in the academic literature. We propose the dynamic capa- bilities framework to guide how universities might manage their innovation ecosystems. We use this framework to analyze the role of the university throughout the ecosystem lifecycle. -
Concert History of the Allen County War Memorial Coliseum
Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire -
GIIN Launch 2009.Pdf
Global Impact Investing Network September 25th 2009 New Industry Group Launched to Facilitate For-Profit Investing that Addresses Social and Environmental Challenges New York City, September 25, 2009—President Bill Clinton today announced the launch of the Global Impacting Investing Network (GIIN), a non-profit organization dedicated to promoting more effective impact investing around the world, at the Clinton Global Initiative. Impact investing is the use of for-profit investment to address social and environmental problems. The GIIN will promote the infrastructure, activities, education, and research that enable more effective impact investing, and will ultimately lead to a coherent, well-developed marketplace for the impact investing industry. Two major initiatives begin this work: The GIIN Investors’ Council - a group of leading impact investors representing a diverse range of institutions from around the world. The Investors’ Council will provide leadership in the industry, disseminate the latest research and best practices in the field, and support the creation and adoption of industry infrastructure, including impact metrics. The Impact Reporting and Investment Standards (IRIS) – initiative to provide a common framework for measuring social and environmental impact of investments. IRIS addresses a major barrier to the growth of the impact investing industry – the lack of transparency and credibility in how funds define, track, and report on the social and environmental performance of their capital. “This network is a response to growing appetites from investors across the world for a platform that allows them to work together to capture the powerful potential of impact investing,” said Amit Bouri, Director of Strategy and Development for the GIIN. -
February 2012
The Park Press Winter Park | Baldwin Park | College Park | M a i t l a n d F E b R u a R y 2 0 1 2 FREE Duck Derby a Makeover Technology Winner allows Creativity 10 15 18 It’s Great To be Grand! – by Tricia Cable Teachers, in general, are some of the the doctor’s visits, helping to pay for med- most thoughtful human beings on the icine, paying for children with impaired planet. They certainly don’t become vision to get glasses, and on occasion, pay- teachers because of the pay, and many of ing their rent to avoid eviction. the professional educators in my circle But the team of five woman who take spend a great deal of their hard-earned on the responsibility to educate the 88 5 wages on classroom supplies and oth- and 6-year-olds who attend kindergarten er items in an effort to be the very best there are not only incredibly dedicated and teachers for our children. John F. Ken- competent, but also a very compassionate nedy once said “Our progress as a nation and caring group. “Students here are such can be no swifter than our progress in sweet and inquisitive boys and girls,” ex- education. The human mind is our fun- plains team leader Sarah Schneider. “They damental resource.” tend to lack the knowledge of the world The kindergarten team at Grand Av- beyond their own neighborhood, and that enue Primary Learning Center takes that Kindergarten Team Leader Sarah Schneider with a group of her is where we come in,” she continues. -
1966 SEASON Great Stars in Great Musical Shows After the Theatre
1966 SEASON Great Stars in Great Musical Shows After the theatre ... make it a Stroh's opening night. FIRE-BREWED FLAVOR The Stroh Brewery Company, Detroit 26, Michigan We/to• to the world premiere o/11 line new Bro,tlw11y musklll ••• This evening you are having the rare fun of seeing a brand new show, a major Broadway production, being performed for the first time anywhere. This is a theatrical scoop we are proud to present on our stage. We are particularly proud that a producer of the imagination and taste of Mr. Edward Padula and a star of the stature of Mr. John Raitt have selected Cleveland and our theatre for their premiere. They will leave here to tour for ten more weeks this summer, and then open on Broadway the first week in October. As a member of the audience, you are playing an important part in this exciting new enterprise, too. It is your reaction that helps to shape and polish the show as it goes along. ' This whole evening will be a fresh experience, all new to the ear and eye. We hope you will thoroughly enjoy being in at the beginning of "A Joyful Noise." P.S. Just for fun, we're having a Do-lt-Yourself Drama Critic con test. Your comments on this new show are cordially invited (You need not be literary, just to the point). Only two rules: keep it under 500 words and either leave it at box office or mail it (Box 802, Cleve land. 44122) by June 27. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Pittsburgh IT Cluster Is in Universities and Training Institutes, Instruments, Research Organizations, Software Development and Information Security
Professor Michael E. Porter, Harvard University Council on Competitiveness Monitor Group ontheFRONTIER Pittsburgh CLUSTERS OF INNOVATION INITIATIVE ATLANTA PITTSBURGH RESEARCH TRIANGLE SAN DIEGO WICHITA This report may not be reproduced, in whole or in part, in any form beyond copying permitted by sections 107 and 108 of the U.S. copyright law and excerpts by reviewers for the public press, without written permission from the publishers. ISBN 1-889866-52-0 To download this report or learn more about the Clusters of Innovation Initiative, please visit www.compete.org or write to: Council on Competitiveness 1500 K Street, NW Suite 850 Washington, DC 20005 Tel: (202) 682-4292 Fax: (202) 682-5150 Email: [email protected] Copyright ©April 2002 Council on Competitiveness Professor Michael E. Porter, Harvard University Monitor Group ontheFRONTIER Printed in the United States of America cover photo by John Wee Pittsburgh CLUSTERS OF INNOVATION INITIATIVE Professor Michael E. Porter, Harvard University Monitor Group ontheFRONTIER Council on Competitiveness CLUSTERS OF INNOVATION INITIATIVE: REGIONAL FOUNDATIONS OF U.S. COMPETITIVENESS CONTENTS Foreword by the Co-Chairs of the Clusters of Innovation Initiative . iv Acknowledgments . v National Steering Committee Members and Regional Advisors . vii Report Overview . .viii Highlights . .ix Executive Summary . xii Introduction . 1 1 Economic Competitiveness and Regional Innovative Capacity . 3 2 Regional Study Methodology . 14 3 Assessment of the Pittsburgh Regional Economy . 20 4 Competitiveness of Selected Clusters . 47 The Biotechnology / Pharmaceutical Cluster . 47 The Information Technology Cluster . 68 The Production Technology Cluster . .85 Sustaining Competitive Advantage: 5 Lessons, Challenges, and Opportunities . 103 Endnotes . 117 Appendices . 121 1. Definition of Measurements .