Ecological Dualisms Undone: Exploring the Roles of Ideologies, Zero Waste, and Qualitative Life-Cycle Analysis in Punta Cana’S Building Material Culture

Total Page:16

File Type:pdf, Size:1020Kb

Ecological Dualisms Undone: Exploring the Roles of Ideologies, Zero Waste, and Qualitative Life-Cycle Analysis in Punta Cana’S Building Material Culture ECOLOGICAL DUALISMS UNDONE: EXPLORING THE ROLES OF IDEOLOGIES, ZERO WASTE, AND QUALITATIVE LIFE-CYCLE ANALYSIS IN PUNTA CANA’S BUILDING MATERIAL CULTURE A thesis presented to the faculty of the Graduate School of Cornell University in partial fulfillment of the requirements for the degree of Masters of Arts By Jessica Anne Ekblaw January 2012 © 2012 Jessica Anne Ekblaw A B S T R A C T Materials, as the physical human-environment interface, are key challenges and requirements for sustainable design. This study investigates the epistemology of building materials to understand the considerations and consequences of material selection, both in abstract and within the specific context of Punta Cana. By employing reflective research methods to interpret six environmental building philosophies, this study reveals the building community’s need to resolve inflexible dualisms regarding technology, globalization, and cultural meaning to overcome professional divisions that hinder interventions toward sustainability. The results call for common goals, such as zero waste, to explore a wider range of suitable building solutions and provide unified sustainable design criteria. Finally, a qualitative life-cycle analysis suggests that bamboo, a building material commonly disregarded by dualistic mindsets, may convey more environmental, economic, and social benefits in Punta Cana than concrete, the prevailing Dominican structural building material. The conclusions of this study call for increased criticism and ethics throughout the design process to avoid misleading assumptions, represent implicated stakeholders, and promote context-based building solutions. Keywords: sustainable materials, environmental philosophy, zero waste, vernacular, bamboo, Dominican Republic B I O G R A P H I C A L S K E T C H Jessica Anne Ekblaw is an aspiring interior designer and green building professional. She was raised in upstate New York and graduated from Vestal Senior High School in 2006. Her concern for the environmental impacts of buildings grew during her undergraduate attendance at Cornell University, and this interest inspired her to become a LEED Accredited Professional in 2009. In 2010, she received a Bachelor of Science with Distinction from the Design and Environmental Analysis program with a concentration in interior design. Upon graduation, Jessica enrolled in the newly created Sustainable Design Studies graduate program at Cornell University and worked to enrich learning experiences as a teaching assistant for design lectures and studios. By bringing concepts from her graduate minor, Science and Technology Studies, into the design field, she has begun to explore the design process, particularly how designers perceive their material options, and hopes to reveal how assumptions can be questioned to explore sustainable possibilities. iii A C K N O W L E D G M E N T S The insight, assistance, and encouragement of many individuals have been instrumental to the production of this thesis. Foremost, I must thank my thesis chair and advisor, Jack Elliott, for his enthusiasm and encouragement of my ideas. His spirit of intellectual exploration was influential in shaping a unique and intriguing course of study, and I am grateful for his time and effort to develop a meaningful project. Secondly, I thank Sara Pritchard, my minor member in Science and Technology Studies, for her help navigating an unfamiliar field and for her ongoing support through the ideation and writing process. Her empathy, feedback, and time have been invaluable to guide and refine my work. The Department of Design and Environmental Analysis provided funding for my research, which allowed me to experience my case study location, Punta Cana, firsthand. I appreciate this financial support, as well as the assistance of Grupo PUNTACANA to facilitate my stay in Punta Cana. I especially thank Jake Kheel for his interest and hospitality and Ben Hulefeld for his informative tours and logistical organization. I also owe much to those who have offered listening ears and words of encouragement. Thanks to Rhonda Gilmore for her faith in my abilities; Kristin Malyak and Courtney Cheng for nightly kitchen chats; and Joseph Fleury for short-term goals, long-term dreams, and needed perspective. My parents deserve a special thank you for understanding the stresses of a graduate student and providing the means for my accomplishments. You have lived my experiences with me and helped me reach my goals, and for this I am truly grateful. iv T A B L E O F C O N T E N T S Introduction 1 Overview and Significance 1 Need for Research 3 Purpose and Scope of Research 5 Questions for Exploration 6 Methodology 7 Background 8 Introduction 8 Environmental Philosophy, Philosophy of Technology, and the 10 Human vs. Nature Dualism Early conceptions of nature Nature-based environmental philosophies Industrial-based environmental and technological philosophies Impacts of ideologies Conclusion Sustainability Movements, Motives, and Metrics 37 Sustainability movements Sustainability motives Sustainability metrics Conclusion Material History 58 History of material usage and development Historical themes Reasons for a shift toward material science Critiques of material science and advocacy for alternatives Material ambiguity and middle ground Conclusion The Dominican Republic 76 National and regional characteristics v Vernacular and development Tourism and ecotourism Grupo PUNTACANA Conclusion Methodology 103 Objectives 103 Hypothesis 103 Research Design 104 Precedents 107 Limitations 110 Results, Part 1: Dualisms 113 Introduction: A Call for Ethics of the Built Environment 113 Eco-technic vs. Eco-centric 123 Introduction Assumptions of eco-technic and eco-centric perspectives Limits of categorization Defining nature, technology, and hybridity Understanding and applying technology Conclusion Eco-medical vs. Eco-social 158 Introduction Challenges Dualisms and ambiguities Green development and ecotourism as resolutions in Punta Cana Conclusion Eco-aesthetic vs. Eco-cultural 186 Introduction Meaning in materials Defining vernacular, high style, and their dualistic relationship Ambiguities Lessons of a modern vernacular vi Application in Punta Cana Conclusion Results, Part 2: Responses to Dualisms 223 Zero Waste 223 Consumption and waste Assumptions Zero waste Alternatives to conventional material culture Justifications Investigation of Material Application in Punta Cana 248 Introduction Summary of findings Environmental Economic Social Conclusion Conclusions 288 Implications 288 Directions for Future Research 295 Appendices 305 Appendix A 305 Appendix B 312 Appendix C 313 Appendix D 314 Appendix E 315 Appendix F 316 References 317 vii L I S T O F F I G U R E S Figure 1 Human-environment ideological flowchart 12 Figure 2 Sustainability pyramid 12 Figure 3 Environmental theme indicators, 1985 45 Figure 4 The state of sustainable development in 2005 based on 51 a combined measure of Ecological Footprint and Human Development Index Figure 5 Topography of the Dominican Republic 77 Figure 6 Hierarchy of tourism categories 89 Figure 7 Environmental Kuznets curve 177 Figure 8 United States nonfuel materials consumption (1900-2002) 225 Figure 9 Distribution of material usage 225 Figure 10 Share of world’s private consumption, 2005 226 Figure 11 Materials flow model 235 viii L I S T O F T A B L E S Table 1 Timeline of material usage and development 59 Table 2 Dualistic assumptions of building materials 249 Table 3 Summary of findings 251 Table 4 Non-dualistic traits of bamboo and concrete 290 ix L I S T O F A B B R E V I A T I O N S AIA American Institute of Architects BEAM Building Environmental Assessment Method BREEAM Building Research Establishment Environmental Assessment Method CASBEE Comprehensive Assessment System for Built Environment Efficiency CEB Compressed earth blocks CFC Chlorofluorocarbon CSR Corporate social responsibility EPA (United States) Environmental Protection Agency EPS Expanded polystyrene FSC Forest Stewardship Council HCFC Hydrochlorofluorocarbon LBC Living Building Challenge LCA Life-cycle analysis LEED Leadership in Energy and Environmental Design MBDC McDonough Braungart Design Chemistry NASA National Aeronautics and Space Administration NCARB National Council of Architectural Registrations Boards PCEF PUNTACANA Ecological Foundation PISÉ Pneumatically Impacted Stabilized Earth PVC Polyvinyl chloride TQM Total quality management UN United Nations UNCED United Nations Conference on Environment and Development UNEP United Nations Environment Program WCED World Commission on Environment and Development USGBC United States Green Building Council WTO World Tourism Organization x I N T R O D U C T I O N The following exploration challenges prevailing dualistic mindsets that shape material and environmental epistemology. The use of dualisms in a complex and dynamic world is problematic because assumptions can preclude consideration of functional, sustainable materials and promote uncritical use of predominant, and often unsustainable, methods. By analyzing the conceptual bases for material use in new construction, this study overcomes the limitations of the many studies that focus on technical solutions alone, which neglect the need for philosophical and lifestyle changes when problems have social, rather than technical, roots.1 By revealing and resolving the underlying values and conditions that fuel divergent thinking regarding technology, sourcing, and cultural aesthetics, designers and the general public
Recommended publications
  • Economic-Environmental Indicators to Support Investment Decisions: a Focus on the Buildings’ End-Of-Life Stage
    buildings Article Economic-Environmental Indicators to Support Investment Decisions: A Focus on the Buildings’ End-of-Life Stage Elena Fregonara *, Roberto Giordano ID , Diego Giuseppe Ferrando and Sara Pattono Architecture and Design Department, Politecnico di Torino, 10125 Turin, Italy; [email protected] (R.G.); [email protected] (D.G.F.); [email protected] (S.P.) * Correspondence: [email protected]; Tel.: +39-011-090-6432 Received: 29 May 2017; Accepted: 18 July 2017; Published: 21 July 2017 Abstract: The aim of this paper is to propose a methodology for supporting decision making in design activities; in case of new projects or retrofitting of existing buildings. A multidisciplinary approach is adopted; involving Real Estate Appraisal and Economic Evaluation of Project and Building Environmental Design. It is proposed a methodology for selecting the preferable solutions among technological options; considering both economic and environmental aspects; in terms of global performance. Assuming the principles of Life Cycle Thinking and Circular Economy focus is posed at the end-of-life stage. Attention is paid on disposal costs and residual value as relevant items enable to orient investment decisions. This is done through an approach for quantifying environmental indicators related to Life Cycle Assessment (Standard ISO 14040:2006); and economic indicators adopting the Life Cycle Costing (Standard ISO 15686:2008). The paper proposes a conjoint “economic-environmental indicator”. An application of Global Cost calculation is illustrated; including monetized environmental impacts (Embodied energy and Embodied carbon); disposal/dismantling costs and residual value. The result of the Global Cost calculation is expressed through a “synthetic economic-environmental indicator” in order to select; between two different technologies; the most viable solution for a multifunctional building glass façade project; in Northern Italy.
    [Show full text]
  • Detailed Assessment of Embodied Carbon of HVAC Systems for a New Office Building Based on BIM
    sustainability Case Report Detailed Assessment of Embodied Carbon of HVAC Systems for a New Office Building Based on BIM Christina Kiamili 1, Alexander Hollberg 2 and Guillaume Habert 1,* 1 Chair of Sustainable Construction, Institute of Construction and Infrastructure Management, Swiss Federal Institute of Technology (ETH), Stefano Franscini Platz 5, 8093 Zurich, Switzerland; [email protected] 2 Research Group Sustainable Building, Division of Building Technology, Department of Architecture and Civil Engineering, Chalmers University of Technology, 41296 Gothenburg, Sweden; [email protected] * Correspondence: [email protected] Received: 2 March 2020; Accepted: 16 April 2020; Published: 21 April 2020 Abstract: The global shift towards embodied carbon reduction in the building sector has indicated the need for a detailed analysis of environmental impacts across the whole lifecycle of buildings. The environmental impact of heating, ventilation, and air conditioning (HVAC) systems has rarely been studied in detail. Most of the published studies are based on assumptions and rule of thumb techniques. In this study, the requirements and methods to perform a detailed life cycle assessment (LCA) for HVAC systems based on building information modelling (BIM) are assessed and framed for the first time. The approach of linking external product data information to objects using visual programming language (VPL) is tested, and its benefits over the existing workflows are presented. The detailed BIM model of a newly built office building in Switzerland is used as a case study. In addition, detailed project documentation is used to ensure the plausibility of the calculated impact. The LCA results show that the embodied impact of the HVAC systems is three times higher than the targets provided by the Swiss Energy Efficiency Path (SIA 2040).
    [Show full text]
  • Download the Course
    Architecture Climate Change & Society Buell Center 2020 Course Development Prize Sara Stevens, Adam Rysanek, and Kees Lokman University of British Columbia CHANGING MINDS FOR A CHANGING CLIMATE Co-taught by a historian, a landscape architect, and a building scientist, this course proposes that design thinking has the potential to reframe the wicked problem of climate change. Weekly structured debates will pose provocations based on a set of historical and contemporary episodes and contested landscapes that position the designer in relation to societal change. Students assignments (Debate, Review, Conceive, and Impact) will analyze case studies in order to reimagine the relationship between design and climate change. Divided into modules that highlight different perspectives, the class will include lectures, workshops, and collective assignments intended to produce a small exhibition. Columbia University’s Temple Hoyne Buell Center for the Study of American Architecture Association of Collegiate Schools of Architecture Changing Minds for a Changing Climate Proposal for a graduate course in architecture, landscape architecture, and urban design Sara Stevens / Adam Rysanek / Kees Lokman School of Architecture and Landscape Architecture, University of British Columbia, Vancouver “If you care about the planet, and about the people and animals who live on it, there are two ways to think about [climate change]. You can keep on hoping that catastrophe is preventable, and feel ever more frustrated or enraged by the world’s inaction. Or you can accept that disaster is coming, and begin to rethink what it means to have hope.” — Jonathan Franzen, “What If We Stopped Pretending?” New Yorker, 8 September 2019 Franzen frames the problem of the climate apocalypse by pointing out the misalignment of rhetoric (stop climate change!) and evidence (it’s unstoppable!).
    [Show full text]
  • Learning to Be Postmodern in an All Too Modern World Whatever Action
    University of Groningen Learning to Be Postmodern in an All Too Modern World Bargues-Pedreny, Pol; Schmidt, Jessica Published in: Global Society DOI: 10.1080/13600826.2018.1539952 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2019 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bargues-Pedreny, P., & Schmidt, J. (2019). Learning to Be Postmodern in an All Too Modern World: "Whatever Action" in International Climate Change Imaginaries. Global Society, 33(1), 45-65. https://doi.org/10.1080/13600826.2018.1539952 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum.
    [Show full text]
  • Methods for a Critical Graphic Design Practice
    Title Design as criticism: methods for a critical graphic design p r a c tic e Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/12027/ Dat e 2 0 1 7 Citation Laranjo, Francisco Miguel (2017) Design as criticism: methods for a critical graphic design practice. PhD thesis, University of the Arts London. Cr e a to rs Laranjo, Francisco Miguel Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) University of the Arts London – London College of Communication February 2017 First submission: October 2015 2 Abstract This practice-led research is the result of an interest in graphic design as a specific critical activity. Existing in the context of the 2008 financial and subsequent political crisis, both this thesis and my work are situated in an expanded field of graphic design. This research examines the emergence of the terms critical design and critical practice, and aims to develop methods that use criticism during the design process from a practitioner’s perspective. Central aims of this research are to address a gap in design discourse in relation to this terminology and impact designers operating under the banner of such terms, as well as challenging practitioners to develop a more critical design practice. The central argument of this thesis is that in order to develop a critical practice, a designer must approach design as criticism.
    [Show full text]
  • The Henry Ford Collecting Innovation Today Transcript of a Video Oral History Interview with William Mcdonough Conducted Septemb
    THE HENRY FORD COLLECTING INNOVATION TODAY TRANSCRIPT OF A VIDEO ORAL HISTORY INTERVIEW WITH WILLIAM MCDONOUGH CONDUCTED SEPTEMBER 8, 2008 WILLIAM MCDONOUGH + PARTNERS CHARLOTTESVILLE, VA ©The Henry Ford 2009 Interviewer: Barry Hurd Producer: Judith E. Endelman McDonough 1-4 combined Cleaned up Final - SL William McDonough Interview PG.2 QUESTION: 01:00:33;07 You were inventing a new water bottle downstairs. WILLIAM MCDONOUGH: 01:00:36;01 Right. QUESTION: 01:00:36;10 What's that? Can you tell us anything about that? WILLIAM MCDONOUGH: 01:00:39;12 They'd shoot me if I did. QUESTION: 01:00:40;13 Oh, (CHUCKLE) okay. Well, could they shoot you after the interview? That way we'll have the information plus. Just tell me what you do around here. This is an amazing place. We were walking around. Just in general what goes on around here. WILLIAM MCDONOUGH: 01:00:51;07 Well, what we have here is an architecture practice on the second floor that does relatively conventional architecture with a sort of green bias. And then up here we have what's called McDonough Consulting which is general consulting to C.E.O.s and to leaders of industry on the Cradle to Cradle ideas, how that works. So that's really pretty much my time and how it's managed, and my book writing, and things like that. William McDonough Interview PG.3 QUESTION: 01:01:24;12 Are you actually drawing blueprints or anything like that? Is that from year's past? Or how does that work? WILLIAM MCDONOUGH: 01:01:29;04 I still sketch on tracing paper.
    [Show full text]
  • 46 Post-Growth Economics
    46 POST-GROWTH ECONOMICS Niko Paech Introduction Today’s sustainability concepts are mostly based on ecological modernisation. Modern societies follow this trend and tend to shift the necessity of changing their consumption habits to a point later in time, or even deny the necessity of change completely. This is based on the hope that technological progress can solve the sustainability problem without having to go through difficult changes in lifestyle and a moderation of consumption habits. However, many of those ‘Green’ innovations intensify material and energy overexploitation by making use of previously unspoilt landscapes and untouched resources. As long as decoupling by technological means turns out to be impossible, sustainable development can only be understood as a programme for economic reduction rather than conjuring Green Growth solutions. In this chapter I will explore an alternative to this popularised approach. That is a world that no longer clings to the growth imperative and makes the post-growth economy its goal. I start by defining what is meant by post-growth economics and how it has developed. This is followed by an exploration of the case for limits to growth and why decoupling runs into problems, including the rebound effect. I then outline some key aspects of a post-growth economy, before briefly identifying future directions and finishing with some concluding remarks. The development and meaning of post-growth economics Development of post-growth economics The terms post-growth economics (as an analytical framework) and post-growth economies (as a concrete draft for the future) arose in debates over sustainability held at Carl von Ossietzky University in Oldenburg during 2006.
    [Show full text]
  • A Degrowth Response to an Ecomodernist Manifesto
    A Call to Look Past An Ecomodernist Manifesto: A Degrowth Critique Authors and Endorsers: Jeremy Caradonna, Iris Borowy, Tom Green, Peter A. Victor, Maurie Cohen, Andrew Gow, Anna Ignatyeva, Matthias Schmelzer, Philip Vergragt, Josefin Wangel, Jessica Dempsey, Robert Orzanna, Sylvia Lorek, Julian Axmann, Rob Duncan, Richard B. Norgaard, Halina S. Brown, Richard Heinberg One of the counties within the province of sustainable development is now called “ecomodernism,” and it has come to prominence over the past few years, in part because of the figures associated with it, including prominent environmental thinkers such as Ted Nordhaus, Michael Shellenberger, and Stewart Brand. The New York Times recently praised the ecomodernist message in an article called, misleadingly, “A Call to Look Past Sustainable Development.”i Why is the article’s title so misleading? For the simple reason that the figures within ecomodernism want cultural and economic change that is sustainable, just like the rest of us; they simply want to move the focus of development in a new direction, even though this “new” direction seems surprisingly and troublingly conventional at times. The New York Times article mentions a new statement of principles that the ecomodernists published this year. It is called An Ecomodernist Manifesto (2015) and is co-authored by eighteen leading lights of the sustainability movement, including Nordhaus, Shellenberger, and Brand, but also the physicist David Keith, the scientist, Nobel Prize Winner, and Indian economist Joyashree Roy, and
    [Show full text]
  • Contemporary Anarchist Studies
    Contemporary Anarchist Studies This volume of collected essays by some of the most prominent academics studying anarchism bridges the gap between anarchist activism on the streets and anarchist theory in the academy. Focusing on anarchist theory, pedagogy, methodologies, praxis, and the future, this edition will strike a chord for anyone interested in radical social change. This interdisciplinary work highlights connections between anarchism and other perspectives such as feminism, queer theory, critical race theory, disability studies, post- modernism and post-structuralism, animal liberation, and environmental justice. Featuring original articles, this volume brings together a wide variety of anarchist voices whilst stressing anarchism’s tradition of dissent. This book is a must buy for the critical teacher, student, and activist interested in the state of the art of anarchism studies. Randall Amster, J.D., Ph.D., professor of Peace Studies at Prescott College, publishes widely in areas including anarchism, ecology, and social movements, and is the author of Lost in Space: The Criminalization, Globalization , and Urban Ecology of Homelessness (LFB Scholarly, 2008). Abraham DeLeon, Ph.D., is an assistant professor at the University of Rochester in the Margaret Warner Graduate School of Education and Human Development. His areas of interest include critical theory, anarchism, social studies education, critical pedagogy, and cultural studies. Luis A. Fernandez is the author of Policing Dissent: Social Control and the Anti- Globalization Movement (Rutgers University Press, 2008). His interests include protest policing, social movements, and the social control of late modernity. He is a professor of Criminology and Criminal Justice at Northern Arizona University. Anthony J. Nocella, II, is a doctoral student at Syracuse University and a professor at Le Moyne College.
    [Show full text]
  • Book Proposal Title Rod Clark A). Philosophy of Design an Index Of
    Book Proposal Title Rod Clark a). philosophy of design an index of possibilities Draft Version 1 Dec 2014 Not for circulation a). philosophy of design: an index of possibilities 1 a). philosophy of design: an index of possibilities 2 Contents List Genesis of the project 1 Background 1 Background - Function of Design Philosophy; An Index of Possiblities was begun in 2010 as a WP blog under Don’t explain your philosophy. Function of Philosophy in relation to design Philosophy in relation to Design the title Design Philosophy and its posts were concerned with ideas of values in Embody it. Epicetus naming and language around design, ‘design-time’ (multiple-speed periodicity) Most academic subjects have a philosophy about them. Science, medicine, politics 2 Overview, Approach, Organisation innovation and systems. A somewhat oblique look at design posts were about the all have underpinnings of thoughtful direction. They are complex and important and Coverage biro, design ‘classics’, British military vehicles, the iPod/iTunes system and the history subjects and need ethical and theoretical understandings for them to function. of the record player. From this beginning the project has grown organically into a very Design, as a much more recent, but as I try to point out, a just as important 3 Rationale thorough and structured investigation of design as a central human activity; themes discipline, coming as it does from craft roots does lack the intellectual basis that include how values initiate and are embedded in design as a cultural force, the other fields of activity have accrued over millennia. 4 Contents/ Section sequence importance of technology, the social role design has and how design performs in and over time and the nature of multiple interpretations.
    [Show full text]
  • GEOPOETICS in the ANTHROPOCENE by Eric Magrane
    Creative Geographies and Environments: Geopoetics in the Anthropocene Item Type text; Electronic Dissertation Authors Magrane, Eric Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 00:18:37 Link to Item http://hdl.handle.net/10150/624580 CREATIVE GEOGRAPHIES AND ENVIRONMENTS: GEOPOETICS IN THE ANTHROPOCENE by Eric Magrane ____________________________ Copyright © Eric Magrane 2017 A Dissertation Submitted to the Faculty of the SCHOOL OF GEOGRAPHY AND DEVELOPMENT In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Eric Magrane, titled Creative Geographies and Environments: Geopoetics in the Anthropocene, and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ___________________________________________________Date: 4/11/2017 Sallie Marston ___________________________________________________Date: 4/11/2017 Diana Liverman ___________________________________________________Date: 4/11/2017 John Paul Jones III ___________________________________________________Date: 4/11/2017 Alison Hawthorne Deming ___________________________________________________Date: 4/11/2017 Harriet Hawkins Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.
    [Show full text]
  • Part 1: the Ecology of the Image
    PART 1: THE ECOLOGY OF THE IMAGE Figure 1: Figure-ground reversal: the face-vase illusion (original design by Edgar Rubin). Ian E. Gordon, Theories of Visual Perception (Chichester: John Wiley & Sons, 1989) 53. 2 PART 1: THE ECOLOGY OF THE IMAGE …no denser or more tacit form of communication, no shaping or organising force more comprehensive or more insidiously embedded in our lifeworld than images. They make up the true lingua franca of commerce, politics, and psyche; they are the ‘cloaking devices’ par excellence of the human social world. (Sanford Kwinter)1 One must see, at first sight, what does not let itself be seen. And this is invisibility itself. For what first sight misses is the invisible. The flaw, the error of first sight is to see, and to not notice the invisible. (Jacques Derrida)2 …nothing seems more important than to debate the ecological role and character of images. (Andrew Ross)3 Don’t worry sweetheart — it’s just a movie. (Anon) INTRODUCTION 4 SNAP SHOT: AN ACCIDENT IN SLOW MOTION I am sitting in a Holden car designed in 1966, travelling down a highway on an extremely hot day at fifty miles per hour. The luxurious design of the interior (beautifully preserved by the car’s owner) speaks of a familiar car culture even though the detailing has changed. Something is, nonetheless, 1 Sanford Kwinter in his introduction to Bruce Mau, Life Style (London: Phaidon, 2000) 36. 2 Jacques Derrida, Specters of Marx: the state of the debt, the work of mourning, and the New International, trans.
    [Show full text]